After Antoine-Louis Barye (French, 1796-1875): A patinated bronze model of Dromadaire harnaché d'ÉgypteProbably late 19th / early 20th centuryThe dromedary camel raised on a naturalistic oval base signed BARYE to the front, 26cm high (5)Footnotes:ProvenanceUK Private Collection.For a comparable model sold in these room cast by the Barbedienne foundry, see lot 92, Bonhams Fine Decorative Arts sale, 12 July 2023.LiteratureStuart Pivar, 'The Barye Bronzes, A Catalogue Raisonne', catalogue, no. A93For further information on this lot please visit Bonhams.com
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After Giambologna (Italian, 1524-1608): A late 18th / early 19th century patinated bronze figural group depicting Nessus and DeianiraProbably ItalianThe centaur on rearing hind legs bearing away the young nude maiden in his right arm, on naturalistic base, raised on a contemporary rectangular stepped porphyry base, 48cm high overallFootnotes:The story of Nessus abducting Deianira was first described in Book IX of Ovid's Metamorphoses. In the story Ovid recounts Hercules and Deianira journeying back to Tyrins and coming upon a swollen river which they had to cross. Nessus, who was already carrying other people across the river, saw them and offered to help. When Hercules reached the other side, however, Nessus turned around and abducted Deianira. Hercules drew an arrow that had previously been dipped in the Hydra's blood and shot it at Nessus. The centaur, as he was dying, persuaded Deianira to collect his blood and use it as a love potion on Hercules. Deianira delivered the poisoned blood to Hercules which proved fatal (in some versions the poison is imbued in a shirt).The present lot depicts the moment that Nessus abducts Deianira. The nude female is shown in dynamic torsion, stabilising herself with one foot on his back, her arms flailing wildly and her head thrown back in fear. LiteratureF. Baldinucci, Notizie dei professori del disegno, Florence, 1681-8, Ranalli ed., Florence, 1846, reprinted 1974, IV, pp. 110-111.Edinburgh, London and Vienna, Royal Scottish Museum, Victoria and Albert Museum and Kunsthistorisches Museum, Giambologna 1529-1698 Sculptor to the Medici, 19 Aug. - 10 Sept. 1978, 5 Oct. - 16 Nov. 1978 and 2 Dec. 1978 - 28 Jan. 1979, C. Avery and A. Radcliffe eds., no. 66, pp. 109-117.C. Avery, Giambologna - The Complete Sculpture, Oxford, 1987, p. 264, no. 93.For further information on this lot please visit Bonhams.com
MARC DU PLANTIER (1901-1975)Table de bridge, commande spécialeCirca 1940Estampillée 'M. DU PLANTIER'Bois peint, bronze doré et cuirH: 70cm. (27 9/16in.); L: 78cm.(30 11/16in.); P: 78cm.(30 11/16in.).Un certificat d'authenticité validé par Yves Badetz, auteur de la monographie consacrée à Marc du Plantier parue aux éditions Norma, sera remis à l'acquéreur de ce lot avec l'accord de l'ayant droit de l'artiste.A stamped game table in painted wood, gilt brass and leather by Marc du Plantier specially commissioned circa 1940.Footnotes:Provenance:Famille Diego Mirat, commande spéciale pour le Plaza del Marques de Salamanca, 2, Madrid, 1946-1947Puis par descendanceBibliographie :Y. Badetz, Marc du Plantier, Ed. Norma, Paris, 2010, p. 221This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
MARC DU PLANTIER (1901-1975)Table d'appoint, commande spécialeCirca 1940Bois peint, bronze doré, laiton et verreEstampillée 'M. DU PLANTIER'H: 60,5cm. (23 5/8in.); L: 100cm.(39 3/8in.); P: 50cm.(19 11/16in.).Un certificat d'authenticité validé par Yves Badetz, auteur de la monographie consacrée à Marc du Plantier parue aux éditions Norma, sera remis à l'acquéreur de ce lot avec l'accord de l'ayant droit de l'artiste.A stamped side table in painted wood, gilt bronze, brass and glass by Marc Du Plantier specially commissioned circa 1940.Footnotes:Provenance:Famille Diego Mirat, commande spéciale pour le Plaza del Marques de Salamanca, 2, Madrid, 1946-1947Puis par descendanceThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
JACQUES ADNET (1901-1984)Table basse tripodeCréation circa 1949Cuir, bronze, laiton et verre H: 46,5cm. (18 5/16in.); D: 81,5cm. (32 1/16in.)A tripod coffee table in leather, bronze, brass and glass by Jacques Adnet designed circa 1949.Footnotes:Bibliographie : B. Champigneulle, 'Les meubles de Jacques Adnet', Art et décoration, n. 14, 1949, p. 10, 11R. Ferrette, 'Les derniers meubles de Jacques Adnet', Art et industrie, n. XXII, 1951, pp. 34-37A.-R. Hardy, G. Millet, Jacques Adnet, Ed L'Amateur, Paris, 2014, p. 211This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
