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Click here to subscribeFranz Offland, 1856/62 Berlin - 1933 ebenda, Studium an der Akademie Berlin, Bronzeskulptur Ault, Doppelaulos blasender Jüngling mit Weinlaub im Haar, auf Plinthe signiert, runder Marmorsockel, patiniert, berieben, H. 46 cmFranz Offland, 1856/62 Berlin - 1933 ibid, studied at the Berlin Academy, bronze sculpture Ault, youth blowing a double aulos with vine leaves in his hair, signed on the plinth, round marble base, patinated, rubbed, H. 46 cm
Große Pendule, Frankreich, um 1820, reich verziertes und vergoldetes Bronzegehäuse, reich verzierte Füsse, umlaufender Blattfries, Sockel mit floralem Blattdekor, imTondo Lyra, Uhr flankiert von Opfersäule mit Rose der Aphrodite und Schmetterling, Harfenistin in antikem Gewand auf kleine Plinthe stehend (ehem. ohne), Lünette in Blattdekor, Emailzifferblatt, großes Pendulenwerk mit Fadenaufhängung des Pendels, Halbstd.-Schlag auf Glocke, Rückendeckel (Glas fehlt), Pendel sek., H: ca. 44cm, WZ 3, GZ 2, dekorativLarge Pendulum, France, around 1820, opulent decorated and gilt bronze housing, decorated feet with cord decor, encircling leaf frieze, pedestal with floral leaf decoration, in Tondo Lyra, clock flanked by round column with bowland butterfly on Rose, Harp playing girl in antique garment, on small plinth standing (formerly without), bezel in leaf decoration, enamel dial, large Pendulum work with wire suspension of pendulum, half hour-stroke on bell, back cover (glass missing), pendulum sec., H: approx. 44cm, condition of movement 3, housing 2, decorative
After Laurence Stephen Lowry RBA, RA (1887-1976)"Self Portrait", "The Artist's Mother", "The Artist's Father"Each signed, a colour reproduction, together with the portfolio case and bronze medallion each numbered 175/300, 34cm by 25.5cm, and 13cm (dia) respectively (5) Self portrait, slight time staining in evidence to the margins. Very slight cockling to paper. Not examined out of the frame. The other examples are in a similar condition to the former.The frontis piece has slight time staining to the paper with scattered faint medium sized foxing spots. The portfolio case has the odd scratch but is generally in good order. The medallion is in good overall condition.
After Louis-Marcel Botinelly (French, 1883-1962): A French Art Deco Patinated Bronze Group, modelled as a reclining nude female and two nude children, on an architectural plinth base, stamped in cast LOUIS BOTINELLY Susse Fres Edts Paris cire perdue 2 and foundry stamp, 60cm by 19cm, 39cm high
Josef Lorenzl (1892-1950): A Large Art Deco Cold Painted Bronze Figure, Circa 1925, modelled as a semi-nude dancer, standing on one leg, on a two section green onyx base, signed in the cast LORENZL, 50cm high (lacking bolt)Lacking the through bolt. Chip on the cyclindrical onyx. Nicks to the edges of the square section. Some minor wear to the figure. Column is 16cm high and 6cm diameter. The square base is 12.4cm square. The figure is 30.5cm high. There is a stress crack around the foot on the base.
René Lalique (French, 1860-1945): Statuette Suzanne, designed 1925, No. 833, frosted glass, moulded mark R LALIQUE, 23cm high (damaged) on an illuminated bronze plinth stand, decorated with a pair of peacocks to each side, unmarked, 24.5cm longMarcilhac, page 399.The base of the glass has been chipped and glued 4.5cm by 4.5cm, 2.5cm high. Surface wear. Nicks to head, hands and edges. Line going throught her shoulder below her chin. The bronze base has had holes drilled to each end.
René Lalique (French, 1860-1945): Statuette Thais, designed 1925, No. 834, frosted glass, wheel-cut mark R LALIQUE, 22cm high on an illuminated bronze plinth stand, unmarked, 24cm longMarcilhac, page 400.Chip on edge 1cm long with hairlines running out. Internal chip on base. Nicks to base. Nick to tip of right hand. Drilled holes to each end of bronze base.
