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Lot 616

Erotische Figur einer orientalischen TänzerinBronze, dunkelbraun patiniert; ockerfarbener Marmorsockel. In der Tradition der Wiener Statuetten der Fa. Bergmann. Vollplastische Darstellung einer auf einem kleinen Teppich stehenden Tänzerin in knappem, orientalischem Kostüm, mit ihren beiden seitlich erhobenen Händen den Rock anhebend, der vorne mittels von Scharnieren gelüftet werden kann und hierdurch zu einer Aktfigur wird. Ges.-H. 35 cm.Erotic bronze figure of an Oriental female dancer in the style of the Vienna bronze sculptures by Bergmann. Ocher-coloured marble base.Wohl Österreich. Wien. Um 2000.

Lot 606

Louis Tuaillon(1862 Berlin - 1919 ebenda)Herkules und der erymanthische EberBronze, dunkelbraun patiniert, 1899/1901. Sign.; Gießerstempel von Martin & Piltzing, Berlin. Frühguss von 1901 oder kurz danach. Im breiten Ausfallschritt stehend wird Herkules ganz als Kraftmensch dargestellt, der den Eber fest gepackt hat. Die von Rodin beeinflusste Gruppe gehört zu den bedeutendsten Werken des Bildhauers, der 1885-1903 in Rom lebte. 1899/1900 schuf er im Rahmen eines von ihm gewonnen Bildhauerwettbewerbs das Modell für eine lebensgroße (nie realisierte) Bronzeversion auf einer Treppenwange in der Nationalgalerie in Berlin. 1901 entstand in Rom ein erster Bronzeguss nach dem kleinen Gipsmodell (Leihgabe in der Kunsthalle Bremen); weitere, 1901 und in den Jahren danach ausgeführte Güsse befinden sich u.a. in der Nationalgalerie in Berlin und im Wallraff-Richartz-Museum in Köln. 1902 zeigte Tuaillon die Bronze erstmals in der 5. Kunstausstellung der Berliner Secession unter dem Titel "Herkules mit dem Eber". Erst um 1910 entstand eine große Marmor-Version; um 1937 ließ die Tochter des Bildhauers Eva Tuaillon hiernach einen Bronzeguss ausführen, welcher in den 1960er Jahren auf dem Lützowplatz in Berlin aufgestellt wurde. Ca. 49 cm x 40 cm x 20 cm.Dark brown patinated bronze, 1899/1901. Signed, foundry mark by Martin & Piltzing. Early cast from 1901 or shortly after.

Lot 1501

Kleine Carteluhr im Louis XV-StilBronze, vergoldet. Balusterförmiger Korpus aus rot hinterlegtem Gitterwerk sowie Volutenmotive, durch üppige Lorbeerfestons verbunden. Vasenbekrönung. Verglastes Emailzifferblatt bez. Chardon à Paris. Quarzwerk. H. 44 cm.A French gilt bronze Louis XV style wall clock. Quartz movement.Frankreich. 20. Jh.

Lot 1519

Große Louis XV-Boulle Pendule mit KonsoleFlächendeckender Fond aus ornamentiertem Messing, Schildpatt, farbigem Lack und Perlmutter in sog. Boulle-Technik. Applikationen aus vergoldeter Bronze. Balusterförmiger, dreiseitig verglaster Korpus auf üppigen Rocaillefüßen. Geschweift ansteigender oberer Abschluss mit figuraler Puttenbekrönung. Ornamentiertes Zifferblatt mit Emailreserven, bez. Jacques Coigniet Paris. Pendulenwerk mit Fadenaufhängung sowie Halbstundenschlag auf Glocke, ebenso bez.; Flächendeckende Marketerie aus Blüten und Blattvoluten in Contre Partie-Technik. Korrespondierende Konsole mit Maskarons. Ges.-H. 118 cm.Vgl hierzu: Tardy, S. 134.A large French Boulle Louis XV mantel clock with bracket. Strikes half hour on a bell.Frankreich. Paris. 18. Jh.

