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Josef Lorenzl (Austrian, 1892-1950)Dancing Female NudeArt Deco gilt-bronze figure with both arms behind and one leg kicked up in front; raised on green onyx base, inscribed 'LORENZL' to base, 20cm wide, 9cm deep, 30cm high (7 1/2in wide, 3 1/2in deep, 11 1/2in high) For further information on this lot please visit Bonhams.com
Josef Lorenzl (Austrian, 1892-1950)Dancing LadyArt Deco bronze figure with ivory head and hands (one hand missing), with arms aloft, raised on green onyx base, signed 'Lorenzl', 24cm high, 7cm wideThis lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A 19th century bronze urn and coverthe cover with putto finial and vine relief decoration, the urn with reliefs of classical maidens and putti, raised on red marble base, 32cm wide, 21cm deep, 50cm high (12 1/2in wide, 8in deep, 19 1/2in high) For further information on this lot please visit Bonhams.com
Josef Lorenzl (Austrian, 1892-1950)Lady Curtseying Art Deco gilt-bronze female figure with ivory head, raised on green onyx plinth base, signed 'Lorenzl' to underskirt and stamped 'Austria', 9cm wide, 5cm deep, 23cm high (3 1/2in wide, 1 1/2in deep, 9in high) This lot is subject to the following lot symbols: Y ФY Subject to CITES regulations when exporting items outside of the EU, see clause 13.Ф This lot contains or is made of ivory. The United States Government has banned the import of ivory into the USA.For further information on this lot please visit Bonhams.com
A Louis XVI Kingwood bureau platThe rectangular top with inset leather writing surface, above frieze drawer flanked by deep drawer and two shallow drawers opposed by dummies, inlaid with faux fluting and lines, on tapering square supports and bronze cup feet, 131cm wide, 65cm deep, 74cm high (51 1/2in wide, 25 1/2in deep, 29in high). For further information on this lot please visit Bonhams.com
An unusual pair of Arts & Crafts bronze gas lamps, circa 1900Each with scrolling sconces issuing from an urn, with fluted etched glass shades, converted to electricity, 47cm wide, 12cm deep, 79cm high (18 1/2in wide, 4 1/2in deep, 31in high). (2)For further information on this lot please visit Bonhams.com
Anna B. Holan (Australian Contemporary)Swagman & JackarooA pair of bronze figures depicting standing 'Swagman' 23/100, and 'Jackaroo' rolling a cigarette seated with riding tackle, 13/100, both signed 'AB Holman' with limited edition numbers, raised on naturalistic base, 9cm wide, 11cm deep, 29cm high (3 1/2in wide, 4in deep, 11in high) (2)For further information on this lot please visit Bonhams.com
A pair of tole peintre covered chestnut urnsWith acorn finials, gilt decoration and lion-mask ring handles, on spreading domed feet, 19cm wide, 11cm deep, 33cm high, together with a bronze model of the Warwick Vase, 21cm wide, and a tole peintre samovar with chinoiserie decoration, 25cm wide, 13.5cm deep, 33cm high (4)For further information on this lot please visit Bonhams.com
A British War Medal (Bronze), un-named as issued to Chinese, Maltese and Indian troops; two British War Medals, awarded to GNR.J.W.TAYLOR. S.A.H.A. and REV.G.SHIER, with a note stating that Reverend George Shier, Young Men's Christian Association entitled to BWM only, served in France 27th October 1916 (3)
A Late 19th/20th Century Meritorious Long Service Group of Four Medals, awarded to 2307 CR.SGT. T.HUNT, 1/WELSH R., comprising Egypt Medal with clasp GEMAIZAH 1888, Khedives Star, undated, Army Meritorious Service Medal and Army Long Service and Good Conduct Medal; also, an un-named bronze 'Little Folks Legion of Honour' medal (5)
‡ Votive text appealing to Victoria Augusta, perhaps in the name of a Roman auxiliary stationed in England and named Aufilius or Aufidius, in Latin, in Roman Capitals punched with dots into thin gold plate[probably England (perhaps Roman fort of Lanchester/Longovicium, near Durham in northern England), third century AD. (perhaps c. 270)] Thin gold plate, cut to ansate form (ie. shape of a square with a rhomboidal wing on each upright side, a shape designed for suspension), with the text "VICTORI/AE AVG/ AVF FIDI/ VS [for 'filius'].../ D D." punched into its surface in Roman Capitals using a series of dots, other dots added to 'wings' for decorative affect, three holes pierced along upper edge most probably for suspension, some traces of dents and slight damage to extremities, else excellent condition, 37 by 56mm.; in custom made glass case, within fitted blue-cloth covered case A Romano-British inscription on the rarest and most alluring of writing materials to survive from the Ancient world: gold Provenance: 1. Probably created for a high-ranking Roman auxiliary perhaps named Aufilius or Aufidius (appeals to Victoria Augusta are most commonly found on items made for the Roman military or from military sites), who appears to have been stationed in Lanchester, near Durham (see below). Such inscriptions are highly formulaic, and so we can be certain that the opening line contains a dedication to Victoria Augusta, and the last line contains the standard formula "D[ono] D[edit]" ('gave this as a gift'). Following this the first part of the central two lines might convincingly be read as "AUF[ilius/idius] FILI/US ..." (with the 'L' in the second word mistruck as an apparent 'D') and the remaining word identifying his father too abbreviated or garbled to be extrapolated here.2. Reportedly found as a stray find in vicinity of Lanchester, near Durham, in the 1940s. Lanchester (Roman Longovicium) was the site of a substantial Roman auxiliary fort on Dere Street (the Roman road connecting