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Lot 313
Working Model of a Metal Cutting Machine, c. 1880 American salesman sample or U.S. patent model, signed on brass plaque: "James M. Conner, Brooklyn, NY", made of bronze and steel, on wooden base, size: 10 x 6 x 8 1/4 in. Vertreter-Modell einer Metallbearbeitungs- maschine, um 1880 Amerikanisches Vertreter- oder U.S.-Patent-Modell, mit Gravur auf Messingplakette "James M. Conner, Brooklyn, NY", aus Bronze und Stahl, Maße: 25 x 15 x 21 cm. Condition: (2-3/-) Starting Price €250
Lot 423
Disc-Operated "Lochmann Original" Orchestrion, c. 1900 Manufactured by: "Original Musikwerke Paul Lochmann, Leipzig". Model 450 for 25 1/2 in. discs, with 40 piano keys, 12 bars, triangle, cymbal and drum, weight-driven, coin slot for 10 RPf, oak case 94 x 33 x 17 1/3 in., original pediment with 2 bronze eagles, front with glass panels (slightly uneven). - Great playing condition, with 12 discs! Watch & Listen on: Youtube.com/AuctionTeamBreker Platten-Orchestrion "Lochmann Original", um 1900 Hersteller: "Original Musikwerke Paul Lochmann, Leipzig", Modell 450 für Blechplatten Ø 65 cm, mit 40 Klaviertönen, 12 Klangstäben, Triangel, Becken und Trommel, Antrieb durch Gewicht, Münzeinwurf 10 RPf, Holzgehäuse 236 x 84 x 44 cm, Original-Krone, Glasbilder leicht wellig. - Sehr gut spielender Zustand, mit 12 Platten! Watch & Listen on: Youtube.com/AuctionTeamBrekerCondition: (2-3/2-3) Starting Price €9,500
Lot 213
2 Original Motoring Mascots, c. 1925 1) Art Deco figure "Femina", D. R. G. M., nickel-plated cast iron, based on the design "Femme au Verrier" by the French artist Max le Verrier, height 6 in. - And: 2) Crane, signed "Bofiel", bronze casting, socket with minor damage, height 6 3/4 in. 2 Original-Kühlerfiguren, um 1925 1) Art-déco-Figur "Femina", D. R. G. M., vernickelter Metallguß, nach dem Entwurf "Femme au Verrier" des französischen Künstlers Max le Verrier, Höhe 15 cm. - Und: 2) Kranich, signiert "Bofiel", Bronzeguß, leicht am Sockel beschädigt, Höhe 17 cm. Condition: (3/-) Starting Price €180
Lot 674
SUBBUTEO Original October 1950 "Advanced Subbuteo Table Soccer" booklet together with four photocopied Subbuteo documents -Playing Instructions and Rules, Spin, Subbuteo-The organ of the Table Soccer Players Association -Autumn 1947 and 1948-9 Price List. Also included is a 1956-57 Championship Certificate (copy) and rare original bronze Championship
Lot 100
EMILE ANTOINE BOURDELLE (1861-1929) Hamadryade, March/April 1929, bronze with green patina, signed `Antoine Bourdelle` on the right hand side of the base, stamped `(c) by Bourdelle` on the reverse of the base, stamped with the foundry mark `Cire A. Valusuani perdue` and numbered `II` on the reverse of the base, and dated on the front and left hand side of the base, 17" high
Lot 105
SIR WILLIAM `HAMO` THORNYCROFT (1850-1925) Artemis and Her Hound, dated 1909, a bronze cast from a model by Hamo Thornycroft of a scantily-clad huntress carrying a bow and drawing an arrow from her quiver, with greyhound at her side, on a naturalistic base, inscribed `Hamo Thornycroft Sc` to the top of the base, inscribed and dated `Hamo Thornycroft 1909` to the side of the base, initialled `HT` twice, and titled `ARTEMIS` to the front of the base, all on a green marbled rectangular base, the bronze 25" high, 13" wide, 6 3/4" deep. Note: Originally modelled in 1879, when Thornycroft was heavily influenced by the poet and literary critic Edmund Gosse, Artemis was one of the first examples of `The New Sculpture`, seeking to re-examine Classical sculpture for a new age. In 1880 Thornycroft showed a life-sized plaster of Artemis and Her Hound at the Paris Salon. Subsequently The Duke of Westminster commissioned a life size marble statue which was exhibited at the Salon in 1882 before being installed at Eaton Hall in Cheshire. Artemis and Her Hound was well received by the critics, and one noted that `a great advance was proclaimed...by the epoch-making "Artemis"...The attitude and arrangement are altogether admirable, as well as original...from every point of view the group is beautiful`. A half-size bronze version of Artemis was exhibited by Thornycroft at the Royal Academy in 1911 [1799] and another bronze statuette at the Royal Scottish Academy in 1917-18. Literature: S. Beattie, The New Sculpture, New Haven: Yale University Press, 1983, p. 149 E. Manning, Marble & Bronze, The Art & Life of Hamo Thornycroft, London: Trefoil Books Ltd., 1982 M. H. Spielmann, British Scupture and Sculptors of To-day, London, 1901, p.39