Lot 618

Friedrich Gornik(1877 Prävali - 1943 Wien)Figürliches Jugendstil-Schreibtischset mit Löwen4-tlg.; Bronze, dunkelbraun patiniert. Jeweils sign., Ligatur-Monogramm "AR" der Gießerei Arthur Rubinstein, Wien. Bestehend aus: 1-flg. Tischlampe mit lauernder Löwin und Löwenjungen, Schirm aus böhmischem, opalisierendem, irisiertem Glas mit grünen Fadenauflagen (wohl Glasfabrik Elisabeth, Pallme-König & Habel, Kosten bei Teplitz); Schreibzeug mit Löwenpaar; Streichholzhalter mit einem Mähnenlöwen; Löschwiege mit kauernder Löwin. H. 10 cm-64 cm.A 4-piece figural bronze desk set with lions. Each signed, foundry mark "AR" by Arthur Rubinstein foundry, Vienna. Comprising table lamp with Bohemian iridescent glass shade, inkwell, rocker blotter and matchbox holder.

Lot 1510

Signierte Louis XV-Kommode von Pierre RousselRosenholz und Königsholz, furniert sowie Einlagen aus unterschiedlichen, teilw. gefärbten Edelhölzern. Dreiseitig bombierter Korpus, flankiert von weit ausgezogenen Ecklisenen, in sich konisch verjüngende, ausgestellte Beine übergehend. In der gegliederten Front zwei breite Schubladen sans traverse. Flächendeckend breit gerahmte, gespiegelt angeordnete Furnierfelder mit großzügig angelegten Intarsien aus Rosenblüten mit Papagei von reliefplastischen Rocaillen aus vergoldeter Bronze begrenzt. Schlagstempel-Sign. P. Roussel (wird Meister 1745) sowie Pariser Jury-Stempel JME. Korrespondierende Deckplatte aus roséfarbenem, cremefarben gemasertem Marmor. H. 86 cm. 130 cm x 63 cm.Pierre Roussel (1723 - 1782) wurde 1745 Meister, er hielt ab 1762 alle wichtigen Ämter seiner Zunft inne und zählte zu den besten und produktivsten Pariser Ebenisten. Seine Luxusmöbel waren stilprägend für den Geschmack des Louis XV und Louis XVI. Roussel fertigte Möbel u.a. im Auftrag des französischen königlichen Hofes für das Palais Bourbon, das Schloss Chantilly und das Schloss Versailles an.Vgl. Kjellberg, S. 728 sowie Abb. S. 730.Provenienz: aus der Auflösung einer bedeutenden nordrhein-westfälischen Privatsammlung.A signed French rosewood and kingwood veneered Louis XV chest of drawers by Pierre Roussel.Frankreich. Paris. Um 1750-1760.

Lot 1477

Große Louis XVI-CarteluhrBronze, vergoldet. Balusterförmiger Korpus, flankiert von Pilastern mit plastischen Widderköpfen, verbunden durch üppige Festons. Oberhalb große Vasenbekrönung. Verglastes Emailzifferblatt. Pendulenwerk mit Pendelfeder sowie Schlagwerk auf Glocke. H. 74 cm.A large French gilt bronze Louis XVI style wall clock. Strikes on a bell.Frankreich. Ende 19. Jh.

Lot 608

Victor Heinrich Seifert(1870 Wien - 1953 Berlin)"Bogenschütze". OriginaltitelBronze, dunkel patiniert, 1907. Sign. "Victor H. Seifert". Monumentaler Guss eines griechischen Bogenschützen als Aktfigur, den Seifert 1907 mit Erfolg auf der Großen Berliner Kunstausstellung zeigte. Seifert war seit (oder schon vor) 1894 in Berlin ansässig, wo er an der Akademie bei Ernst Herter, Ludwig Manzel und Peter Breuer studierte. 1894-1911 beschickte er vielfach die Großen Berliner Kunstausstellungen. Außer Bronzeplastiken für private Kunstsammler wie seinem bekannten "Trinkenden Mädchen", schuf er als vielbeschäftigter Bildhauer zahlreiche Denkmäler. Vor 1926 erhielt Seifert den Professorentitel. H. 93 cm.Provenienz: erworben um 1928 in Berlin, seitdem in Familienbesitz (bis 1983 platziert in einer Villa in Wusterhausen/Dosse).Dark patinated bronze, 1907. Signed. Acquired circa 1928 in Berlin, since then in the private collection of a German family (until 1983 placed in a villa in Wusterhausen/Dosse).

