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Lot 35
VIVIANE BRICKMANNE (Belgium, 1957)."Mutant V", 2019.Patinated bronze. Copy 1/7.Enclosed certificate issued by the artist.Work cast in Sphinx Foundry.Signed and justified on the base.Measurements: 87,5 x 15 x 24 cm.Brickmanne began her exhibition career in 2003, participating in various group exhibitions. Since then he has participated in various national and international exhibitions, both as a group and solo artist, including: group exhibitions at AAF New York in 2013, Art Santa Fe, at the Gaudí Gallery in South Korea, at AAF, Hamburg in 2014, at Feriarte in 2017, at SumArte at the Ateneo de Madrid in 2018 and at Studio Lisboa in Portugal in 2018, among others. Individually she has shown her work at the Belgian pavilion in Zaragoza in 2008, at the Atalante gallery in Madrid in 2011 and at the Hotel Hisperia in 2017. She has been awarded several prizes in recognition of her work, including the trophy for the Plus es más awards, Bayard editions, the Cara al viento prize from the Belgian and Luxembourg Chamber of Commerce in Spain and the Spanish-Dutch forum and the First Primavera Sculpture Prize from the International Association for the Arts. His works have also been published in the magazine Plaform Prees, April 2000, the magazine Plus es mas in 2012 and the project on conservation of contemporary sculpture. Study of the sculpture Eurydice for the Faculty of Fine Arts, Complutense University of Madrid. 2014.
Lot 54
JOSEP MARIA SUBIRACHS SITJAR (Barcelona, 1927 - 2014)."Sidero 268. 1958.Iron sculpture.Signed.Size: 85 x 170 x 15 cm.Thanks to his uninterrupted participation in the October Salon from 1949 to 1957 and his subsequent period in Belgium (where he lived from 1954 to 1956), Josep Maria Subirachs gained public recognition for his work. From that moment on, he understood the possibilities of being able to make a living from his work, becoming a professional sculptor. He began to experiment with language, moving from expressionism to expression and becoming interested in iron. During this same period - around 1958, the year our piece was made - he worked with other materials (such as stone, bronze and wood, among others), trying to highlight the plastic qualities of their varied colours, structures and textures.After entering the workshop of a gilder who was fond of sculpture at the age of fourteen, where he modelled his first works in clay, in 1942 José María Subirachs entered the workshop of the sculptor Enrique Monjó as an apprentice. Five years later he began to work as an assistant to Enrique Casanovas. In 1948 he showed his work for the first time at the Casa del Libro in Barcelona, and in 1950 he founded, together with other artists, the group Postectura. In 1951 he travelled to Paris to complete his training, with a grant from the Institut Français in Barcelona. He returned to Barcelona in 1953 and was awarded the Sculpture Prize at the Salon del Jazz. After two years working and exhibiting in Belgium he returns to Spain, and in 1958 he is awarded the Gran Premio San Jorge by the Diputación de Barcelona and the "Julio González" by the Cámara Barcelonesa de Arte. Since then he has been commissioned for a succession of public works, among which his important sculptural work on the façade of the Passion of the Sagrada Família stands out. He has held numerous solo and group exhibitions in various Spanish cities, as well as in Lisbon, Geneva, Antwerp, Brussels, Taipei, Chicago, Paris, New York, Zurich, Stockholm and Copenhagen, among others. His awards include the Ynglada-Guillot Drawing Prize (1966), the San Martín Prize (1971) and the Medal of Merit in the Fine Arts (1988). In 1980 he was elected member of the Royal Academy of Fine Arts of San Jorge. He has participated in the main international biennials, such as São Paulo, Venice, Havana, Antwerp, Cairo, Alexandria, Lausanne and Budapest. He is represented at the Centro Reina Sofía, the MACBA Museums in Barcelona, Ibiza, Seville and New York, the Fine Arts Museums of Bilbao, Birmingham, the Vatican, Taipei and Nebraska, the Museo al Aire Libre del Paseo de la Castellana in Madrid, the Petit Palais Museum in Geneva and the Millesgärden in Stockholm, among others.