An Arts & Crafts Oak Dresser, by Hummerston Brothers, Leeds, the rack with a plate shelf above four cupboard doors, above two plate racks, the base with four drawers over two cupboards enclosing an open section, brass hinges and handles, labelled HUMMERSTON BROS. LEEDS, No.706 WORKMAN'S NAME Hainsworth, 199cm wide, 66.5cm deep, 256.5cm high with a bronze medal cast and engraved 1862 LONDINI HONORIS CAUSA HUMMERSTON BROTHERS CLASS XXX, 7.7cm diameter, and six watercolours of sideboards, each stamped HUMMERSTON BROS DECORATORS LEEDS, 21cm by 29cm
Attributed to Karl Hagenauer (1898-1956): An Art Deco Bronze Figure, modelled as an African warrior with a throwing spear, raised on a stepped circular onyx base, 17cm highRepaired at the foot, visable soldier (see image). Nicks and chips to the onyx base. Gilt patch too figures bottom. Surface wear.
Bernd Göbel (geb. 1942, Freiberg), Konvolut Medaillen, 8-tlg. Bronze, variierende Formen und Größen, 2x "Mitteldeutsches Münzsammler-Treffen" (1993 u. 2004), 1x Nashorn-Darstellung, bez. "Das Beste/wird nicht/deutlich/durch Worte", 1x Philipp Melanchthon, 1x zur Maueröffnung, bez. "9.XI.1989", 1x "Zur Justiz", 1x Buch mit deutschen Wappen, 1x Männerportrait mit Äpfeln, tlw. monogr. "G" bzw. "BG", 4x5 - 10,5x11,5cm
Niki de Saint Phalle. “Dance of the snakesâ€. Gold-plated bronze and hand-painted enamel. Marked on the back "Niki". Engraved "EA" on the back. - Weight: 55 g - Region: France - Sizes: H=70mm L=45mm - Condition: At first sight - good condition - no restoration - no repair - Author / artist: Niki de Saint Phalle
Edgar Degas, (After) "The little 14-year-old dancer" (Marie van Goethem, a pupil of the Paris Opera). Lost wax bronze on wooden base, tulle dress, satin bow, patina colored on the shirt. Signed "Degas". Bears the stamp of the founder Cire perdu A.A Hebrard on the thigh (under the dress), a plaque of the founder fixed on the base. - Weight: 15.50 kg - Sizes: H=1030mm L=520mm l=500mm - Condition: At first sight - good condition - no restoration - no repair - Author / artist: Edgar Degas
Rembrant Bugatti, (After). Panther walking, rear paw raised. Bronze with brown patina Signed "Bugatti". Foundry stamp “Cire perdu A.A Hebrardâ€. - Weight: 9.40 kg - Sizes: L=580mm l=195mm H=240mm - Condition: At first sight - good condition - no restoration - no repair - Author / artist: Rembrant Bugatti
Francois Pompon. Panther. Bronze. Signed "Pompon". Stamp on the base of the Valsuani founder "Cire - C.VALSUANI - Perdu". - Weight: 4.10 kg - Region: France - Sizes: H=200mm L=630mm - Condition: At first sight – perfect condition - no restoration - no repair - Author / artist: Francois Pompon
Francois Pompon. Brown Bear says Honey Bear. Bronze. Signed "Pompon" on the foot. Valsuani foundry stamp "Wax - C.VALSUANI - Lost" - Weight: 635 g - Region: France - Sizes: H=100mm L=135mm - Condition: At first sight – perfect condition - no restoration - no repair - Author / artist: Francois Pompon
Salvador Dali. Soft watch octopus.1975. Bronze with nuanced brown patina, assembly, on reconstituted stone. Signed "Dali" on the bronze and countersigned on a stone at the bottom right. Numbered 78/1500 on the bronze and on the right side. Only a few copies were made, said Robert Descharnes. Foundry stamp on the right - Weight: 10.90 kg - Region: Spain - Sizes: H=500mm L=300mm - Condition: At first sight - good condition - no restoration - no repair - Author / artist: Salvador Dali.