Lot 106
AFTER ODOARDO TABACCHI (1831-1905) The Diving Girl (La Tuffolina), porcelain, 14 3/4" high Note: La Tuffolina became Tabacchi`s most famous work since the original bronze was exhibited at the Paris International Exhibition in 1878 and porcelain reproductions were produced in England by the Robinson & Leadbenton factory, sized 24 1/2" (see The Parian Phenomenon, 1984). The girl, depicted in striped bathing costume on the point of diving into a pool, was typical of the latter half of the nineteenth century on the continent, but would have been seen as risque in England at the time.
Lot 299
"PURPORTEDLY SAMUEL WILLIAM WARD WILLIS A FRAGMENT OF BRONZE FROM THE STATUE OF HRH THE DUKE OF CAMBRIDGE 1907, knobbly with large Military button type knop and incised on base 4cm x 6cm, and a WAX SEAL/STAMP "The Society of Dorset Men in London" (P" rovenance: Been in the family since pre World War II. The Vendor`s family and the Artist, Samuel William Ward Willis, were good friends.)
Lot 91
A pair of late 19th Century French patinated bronze figures emblematic of "Comedy" and "Tragedy", each modelled as a lady in Classical dress, one with mask to her face, the other with a dagger in her hand, raised on square plinth bases flanked by twin theatrical masks, indistinctly signed "JALM....", 32 cm high (ILLUSTRATED)
Lot 99
A late 19th century cast bronze table lamp base fashioned as a Neo Classical twin handled vase on a stepped circular marble plinth, together with the central section of a twin bladed propeller stamped Gipsy Major and numbered January 33 and an early 20th century Japanese bronze pot, having bands of geometric decoration on cast lions mask feet.
Lot 123
A carved vegetable ivory pierced teardrop form container with suspension loop, a cold painted bronze group of three tabby cats rowing a boat (AF), a black painted spelter dog, a cased carved Meersham cigar holder in the form of an elephant by a palm tree (no stem and AF), an ebony elephant cane handle and a ceramic box in the form of a beetle
Lot 165
A Neapolitan patinated bronze model of the Dancing Faun, cast after the Antique probably by Chiurazzi & Fils, last quarter 19th century, portrayed with arms raised and one foot before the other, on a rectangular base, 45.5cm high. Note: The Roman bronze original was discovered on 26th October 1830 at Pompeii, and gained immediate fame. It was quite possibly after an earlier Hellenistic work. The small size of the original made it easier to copy and indeed sell, the bronze being offered in the usual choice of three patinated finishes -’Pompeiian’ for verdigris, ‘Moderne’ for polished brown and ‘Herculaneum’ for the dark grey as in this example.
Lot 167
A German bronze group ‘Dancing Bacchante and Infant Satyr’, after August Schreitmuller, circa 1900, the figures portrayed on a circular naturalistically cast base, with stamped foundry mark M u Co. and signed A.Schreitmuller fec, later mounted onto a square section black marble base with two oval brass presentation panels, the front one inscribed Humoreske, the reverse one 23 Nov 1908 Helene Adolph, the bronze 30cm high, 30cm wide, 37.5cm high overall. Provenance: Previously with Frost & Reed, St James’s, London
Lot 178
A gilt bronze roundel depicting the ‘The Lifeguards at Waterloo, 18th June, 1815’, late 19th / early 20th century, relief cast with soldiery in battle, later set within a crimson velvet covered mount and gilt composition frame, bearing an inscribed plaque, the roundel 29cm diameter, 38cm square overall
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350105 item(s)/page