ELISABETH GAROUSTE (1946-) & MATTIA BONETTI (1952-)Lampe mod. 'Masque'Création en 1984, exemplaire circa 1994Edition Galerie En Attendant les BarbaresMonogramme des artistes, estampille de l'éditeur, cachet du fondeur et numérotée 126/150Bronze doréH: 50cm. (19 11/16 in.); L: 25cm. (9 13/16in.).A monogrammed, stamped and numbered 'Mask' lamp in gilt bronze by Elisabeth Garouste & Mattia Bonetti designed in 1984 and edited by Galerie En Attendant les Barbares circa 1994.Footnotes:Historique:Modèle présenté dans l'exposition Années 80. Mode, design, graphisme en France au Musée des Arts décoratifs à Paris, 22 octobre 2022-16 avril 2023.Bibliographie:S. Calloway, F. Baudot, G.-G. Lemaire, Elizabeth Garouste et Mattia Bonetti, Ed Michel Aveline, Paris, 1990, p. 35, 55, 80, 81, 116A. Bony, En Attendant les Barbares, Ed du Regard, Paris, 2022, p. 11, 39, 135A. Gastaut, K. Lacquemant et al., Années 80. Mode, design, graphisme en France, catalogue d'exposition, Musée des Arts décoratifs, Paris, 22 octobre 2022-16 avril 2023, p. 102G. Bloch-Champfort, P. Favardin, Designers et créateurs des années 80-90, Ed Norma, Paris, 2022, p. 132, n. 2For further information on this lot please visit Bonhams.com
ELISABETH GAROUSTE (1946-) & MATTIA BONETTI (1952-)Guéridon mod. 'Comtesse'Création circa 1990Edition Galerie Avant-ScèneMonogrammes des artistes et de l'éditeurBronze patinéH: 60cm.(23 5/8in.); L: 40,5cm.(15 3/4in.).A monogrammed 'Comtesse' side table in patinated bronze by Elisabeth Garouste and Mattia Bonetti designed circa 1990 and edited by Galerie Avant-Scène.Footnotes:Bibliographie :L. Picot, Antidesign. Galerie Avant-Scène, Ed Norma, Paris, 2022, p. 10For further information on this lot please visit Bonhams.com
ELISABETH GAROUSTE (1946-) & MATTIA BONETTI (1952-)Guéridon mod. 'Comtesse'Création circa 1990Edition Galerie Avant-ScèneMonogrammes des artistes et de l'éditeurBronze patinéH: 60cm.(23 5/8in.); L: 40,5cm.(15 3/4in.).A 'Comtesse' side table in patinated bronze by Elisabeth Garouste and Mattia Bonetti designed circa 1990 and edited by Galerie Avant-Scène.Footnotes:Bibliographie :L. Picot, Antidesign. Galerie Avant-Scène, Ed Norma, Paris, 2022, p. 10For further information on this lot please visit Bonhams.com
Nine books to include English Coinage 600-1900 by C H V Sutherland, Scottish Coins by Donald Bateson, Canadian Government Paper Money edited by R J Graham, British Countermarks on Copper & Bronze Coins by J Gavin Scott, A Guide book of United States Coins by R S Yeoman, 42nd edition, The English Silver Coinage From 1649 by Seaby and Rayner, English Hammered Coinage Volume 2 by Jeffrey North, published by Spink, two other coin books and a Spink jigsaw puzzle. (10)
MACEO Y GRAJALES JOSE ANTONIO: (1845-1896) Guerrilla iconic Leader and second-in-command of the Cuban army of independence. Cubans nicknamed Maceo ''The Bronze Titan'' because of his multiple wounds in battle, while Spanish nicknamed him ''The elder Lion''. Maceo was killed near Punta Brava by Spanish forces after being betrayed by the physician of his headquarters. Rare D.S., `Jose Maceo´, one page, folio, Head Quarters of El Perico, 14th March 1896, in Spanish. The present letter was signed by Maceo six months before being killed. The partially printed document bears a printed coat of arms to the upper left corner and is the appointment of vice-Lieutenant Miguel Fernandez as Lieutenant, and signed by Mateo y Grajales in his capacity as General Major of the Liberation Army of Cuba. Overall important age wear, creasing and staining, with few holes and small tears to edges. Large repairs to the verso. P
[NAPOLEON – CORFU]: GENTILI ANTOINE (1751-1798) French-Corsican General who sided the French Republic. Governor of Corsica. He was defeated and surrendered to the British after their invasion of Corsica in 1794, but leaded the capture back of Corsica in 1796. A very interesting autograph letter addressed to the Emperor Napoleon Bonaparte, A.L., eight pages, folio, Head-Quarters of Corfu, 2nd July 1797, to Napoleon Bonaparte as Chief General of the Army of Italy, in French. The letter bears the printed heading of “A. Gentili, General of division and Commandant of the Army of Levant of the Army of Italy”. Gentili informs Napoleon that he has reached the port of Corfu, stating in part `Je m’étais fait précéder par les Citoyens d’Arbois, faisant fonction de chef de l’Etat-major, Arnaut et Brice, les Commissaires des Guerres que j’avais chargé de mes ordres pour reconnaitre les dispositions du Gouvernement et du peuple à notre égard et faire les préparatifs nécessaires pour l’établissement des troupes… dans les forteresses, et je me suis emparé de tous les magasins de Marine, d’Artillerie et du Génie, dont j’ai ordonné que l’on fit de suite l’inventaire…´ (Transcription: “I had been preceded by the Citizens d´Arbois, acting as Chief of the Head-Quarters, Arnaut and Brice, the War Commissioners whom I had charged