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A Chinese gilt-bronze figure of Guanyin , Late Ming or early Qing Dynasty, seated in dhyanasana with hands in dhyanamudra , dressed in voluminous robes with chased floral borders, open at the chest to reveal an elaborate necklace, a cowl pulled over her tall chignon fronted by a figure of Amitabha, with a few traces of red lacquer, 36 cm high Provenance: Richard Gumperz (born Hildesheim - 6th October 1882 and died Haifa - 25th October 1942) and then by family descent. ?? /?? ???? ????: Richard Gumperz????
A Sino-Tibetan gilt-bronze seated figure of an Arhat , Qing Dynasty, 18-19th century, seated in padmasana on an embroidered double cushion throne, his hands in abhaya and dhyana mudra , wearing embroidered tunic and closely shaven hair, his face with pronounced frown, his eyes and lips with traces of pigment, the sealing plate with double vajra emblem, 10cm high Provenance: Mr. Ko who worked for the Chinese Postal Service from 1904-1947 and then by direct family descent. ??? ????????? ????:?????????????(?????)? 1904-1947????????
A Sino-Tibetan gilt-bronze seated figure of an Arhat , Qing Dynasty, 18- 19th century, seated in padmasana on an embroidered double cushion throne, his hands holding a Buddhist book and in vitarka mudra, voluminous long robes, wearing embroidered tunic and closely shaven hair, his eyes, and lips with traces of pigment, the sealing plate with double vajra emblem, 10cm high Provenance: Mr. Ko who worked for the Chinese Postal Service from 1904-1947 and then by direct family descent. ??? ????????? ????: Mr Ko ? 1904-1947???????????????
A Sino-Tibetan gilt-bronze seated figure of an Arhat , Qing Dynasty, 18-19th century, seated on an embroidered double cushion throne, his hands in dhyana and vitarka mudra , his legs loosely crossed, wearing embroidered tunic and closely shaven hair, his eyes, and lips with traces of pigment, the sealing plate with double vajra emblem, 10cm high Provenance: Mr. Ko who worked for the Chinese Postal Service from 1904-1947 and then by direct family descent. ? 18-19?? ????????? ????:?????????????(?????)? 1904-1947????????
A Sino-Tibetan gilt bronze figure of Tara , Qing Dynasty, seated in Latitasann on double lotus throne, the right hand lowered in Varada Mudra , 18th century, 13cm high Provenance: Mr. Ko who worked for the Chinese Postal Service from 1904-1947 and then by direct family descent. ? ??????? ????:?????????????(?????)? 1904-1947????????
Ω A Chinese rectangular bronze censer, with Arabic script to the two long sides and Buddhist lion handles, on fitted hardwood stand and the pierced cover with coral finial, seal mark ???? to base, the censer approximately 16cm long x 8.4cm high x 7.5cm deep, the censer 1,683g ???? ???? ??? Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
A Sino-Tibetan gilt-bronze figure of Vajradhara, 17th-18th century, cast seated in vajraparyankasana on a double-lotus pedestal, with both hands crossed in prajnalinganabhinayamudra clasping ghanta , wearing an seven-leaf crown enclosing the chignon, the meditative face framed by wheel-shaped earrings one with fresh water pearl, wearing extravagant beaded 'jewellery' and belt, a dhoti and a long celestial scarf draped across the shoulders and arms, 11cm high, wood base Provenance: Property from a deceased estate. 17-18?? ????????
A gilt bronze figure of Manjusri, Nepal, seated in padmasana on a double lotus throne, holding a khadga raised in his right hand, the stem of a padma in his left, which flowers at his left shoulder, supporting his book, wearing elaborate crown and tall headdress surmounted by vajra finial, the face with down-cast eyes and benevolent expression, with a green a red stone inlay, 15.5cm high, 1,458 grams Provenance: From a private Dutch collection. ??? ????????? ????:??????
Ω A Sino-Tibetan gilt-bronze figure of Vajradhara, Tibet, 16th/17th century, seated in padmasana on a double lotus throne, his hands crossed at his chest, each hand holding the stem of a padma which flowers at each shoulder, surmounted by vajra and ghanta respectively, his elaborate crown and jewellery inlaid with coral and turquoise, his face cold-gilded, 19cm high 16-17?? ???????? Cites Regulations Please note that this lot (lots marked with the symbol Ω in the printed catalogue) may be subject to CITES regulations when exported from the EU. The CITES regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites
A Tibetan gilt bronze figure of Padmasambhava , 16-17th century, seated on a double lotus throne, holding a vajra in his right hand and a kapala and kalasa in his left hand, a loop for his staff (now missing) on his chest wearing a lama's cap with sun and moon emblem, with vajra finial, 17cm high The legendary Indian Buddhist teacher Padmasambhava is known as Guru Rinpoche to Tibetans. Padmasambhava is recognizable by the iconic peaked Indian cap of a pandita, with a sun and moon emblem, as well as his furrowed brow and the wide, almond-shaped eyes which set him apart as a foreigner. Known by many different names which reflect his multiple forms, Padmasambhava is credited with establishing Buddhism in Tibet. 16-17?? ???????????
