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A pair of Italian green serpentine marble and gilt bronze mounted brûlés parfum urns in Louis XVI style, circa 1875, the domed lids with pineapple finials, on lozenge pierced waisted collars, each above three horned Bacchic masks supporting foliate and floral festoons and above monopodia with cloven hoof feet, the triform bases with beaded borders and each raised on three toupie feet, 42cm high
A pair of French mahogany and gilt bronze mounted clothes presses, by Francois Linke, in Louis XVI style, late 19th/ early 20th century, each mottled marble top above a pair of drawers and a pair of cupboard doors, opening to a shelved interior, above three further drawers, flanked overall by corner mounts cast with scrolling acanthus and trailing flowers, on outswept cabriole shaped legs terminating in sabots, 162cm high, 130cm wide, 49cm deep For examples of bedroom furniture by Francois Linke that appear positively to match the current lot (be from the same suite) see Christie s, The Collector, 16th November 2017, Lot 526. The overall design, design of the mounts and use of specific bréche d Alep marble tops match the current lot. The suite offered at Christie s included a commode with dressing mirror (lockplate signed CT/LINKE ), a bedstead, a cheval mirror and a bedside cabinet. Another matching suite of bedroom furniture by Linke and containing a chest (or press) matching those currently being offered was offered by Christie s (New York, The Opulent Eye, 18th November 2014, Lot 131) The same suite included a cheval mirror, a bedside table, a lady s dressing table (the lockplates of the chest also stamped CT LINKE ). For closely related examples of bedroom furniture by Francois Linke, see Christopher Payne, 19th century European Furniture, Antique Collectors Club 1985 (second edition), page 51.
A pair of impressive gilt and patinated bronze chenets in Louis XV style, last quarter 19th century, cast as opposing and respectively with a man and a maiden in Chinoiserie taste, seated amongst scrolling foliage rising to floral buds, both chenets also mounted with a cast bird, perched on a pedestal to far right and far left respectively, 44cm high, 45cm wide
A pair of Empire or Restauration gilt bronze four light wall appliques in the manner of examples by Pierre-Philippe Thomire, circa 1815, each with a central raised urn socket above three reeded sockets on foliate cast drip pans, on scrolling foliate cast branches issuing from baskets of fruit held aloft by winged herms; themselves each issuing from an acanthus cast cornucopia, with conforming acanthus cast wall plates, 37cm high, 23.5cm wide, 25.5cm protuberance Pierre-Philippe Thomire (1751 ~ 1843) was the outstanding Parisian bronzeur and gilder of the early nineteenth century. He supplied finely chased mounts to leading Parisien ébénistes for furniture, clocks and the Sèvres porcelain factory, and he was much patronised by Napoleon who made him Ciseleur de l'Empereur. His work represents some of the finest examples of what became known as the Empire style, and examples can be found in the Grand Entrance and Marble Hall at Buckingham Palace, the Getty Museum in Los Angeles and many other collections besides See Christie's New York, Treasures of France, 24 October 2012, lot 177 for a very similar pair of wall sconces. Also at the same rooms, Arts of France, 2nd November 2000, lot 128.
A pair of Restauration or Louis Philippe patinated and gilt bronze five light figural candelabra, circa 1830, each with an acanthus cast urn socket raised above four others on scrolling foliate cast branches, issuing from flower cast bosses held above the heads of standing Cupids, in each case standing on one foot atop a sphere, on foliate cast and reeded baluster plinths, above square acanthus cast bases, 72cm high22.5cm wide
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