Bronze eines Mischwesens. CHINA, 19. Jh. oder früher. Schöne Darstellung eines Tieres, das in der Art eines Zwergflusspferdes ausgearbeitet ist. Das Tier sitzt auf seinen Hinterläufen und hält den Stengel einer großen Lotosblüte im Maul, die auf seinem Rücken liegt. Auf durchbrochen gearbeitetem Sockel. Schöne Alterspatina, besch.: z.B. befindet sich ein Riss am rechten vorderen Bein, H.: 16,5 cm. | Bronze of a mixed creature. CHINA, 19th century or earlier. Beautiful depiction of an animal elaborated in the manner of a dwarf hippopotamus. The animal sits on its hind legs and holds in its mouth the stem of a large lotus flower lying on its back. On an openwork base. Beautiful age patina, dam.: e.g. there is a crack on the right front leg, h.: 16,5 cm.
Buddhistischer Löwenhund mit Weihrauchbrenner auf dem Rücken. Bronze. CHINA. Der fo-Hund wendet seinen Kopf zur Seite, auf seinem Rücken trägt er einen eiförmigen Weihrauchbrenner aus Kupfer-/Messingblech. Alters- und Gebrauchsspuren, besch.: u.a. diverse, teils restaurierte Risse im Bereich der Beine, H gesamt: 19 cm. | Buddhist lion dog with incense burner on his back. Bronze. The fo dog turns his head to the side, on his back he carries an egg-shaped incense burner made of copper/brass sheet. Signs of age and usage, dam.: a.o. various, partly restored cracks in the area of the legs, h total: 19 cm.
Bronze eines Luohan. CHINA, um 1900. Darstellung in sitzender Körperhaltung mit lächelndem Gesichtsausdruck und leicht geöffneten Augen, mit den Händen im Schoß, Auf einem doppelten Lotosthron, H: 20 cm. Altersspuren, besch.: z.B. befindet sich ein Loch am linken Unterarm.| Bronze figure of a Luohan. CHINA, around 1900. Depicted in a seated posture with smiling facial expression and slightly opened eyes, with his hands in his lap, On a double lotus throne, h: 20 cm. Signs of age, dam.: e.g. there is a hole on the left forearm.
MOREAU, Auguste, NACH (A. M.: 1834-1917), Fischer-Paar: "Pêcheuse" und "Pêcheur", Metallguss, in Bronzeart brüniert, zwei vollplatische Figuren von Fischerin und jungem Mann mit Fischernetz, je auf rottonigem Marmorsockel, H: Figuren je ca. 26 cm, gesamt je ca. 28,5 cm. Alters- und Beriebspuren. Je am Sockel Plakette mit Bezeichnung. | MOREAU, Auguste, NACH (A. M.: 1834-1917), Pair of fishermen, cast metal, burnished in bronze, two fully plastic figures of a woman fisherman and a young man with a fishing net, each on a red marble base, H: figures each approx. 26 cm, total each approx. 28.5 cm. Signs of age and rubbing. Each with a label on the base.
Buddha Shakyamuni. Bronze. CHINA, Qing-Dynastie (1644-1912). Im Meditationssitz auf einem doppelten Lotosthron, die rechte Hand in bhumisparsa mudra, die linke in dhyana mudra, spitze Buckellockenfrisur mit urna und Juwel. Spuren einer Vergoldung, offener Sockel, H: 23,5 cm. Altersspuren, besch.| Buddha Shakyamuni. Bronze. CHINA, Qing dynasty (1644-1912). In meditation seat on a double lotus throne, the right hand in bhumisparsa mudra, the left in dhyana mudra, pointed hunchback coiffure with urna and jewel. Traces of gilding, open base, h: 23,5 cm. Signs of age, dam.
Konvolut: 5 Teile JAPAN und CHINA: 1.) Imari-Deckelvase, H: 28 cm, ber. 2.) Paar famille noire-Drachenteller, unterseitige Vierzeichenmarke auf gelb glasiertem Fond, D: 22 cm. 3.) Paar Langhals-Väschen aus Messingbronze, brüniert, H: 21 cm, eine Vase mit kleinen Dellen.| Mixed lot: 5 parts JAPAN and CHINA: 1.) Imari lidded vase, H: 28 cm, ber. 2.) Pair of famille noire dragon plates, underside four-character mark on yellow glazed ground, D: 22 cm. 3.) Pair of brass bronze long-neck vases, burnished, H: 21 cm, one vase with small dents.
