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Lot 631
Konvolut Orden 1. und 2. Weltkriegdarunter Eisernes Kreuz 2. Klasse 1914, ohne Band und Hersteller; Frontkämpferehrenkreuz, Hersteller GHO; Jubiläumskreuz für 200-jähriges Bestehen des Königlichen Sächsischen Infanterieregiments 103, mittig Soldat mit Fahne, der linke Kreuzarm mit "1709", der rechte mit"1909", der obere mit "Jicin, Nouart" und der untere mit "Sedan, Paris" beschriftet; Zarge für Eisernes Kreuz 2. Klasse 1939, Hersteller 50; Mutterkreuz in Bronze, ohne Band; HJ-Ehrenabzeichen in Gold, Hersteller RZM M1/120, B etc., altersgemäßer Zustand, teilweise korrodiert oder mit fehlenden Nadeln.
Lot 633
Konvolut sächsische Medaillenzweimal Friedrich-August-Medaille in Bronze und einmal in Silber; Medaille für 25-jährige Mitgliedschaft im Kriegerverein Leipzig sowie silberne Medaille "Für Treue in der Arbeit", Avers Friedrich August König von Sachsen, Kopf nach rechts, zu dieser Medaille die große Urkunde vom "Ministerium des Innern" mit Prägesiegel in Urkundenmappe vom 21. Juli 1909 sowie zwei schwarz-weiß-rote Bänder mit Aufschrift "Erinnerung an den 28. August 1909, für Treue in Arbeit und Fleiß, des Tages Ehrenpreis", guter Zustand, alle Medaillen ohne Band.
Lot 660
Nachlass Wehrmachtein Paar Schulterklappen eines Stabsfeldwebels der Infanterie, grüner Filz mit weißer Paspelierung, Silbertresse und jeweils drei Sternen, darauf die Auflagen UV und IV (Unteroffiziersvorschule IV), dazu eine Feldspange mit sieben Auszeichnungen, Eisernes Kreuz 2. Klasse 1. Weltkrieg, Friedrich-August-Medaille in Bronze und Silber, Frontkämpferehrenkreuz, Dienstauszeichnung der Wehrmacht für 4 und 12 Jahre sowie das Treuedienstabzeichen in Silber, guter Zustand.
Lot 943
Zwei Bände zu Alberto Giacomettibestehend aus der Biographie Alberto Giacometti, Der Mensch und sein Lebenswerk, von James Lord, Erstauflage 1987, Format Gr. 8°, 480 S., sowie Alberto Giacometti, Material und Vision, Die Meisterwerke in Gips, Stein, Ton und Bronze, von Philippe Büttner et al., Zürich bei Scheidegger & Spiess AG 2016, Format Lex. 8°, 238 S., geringe Gebrauchsspuren.
Lot 963
Konvolut Fachbücher Zinn und Metallkunstsechs Stück, bestehend aus: Kunsthandwerkliches Zinngießen, Rolf Dwenger, VEB Fachbuchverlag Leipzig 1980; Die Schatzkammer, Sonderband Sächsisches Zinn, Dr. Hans-Ulrich Haedeke, Leipzig im Prisma-Verlag 1980; Zinn, Zentren der Zinngießerkunst von der Antike bis zum Jugendstil, Hans-Ulrich Haedeke, Leipzig bei Koehler & Amelang 1974; Zinn und Bronze aus der Sammlung C. J. v. Negelein, Kiel, Ausstellungskatalog Städtisches Museum Flensburg 1963; Kunsthandwerkliche Kupferschmiedearbeiten, Rudolf Einsiedel, Leipzig VEB Fachbuchverlag 1986; Kunsthandwerkliches Emaillieren, Erhard Brepohl, Leipzig VEB Fachbuchverlag 1979; normale Alters- und Gebrauchsspuren.
