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Lot 146
Demetre Chiparus (1886-1947), 'Simplicite' bronze and ivory figure of a young woman wearing a dress with full skirt and heart patterned bodice, blue and gilt highlights, on concertina marble base, signed, C1925, height 33cm . Good condition, small loss of patination on top of hat, no other damage seen
Lot 72
Carolyn Mulholland RHA (b.1944)Little Fat FigureBronze, 67cm high (26¼)Signed with initials and dated 1995Edition 9/9Provenance: With The Peppercanister Gallery, Dublin.Literature: Another cast of this piece was illustrated in 'Artists Century' catalogue, 2000, Ormeau Baths Gallery, Belfast.Carolyn Mulholland was born in Lurgan, Co. Armagh in 1944 and studied at the Belfast College of Art before embarking on her career as a noted bronze sculptor. One of her earliest commissions came from the young poet Seamus Heaney with whom she became close friends. Since then she has completed many major sculpture commissions in both the North and South of Ireland and some of her outstanding recent portrait commissions include a posthumous bust of Sir Alfred Chester Beatty and the official portrait of President Mary McAleese. She has exhibited widely at home and abroad, including the European Commission in Brussels, Jorgensen Fine Art and the Peppercanister Gallery in Dublin. She was elected a member of Aosdána in 1990 and was awarded the Irish-American Cultural Institute O’Malley Award in 1992. Since then she has carried out numerous commissions and exhibits regularly at the annual exhibition of the Royal Hibernian Academy, of which she is a member. She now lives and works in Dublin.
Lot 42
Brian King (b.1942)Head of James Joyce (Study from the Death Mask)Bronze, 43cm high (including base) (17)SignedEdition 6/11Formerly on loan to OPW, Farmleigh House, Phoenix Park, Dublin, for twenty years.The portrait of James Joyce featured here demonstrates King’s prolonged interest in the work of the author. This was first manifest in an exhibition that took place in Dublin’s Project Arts Centre in 1981 entitled Riverrun, the title of which was taken from the first line of Joyce’s Finnegans Wake. The following year, King produced a wall-based work into which he incorporated soil taken from Joyce’s grave in Zürich.Pádraic E. Moore, August 2019.
Lot 46
***PLEASE NOTE THIS LOT IS FROM AN EDITION OF SIX BRONZES***Michael Warren (b. 1950)Her Hair IIBronze, 88 x 8 x 8cm (34½ x 3¼ x 3¼)Provenance: With The Peppercanister Gallery, Dublin.Exhibited: The Peppercanister Gallery, 'Wall and Plinth' exhibition, Dublin 2008, with full page illustration in the catalogue.Michael Warren was born in Gorey, Co. Wexford and followed a foundation course at Bath Academy of Art in 1969-70 before attending Trinity College Dublin. Afterwards he spent some years studying at the Accademia de Belle Arti de Brera in Milan before embarking on a fulltime career as a professional sculptor. Since then he has had spectacular success as a minimalist Irish artist, being invited to participate in many prestigious international sculpture exhibitions in Japan, Spain, Andorra, Israel and Ecuador. He was the recipient of many awards for outstanding merit and was elected a member of Aosdána in 1981. In 1984 he was included in the Rosc International Exhibition in Dublin. Major sculptures in both wood and stone by the artist can be seen at RTE, IMMA, Trinity College, Dublin and the Offices of Dublin Port and Docks, as well as at many other public venues throughout the country. In recent years he has begun to have his sculptures cast in bronze. He had a most impressive mid-career retrospective exhibition at the Royal Hibernian Academy and was elected an associate member of the Academy thereafter. He has exhibited widely and lives and w
Lot 73
Breon O'Casey (1928-2011)BatherBronze, 77cm high (30¼)Signed with initials Edition I/VProvenance: With The Peppercanister Gallery, DublinBreon O’Casey was born in London in 1928, the son of famous Irish playwright Seán O’Casey and actress Eileen O’Casey. He studied art at the Anglo-French centre from 1948 to 1950 and then helped support himself as an artist by working as an assistant to sculptors Denis Mitchell and Dame Barbara Hepworth at St Ives in Cornwall for a few years. The famous American-born sculptor Jacob Epstein was one of his teachers and he never forgot his advice which was to ‘persevere - it’s the only way’. Since then, Breon O’Casey has persevered, at painting, sculpting and jewellery making - the latter activity to subsidise his art practice and to keep food on the table when rearing his family. He has since emerged as both an abstract and figurative painter of distinction with an individual colour sense, derived from patterns and forms in the landscape beside his rural home in Penzance. He has also come to the fore as a sculptor in bronze of real imaginative power and originality, shaking off early inspiration from ethnic art to forge a unique vision that has grown more distinctive with age. He has been the subject of a number of books by art critics and has shown extensively in Britain, Ireland and the USA. His major bronze sculpture ‘Ean Mór’ was purchased by the Office of Public Works and placed in the grounds of Farmleigh House in the Phoenix Park.