Lot 1483

Paar große Tischlampen im Louis XVI-Stil2-flg.; Camelfarbener, rot und schwarz gemaserter Marmor sowie Bronze. Über quadratischer Plinthe balusterförmiger Korpus mit breitem Fries aus Lanzett und Lorbeerblättern. Seitlich plastisch gestaltete Widderköpfe durch üppige Blütenfestons verbunden. Oberhalb schlanker Schaft als Träger für Leuchtmittel sowie konischen Lampenschirm. Elektrifiziert. H. 82 cm.A pair of large French marble and bronze Louis XVI style table lamps.Frankreich. 20. Jh.

Lot 640

Kubricky(Tätig Ende 20. Jh.)Kubistisches PferdBronze, dunkelbraun patiniert. Sign.; Stark abstrahierte Darstellung eines Pferdes in der Tradition der internationalen kubistischen Avantgarde seit Anfang des 20. Jhs. - Pablo Picasso, Alexander Archipenko, Joseph Csaky, Henri Laurens, Jacques Lipchitz, Raymond Duchamp-Villon und Umberto Boccioni. H. 40 cm.Dark brown patinated bronze. Signed.

Lot 1587

Große Rokoko-Deckenlampe18-flg.; Bronze, vergoldet. Flaches, durchbrochen gearbeitetes Schalenelement mit kräftigem Balusterabschluss. Davon ausgehend stark geschwungene Leuchterarme aus üppigem Blattwerk. Gestaffelt angeordnete vasenförmige Tüllen. Aufhängung aus schräggestellten Streben mit Blattdekor. H. 74 cm. D. 74 cm.A large French gilt bronze Rococo style ceiling lamp.Frankreich. 19. Jh.

Lot 17

Sir Henry Moore autograph on guest book page. BRITISH SCULPTOR. English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Moore also produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper. Also signed by Cynthia Barnsley 1961 LTA chairman. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lot 202

Bronze Statue signed after Rousseau, missing torch. 

Lot 46

Oriental Chinese Bronze Horse Sculpture - Marked to the back above the tail, along with Chinese Bronze Figure of a Standing Official, and 19th Century Chinese Famille Rose Plate - Marked to the Base.

Lot 205

Anna Danesin for Birmingham Mint, two limited edition figures of British Monarchs: Charles I and Charles II, cold painted bronze figures, on a stepped onyx plinths, H29cm

Lot 37

Bronze figure, modelled as a classical male figure in drapery with laurel wreath upon head, upon square marble plinth, overall H76cm

Lot 216

Gilt bronze novelty table bell, modelled as a tortoise, the shell concealing a clockwork movement, with impressed marks beneath, H6cm

Lot 231

Pair of Chinese porcelain lamps, each of squat baluster form, decorated with a smokey crackle glaze, raised upon square brushed bronze base, H58cm including shade

Lot 423

An early 20th century wall sconce, the cast bronze back plate of shield form issuing a scrolled branch, with open gallery carrier holding a moulded glass flame shade. H35cm. 

Lot 408

A group of 18th and 19th century bronze mortar and pestles (5)

Lot 129

A group of vintage and antique Children's toys and books comprising a toy stove with associated toy pans, eight books including Tom Catapus and Potiphar, My Book of Ten Fishes, Edward Lear's Calico Pie, Uncle Wiggly at the Beach, The Baby's Opera (illustrated, apparent 1st edition), Leslie's Songs for Little Folks, The Red Rose Anthology and a copy of 1914 & Other Poems by Rupert Brooke, together with a miniature picture/photograph frame, a Bakelite travelling inkwell, and a Rococo style monogrammed brass/bronze wax seal stamp

Lot 144

M Deva, bronze of a recumbent hound 15cm x 7cm base

Lot 264

A bronze sculpture of The Grande Donna on a marble plinth and signed Giacometti to base H44cm

Lot 263

A bronze sculpture of The Tall Man in a marble plinth and signed Giacometti to base H47cm