Lot 15
Mohammed Ghani Hikmat (Iraq, 1929-2011)The Family wooden sculpture signed 'Mohammed Ghani' and dated '1967' (lower right), executed in 1967100 x 120cm (39 3/8 x 47 1/4in).Footnotes:Provenance:Property from a private collection, GermanyAcquired directly from the artist by the present owner's family.'The modulation of sculpted lines in my figures, has been one of the focal points of my work for many years; what drew me in particular to the configuration of these forms is the dual appearance of both conflict and interplay between them. The union and fusion of sculpted figures is an integral part of my work and presents us with a constantly changeable relationship between form and meaning' - Mohammad Ghani HikmatThis remarkable wooden sculpture is a true testament to the unique artistic vision of Mohammed Ghani Hikma. Born in Baghdad, Iraq in 1961, Hikmat has become known for his distinctive stylized approach to sculpture.Executed in an impressive scale, this sculpture portrays a Bedouin family in Hikmat's distinctive stylized manner. Rather than focusing on fine detail, Hikmat uses bold, sweeping curves and outlines to capture the essence of each figure. The result is a powerful and evocative portrayal that emphasizes the emotion and movement of the family.The wood itself is a work of art, with its deep, rich colors and fine-grained texture. Hikmat's skillful use of the medium creates a sense of fluidity and dynamism, adding to the sense of motion and energy in the sculpture.In 1953, Mohammed Ghani Hikmat graduated from the Institute of Fine Art in Baghdad. He then travelled to Rome to train at the Accademia di Belle Arti, graduating in 1959. While in Italy, he also studied metals at the Instituto di Zaka in Florence, specializing in casting bronze. He subsequently taught sculpture at the Baghdad Institute of Fine Art and the College of Architectural Engineering at the University of Baghdad.During his career, Hikmat was a prolific creator and exhibitor, and an active participant in the growing Iraqi art scene. He held several solo shows in Rome, San Remo, London, Beirut, and Baghdad. He also participated in most major national exhibitions in Iraq. He was a member of the Society of the Friends of Art and later the az-Zawiya group headed by Faiq Hassan. Significantly, Hikmat was also an influential member of the Baghdad Group of Modern Art (BGMA). Founded by his teachers and friends, Jewad Selim and Shakir Hassan Al-Said, the BGMA was arguably the most important artist society in modern Iraq and was dedicated to the idea that Iraq's heritage held a preeminent place within its modern art practice.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 25
Dia Azzawi (Iraq, born 1939)Two Missing Friends bronzesigned, stamped and numbered '4/7' on the verso, 4 number from an edition of 7 plus 2 artist proofs, executed in 200836 x 50 x 12cm (14 3/16 x 19 11/16in).Footnotes:Provenance:Property from a private collection, LondonAcquired directly from the Artist by the aboveThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 39
Adam Henein (Egypt, 1929-2020)Le Repos bronze with brown patinasigned 'A. HENEIN' (under left arm), the present work is an artist proof, from an edition of eight, executed in 197123 x 65 x 30cmFootnotes:Provenance:Property from a private collection, Gizainitially acquired directly from the Artist in 1972Illustrated:S. Wright, Adam Henein, Milan 2005 (illustrated, p. 61)Exhibition catalogue, ARTSPACE Grand Opening Group Exhibition, Artspace DIFC, Dubai, 2008 (another from the edition illustrated in colour, unpaged).S. Eigner, Art of the Middle East: Modern and Contemporary Art of the Arab World and Iran, London 2010 (another from the edition illustrated in colour, p. 289)Note:This work is accompanied by a certificate of authenticity issued by the Artist in 2020.This present sculpture by Adam Henein was executed in 1955 and reflects his sensitivity and artistic complexity even as a young man. During Henein's travels around the region of Luxor, Henein created this work, which combines elements of Pharaonic art with European Modernism. The sculpture depicts an Egyptian man resting in a traditional 'galabiya,' and its rough execution and sharp edges capture the fleeting motion of light, reminiscent of archaeological fragments from Egypt's rich cultural heritage.Henein's sculptures are deeply rooted in his heritage, as he juxtaposes the life of a sculptor with that of a peasant. The sculpture portrays a laid back labourer resting after a long day of work, while Henein himself continues to hammer away at the bronze to create the image of the relaxed worker. Despite giving the sculpture a modernist twist, Henein still manages to delve into Egypt's elaborate history. Through his use of simple, minimalistic lines, he