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Lot 486
A FRENCH BRONZE NOVELTY GRAND TOUR CLASSICAL RUINS MANTEL CLOCK 2ND HALF 19TH CENTURY the brass eight day drum movement stamped '104', the circular dial with Roman numerals, the centre decorated with leaves and flowers, the case in the form of a capriccio of temple ruins with classical sculptures and columns, stamped '2492' 53.8cm high, 33cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880-1961) and by descent.
Lot 585
λ A JAPANESE BRONZE OKIMONO BY GENRYUSAI SEIYA MEIJI PERIOD, 19TH CENTURY the pachyderm fending off the attack of two tigers, its front leg lifted and about to crush one feline whilst the other clambers upon its back, with ivory tusks and inscribed to the belly 'Seiya zo for Genryusai Seiya', together with a wood base (2) 28.5cm wide Provenance Formerly a private Russian collection, and thence by descent.
Lot 494
A FRENCH BRONZE GROUP OF A SEA NYMPH AND PUTTO BY HENRY DASSON (FRENCH 1825-1896), DATED '1885' signed 'Henry Dasson 1885', on an ormolu mounted grand mix campan marble base and an associated ebonised wood column bronze: 62.8cm high column: 100cm high Catalogue Note For a comparable example see Christie's, The Opulent Eye, 22nd September 2011, lot 88.
Lot 473
AN ITALIAN BRONZE GRAND TOUR SATYR GROUP AFTER THE ANTIQUE. NAPOLI, LATE 19TH CENTURY depicting a faun teaching Pan to play the pipes, the base with an applied plaque, inscribed 'Gargiulio Gannone E Ci Fonderia di Bronzo, Il Monastero St. Franco Vecchio, Napoli', on an ebonised wood stand 32.5cm high
Lot 347
A FRENCH NAPOLEON III GILT AND PATINATED BRONZE TABLE LAMP AFTER CLODION, MID-19TH CENTURY modelled with a cherub holding a cornucopia issuing leaves, seated on a rouge griotte marble fluted socle, with a band of oak leaves and acorns, with a later light fitting, formerly the base of a candelabra 50.5cm high Provenance From a Private Cornish Country Estate.
Lot 344
A PAIR OF FRENCH PORCELAIN VASE TABLE LAMPS IN SEVRES STYLE LATE 19TH CENTURY with bronze mounts, painted with panels of courting couples in 18th century costumes, each signed 'G. Poitevi' in gilt reserves, on a bleu du roi ground, with later fittings (2) 53cm high Provenance From a Private Cornish Country Estate.
Lot 325
A BRONZE AND MALACHITE TAZZA POSSIBLY RUSSIAN, SECOND QUARTER 19TH CENTURY the patinated bowl cast with portrait medallions and ribbon tied laurel wreaths, one centred with a crowned 'H' and the other with interlinked capital 'D's, the stepped plinth applied with empire style stars, wreaths and rosettes 42.2cm high, 26cm diameter
Lot 477
A LARGE ITALIAN BRONZE ATHENIENNE AFTER THE ANTIQUE. IN THE MANNER OF CHIURAZZI OF NAPOLI, SECOND HALF 19TH CENTURY the brazier top with a later copper liner, supported by three satyr monopodia, on a rosso marble stand bronze: 91.3cm high marble: 41.9cm high Provenance By repute Oakley Hall, Shropshire.
Lot 300
THREE ITALIAN EMBROIDERED VELVET CURTAINS IN RENAISSANCE STYLE C.1870 of rust colour, stamped with alternating circles and diamonds, the circles containing a hound and stag's head, the diamonds with Tudor roses, the wide applique borders with interlocking raised work in gilt bronze round linen couched threads, gilt bronze wires and tinsel curls, lined and interlined (3) 411 x 371cm 412 x 305cm 437 x 367cm Provenance Probably Baron Mayer Amschel de Rothschild, Mentmore Towers. Sotheby Parke Bernet, Mentmore House, May 1977. Acquired by Bernard Nevill (1930-2019), Fonthill, Wiltshire from the Mentmore sale. Catalogue Note Mentmore Towers, known as Mentmore, was built as a country house between 1852-54 for Baron Mayer Amschel de Rothschild (1818-1874). The house was designed in the late 16th / early 17th century style called 'Jacobethan' and was home to the extensive Rothschild collection of art and antiques. When the contents of Mentmore were sold in 1977, Bernard Nevill bought the present curtains and a large number of other furnishings for his home, the converted stables on the Fonthill Estate, Wiltshire. Nevill (1930-2019) was a professor of textiles at the Royal College of Art, a textile designer and a director of design at Liberty's, where he produced two exciting ranges of printed textiles, 'Islamic' (1963) and 'Jazz' (1964). He was an aesthete and a great collector and he felt he was rescuing beautiful objects when he had no use for them. The curtains featured in an article on Nevill in the World of Interiors magazine in February 2020.
Lot 352
A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY each with a standing blackamoor supporting a pair of torches, with cut-glass sconces and drip-pans, hung with faceted drops and lustres, the base decorated with a basket of fruit and flowers and two laurel leaves, on a marble plinth (2) 31.8cm high, 23.7cm wide Provenance A Private London Collection. Acquired in the first half of the 20th century and thence by descent.
Lot 724
An assembled group of metal works of art, including: an Edwardian bronze campana vase, 24cm high; a bronze desk standish with twin inkwells, 26cm wide; a copper bed warming pan with turned wood handle, 104cm long; a contemporary wrought iron fire poker and similar tongs, 67cm and 69cm long; and a 20th century brass three-branch ceiling light with vaseline glass shades (one shade damaged), 47cm across, 33cm drop.Condition report: Campana vase: minor/negligible signs of age.Desk standish: minor signs of age and use.Bed warmer: significant signs of age and use throughout.Fire tools: signs of use throughout.Ceiling light: one shade broken at the top with section missing. Surface dulling/patina throughout. Branches a little loose and need tightening. One lamp head has a bulb which appears to be stuck.
Lot 681
A WMF Ikora bronze art deco style vase, of ovoid form and etched with stylised leafy branches resisted against a mottle 'verdigris' ground, 12.7cm high (small dent to body)Footnote: Footnote: A gummed paper label applied to this item indicates it was offered by Sotheby's, 10 May 1995, lot 225.Condition report: There is a small dent to the body in the lower half, quite shallow and around 30mm across, the centre of which has rubbing to the verdigris ground. Minor/negligible surface wear throughout. Typical light abrasions to the underside.
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349674 item(s)/page