Lot 269

A bronze of a cat holding a fish possibly a pin tray or trinket dish

Lot 284

19th century Italian burnished bronze chalice with classical relief foliate decoration and satyr handles, 6" high

Lot 498

Pair of Victorian Coalbrookdale cast iron plates or shallow bowls decorated with mythological figures. Together with Japanese plaster masks, 19th c. Italian bronze relief plaque and a Chinese basket

Lot 287

A signed Austrian cold painted bronze pheasant, 8" long

Lot 272

Pair of Chinese bronze water buffalo scroll weights. Republic period. Approx. 21cm long

Lot 558

Assorted brassware, inc.postal scales, a cannon, a model of an anvil, pair of Chinese bronze lidded vases, and others (one shelf)

Lot 296

19th century Italian burnished bronze chalice with two Mermen handles and classical marine relief decoration with tridents, dolphins and seahorses, 5.5" high

Lot 176

String of 36 Japanese Meiji Ojime metal beads, some bronze

Lot 178

String of 37 Japanese Meiji Ojime beads, most bronze

Lot 290

Grand Tour bronze statue of a Roman Senator, 18cm, a bronze spirit lamp and a brass spirit chamberstick

Lot 446

South American white metal or silver mate vessels, a Romanesque bronze spirit lamp, a Studio Pottery stoneware vase and a Chinese dish

Lot 69

A miscellaneous group of ancient to medieval bronze and lead items,Including the escutcheon of a Roman handle with an erote carrying an animal and thyrsus; a 3rd-4th century crossbow fibula, 3rd-4th century A.D.; bangles; medical and cosmetic implements; buckles, pendants and other artefacts (a lot)Provenance: Bronze items late 19th-20th century collections 

Lot 255

A Fatimid bronze bucket, Egypt, 11th century, of cylindrical form. the straight sides engraved with a band of Kufic above a series of roundels, losses to side and base, 9.9cm. highProvenance: Private Italian Collection since 1982Footnotes: A bucket with an upper band of calligraphy above a band of meandering palmette vine similar to that seen here is in the Keir Collection (G. Fehérvári, Islamic Metalwork of the Eighth to the Fifteenth Century in the Keir Collection, London, 1976, no.24, p.47 and pl.8b) although the present bucket is more ambitious than that example in terms of the quality and extent of the engraving. A further example is in the Victoria and Albert Museum (inv.no.M.25-1923).

Lot 70

Two ancient near Eastern seals and an Egyptian bronze figure of Horus,the seals possibly re-cut; the figure of Horus possibly not ancient,The figure of Horus 10.6cm. high (3)Provenance: Ex-collection of a Knighted English gentleman, collecting mid-20th century

Lot 68

A substantial Scythian bronze terminal,circa 7th century B.C.,with openwork bell, surmounted by a griffin’s head, with side loop for attachment, 30cm high  Provenance: Private English collection, acquired in the 1990s; Dreweatts, Donnington Priory, Chinese Ceramics and Works of Art (part 1), 11 November 2020, lot 44.    Footnotes: For a similar bronze terminal, cf. St John Simpson and Svetlana Pankova, Scythians warriors of ancient Siberia (British Museum 2017), pp254-255, no.178. The function of these terminals or “pole tops” is unclear, but they appeared to play a role in funerary rituals and were probably attached to horses and carts.  While the designs vary, all other excavated examples contain small bells or balls within a hollow cage. The earliest type of such bells had their origins in the Western Zhou Dynasty in China (circa 1046-771 B.C.). The griffin heads share some features with examples from Eastern Greece. 