BEST, HANS (1874-1942) "Jagdhund" Bronze patiniert, vollplastische Darstellung eines lauernden Jagdhundes, bez."HANS BEST", HxB: 30/38 cm. Altersspuren, Bodenplatte etwas verbogen.| BEST, HANS (1874-1942) "Hunting Dog".Patinated bronze, full-scale depiction of a lurking hunting dog, inscribed "HANS BEST", HxW: 30/38 cm. Signs of age, base plate somewhat bent.
Sechs Figuren, Bronze. SINOTIBETISCH: 1.) Jambhala. der Gott des Reichtums ist mit Armbändern, Krone und Ketten geschmückt und sitzt in lockerer Haltung auf einem Thron. In der rechten Hand hält er die Jambhala-Frucht und in der linken die juwelenspeiende Manguste, H. 15,5 cm. 2.) Zwei Figuren des Buddha Akshobhya: der Unerschütterliche thront im Diamantsitz auf einem doppelten Lotossockel, hält die rechte Hand in der Geste der Erdberührung, die linke ruht im Schoß und der vajra liegt vor ihm auf dem Thron. Das Haar ist mit blauer Kultfarbe bemalt, H. 15,5 cm. 3.) Vajrasattva. Das Diamantwesen thront königlich geschmückt in vajrasana, in der erhobenen Hand ein vajra, in der linken die ghanta, H. 20,5 cm. 4.) Manjushri. Der Buddha der Weisheit und des Lernens sitzt in vajrasana auf einem doppelten Lotossockel, mit der rechten Hand das Schwert haltend, mit der linken den Stiel des Lotos ergreifend, der entlang seiner Schulter blüht und das Manuskript trägt, er trägt einen Dhoti und Schmuck sowie ein Diadem vor dem blau gefärbten Dutt, sein Gesicht hat einen heiteren Ausdruck, rot gefärbte Lippen, verlängerte Ohrläppchen, H. 21 cm. 5.) Stehender Bodhisattva. Padmapani in königlicher Erscheinungsform, die rechte Hand in abhayamudra erhoben, die linke in varadmudra, der Geste der Wunschgewährung, H. 28,5 cm (aus zwei Teilen gegossen, der Sockel ist separat). Alle Figuren sind vergoldet oder teilvergoldet und das Haar mit blauer Kultfarbe versehen, die Sockel sind verschlossen oder wiederverschlossen. Altersspuren.| Six figures, bronze. SINO-TIBETAN: 1) Jambhala. the god of wealth is adorned with bracelets, crown and chains and sits in a loose posture on a throne. In his right hand he holds the Jambhala fruit and in his left the jewel-spitting mongoose, h. 15,5 cm. 2) Two figures of the Buddha Akshobhya: the steadfast one is enthroned in the diamond seat on a double lotus pedestal, holding the right hand in the gesture of touching the earth, the left rests in the lap and the vajra is in front of him on the throne. The hair is painted with blue cult color, h. 15,5 cm. 3) Vajrasattva whose name means diamond spirit being enthroned royally adorned in vajrasana, in the raised hand a vajra, in the left the ghanta, h. 20,5 cm. 4) Manjushri. The Buddha of wisdom and learning is seated in vajrasana on a double lotus base, holding the sword with his right hand, grasping the stem of the lotus with his left, which blooms along his shoulder and carries the manuscript, he wears a dhoti and jewelry as well as a tiara in front of the blue colored chignon, his face has a serene expression, red colored lips, elongated earlobes, h. 21 cm. 5) Standing Bodhisattva. Padmapani in royal appearance, the right hand raised in abhayamudra, the left in varadmudra, the gesture of granting wishes, h. 28.5 cm (cast in two parts, the base is separate). All figures are gilded or partially gilded and the hair is painted with blue cult color, the bases are closed or resealed. Signs of age.
BILDHAUER DES 19. JH. "Ritter zu Pferde" Bronze/Eisen, gegossen, ziseliert und patiniert, auf profilierte Eisenplatte ein steigendes Pferd, auf dessen Rücken ein Söldnerführer sitzt, dieser geharnischt und den Blick nach unten, unter seinem offenen Visier hervorsehend, H: ca. 45 cm. Altersspuren, Kratzer. | SCULPTOR OF THE 19TH CENTURY "Knight on horseback"Bronze/iron, cast, chiselled and patinated, on profiled iron plate a rising horse, on whose back sits a mercenary leader, the latter harnessed and looking down, from under his open visor, h: ca. 45 cm. Signs of age, scratching.
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