with my orders to acknowledge the dispositions of the Government and the people to our regard and make the necessary preparations for the establishment of the troops... in the fortresses, and I seized all the stores of Navy, Artillery and Engineers, and I ordered to make immediately the inventories…”) Gentili lists the firearms, the 369 bronze and iron cannons, the 20 bronze howitzers and 121 bronze and iron swivels and mortars, not counting the ammunition and powder requisitioned. He further comments the military defence situation and refers to the Venice government, saying `La place de Corfou est très forte par sa situation; et les ouvrages que l’art y a ajouté la rendraient inexpugnable s’ils étaient réparés et entretenus; mais l’extrême négligence de l’ancien gouvernement vénitien laissait tomber en ruine ce boulevard de l’état…´ (Translation: “The position of Corfu is very strong because of its situation; and the works that art has added to it would make it impregnable if they were repaired and maintained; but the extreme negligence of the old Venetian government allowed this boulevard of the state to fall into ruin….”) Gentili further explains with enthusiasm how much the three thousand Italians and the seventy thousand Greeks people on the Island value their freedom and how much they admire our republic, and that they consider the French troops as their liberators, stating in part `On professe ici une admiration pour les Français qui va jusqu’à l’enthousiasme. Les Grecs sont en général beaucoup plus éclairés qu’on ne le suppose ordinairement et le souvenir de leurs origines n’est point éteint dans leurs âmes. Ils regrettent d’avoir vécu jusqu’alors pour le bénéfice d’une dure et plate aristocratie, qui, négligeant tous les objets d’un intérêt public, sans vertus comme sans lumières, s’opposait aux progrès de l’industrie, du commerce et de la raison humaine…´ (Translation: “Here they profess an admiration for the French that goes as far as enthusiasm. The Greeks are in general much more enlightened than is commonly supposed and the memory of their origins is not extinguished in their souls. They regret having lived until now for the benefit of a harsh aristocracy, which, neglecting all objects of public interest, without virtues or without enlightenment, opposed the progress of industry, of commerce and human reason…”) In this lengthy letter, Gentili further reports on the military and administrative changes required, and indicates what he would keep under the naval point of view, saying `Je prendrais donc le parti de conserver seulement un vaisseau vénitien de 74 canons, une frégate vénitienne et la frégate française ‘La Sensible’ avec quelques bâtiments de transport, le tout commandé par le capitaine Bourdé…´ (Translation: “I would therefore opt to keep only a Venetian ship of 74 guns, a Venetian frigate and the French frigate ‘La Sensible’ with a few transport vessels, all commanded by Captain Bourdé…”) Gentili before concluding explains that he has informed the Ambassador in Constantinople of the situation in Corfu and the inexact number and condition of the Venetian troops under his control, and refers to the excellent work done by d´Arbois who was at the head of the avant-garde capture of Corfu. Small overall age wear with a small stain and hole to the upper edge, not affecting the text. From 1386 to 1797, Corfu was ruled by Venetian nobility; much of the city reflects this era when the island belonged to the Republic of Venice, with multi-storeyed buildings on narrow lanes. The Old Town of Corfu has clear Venetian influence and is amongst the World Heritage Sites in Greece. It was in the Venetian period that the city saw the erection of the first opera house in Greece.By the 1797 Treaty of Campo Formio, Corfu was ceded to the French, who occupied it for two years, the time of the present letter. Until they were expelled by a joint Russian-Ottoman squadron. For a short time it became the capital of a self-governing federation. In 1807 after the Treaty of Tilsit its faction-ridden government was again replaced by a French administration, and in 1809 it was besieged in vain by a British Royal Navy fleet, which had captured all the other Ionian islands.Following the final defeat of Napoleon at Waterloo, the Ionian Islands became a protectorate of the United Kingdom by the Treaty of Paris of 5th November 1815. Guillaume-François-Joseph Bourdé de La Villehuet (1763-1851) Capitain of vessel in 1798 and future Vice Amiral. He participated in the Egypt campaign. Joseph-Louis d´Arbois de Jubainville (1764-1803) French Officer, appointed General in 1802. He was a member of the St.Domingue expedition. Arrested by the British and mistreated, he died of yellow fever at the early age of 39.