Lot 63

Seventeen Celtic and Romano-British bronze and silver brooches discs and plates,Including a La Tène III spring brooch,3.5cm;  a plate brooch with decorative recesses on the bow, with zoomorphic terminal, 4.5cm; a small silver Aucissa type brooch, 3.2cm; a Dolphin brooch with ridged bow, 4.3cm; a P-shaped or Aucissa variant brooch with deeply arched bow, the maker’s name ‘ACUTI’ stamped above the hinge, 5.3cm long;  a sawfish type brooch with red enamel remaining in the lozenge shaped cells on the bow, surmounted by a recumbent lion, probably not originally belonging, 4.2cm long, pin partially remains; a trumpet brooch, 6.2cm long, pin missing; a dolphin brooch, 3.2cm long, pin missing; a fantail brooch, 3.2cm long, pin missing, ink inscribed with the number ‘3318’; a small disc brooch, with dots around a central circle, some enamel remaining, 2.4cm maximum diam; a double lunular plate brooch, with dots in the crescents either side of a central knop, traces of enamel remaining, 3.6cm long, pin missing; a brooch with two opposing discs with radiate nodules and two opposing crescents around a central openwork rectangle, 4.9cm long, pin missing; an enamelled disc brooch with sunburst design, some red enamel remaining 2.4cm diam, pin missing; a plate brooch with two dolphins flanking an enamelled disc, 2.8cm maximum width, pin missing; a horse and rider brooch, with traces of enamel, 3.2cm wide, pin missing; a hare brooch with traces of enamel remaining, 2.5cm, pin missing, and an openwork ring flanked by ‘wings’, 3.4cm wide (17)Provenance: Mainly found in East Anglia; All private English collection, acquired on the UK market in the 1990s.

Lot 33

An Egyptian bronze and gesso-painted wood Ibis, an ink inscribed textile fragment, stone pot and two gold fragments inscribed with hieroglyphs,weight of gold fragments (combined 3.4grams), ibis 14.5cm long; textile 20.3cm. long (excluding frame)(5)Provenance: Bodo Bless (1940-2022) collection, Berlin, formed from circa 1960 onwards.  

Lot 251

A bronze lampstand base, a bronze inkwell and a silver-inlaid oil lamp, Khorasan, North East Iran, 12th-13th centuryThe lampstand of typical form ; the oil lamp, on tall conical foot inlaid with foliate motifs within rectangular tapering panels, a band of spare heads above and of scroll works below, some inlay remaining, the half globular body with three spouts and central shaft, the inkwell of squat and truncated ogival form, the lightly gadrooned body with four wider calligraphic bands, similar calligraphy to the shoulder,the lampstand base 18.8cm. across, the inkwell 9cm., the oil lamp 11.5cm. high (3)Provenance:The Estate of Michael J Rogers (1935-2022)John Michael Rogers, FBA, FSA (1935 – 25 December 2022) was a British art historian who was an expert in Islamic art history. He was Khalili Professor Emeritus of Islamic Art at SOAS, University of London from 1991 and a published author. In his later years, he was Honorary Curator of the Nasser D. Khalili Collection of Islamic Art. 

Lot 67

A group of Roman to Byzantine bronze coins,2nd-10th century ADProvenance: Harold James Strickland Taylor (1922-2016) Footnotes: Strickland was a spitfire pilot of 16 Squadron, RAF, and in 1944 was forced to bail out over Holland where he evaded capture for five days before being caught and interrogated by the Germans. A copy of his account, 'One Flight too Many' (1991) is held at the Imperial War Museum. After the war Jimmy Taylor read history at Trinity College (1946-49) and trained as a teacher. In 1953 he was employed by the Iraq government as an English teacher and later as the head of English at the Primary Teachers Training College. While working in Iraq from 1953-57 he took the opportunity during long vacations to explore the archaeological sites of Iran. He recorded and charmingly illustrated these travels which included trips to Ninevah, Mosul, Khorsabad, Tepe Gawra, Nimrud, Assur. 