captures a palpable mythic essence while retaining simplicity. Le repos is an exceptional early work by Henein, showcasing the artist's acclaimed career and holding great mystery in the absence of detail.'Le Repos' refers to a state of rest or relaxation; it is a term that has been used to describe many significant paintings throughout art history. There is no singular artwork or style that is definitively referred to as Le Repos, however, one notable Le Repos painting is by French Impressionist artist Pierre-Auguste Renoir. This painting, executed in 1870, depicts a young woman in a state of peaceful repose on a sofa with a book in her lap. This work is significant for its elegant portrayal of the reclining female form and how it beautifully captures a fleeting moment of everyday life. Renoir's soft, sensual brushstrokes and warm, earthy tones emphasize her beauty and femininity. This painting heavily influenced countless artists in the decades that followed, is considered one of Renoir's masterpieces and is housed in the Musée d'Orsay in Paris.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 40
Adam Henein (Egypt, 1929-2020)Donkey bronzesigned 'A.HENEIN' and numbered 'I. IIX', number 1 from an edition of 8, executed in 196479 x 116cm (31 1/8 x 45 11/16in).Footnotes:Adam Henein 'Donkey' The first appearance of an iconic 1960's 'Donkey' sculpture from the artistProvenance:Property from a distinguished private collection, BeirutAcquired directly from the artist by the present owner, circa early 2000sExhibited:Farouk Hosny and Adam Henein, Heirs to an Ancient Tradition, Metropolitan Museum of Art, 1999Institut Du Monde Arabe, Three Contemporary Sculptors, Paris, 1991 Egyptian Academy, Rome, 1980*others from the editionPublished:Mona Khazindar (ed.), Adam Henein, Turin, 2005Farouk Hosny and Adam Henein, Heirs to an Ancient Tradition, Metropolitan Museum of Art, 1999'See, your king comes to you, gentle and riding on a donkey, on a colt, the foal of a donkey'.- Zechariah 9:9'When he wanted an architect to build him a simple home, Henein paid for it with a sculpture of a donkey'- Mona KhazindarBonham's are proud to present one of the most emblematic and iconic Adam Henein sculptures ever to come to market. The first example of this subject matter ever to come to auction, 'Donkey' is a large, highly symbolic and deeply significant example of Henein's work. Henein grew up in a rural village in Egypt and had a strong connection with the landscape and animals of his homeland. He was fascinated by the donkey, which is a common and beloved animal in Egypt, and found it to be a symbol of resilience and endurance.For Henein, the donkey represented the dignity and beauty of the simple life and the connection between human beings and nature. He was drawn to the donkey's expressive face and its ability to convey a sense of emotion and character through its body language. In addition to his personal connection to the donkey, Henein was also influenced by the ancient Egyptian tradition of animal worship and the importance of animals in Egyptian mythology. Through his sculptures of donkeys, Henein aimed to capture the essence of this ancient tradition and convey the timeless beauty and majesty of these humble creatures.In ancient Egyptian culture, the donkey was an important animal for both practical and symbolic reasons. As a beast of burden, donkeys were used for carrying goods, such as grain, pottery, and other items, both within cities and for long-distance trade. They were also used for transportation of people, particularly the wealthy and powerful.The donkey's significance went beyond its practical use, however. It was also considered a symbol of Egypt's agricultural and economic system, which was heavily dependent on the cultivation of crops and the transportation of goods. Donkeys were often depicted in Egyptian art, appearing in tomb paintings, reliefs, and other artefacts. They were also used in religious ceremonies, particularly in the worship of the god Seth, who was associated with the desert and the donkey.In addition, donkeys had a certain cultural cachet in ancient Egyptian society. They were prized for their loyalty, endurance, and hardiness, and were often given as gifts to foreign dignitaries. Even today, the donkey remains a symbol of Egypt's rural and agricultural heritage and continues to be an important animal in many parts of the country.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 25
Limited edition bronze sculpture depicting three busty women seated on a bench secretly gossiping.Sculpture fixed to wooden base. Signed, numbered 3/7 and dated 1982 to the side. This item has no reserve. Artist: Mario Aguirre RoaIssued: 1982Dimensions: 28"L x 9.5"W x 18.25"HEdition Number: 3 of 7 Condition: Age related wear.
