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Lot 18
Bayern: Nachlass eines tapferen Frontsoldaten.Ordenschnalle mit: 1.) Militär-Verdienstkreuz, 3. Klasse mit Schwertern, 2.) Preussen: Eisernes Kreuz, 2. Klasse, 3.) Österreich: Tapferkeitsmedaille, Franz Joseph I., in Bronze, 4.) Reichskriegerbund Kyffhäuser: Kriegsdenkmünze, mit Bewährungsabzeichen der Ehrenlegion, 5.) Bayern: Dienstauszeichnung, für 9 Jahre, graue Rückseitenabdeckung, dazu Etui, kleine Ordenschnalle ohne Auszeichnungen sowie Kleinabzeichen.Zustand: II
Lot 260
Nachlass eines Hitlerjungen und Luftwaffe-Soldaten.1.) SA-Sportabzeichen, Bronze, 2.) HJ-Leistungsabzeichen, in Silber, 3.) HJ-Schießauszeichnung, 4.) Segelfliegerabzeichen C, 5.) ebenso, B, gestickt, 6.) Ärmelabzeichen der Fliegertechnischen Vorschule, mit Kordel Umrandung, 7.) ebenso, Braunschweig 3, 8.) Ärmelabzeichen für fliegendes Personal.Zustand: II
Lot 232
Nachlass eines Angehörigen des Panzergrenadier-Regiment 8.1.) Medaille Winterschlacht im Osten, 2.) Schützenschnur, der Infanterie, 1. Modell, 1. Stufe, 3.) Reichssportabzeichen, Bronze, 4.) NSDAP Mitgliedsabzeichen, 5.) Erkennungsmarke Schtz. A.Kp. G.E.u.A. Btl. 67, 6.) Schulterklappe für Mannschaften im Schützen-Regiment 8.Zustand: II
Lot 64
MIGUEL ORTIZ BERROCAL (Villanueva de Algaidas, Malaga, 1933 - Antequera, Malaga, 2006)."La maja , (Opus 162)", 1977/1978.Bronze sculpture, iron base. Exemplary 377/1000.Signed and numbered.Size: 26 x 26 x 9 cm (with base).Inspired by the main creative forces of the first half of 1900, Berrocal sought his own artistic path. He was inspired by science and created works based on mathematical, physical and scientific principles. He also developed the concept of "dismountability", understood as the process of searching for the inner forms of volumes, which implies that sculptures are composed of elements that have to be assembled and disassembled in order to penetrate their invisible space.Berrocal began his training at the Escuela de Artes y Oficios in Madrid, where he was a pupil of Ángel Ferrant. He then went on to the San Fernando School of Fine Arts, where he was a pupil of Ramón Stolz. He complemented his training with work as a draughtsman in the studio of the architect Casto Fernández Shaw and as an assistant to various architects in Rome between 1952 and 1954. During his stay in Paris in 1955, he finally decided to devote himself to sculpture. His early works show the influence of Chillida, while at the same time denoting his preference for articulated and detachable forms in bronze. The difficulty involved in making each of his sculptures led him to decide to produce them in series. With this idea in mind, he produced two hundred copies of the sculpture "Maria de la O", for which he received the prize for sculpture at the Paris Biennale and which was later acquired by the MOMA in New York. In 1966 he settled permanently in Verona, and since 1968 he has alternated his work between monumental and small-scale works. Together with several gallery owners, he founded the Società Multicettera, the first industry of small sculptures. He has exhibited in Italy, France, Germany, Spain and the United States, received the gold medal of the Bronze of Padua, the Grand Prize of Honour at the Brazil Biennial, and was named Knight of the Order of Arts and Letters by the French government.