Lot 246

A monumental bronze bowl signed ‘Abu Bakr Muhamad Ibn Hasan Al-Herati’,Herat, Iran, 13th century,of hemispherical form on a short foot, with wide flaring rim, the rim with six inscription cartouches, four comprising thuluth inscriptions and rabbits on a vegetal ground and two with naskh inscriptions, alternating with roundels, area of loss to rim, 71.3cm. diam. Published: Christie’s Arts of the Islamic and Indian Worlds, Including works from the Simon Digby Collection, Thursday 7 April 2011, lot 46 (£70,000-100,000 estimate). Provenance: Acquired by the vendor from a UK Private Collection, where it had reputedly been acquired in the 1960’s.Inscriptions:In thuluth to the rim: al'izz wa'l-iqbal wa'l-dawla wa'l salama wa'l-shafa'a wa'l-... wa'l-shukr wa'l-shakira wa'l-'afiya wa'l-tama wa'l-rahma wa'l-rahima, "Glory and fortune and wealth and well-being and happiness and intercession and ... and gratitude and gratefulness and health and entirety and mercy and compassion."In naskh to the rim: Owner's inscription haji hasan (?) khalvati, "Haji Hasan (?) Khalvati"Maker's inscription 'amal abi bakr muhammad ibn hasan (?) al-herati, "made by 'Abu Bakr Muhammad ibn Hasan al-Herati" Footnotes: This large bowl is a very rare example of large scale Khorassan metalwork, the quality of which is confirmed by the engraved inscriptions; the maker's signature to the rim, the owner's inscription, and the benedictory inscriptions in thuluth wishing good health and compassion on the owner. The bowl stands on a wide, circular foot and is larger in diameter than any of the published Khorassan bronze cauldrons, the largest comparable vessels datable to this period. The presence of a maker's signature is particularly remarkable and is paralleled in the aforementioned caudrons indicating the casting large bronze vessels was something of a technical feat. A cauldron in the State Hermitage Museum, St Petersburg has a maker's signature of Abu Bakr Mahmud Saffra and a further example in the Victoria and Albert Museum is signed Abu Bakr (see A.S. Melikian Chirvani, Islamic Metalwork from the Iranian World, London, 1982, pl. 10, p. 48). The signature on our bowl is also interesting as it places the vessel's manufacture in Herat, which was formerly eastern Khorassan. Condition Report: Intact with dented areas on rim, natural patination to the surface. 

Lot 35

A group of ancient and later faience, hardstone and glass beads and amulets, Including two Egyptian udjat eyes, 26th-30th Dynasty, circa 7th- 4th century BC, bright blue glazed pendants, mummy beads, a seated figure on a pyramidal stepped base and a reclining cat, scarabs and other items, including a bronze ring(a quantity)Provenance: The largest udjat eye ex-Major James Findley collection, Aberdeen (1915-1990); acquired 1950s-60s, Bonhams, 3 July 2019, part lot 206 (illustrated); the reclining cat collected by Herbert Warner in Egypt 1890-91.

Lot 58

Two Central European copper alloy armguards, Bronze Age, circa 12th-9th Century B.C.,each formed of a single wire with central spinal ridge, wound continuously and terminating at each end with a single scroll, the narrower end with etched notches on the spine of the top three coils, the final coil with vertical striations, the broader end with the final three coils twisting towards the scrolled terminal,22cm high (2)Provenance: N.H. collection, Munich, Germany in the 1990s; With Harmakhis Gallery, Belgium, acquired from the above; Acquired from above in 2015.

Lot 57

Two Central European copper alloy armguards, Bronze Age, circa 12th-9th Century B.C.,each formed of a single wire with central spinal ridge, wound continuously and terminating at one end with a large discoid spiral finial, with engraved details on the inner and outer rings, and engraved decoration on the upper and lower coils of the armguard, each with tapering terminal at one end,  22cm high and 24cm high (2)Provenance: N.H. collection, Munich, Germany in the 1990s; with Harmakhis Gallery, Belgium, acquired from above in 2015.  Footnotes: Such armguards were are less commonly found in Bronze Age hoards, than the plain spiral armlets or armguards.  These two armguards are relatively heavy, so it is not clear whether their use was for ceremonial or burial purposes. While the spirals afford some flexibility, it they would have been unwieldy to wear.