Lot 47
Eilis O'Connell (b.1953)The Square within the BoxResin, 14 x 17 x 17cm (5½ x 6¾ x 6¾)Eilis O’Connell was born in Derry in 1953. She studied at the Crawford School of Art in Cork from 1970 to 1974 before spending a year at the Massachusetts College of Art in Boston. She quickly rose to prominence as one of Ireland’s outstanding young artists and won a succession of awards including a GPA Award for Emerging Artists 1981, a fellowship in Rome 1983-84, a fellowship at PSI in New York in 1987-8 and subsequent residencies in France and Spain. Her work was purchased for many public and private collections and her sculptures were exhibited in the Rosc 84 International Exhibition in Dublin. Thereafter she resided for some time in the UK and won many major sculpture commissions including ‘Secret Station’, a bronze, fibre optics and steam configuration for Cardiff Bay Art Trust in 1992. She now lives and works in Co. Cork and continues to explore a range of materials and processes from which she creates her most imaginative avant-garde art. She has shown widely at Irish art galleries and her sculptures and mixed media works of art are in many private and public collections.
Lot 70
Sonja Landweer (b.1933)Elongated OvoidCeramic, 23 x 35 x 20cm (9 x 13¾ x 8)Inscribed on artist's label to baseSonja Landweer was born in Holland and trained there as a ceramic artist, achieving early international renown as one of the finest artist-potters of her generation, before being recruited to come to the Kilkenny Design Workshops in the 1960s as an art expert. Prior to that, she had shown her ceramics in Holland, Japan, West Germany, Argentina, USA, Italy, Yugoslavia and Ireland and had been featured in publications on the top contemporary ceramic artists of the world. She also had a keen interest in ethnic art from many cultures and collected fine examples, as well as diversifying her art practice to make avant-garde jewellery and sculpture using indigenous materials. With painter Barrie Cooke she was central in organising fascinating exhibitions of international applied arts as part of the Kilkenny Art Festival for many years. In recent years, she has begun to cast her ceramic sculptures in bronze. Her forms are inspired by natural shapes such as exotic seeds and organic objects and she is celebrated for her innovatory glazes and subtle patinas. She has shown her art worldwide and is included in many prestigious private and public collections, including the Stedelijk van Abbe-Museum in Eindhoven, the National Self-Portrait Collection in Limerick and the Ulster Museum in Belfast. She is a member of Aosdána since its inception and has shown regularly at the Hendriks Gallery and the Peppercanister Gallery in Dublin, as well as in many group and museum exhibitions internationally.
Lot 150
A GOOD CHINESE QIANLONG STYLE BRONZE LIDDED CENSER WITH JADE FINIAL, the censer with a carved hardwood fitted stand and a carved and pierced lid with a jade finial in the form of mushroom growth, the censer with moulded chilongs and lotus handles, sat on three mythical beast feet, the base bearing a six-character mark, 20cm high x 20cm wide.
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