Deniere of Paris, Second quarter 19th Century, A bronze and marble figural mantel clock, 'L'Emploi du temps', after the model by Laurent Guiard (1732 - 1788) In the Louis XVI style, depicting a classical maiden reclining and reading a book, leaning against the clock case which is modelled as a pedestal, raised on a white marble plinth with ormolu mounts depicting Cupids amongst scrolling acanthus leaves, with enamelled dial with Roman numerals and Arabic five minute outer track Signed: 'DENIERE FT DE BRONZES PARIS' Stamped: 'PONS Medaille D'or 1827'. The movement is winding, ticking and striking but not fully tested or guaranteed Property of a lady Dimensions: 38 cm (H) x 57 cm (W)
Fleming (Ian) From Russia With Love, first edition, ink ownership inscription and some light spotting to front free endpaper, original boards with gun-and-rose design to upper cover in bronze and silver, slight bumping to spine tips, dust-jacket,small surface abrasion to front flap, light browning to spine, spine ends and corners a little chipped, light foxing to lower panel, a few small nicks to head and foot of panels, extremities rubbed, a very good copy, 8vo, 1957.
Assortment of various Royal Mint silver proof coins and a Dhruva Mistry Medal (15). Assortment of various Royal Mint silver proof coins to include 1994 Commemorating the Tercentenary of the Bank of England Two-Pound Coin, 1995 50th Anniversary of the United Nations Two-Pound Coin, 1996 UK A Celebration of Football £2 Coin, 1997 UK Silver Proof Piedfort Two-Pound Coin, 1998 UK Silver Proof Two-Pound Coin, 1990 Rugby World Cup Two-Pound Coin, 2001 UK Wireless Bridges the Atlantic Marconi 1901 Two-Pound Coin, 2004 200th Anniversary of the Steam Locomotive £2 Coin, 1982 Silver Piedfort Twenty-Pence Coin, 1992 Silver Proof Piedfort Ten Pence Coin, 1990 Silver Piedfort Five Pence Coin, 1997 and 1998 Silver Proof Piedfort Two-Pound Coin Set, 1977 Silver Proof The Queen's Silver Jubilee Crown, 2000 The Queen Mother Centenary Year Silver Piedfort Crown and a Dhruva Mistry Millennium Medal in bronze, all with certificates and in original cases of issue (15).Qty: 15
VICE-ADMIRAL SIR WILMOT H. FAWKES (1846-1926) medal in white metal. Obv: Bust in full uniform right. Rev: Starboard-bow view of the "Good Hope". By T Spicer, Samson. Struck c.1905, 102mmA bronze example can be found in the National Maritime Museum, Greenwich.The collection of the late Anthony du Boulay FSA (1929-2022).
ENGLISH SCHOOL, 19TH CENTURY A group of five Grand Tour studies including a pencil and watercolour sketch of architectural works, signed 'HWL 1/2/94', inscribed “Soane museum, Adam’s ceiling volume 1 page 208, bed chamber Osterley park (not executed) AD 1772", 18cm x 26.5cm, together with an architectural pencil sketch of a frieze, dated “July 22nd 1846”, inscribed “Pisa Camposanto ornaments of 1170 abh”, 10cm x 14.5cm, a pencil sketch of a façade, dated “August 24th 1845”,inscribed “St Peter’s Rome, bronze ornament over centre entrance in great facade”, 10.5cm x 16cm, a pencil sketch, dated "November 1844", inscribed “Bourges Saint Étienne...arch way", 15.5cm x 9cm, and a pencil sketch of pillars, dated “July 1st 1845”, inscribed “Palermo Cloisters of San Lorenzio”, 16cm x 10cm (5)
A Louis XV style marquetry and banded walnut card table, the rectangular hinged folding swivel top with gilt bronze border and ornate foliate decoration, opening to reveal a green baize lined playing surface, with two opposing drawers to the frieze, on slender cabriole legs with gilt bronze scroll and acanthus decoration, 44 x 62 x 74cm high.
Suzanne Bertrand (fl 1920-1930) An Art Deco gilt bronze and ivory sculpture of a fashionable young Dutch youth modelled standing happily alert wearing a cloche hat, double breasted reefer jacket, pantaloons and clogs, on a variegated marble base engraved S Bertrand in cursive script, circa 1930, 16 cm, (Animal and Plant Health Agency (APHA) registered. Not available for export)
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