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Humphrey Hopper (1765-1844). A pair of bronzed plaster figural lamps, each modelled as a classical female holding an urn, with the remains of a bronze light fitting, both on a circular plinth base, one with inscribed marks to the back of the robe and dated September 18th 1807, the other marked to the circular base and dated July 6th 1807, the figures 30in. excl. light fitting
A large Japanese bronze koro and cover, 19th century, the compressed globular body cast in relief to a central band with flowers and with mask ring handles, the upper band cast with paulownia, the pierced cover cast with five cranes in flight amid clouds, on three stump feet, the base applied with a square seal with Xuande seal mark, 34cm
A Japanese lacquer and mixed metal overlaid tea caddy, Meiji period, the exterior decorated in gold lacquer with river landscape scenes applied in shakudo, gilt bronze and silver with figures of farmers in the fields including an oxen pulling a plough, the interior containing a pair of 'mack' decorated canisters with sliding lids, 24.5cm, repair to cover
A Chinese rectangular baluster vase, Fanghu, Guangxu six character mark and probably of the period, painted to each side in enamel colours with four archaic bronze vessels on a cobalt blue ground with gilt inscriptions, 33cm, wood standFrom the collection of the late Lieutenant General Sir Lewis Macclesfield Heath (d.1954). Thence by family descent.
Charles Samuel (after) - Mother and Child Charles Samuel, (Belgian, fl. late 19th / early 20th century), a patinated bronze group of a nude with an infant, the former seated on an outcrop, her smiling face turned to the baby held aloft, inscribed 'Ch. Samuel 1914', mounted on a waisted marble socle and square section base, 35cm high
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