Lot 29
Bronze sculpture modeled as seated woman wearing a voluminous shawl enshrouding her head and body.Comes with wood block base painted black. Title plaque on base reads, Francisco Zuniga Mujer Sentada con Rebozo. Zuniga inscribed to back. Artist: Francisco ZunigaIssued: 20th c.Dimensions: 12"L x 12"W x 18"HCondition: Age related wear. Sculpture detached from base.
Lot 30
Bronze or brass sculpture with dark brown patina. Modeled as seated woman wearing a large head scarf.Modeled after Francisco Zuniga's La Calera. Fixed to stacked black marble base. Zuniga inscribed to back. Artist: Francisco ZunigaIssued: 20th c.Dimensions: 12"L x 12"W x 13"HCondition: Age related wear. Chips to corners of marble base.
Lot 35
Green patinated bronze sculpture cast as peasant mother and daughter gathering water with a pitcher.Modeled after Emile Nestor Carlier's piece A la Fontaine. Fixed to round black marble base. Carlier inscribed to base of sculpture. This item has no reserve. Artist: Emile Nestor CarlierDimensions: 11"L x 13"W x 27"HEdition Number: 8 of 75 Condition: Age related wear.
Lot 38
Limited edition bronze sculpture modeled as goddess Aphrodite with child and infant. Dress painted to appear as silver.Signed, dated and numbered to base. Fixed to black marble rectangular base. This item has no reserve. Artist: Felix de WeldonIssued: 1990Dimensions: 9"L x 6.25"W x 23"HEdition Number: 59 of 250 Country of Origin: United StatesCondition: Age related wear. Minor discoloration to back of sculpture.
Lot 46
Bronze sculpture depicting Native American farmer leaning exhausted on gardening hoe. Wooden base.Rough impressionist style. Gary N. Herbert signed to base. This item has no reserve. Artist: Gary N. HerbertIssued: 1973Dimensions: 7.5"L x 8.5"W x 19"HEdition Number: 8 of 15 Country of Origin: United StatesCondition: Age related wear.
Lot 47
Bronze sculpture modeled as two men, one in a sombrero the other in a beret, seated in conversation at a bar.Wooden base with figures fixed to wooden stools. This item has no reserve. Issued: 20th c.Dimensions: 21.5"L x 12"W x 16"HCondition: Age related wear. Wooden base shows deep scratches. One figure detached from base.
Lot 113
An Imperial Standard Set of 5 Capacity Measures English, dated 1861, bronze, engraved 'IMPERIAL QUART DISTRICT OF BACUP & RAWTENSTALL, LANCASHIRE 1861'; 'IMPERIAL PINT DISTRICT OF BACUP & RAWTENSTALL, LANCASHIRE 1861'; 'IMPERIAL HALF PINT DISTRICT OF BACUP & RAWTENSTALL, LANCASHIRE 1861'; 'IMPERIAL GILL DISTRICT OF BACUP & RAWTENSTALL, LANCASHIRE 1861'; 'IMPERIAL HALF GILL DISTRICT OF BACUP & RAWTENSTALL, LANCASHIRE 1861' all numbered 1313 with various stamps and exchequer marks (5)
Lot 575
A CHINESE BRONZE 'TWIN BOYS' PAPER WEIGHTLATE MING DYNASTYThe two boys sixi tongzi cast with their heads turned to the side around a central aperture, 182g, 7.5cm.Provenance: from an English private collection, West Yorkshire, purchased from Alistair Sampson Antiques Ltd, 25th May 1994, a copy of the receipt is available.