Lot 362
A PAIR OF 'GRAND TOUR' BRONZE MEDICI AND BORGHESE URNS LATE 19TH CENTURY, PROBABLY FRENCH 30.5cm highProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally fair condition- one with slight ding to upper section of body- some rubbing to patina and bases with wood infill sections. Collars to bases a little 'awry' and off true horizontalPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 371
A PAIR OF FRENCH GILT AND PATINATED FIGURAL CANDLESTICKS LATE 19TH CENTURYEach with stem formed as three Bacchic children with grapes, bronze and bronzed metal 21cm high 11cm diameterProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: One drip pan stuck in nozzle- both rubbed- some wear to surface from handling and cleaning- some foot knocks and rubbingCondition Report Disclaimer
Lot 375
A RARE PAIR OF PARCEL GILT AND BRONZE FIGURAL TORCHERESBY BARBEDIENNE AND GUILLEMIN, FRENCH, CIRCA 1870 The 'Deux Femmes Japonais' cast by Ferdinand Barbedienne from the models by Emile-Coriolan-Hippolyte Guillemin (1841-1907), in the form of standing Japanese female figures in kimono, embroidered with cranes and prunus respectively, supporting five later candelarms in the form of lilies, formerly gasoliers and later wired for electricity (now absent), and now on gilt metal mounted and inset onyx bases, each signed to cast "E le Guillemin" and "F. BARBEDIENNE FONDEUR" the figures 119cm and 118cm high, height including candle branches and bases 213cm overall, bases 82cm high and 38cm wideProvenance: Sotheby's London 2nd November 1989, lot 348. This model was illustrated in the F Barbedienne 'Catalogue Des Bronzes D'art' Paris 1886, page 62, and titled "Deux Femmes Japonais- figures debout, porte lumieres". The figures had been designed by Guillemin, a noted sculptor and regular exhibitor at the Paris Salon. Barbedienne evidently liked this particular model as he chose to place a version of this pair outside the front door of his family house.Barnwell Manor, Northamptonshire, Windsor House AntiquesCondition Report: We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally seem to be in fairly good condition albeit with some rubbing to exposed edges. As per cataloguing these have been wired for electricity as various times and with remnants of various drilled holes and switch to plinth of each. Currently they are not wired. The smaller detailing such as fan, prunus and hair accoutrements look to be mostly the original joints but there is some slight build-up around them suggesting there have been small repairs. Later lily arms with some old repairsStands- chips and some edge repairs- notably to upper edges- the stands rest on gilt metal thin plinth bases. Some mounts look to have lifted and with some old glued refixing.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 394
A LARGE PAIR OF BRONZE AND GILT BRONZE CHENETS LATE 19TH CENTURY, POSSIBLY RETAILED BY RAINGO FRERES, PARIS Each with seated figure of child tussling with a griffin or dragon, one stamped 'RAINGO 444' 40.5cm high, 68.5cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. From fireside position and enthusiastic cleaning- there is loss and wear to patina of cherubs- especially exposed limbs, elbows etc. Wings slightly loose. Gilding quite pale and washed out- some dirt build up to crevicesPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 399
A PAIR OF ITALIAN BRONZE AND WHITE MARBLE BUSTS OF AN AFRICAN MAN AND WOMAN BY C. CACCIA DATED 1883 The reverse of each inscribed 'Ch. Caccia 1883', the associated ormolu mounted square Campan Grand Melange marble bases each inscribed "Henry Dasson, 1885" 44cm high, 35.5cm wide Provenance: Lot 236: Christie's 500 Years: Decorative Arts Europe March 17, 2011, £15,000. Formerly from the Collection of the Late Sir Arthur Gilbert, Christie's, New York, 23 April 2004, lot 31 ($33,460)Barnwell Manor, Northamptonshire, Windsor House AntiquesPlease note, the pair of giltwood brackets shown in the additional images on our website are not included in this lot.Condition Report: Please note, the pair of giltwood brackets shown in the additional images on our website are not included in this lot.Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both generally good condition but dirty. Small knock to the front of his robe with 5mm loss and area surround a little darker in colour. Rubbing to robe edges. Some old infill to marble of bases but this may well be from manufacture. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 467
A GRAND TOUR LEAD MODEL OF THE DRUNKEN FAUN ITALIAN, PROBABLY NAPLES, 19TH CENTURYOn a rectangular marble plinth56cm high, 47cm wide, 22cm deep Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Please note, this item is lead, not bronze as previously catalogued.