York to Hadrian's Wall) in the province of Britannia Inferior. The site is mentioned in both the Ravenna Cosmography and the Notitia Dignitatum. An unusually large number of altars, dedication slabs and a milestone set on the adjacent sections of Dere Street allow us to conclude that the fort was built by the Twentieth Legion, probably around 150 AD. It seems to have been the subject of rebuilding in the middle of the third century and the fourth century. At the time this object was made, stone inscriptions identify the fort as manned by Celts from the Plateau de Langres in the Bourgogne region of Gaul, near Dijon, the Cohors Primae Lingonum (First Cohort of Lingones) and the Cohors Primae Lingonum Gordiana equitata (First Cohort of Lingones, Gordian's own, part mounted), as well as a detachment of Suebians from Lusitania.3. Lennox Gallery, London, in 1996, and sold then to the present owner.4. Schøyen Collection, London and Oslo, their MS 2344. Text: While far from common, Roman metalwork objects with punched dot inscriptions are known from diverse objects, including a bronze dog or slave collar, with the inscription "Tene me ne fugio" ('Hold me, lest I flee), offered in Bonhams, 30 September 2014, lot 383, as well as small votive offerings such as the present piece. Close parallels for this item can be found in the holdings of the Ashmolean and York Museum (H4.1-2, from the Old Railway Station site, with a Greek inscription including the personal name Demetrius), but those are on more common metals such as bronze. The use of gold here suggests the wealth and influence of its original owner, and it was perhaps produced for attachment to a statue of a deity. Published:Y. Petrina, 'Kanopos oder Menoutis? Zur Identifikation einer Ruinenstätte in der Bucht von Abuqir', KLIO 90 (2008), p. 205.
Record of testamentary charities by different testators, made to freeborn legitimate and illegitimate boys and girls in set proportions by an established charitable foundation, according to the Roman laws of Septimus Severus, in Latin, manuscript in transitional script between square and rustic Latin capitals, on bronze tablet[Mediterranean (perhaps Spain, Italy or southern France), dated to the fourth day before the kalends of November in the consulship of Claudius Pompeianus and Lollianus Avitus (ie. 29 October 209)] Large bronze tablet with losses at edges and base, remains of inscription in single column of 13 lines of Roman capitals (each approximately 9mm. high, and these lines in three sections: the first recording the charitable gift, the second discussing the town council and recording the consulships, the third recording only the date), some surface scratches, else good condition, 222 by 142 by 5mm.; in fitted case Provenance: 1. Produced for display in either a public place or a temple. Reported in 1994 as "said to be from Spain", but, as Tomlin notes in a pers. comm. in 1997, one of the donors may be identifiable with a known early third-century official from Venafro in southern central Italy. Alternatively, the provenance of the item in the French trade opens the possibility that it may be from a site on the southern coastline of that country.2. Quaritch, London, acquired by them from the French trade immediately before December 1994. 3. Schøyen Collection, London and Oslo, their MS 1976, acquired from Quaritch. Text: When complete this tablet was most probably a public record of charitable gifts by a number of donors, erected as a permanent public record by the town in which it was displayed. Suetonius records the use of such tablets in his note of Vespasian's replacement of some 3000 tablets that had previously hung in the Capitoline Hill in Rome, but were destroyed during the fires at the end of Nero's reign. Their inscription on bronze conveyed authority and permanence, and some national lawcodes, such as the Icilian Law hung in the Temple of Diana on the Aventine, and civic land registers such as those recorded at Orange in south-eastern France, were produced in that format to impart those qualities to their contents. The charitable acts recorded here must have been held in the same regard by the community that produced this grand record of them. The text of this record was reconstructed and published by Tomlin in 2000. Published:R.S.O. Tomlin, 'An Early Third-Century Alimentary Foundation', Zeitschrift für Papyrologie und Epigraphik, 129 (2000), pp. 287-292.P. Brown, Poverty and Leadership in the Later Roman Empire, 2002, p. 115, no. 15.E.A. Hemelrijk, Hidden Lives, Public Personae: Women and Civic Life in the Roman West, 2015, p. 149.C. Laes, Children in the Roman Empire: Outsiders Within, 2006, p. 280.
A Second World War No.2 Dress Uniform to a Captain, Royal Artillery, comprising a peaked cap with bronze cap badge, tunic with bronze collar dogs, brass rank badges and buttons, and a pair of trousers, also a battledress blouse with embroidered insignia and a side cap; a No. 1 Service Dress Uniform to a Colonel, R.A.M.C., comprising peaked cap, tunic with maroon gorget patches, brass rank badges, later Elizabeth II staybrite buttons, Second World War ribbon bars, and a pair of trousers with maroon side stripes (8). Generally in good condition.
A pair of early 20th century French Empire style Candelabrum, gilt metal and white veined marble, seven branch sconces on scroll supports, set on marble urnular stem applied with gilt metal swags and bronze cherubs, on square marble foot, the whole supported on a decorative gilt metal base terminating in four paw feet, 61cm high
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361340 item(s)/page