Lot 583
VARIOUS TIBETAN ITEMS18TH CENTURY AND LATERComprising: five Tibetan circular moulded and painted pottery tsatsa, one bronze and another silver phallic amulets, and a bronze tripod incense burner with dragon designs, the incense burner 221g, the amulets, 19g and 18g, 9.5cm max. (8) Provenance: a private London collection, acquired prior to 2000.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 586
A CHINESE BRONZE RECTANGULAR WRITING BOX AND COVER LATE QING DYNASTYThe reticulated cover cast with a panel of calligraphy and another of a fish and a dragon rising from waves, the sides cast with figures, a phoenix, and two further panels of calligraphy, the interior with a recessed well to one end, 2.2kg, 23cm. (2)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 590
A LARGE CHINESE ARCHAISTIC BRONZE VASE 17TH CENTURYThe quatre-lobed body cast with a wide band of stylised birds on a square scroll ground above formal pendant lappets, the neck with a band decorated with taotie masks and mounted with elephant handles, together with a wood stand, 9kg, 41cm. (2)
Lot 596
A CHINESE BRONZE RETICULATED BRUSHPOT, BITONG17TH CENTURYThe cylindrical body cast with two sinuous scaly dragons amidst cloud scrolls, beneath a band of square scrolls and with breaking waves above the foot, 751g, 13.5cm. Cf. Roger Keverne, Winter Exhibition 2010, no.17 for a closely related brushpot.
Lot 605
A CHINESE BRONZE INCENSE BURNERQING DYNASTY OR LATEROf rectangular shape, the rims and the loop handles simulating bamboo stems, all raised on four feet, the base with a twelve character mark including the date of the third year of Jingtai, together with a wood cover and stand, 1.1kg, 16cm. (3)
Lot 609
A CHINESE SILVERED BRONZE MIRROR PROBABLY TANG DYNASTY Decorated in relief with an medallion of mythical creatures amidst fruiting vines, the outer areas with four birds with outstretched wings to the corners, together with a modern stand, 779g, 14cm. (2) Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s. Cf. R Keverne, Chinese Bronze Mirrors, 2009, no.17 for another mirror of this design, formerly in the collection of Cleveland Museum of Art.
Lot 610
TWO CHINESE SILVERED BRONZE MIRRORSTANG DYNASTYOne cast in relief with birds, animals and berries, the other as an octofoil flowerhead, both encrusted with verdigris, 300g and 264g, 11cm and 9.7cm. (2)Provenance: by repute, both acquired from Christie's, the former on 31st October 1996, the latter on 6th October 1994.
Lot 612
A CHINESE BRONZE BOWLHAN DYNASTYThe rounded bowl with the recessed rim and mounted with taotie mask handles to the sides, raised on a flared foot, the surface with a highly reflective black patina with areas of malachite incrustations, 916g, 19cm.Provenance: by repute, acquired from Christie's 8th July 1999.
Lot 613
A PAIR OF MASSIVE PAIR OF CHINESE BRONZE 'LION DOG' INCENSE BURNERSLATE QING DYNASTYEach standing with one of their paws resting on a separate brocade ball, baring their teeth and with their heads turned to the side, the covers on their backs and tails detachable, together with two elaborate stands carved with pine and lingzhi, 30kg and 25kg, 60cm. (10)
Lot 681
A CHINESE JADEITE FIGURE OF MONKLATE QING DYNASTYTogether with a wood carving of a snarling mythical beast and a bronze model of an ascetic monk, the jadeite model together with a wood stand 214g, 11.5cm. (4)Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Lot 682
FOUR CHINESE ARCHAISTIC JADE ORNAMENTS AND A SWORDPROBABLY 20TH CENTURYComprising: three hollow cylindrical Hongshan-type hu-shaped hair ornament, a large C-shaped dragon, and a bronze sword inlaid with a silver chevron pattern and cast with characters to each side, the sword 860g, 62cm. (5)
Lot 700
A SRI LANKAN BRONZE HEAD OF BUDDHA AND THREE SEATED FIGURES18TH CENTURY AND LATEREach with downcast eyes and a serene expression, with a ushnisha topped by a siraspata, the Sri Lankan figure 1.9kg, the bronze Buddha 1.1kg, the head 429g, the smallest figure 262g, 18.8cm, 19.6cm, 11.5cm, 11.2cm. (4) Provenance: a private London collection, acquired prior to 2000.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
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