Lot 456
A substantial, yellow metal antique ring, electronically tests as 18ct gold, set with what is believed to be a natural, Russian colour change alexandrite of approx. 10.26ct framed by approx. 1.94ct of old cut diamond, originally purchased in the 1960's from a Belgian Count who resided in Cornwall. Weight, 20.1g, size U/V (The ring has been submitted by same seller of Chinese bronze censer we sold for £38000 on 1st Jan 2022)
Lot 16
Collection of Arabic and Indian Items. Turkish Metal Ottoman Style Lidded Jug or Coffee Pot with Leather Grip, incised Script and Flowers(28cm high some dents), Indian Metal Spice Box, Bronze Vase with incised Peacocks, Indian Wooden Box with Bone Inlaid Decoration, missing Key(cracked base and writing to base dated 26.8.64), a Small Carved Alabaster Box with Damages and a Circular Lidded Lacquer Box with Flower Design. Various conditions. مجموعة من العناصر العربية والهندية. إبريق بغطاء من المعدن التركي على الطراز العثماني أو وعاء قهوة مع مقبض جلدي ونص منقوش وأزهار (بارتفاع 28 سم مع بعض الخدوش) ، صندوق توابل معدني هندي ، مزهرية برونزية مع طاووس محفور ، صندوق خشبي هندي مع زخرفة مطعمة بالعظام ، مفتاح مفقود (قاعدة مشقوقة وكتابة إلى القاعدة بتاريخ 26.8.64) ، صندوق صغير منحوت من المرمر به أضرار وصندوق ورنيش بغطاء دائري بتصميم زهرة. ظروف مختلفة
Lot 28
Sino Tibetan Gilt Copper Bronze - Sakyamuni Buddha in meditation. Late 19th or early 20th Century. Double Lotus base, Sealed, with impressed Flower Mark to underside. Some wear to gilt, generally Very good condition. 15cm in Height. Weight = 0.752Kg.汉藏青铜鎏金 - 释迦牟尼佛在冥想中。 19 世纪或 20 世纪初。双莲花底座，密封，底部印有花印。有些磨损到镀金，一般状况非常好。高 15 厘米。重量 = 0.752Kg。
Lot 77
4 x Miniature Model Cannons. 19th/20th Century. Materials - Bronze, Brass, Metal, Wood. A rare Medieval style European Cannon / Mortar in bronze with wooden Case and inscribed markings in Latin "ANNO MO-XX", Naval Cannon in Bakelite body, wheels, Brass Barrel & fittings, a further example with Wooden body, Wheels & Bronze/Copper Barrel and finally a Gilt Bronze Barrel Cannon with Black painted Metal body and a 'Pwllheli' metal badge with Crest. The Medieval Gun has one pin missing and guard rail is lifted from wooden body, otherwise very good, with some general wear including gilt and minor imperfections. The Longest Barrel Length is 12.5cm
Lot 8
Chinese / Sino Tibetan - Copper / Bronze Cloisonne Vase. 19th century. Mythical Creatures and Buddhist symbols in a stylist forms. Chimera, Bat, Phoenix, Ruyi Sceptres, Lotus flowers, Apple Blossom. Rich Enamel, with sparkles of gold in the green Lingzhi shaped panels. Celadon colour glaze liner and base.Some damages and losses to rim and near base, otherwise very good with minimal wear. 24.5cm high and weight is 0.521Kg.中国/汉藏 - 铜/青铜景泰蓝花瓶。 19 世纪。造型师形式的神话生物和佛教符号。奇美拉、蝙蝠、凤凰、如意权杖、莲花、苹果花。丰富的珐琅，在绿色灵芝形面板上闪烁着金色的光芒。青瓷色釉内胆和底座。
Lot 341
Maren Lipp ( 1926-20159) "Kauernder weiblicher Akt", Bronze, dunkel patiniert, monogr. "ML", datiert (19)87, nummeriert 8/12, 13x29x11,5 cm (Hamburger Bildhauerin, Malerin und Keramikerin. 1965 erste Arbeiten in Keramik, 1973 Meisterschülerin des österr. Bildhauers Prof. M. Rieder in Salzburg. 1975-1981 Besuch der Sommerakademie für Bild. Künste bei W. Bertoni, G. Rumpf und M. Schönholtz. 1982 Kunstpreis der Stiftung 'Kinder in Hamburg'. Zu Lipps plastischem Werk zählen Figurengruppen und Kleinplastiken aus dem häuslich ländlichen Bereich. Lit.: Der Neue Rump, Künstler in Hamburg.)
Lot 758
Boulle-Anrichte, Frankreich 19. Jh., ebonisiertes Holz mit Marketterie aus Messing sowie reiche Applikationen aus vergoldeter Bronze, rechteckiger, profilierter Korpus, in gegliederter Front kassettierte Tür mit zentralem, von üppigen Blütenranken umgebenem Maskaron, flankiert von reliefplastischen Puttenköpfen, Deckplatte aus cremefarbenem Marmor mit Gebrauchspuren, 114x86x35 cm
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350105 item(s)/page