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Lot 90
Edward Delaney RHA (1930-2009) RESURRECTION, c.1960-1961 copper; (unique) 257.5 by 112.5 by 12in., 257.5 by 112.5 by 30cm. P Commissioned for Our Lady of Lourdes Hospital, Drogheda This 9ft long Christ figure, entitled Resurrection, is part of a major commission done by Edward Delaney for Our Lady of Lourdes Hospital in Drogheda, commissioned by the Medical Missionaries of Mary and specifically their pioneering superior, Mother Mary Martin, who wanted a modern artistic display for the new hospital. Delaney always gave great credit to the Catholic Church for its support for art, design and sculpture and for the artistic leeway that he was given. For the Drogheda project, Delaney created a dome for the mortuary chapel, with 90 square feet of bronze reliefs, depicting the life of Christ as well as this figure. The work was completed in 1961 and is very fine representation of Delaney`s early stark style, influenced by post war German Expressionist sculpture (Delaney studied sculpture in Germany from 1954 to 1958) as well the work of the Italian master Giacomo Manzu, who specialised in the virtually two dimensional paneled figure, similar to this.In a June 1963 interview with the Sunday Review (an Irish Times title), Delaney spoke about the Drogheda project and described how he believed `…a spiritual figure to be an abstract form of harmony`, and that `the spiritual quality of such a figure should come from the way the artist shapes the material; moulds and forms`. However, he said he couldn`t `explain the figure` as he didn`t think `an artist should ever explain a piece of sculpture. It is simply a statement made in bronze, or another material. If anyone doesn`t understand a statement by an artist, I don`t think it could be explained to them.`
Lot 91
Helen Sinclair (British, b.1954) DOO WAH DIDDY, 2002 bronze and steel; (no. 3 from an edition of 3) signed with initials [H.S.] and with edition number at base, rear 181.25 by 132.5 by 14.5in., 181.25 by 132.5 by 36.25cm. P Dimensions of base, 11.5 by 51.5 by 3.5ins. A copy of the artist`s certificate accompanies this work.Helen Sinclair studied sculpture at Wimbledon School of Art (1972-1976). She has been a full-time sculptor since 1988. The human figure is her principal source of inspiration. Stylistically her work is influenced by sculptural forms and mythology of ancient civilisations as well as the Renaissance sculptors and the more contemporary artists such as Giacometti.Sinclair exhibits widely in the United Kingdom and her work can be found in private collections in the UK, Ireland, Europe and internationally. Among her most prestigious clients are Lord Melvyn Bragg, chef Gary Rhodes, singer Bonnie Tyler, actors Sheila Hancock and Arnold Schwarzenegger. Helen Sinclair is married to fellow sculptor Terry Ryall. They live and work in the Gower Peninsula in South Wales.The title of this work is thought to reference the song, Do Wah Diddy Diddy, written in 1963 by Jeff Barry and Ellie Greenwich, which was a hit for British group, Manfred Mann in 1964.
![Helen Sinclair (British, b.1954) PERCHANCE TO DREAM (2) bronze; (no. 3 from an edition of 7) signed with initials [H.S.] and](http://lot-images.atgmedia.com/SR/10092/2901686/98-201423164657_468x382.jpg)
Lot 98
Helen Sinclair (British, b.1954) PERCHANCE TO DREAM (2) bronze; (no. 3 from an edition of 7) signed with initials [H.S.] and with edition number at rear 150 by 68.75 by 12in., 150 by 68.75 by 30cm. P A copy of the artist`s certificate accompanies this work.Helen Sinclair studied sculpture at Wimbledon School of Art (1972- 1976). She has been a full-time sculptor since 1988. The human figure is her principal source of inspiration. Stylistically her work is influenced by sculptural forms and mythology of ancient civilisations as well as the Renaissance sculptors and the more contemporary artists such as Giacometti.Sinclair exhibits widely in the United Kingdom and her work can be found in private collections in the UK, Ireland, Europe and internationally. Among her most prestigious clients are Lord Melvyn Bragg, Chef Gary Rhodes, singer Bonnie Tyler, actors Sheila Hancock and Arnold Schwarzenegger. Helen Sinclair is married to fellow sculptor Terry Ryall. They live and work in the Gower Peninsula in South Wales.
Lot 208
Albert Power RHA (1881-1945) HEAD OF JAMES STEPHENS, 1914 bronze on black and green marble base signed and dated at base 27.5 by 23.75 by 9in., 27.5 by 23.75 by 22.5cm. P Carrickmines House, 1986;The Collection of Herbert Ball;Private collection Dimensions of marble base: 5.5 by 8.25 by 7.5ins.
Lot 35
GILT-BRONZE MOUNTED CHINESE PORCELAIN POT-POURRI VASE AND COVERThe porcelain cover painted in colorful enamels with a gilt finial above a pierced band cast with scrolls, the whole depicting interior scenes, flanked by cast mask handles on a scrolled and acanthus leaf cast base. Height 14, Width 15, Depth 11 1/2 inches.
Lot 100
FRENCH LOUIS XVI STYLE GILT-BRONZE MOUNTED MARBLE TOP COMMODE19th Century. Signed E. Schmidt. The marble top above three drawers, centered by a large cupboard door with shelving, flanked by mirrored back two-tiered rounded shelves, and raised on fluted feet._Height_38, Width 78, Depth 29 inches.
Lot 230
PAIR CHINESE CARVED JADE VASES AND COVERS20th Century. Of flattened ovoid form, with bronze relief carving decorated in archaistic form, flanked by beast handles, suspending loose rings, the cover set with four recumbent rams, and surmounted by a lotus leaf. Height 15 inches. Together with carved wood stands.
Lot 153
Jean-Leon GEROME (1824-1904) Joueuse de boules Epreuve en bronze à patine dorée figurant une jeune femme nue tenant dans sa main des balles. Signée J.L Gerome numérotée S423 et cachet du fondeur SIOT Vers 1900. Haut : 14 5 cm (sans le socle en onyx vert) Modèle édité en bronze doré ou en bronze patiné en quatre dimensions par la Maison Siot-Decauville reproduit dans le catalogue commercial : « Bronzes et objets d`art Siot-Decauville fondeur éditeur » Paris
Lot 157
GARNITURE DE CHEMINEE en bronze doré et ciselé et marbre blanc comprenant : une pendule borne à cadran émaillé à chiffres arabes sommet d`une urne à l`antique et d`une paire de candélabres à deux bras de lumière le frétèle en forme de flamme. Fin XIXème siècle Haut pendule : 32 cm Haut candélabres : 24 cm
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