A Tibetan bronze figure of Amitayus , 14th/15th century, seated in padmasana on a double lotus throne with hands in dhyama mudra , wearing large hoop earrings, the pendant hanging from his necklace inlaid with silver, his eyes inlaid with copper and silver, his lips inlaid with bronze, 25.3cm high Provenance: By repute from an Indonesian collection formed in the 1970's and then by descent and to the current owner. This pose of this Buddhist figure suggests an identification as Amitayus. The domed hair suggests that the usual crown was either damaged and smoothed off, or was separately made and lost. In style, a close comparison can be seen with a figure of Vairocana on loan to the Victoria and Albert Museum, see Marilyn Rhie and Robert Thurman, Wisdom and Compassion, no.140 14-15?? ????????? ????:?????????,?????????Please note: The catalogue description for this lot has been amended to: 14/15th century or later 14/15世纪(或晚)
A large bronze figure of Buddha, Western Tibet, 13th/14th century or later, seated in padmasana on a throne, supported by a figure and paired lions and leogryphs, his hands in dharmacakra mudra, his eyes inlaid with silver and lips with copper, 38cm high Provenance: By repute from an Indonesian collection formed in the 1970's and then by descent and to the current owner. The unmistakeable Kashmiri influences on this image, exemplified by the treatment of the throne and the stylised folds in the Buddha s robes, are an archaism arising out of visits by monks from Western Tibet to Kashmir from the 11th century onwards. Kashmir sculpture was itself derived from the western influenced Gandharan style, which is still evident here in the style of the outer pair of lions and the possible identification of the supporting figure as Atlas, who is often seen in Gandhara sculpture. The Kashmir style persisted in Western Tibet until the 15th century. For an 11th century figure of Buddha in related style in the Ellsworth collection, see Marilyn Rhie and Robert Thurman, Wisdom and Compassion, no.137. For an 8th century Kashmir stone fragment in the National Museum, New Delhi, illustrating the prototype of the style, see Pratapaditya Pal, Himalayas: An Aesthetic Adventure, fig. 2, p.92.13/14世纪 西藏铜佛 或晚 拍品来源:印度尼西亚私人旧藏,上世纪七十年代购得Please note: The catalogue description for this lot has been amended to:13th/14th century or later
A gilt-bronze figure of Ratnasambhava , Tibet, 15-16th century, seated in vajrasana on a double lotus throne, the left hand in avakasha mudra holding a bowl and right in varada mudra holding a fruit, face in meditation, 24.5cm high Provenance: By repute from an Indonesian collection formed in the 1970's and then by descent and to the current owner. 15-16?? ?????????? ????:?????????,?????????
A Tibetan gilt bronze figure of Tara, 16th-17th century or later, standing with her legs flexed on a double lotus throne, her hands in varada and vitarka mudra, flanked by a pair of lotus plants with various diminutive figures of Buddhist deities perched on branches, a further lotus on her left shoulder, wearing elaborate inlaid crown and jewellery, her head surrounded by a leafy aureole, her hair and lips with traces of pigment, 41cm high16-17世纪(或晚)西藏铜鎏金度母像Catalogue amendment: "or later" added to description: A Tibetan gilt bronze figure of Tara, 16th-17th century or later
A large Chinese gilt bronze of Quanyin and Child, Qing Dynasty, seated on lotus separately modelled base, supporting a young boy, seated in dhyanasana with one hand raised, dressed in voluminous robes with chased floral borders, open at the chest to reveal an elaborate necklace, a cowl pulled over her tall chignon fronted by a figure of Amitabha , overall height 56cm ? ????????
A Chinese bronze 'gold splash' censer, Qing Dynasty, the ovoid body with branch handles and supported on three fruit and leaf feet, Xuande two character seal mark to base, 19cm wide handle to handle and 12.5cm high, 1543g Provenance: Collected in the 1930's by Lieutenant-Commander Ninian Scott-Elliot, 1911-1998 and by descent. After an education at Eton, Scott-Elliot joined the Royal Navy and was soon serving on gunboats patrolling the Upper Yangtze River. He won a distinguished Service Cross as well as being mentioned in Dispatches when serving in the Royal Navy in the Second World War. Subsequently he settled on an island in the Solomon group where he developed a large estate and behaved like a benevolent nineteenth-century laird. ? 19?? ????????? ????:???????? Ninian Scott-Elliot( 1911-1998)??????????
