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JOSEF LORENZL (ALIAS R LOR), AN ART DECO SILVERED BRONZE MODEL OF A GIRL SECOND QUARTER 20TH CENTURY Modelled nude but for heeled shoes Signed to right shoe, stood on a cylindrical base 11cm high, 15.5cm high overall See Bryan Catley, ART DECO AND OTHER FIGURES, 1995, page 211 for an illustration of this model top left
AN ELAMITE BRONZE TRUNCHEON SHAPED MACE HEAD EARLY MILLENNIUM B.C. Formed as a long cylindrical shaft with narrow flanged base, the upper section with three vertical relief panels decorated by herringbone pattern, divided an bordered by three parallel ridges, similar band with ridges horizontal grooves around the base 24cm long (452 grams)Provenance: The 'Constable' Collection of Truncheons and Tipstaves Part II. NB This type of mace weapon was developed on the Iranian plateau during the Bronze Age, and used by Elamite and Luristan warriors since the 3rd millennium B.C.
A GILT BRONZE MODEL OF A DANCER IN ART DECO STYLE 20TH CENTURY, UNSIGNED, IN THE MANNER OF JOSEF LORENZL The female figure stood with arms aloft and one leg bent, stood atop on a cylindrical base The dancer 22cm high, 28cm high overall including base Condition Report: Overall with some variation to the surface colour, some verdisgris, some scratches, wear discolorationThis unscrews from the base, it is secured on a long screw and nut fitting to the underside, this tightens up nicely and is solid and stable when joined Some chips to the base, this appears to be green stained alabaster. The underside probably originally covered in baize (now missing) Please see additional images for visual reference to condition Condition Report Disclaimer
JOSEF LORENZL, PYJAMA SUIT, AN ART DECO PATINATED AND IVORINE INSET MODEL OF A LADY SECOND QUARTER 20TH CENTURY Modelled standing nonchalantly in a trouser suit Signed to rear, stood atop a tapered onyx base 20.5cm high, 26.5cm high overall Cf. A similar bronze model of Pyjama Suit, albeit without the insets, sold at Christies South Kensington, 12th October 2010, sale 5990, £1000 (inc premium) Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe ivorine inset elements with splits and cracks, the head with lateral cracks, the hands polished in appearanceThe base with chips and knicks to the edges and extremities, the figure firmly attached to the base, some natural flaws and veins to the base Some dirt and discolouration and colour variation Please see additional images for visual reference to condition Condition Report Disclaimer
JOSEF LORENZL, ECSTASY, AN ART DECO PATINATED BRONZE MODEL OF A NUDE DANCER SECOND QUARTER 20TH CENTURY Modelled in pirouette Signed to rear of base, on a ribbed and shaped cuboid base 25cm high, 36cm high overall See Brian Catley, pages 207-211 for similar models of dancers by Lorenzl Condition Report: The patinated surface is silvery in colour rather than gilt Firmly attached to the base Some wear to the extremities and angles of the circular base of the model, signature is clear The join to the arm is visible through the patina The onyx base with some minor edge chips and nibbles Please see additional images for visual reference to condition Condition Report Disclaimer
A bulkhead timepiece, the painted dial signed Robert Dent mounted, Roman numeral dial marked 'Robt Dent 33 Cockspur St. London', No.1460, subsidiary seconds, the going barrel movement with lever platform in a circular bronze case, approximately 18cm in diameter (dial restored) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A Bronze figure group of the Three Graces, inscribed on the base 'The Three Graces', on an oval black marble base, approximately 80cm high x 54cm wide CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A bronze squat cannon, dated 1815 below a crown, on a pine base, the carriage 22cm long CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Three Art Deco female figures, one bronze dancer holding hoop on a green onyx base and two others, the tallest approximately 30cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
A silver spoon and egg cup, a cased set of Malawi's first coinage issue boxed, a bronze medallion 'Piazza Navona Centro Di Roma' and a 1965 circular bronze calendar (5) CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
P J Mene/Figure of a Standing Horse with Recumbent Terrier /bronze, 43cm high x 64cm long CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
▴ Sir Jacob Epstein (1880-1959) First portrait of Kitty (with curls) bronze with a gold-brown patina, conceived in 1944 42cm wide 43cm deep 47cm high overall, on a composite stone base Provenance: Christie's, South Kensington, 'Modern British & Irish Art', 9 December 2015. Exhibited: London, Leicester Galleries, 'Girl with the Gardenias and Other Recent Sculpture by Jacob Epstein', May-June 1994, no. 3. Literature: E Silber, 'The Sculpture of Epstein', Oxford, 1986, p.195, no. 356, another cast illustrated. Kathleen Eleonora 'Kitty' Garman, later Kitty Epstein and Kitty Godley (27 August 1926 – 11 January 2011), was a British artist and muse. She was a model for her father Jacob Epstein, her first husband, Lucian Freud, and Andrew Tift. In 2004 she had her own show at the New Art Gallery, Walsall. Kitty was well practised at sitting patiently for her portrait. The eldest daughter of the American-born twentieth-century sculptor Jacob Epstein, and his lover, also called Kathleen Garman. She frequently modelled for her father and here she is in bronze, cast in 1944, with a thick tumble of curls and those ever wide-open eyes. Condition ReportDirt, dust and discolouration in the crevices and eye sockets.
Roberto Matta (Chilean-Italian, 1911-2002)'Absolux', 1991bronze, signed, inscribed with title, 'Archive 91/14', 'Cera persa' (lost wax) and numbered 2/6 on base162cm high Exhibited: Galerie de France, Salon de Mars, 25 - 30 March 1992;Galerie de France, 'Matta Origenes', October - November 1992.With a certificate of authenticity from Archives de l'Oeuvre de Matta, Paris, 30 March 1993.Condition ReportThe sculpture has been housed outside for a number of years and as a result is weathered and very dirty in places. Surface dirt with dust and dirt to the crevices. The patination is green and dark gold. Some raised areas are rubbed smooth and highly polished. Please see additional condition and detail images.
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350105 item(s)/page