FRENCH GILT BRONZE AND MARBLE MANTEL CLOCK, SIGNED POCHON, PARIS 19TH CENTURY the circular white enamel dial with Arabic chapters and two winding holes, signed Lochon/ A PARIS, in a squared pedestal case flanked by figures of Cupid and Psyche and surmounted by an urn, on a shaped oval white marble base with toupie feet, the eight day movement striking a bell 33cm wide, 40cm high Contents from a West Coast of Scotland Lodge
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PAIR OF FRENCH BRONZE AND MARBLE CANDELABRA 19TH CENTURY each with a central stiff and six outscrolling candle arms, surmounting tapered green marble columns and scrolled gilt bronze tri-form bases, converted to electricity (2) 75cm high (excluding fittings) Provenance: Ex. Blair Drummond House, near Stirling
LOUIS XV STYLE BOULLE MARQUETRY BRACKET CLOCK 19TH CENTURY with waisted pediment and case with ornate gilt bronze mounts, the glazed door enclosing white enamelled chapters with Roman numerals, signed ETIENNE CHAMPION/ A PARIS, on C-scroll feet, the movement striking a bell, also signed 68.5cm high Provenance: Ex. Blair Drummond House, near Stirling
FRENCH GILT BRONZE MANTEL CLOCK 19TH CENTURY with an urn finial above lion mask loop handles and enamelled chapters depicting Roman numerals, on an ornate breakfront base with scrolled and toupie feet, the movement stamped H&F PARIS/ 7414, striking a bell 34cm high Provenance: Purchased from Roderick Antiques, London, May 1998
FRENCH GILT BRONZE AND MARBLE THREE PIECE CLOCK GARNITURE, SAMUEL MARTI, PARIS LATE 19TH/20TH CENTURY the circular white enamel Arabic number dial signed 'BLACK STARR & FROST'/ NEW YORK' in a cylinder case flanked by figure of Venus and Cupid, on a white marble base raised on toupie feet; the eight-day movement stamped 477 and 'Medaille D'or/ Samuel Marti/ Paris' and striking a bell; together with a pair of associated twin branch candelabra in the form of a torch (3) Clock 27cm wide, 31cm high, 12cm deep
AFTER THE ANTIQUE, THE VENUS DE' MEDICI 19TH CENTURY Italian white marble 161cm high Note: This 19th century Italian version of Venus is based on the original dating to the first century AD, which was itself likely a copy of an earlier Hellenistic bronze of the Greek goddess Aphrodite. It follows in the tradition of the work of Praxiteles, the 4th century BC Greek sculptor. The goddess stands demurely, her arms seeming to cover her nakedness, as she emerges from the sea as evidenced by the dolphin at her feet. The Venus was known to be in the Medici collection by the mid 16th century, feted as a rare survivor from the Classical period. Through the 17th century its popularity began to extend beyond the closed circles of the Italian elite, benefitted by its move from Rome to Florence in 1677, where it was installed in the Uffizi Gallery. There, Venus' provocative beauty became a prime attraction for visitors making the Grand Tour, and copies in plaster, bronze and marble were made to grace collections of those wanting to possess her. RELATED LITERATURE F. Haskell and N. Penny, Taste and the Antique: The Lure of Classical Sculpture 1500-1900, New Haven/London, 1982, pp. 325-328
Medals, Forty one Napoleonic bronze medallions, including a number of examples from the series of 141 struck at the Emperors request by the French National Medallic Mint between 1796 and 1815 together with other similar examples.Notes: The series of medals are described in Captain J.C. Laskeys publication of 1818.Provenance: from a Private Country House collection
Medals, Six early 19th Century Napoleonic medallions, to include a cased medallion showing Napoleon on horseback with the inscription 'PASSAGE DU Gd. St. BERNARD, LE XXV FLOREAL, AN VIII' by Andrieu F., together with another cased medallion depicting a bust of Napoleon over a vignette of a battle scene with the inscription 'BATAILLE DE MARINGO, LE XXV PRAIRIAL, AN VIII' by Andrieu F., together with a bronze medallion and three silver medallionsProvenance: from a Private Country House collection
Medals, a collection of medallions to include a George IV bronze Coronation medallion, a Victoria marriage medallion, assorted 19th Century royal commemorative medallions, a 'Suspension Bridge near Stockton, 1830' white metal medallion, a bronze 'Arthur Marquis of Wellington' cased bronze medallion etcProvenance: from a Private Country House collection

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