A gilt-bronze figure of the Dharmapala Mahakala , Tibet, circa 17th century, the three eyed deity wielding a sword in his right hand, stepping to his right on prostrate corpses, his fierce face with third eye, his head with skull crown, his hair and mouth with red pigment, 24.3cm high 17?? ?????????
A Chinese gilt bronze 'Dragon' tally, late 19th or 20th century, cast in relief on a textured ground with dragons disputing a flaming pearl as they rise amid stylised clouds, the interior of each half is cast in negative and positive relief with two longevity and prosperity characters, 10cm high x 6.5cm wide 19????? 20?? ??? ?? ?
A Chinese archaic style bronze ritual food vessel, Gui, probably Western Zhou Dynasty, raised on circular foot with stylized animal masks, the compressed globular body cast with concave horizontal bands between borders of stylized hooked dragon motifs, set to each side with large horned-animal masks issuing tabbed loop handles, the worn bronze with malachite encrustation, approximately 31cm diameter x 13.6cm high Provenance: From the estate of the late Patricia Bishop. ??(??) ????? ????: Patricia Bishop????
A RARE TIBETAN BRONZE PALA-STYLE FIGURE OF BUDDHA 12TH/13TH CENTURY Seated, meditating on a double lotus throne, wearing diaphanous robes, his right hand touches the ground in bhumisparshamudra, his left hand rests on his knee in dhyanamudra, his eyes and urna inlaid with silver, his lips with copper and ushnisha with a red jewel, 17cm. Provenance: from the collection of Dr J S Gordon, purchased from Spink & Son Ltd, on 12th July 1999, the original invoice is available. Cf. Spink & Son Ltd, Light of Compassion, Buddhist Art from Nepal and Tibet, 16th October 1997, p.16, no.5. 十二/十三世紀尼泊爾鎏金銅佛坐像 來源:J S Gordon收藏, 1999年7月12日購於Spink & Son Ltd(附發票)
THREE FIGURES OF BUDDHA C.8TH CENTURY AND LATER Comprising: a carved stone torso, a standing wood figure with an open cloak flowing from his shoulders and a bronze figure raised on a double lotus throne, 33cm. (3) Provenance: from the collection of Dr J S Gordon, the stone figure purchased from Manuel Castilho on 15th March 1999, the original invoice is available.
A TIBETAN GILT BRONZE FIGURE OF YAMANTAKA WITH HIS CONSORT 18TH/19TH CENTURY The multi-armed and multi-legged wrathful god stands embracing his consort in yab-yum, inlaid with coral and turquoise beads and heightened with cold painted red pigment, raised on a modern wood stand, 13cm. Provenance: acquired in China during the 1950s.
A SMALL CHINESE BRONZE FIGURE OF A LUOHAN LATE MING DYNASTY Seated, wearing flowing robes and holding a scroll, raised on a wood stand, together with a bronze cover in the form of Shoulao with a peach, together with a wood stand, 10cm, 485g. (4) Provenance: an English private collection formed in the 1970s and 1980s.
A CHINESE BRONZE MODEL OF BUDDHA MING DYNASTY Seated in vajraparyankasana on a double lotus base, wearing flowing robes, the eyes downcast in a serene expression, his hair in tight curls, the elongated earlobes framing his face, 20cm, 1.9kg. Provenance: from the collection of Mr Maurice Demets, acquired in China c.1930.
TWO CHINESE BRONZE FIGURES OF LU DONGBIN LATE MING/QING DYNASTY Both standing, wearing headdresses with long ribbons and flowing robes, with small gourds fastened by their sides. One figure bearded, supported on an integral stand with lingzhi and stylised waves, holding a small ball in his right hand, the other with red cold painted details, together with a wood stand, 26.5cm. (3) Cf. R Kerr, Later Chinese Bronzes, pp.80-85 no.64 and also M Maucuer, Bronzes de la Chine impériale des Song aux Qing, p.156, no.108 for similar figures. Lü Dongbin is one of the Eight Immortals honoured as a great poet and swordsman.
THREE SMALL CHINESE BRONZE FIGURES 17TH/18TH CENTURY One of Avalokiteshvara coated with lacquer and gilt, seated in vajraparyankasana on a double lotus base, holding a sacred jewel in her hands, with a small dog at her feet. Another of a Buddhist monk standing on a lotus throne, the third a Daoist official seated on a throne, 14cm. (3)
A JAIN VOTIVE BRONZE RELIEF PROBABLY 14TH/15TH CENTURY With a seated Jina on an elaborate throne flanked by smaller figures and beneath a canopy, the eyes, chest and elements of the throne inlaid in silver, the reverse with an inscription, together with a Sino-Tibetan parcel-gilt copper figure of a luohan and a deity with a horned antelope, 16cm max. (3)Provenance: from the collection of Dr J S Gordon. 十八世纪或更早銅製佛像 一組三件

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389650 item(s)/page