Lot 481
A REGENCY CARVED MARBLE SUNDIALCIRCA 1820 With a bronze dial by Bate of London 115cm high (excluding dial), the base 40 x 40cm Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: PLEASE NOTE; This lot is on view at Barnwell Manor where it will remain for collection by the successful purchaser Wear, marks, knocks and scratches as per age, handling, use, and cleaning. 12" dial with uneven green Verdigris. Internal bands with months and "Watch Slower- Watch faster" notations. Wear to pedestal top edge and with wear and scuffing to base. Signs of various areas of restoration and cracks to top of pedestal under lobed shaft. Will require careful transportation and handlingPlease see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Lot 485
A GRAND TOUR BRONZE MODEL OF A PUTTI CARRYING A GOOSE ALMOST CERTAINLY CHIURAZZI FOUNDRY, NAPLES, LATE 19TH CENTURY Previously fitted as a fountain 57cm high, the base 25cm diameter Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Condition Report: Please note: This lot will be available to view at Barnwell Manor and collection is from there only following purchase.Heavily weathered and colour variance throughout with some paint/lichen splashes Detailing still fairly crisp- some bumps scuffs and scratched notably to his right arm, left shin. Later bolt fixing to base and additional vacant hole to base suggesting it has either been remounted or adjusted with something removed from the centreCondition Report Disclaimer
Lot 600
EUGENIO AVOLIO (ITALIAN, 1876-1929), BRONZE GROUP 'NEPTUNE TRIUMPHANT' EARLY 20TH CENTURY Neptune brandishing his trident above Triton blowing a conch horn, hippocamp and dolphins below, signed to the cast 52.5cm high, the base 19.7cm wide Condition Report: Some rubbing to extremities- knees, tips of noses, trident shaft- trident end reattached- mild re-patination around right handCondition Report Disclaimer
Lot 658
A PAIR OF FRENCH PATINATED, GILT BRONZE AND ROUGE GRIOTTE MARBLE MOUNTED FIGURAL CANDELABRA IN THE MANNER OF ANDRÉ-ANTOINE RAVRIO, CIRCA 1820Each modelled as an amorino holding aloft two strigilated candle branches modelled as flaming torches, the circular plinths cast with beading each 41cm high overall, the bases 12cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Gilding throughout to both with loss and wear. One putto with more wear to patina (front) than the other- UV shows there is repatination here. both with slightly clumsily attached right wing. One with shinier and slightly shorter screw/rod visible to underside suggesting it may have been tightened or reassembled. Some infill to marble bases but this looks to be from manufacturePlease see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 661
ADRIAN ETIENNE GAUDEZ (FRENCH, 1845-1902), A LARGE BRONZE FIGURE GROUP 'LE FERRONNIER' LATE 19TH CENTURY The figures of the armourer and apprentice by anvil, examining section of armour, signed to cast, set on marble base, applied inscribed title plaque to base 61cm high overall, the base 41cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning but generally good condition. Small repaired knock to reverse corner visible under UV. Metal to top of anvil slightly loose, shears in blacksmiths left hand look to have an old joint perish- or possibly slightly crack, Apprentice hammer shaft very worn, lacks pommel, slightly loosePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 664
A 'GRAND TOUR' BRONZE OF AUGUSTUS CAESAR OF PRIMA PORTA ITALIAN, LATE 19TH CENTURY With integral turning handle to circular plinth base 34.5cm high, the base 11.2cm diameter The figure of the first Roman Emperor derives its name from the locality in Rome where it was excavated in 1863 at the Villa Livia- formerly the home of his third wife Livia Drusilla. The marble figure is now held and displayed in the Vatican Museum.Condition Report: Generally good condition- very mild rubbing and wear to extremities with slightly paler colour visible to folds of cloak, tip of nose, edge of base etc. Some rubbing to right arm. Condition Report Disclaimer
Lot 721
AFTER RAOUL CHARLES VERLET (1857-1923), A BARBEDIENNE CAST BRONZE OF ORPHEUS LATE 19TH/EARLY 20TH CENTURY Signed to cast and inscribed "F Barbedienne Fondeur" 99.5cm high, 37cm wide, base 27.5cm diameter Provenance: Property removed from 8 Pulteney Street, Bath. Originally titled "LA DOULEUR D'ORPHÉE" (Orpheus' Sorrow)- the work depicts the figure with ;yre and three headed Cerberus at his feet- in the act of turning to look at his love Eurydice- and, in the process, losing her forever. The plaster model for this work was first exhibited at the Salon of 1887.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Generally good condition- albeit with some patina rubbing to raised extremities, torso and legs from handling and cleaning. Lower section with dog approximately 37/38cm wide- it stands above the roughly circular base which is 27.5cm diameterPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 757
AFTER CANOVA, A PAIR OF BRONZE MAIDENS ON MARBLE BASES FRENCH, 19TH CENTURY Depicting dancers after the 1806 and 1809 Canova examples, bearing signatures to the cast, turned marble bases the taller 42cm high, the bases 14cm diameterCondition Report: Both in generally good condition- very mild areas of wear from handling to exposed elbows, tips of breasts, - small edge nibbles to tops of marble bases.Condition Report Disclaimer
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