Lot 66

A miscellaneous group of items, including 17 agate beads, Comprising a bronze mould of the end of an Egyptian funerary cone, a ring, two Byzantine style cross, 6 pendants, a seal, and other bronze items (a quantity)Provenance: Private UK CollectionFootnotes: Provenance: Private UK Collection 

Lot 266

To Be Sold with No ReserveA bronze openwork domed finial, a silver inlaid bronze inkwell lid and an engraved bronze lamp tray with its openwork stemKhorasan, Iran, 12-14th centuryThe first, on an octagonal base, the domed topped with a strapwork engraved globe, a bird perched atop ; the second inlaid with calligraphic inscription interspersed with roundels, with raised squat top inlaid with a foliate latticed and globular knop, fitted with three loops ; the third engraved with pseudo-calligraphy, a bird in its centre, its stem with engraved and openwork geometric decoration interspersed with pseudo calligraphic inscriptionthe domed finial, 20.5cm. high, 12cm. across ; the lid, 9cm. diam. ; the tray, 15cm. diam. (3)Provenance: Private UK Collection acquired prior to 1979

Lot 715

A SET OF FOUR BLACKENED AND POLISHED BRONZE TWO BRANCH WALL LIGHTS, THE REEDED BACK PLATES WITH FLAMBEAU TOPS ABOVE SPREAD EAGLES SUPPORTING TWO TASSEL ENDED CHAINS FROM THEIR BEAKS. H 76cms.

Lot 625

FELIPE GONZALEZ, A CONTEMPORARY BRONZE FIGURE STANDING ON A BROWN STONE PLINTH AND DISCOURSING WITH ONE HAND ON HIS HIP. H 14cms.

Lot 639

A PAIR OF BRONZE FIGURAL STANDARD LAMPS, EACH TORCH SHAPE HELD UP BY A SCANTILY DRAPED CLASSICAL LADY STANDING ON A CIRCULAR BASE. H 134cms. FITTED WITH A PAIR OF FROSTED PALE STRAW COLOURED GLASS CEILING DISHES OF WRYTHEN RIBBED BOWL FORM.   Dia. 42.5cms.

Lot 669

A BRONZE FIGURE OF A ROMAN BATHER WITH ONE FOOT RAISED ON A BLOCK WHILE HE REMOVES A SANDAL, THE OTHER RESTING ON THE RECTANGULAR BASE. H 64cms.

Lot 622

FELIPE GONZALEZ, A CONTEMPORARY BRONZE SCULPTURE OF A MAN BEARING A SHIELD AND A BENT SPEAR SUPPORTING A SPREAD EAGLE, HE STANDS ON A BLACK STONE PLINTH. H 20cms.

Lot 727

A PATINATED METAL TABLE LAMP FEATURING AN AMORINO STANDING ON A STARRY GLOBE.   H 80cms. A PAIR OF PAINTED WOOD SPIRAL COLUMNAR TABLE LAMPS AND A BRONZE TABLE LAMP SUPPORTING A CLASSICAL LADY CARRYING AN ARTISTS PALETTE.   H 47cms.

Lot 619

A BRONZE FIGURE OF MERCURY AFTER GIAMBOLOGNA RAISED ON A BLACK STONE PLINTH INSCRIBED AND PARTIALLY GILT TT. H 40cms

Lot 621

FELIPE GONZALEZ, A CONTEMPORARY BRONZE FIGURE OF A NAKED DIVER, A MANACLE ON HIS LEFT WRIST ATTACHED TO A GILT CHAIN AND A WEIGHT INSCRIBED LOVE, LIFE AND HAPPINESS, THE FIGURE. H 36cms.

Lot 624

FELIPE GONZALEZ, A CONTEMPORARY BRONZE FIGURE OF A LADY DANCING ON A BLACK STONE PLINTH, HER ARMS RAISED. H 17cms.

Lot 342

PROG ROCK - 25 LP RECORDS INCLUDING: COLOSSEUM - VALENTYNE SUITE - BRONZE HELP4, HAWKWIND - X IN SEARCH OF SPACE & OTHERS, CREAM - GOODBYE & OTHERS, STEVE HILLAGE - 'L' & MOTIVATION RADIO, WISHBONE ASH, GENESIS ETC.

Lot 753

LEONARDO RAI- (20TH CENTURY) ARR -A GREEN PATINATED BRONZE  FIGURE OF A LOOSELY DRAPED LADY LOOKING AND THE TWO HANDLED WATER VESSEL IN THE CROOK OF HER LEFT ARM AS SHE STANDS ON A CIRCULAR BASE SIGNED LEONARDO RAI. H 164cms.

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