There are 389642 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeFull title: Two Chinese blue and white vases with bronze mounts for the Islamic market, WanliDescription:H.: 37,5 cm (the tallest, incl. mount)H.: 28 cm (the smallest, incl. mount) Both mounts probably of Qajar origin. Provenance:- A Belgian private collection.- The vase on the left: Rob Michiels Auctions, Oct. 28, 2017, lot 1193. (link)
Full title: A Thai gilt bronze Buddha Shakyamuni in Lan Na-style, probably 16th C.Description:H.: 41 cm (incl. base) H.: 35 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in August 2010 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.- Previously in a private collection in Chiang Mai, according to the certificate.
Full title: A Thai bronze Buddha in Lopburi-style, probably 11th C.Description:H.: 25 cm (incl. stand) H.: 20 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in December 2003 from Het Magazijn, then operating as Belgantiques, Gent, Belgium, with their certificate of authenticity.
Full title: Three bronze Khmer sculptures of Buddha, Himmapan and Uma, Cambodia and Thailand, Bayon, 11th C. and laterDescription:H.: 16,5 cm (the Himapan sculpture, incl. the stand) H.: 9 cm (the Himapan sculpture) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- The Himapan sculpture acquired in August 2011 from Het Magazijn, Gent, Belgium, with their certificate of authenticity. Previously in the collection of Phillip Gabrielli, USA, according to the certificate.- The Uma bust acquired in November 2003 from Wei Asian Arts, Brussels, Belgium, with their certificate of authenticity.- The Buddha acquired in October 2000 from Sutra du Lotus, Liege, Belgium. (according to the owner's inventory notes) (the Buddha probably 17th C.)
Full title: A Thai bronze standing Buddha in Dvaravati-style, probably 7/8th C.Description:H.: 41,5 cm (incl. base) H.: 37,5 cm (the bronze) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in November 2004 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.
Full title: A bronze Khmer sculpture of the goddess Uma, Cambodia, 10/11th C.Description:H.: 42,5 cm (incl. stand) H.: 39 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in July 2003 from Het Magazijn, then operating as Belgantiques, Gent, Belgium, with their certificate of authenticity.- There described as originating from a German collection.
Full title: A pair of Khmer bronze ornaments showing dancing Apsaras in Bayon-style, Cambodia, Angkor period, 13th C.Description:H.: 25 cm (the sculptures)H.: 33 cm (incl. stand) The certificate by Patrick Dupont mentions that these ornaments are palanquin (carrying chair) finials, rather than ornaments for chariots or ceremonial vehicles, due to the playful representation of the dancing Apsaras, embracing the Naga. Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired from Patrick Dupont, Brussels, in December 2012, accompanied by his certificate.
Full title: A bronze Khmer sculpture of the goddess Lakshmi, Cambodia, Angkor period, 12th C.Description:H.: 20 cm (incl. stand) H.: 14 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired from Patrick Dupont, Brussels, in December 2012, accompanied by his certificate.
Full title: A large Javanese bronze Majapahit bust of the god Shiva, Indonesia, probably 15/16th C.Description:H.: 55,5 cm (incl. stand) H.: 43 cm (the bust) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in November 2011 from Ilunga Gallery, Brussels and Gent, Belgium, with their certificate of authenticity.- Previously (1999) in the collection of Marius Van Den Hout, Java, according to the certificate.
Full title: A Javanese bronze Majapahit sculpture of the god Shiva, Indonesia, probably 14th C.Description:H.: 46 cm (incl. stand) H.: 42,5 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in February 2012 from Ilunga Gallery, Brussels and Gent, Belgium, with their certificate of authenticity.- The collection of Mrs. van Bussel, Ter Hulpen, Belgium.
Full title: A Burmese bronze crowned Buddha, probably Hariphunchai period, 12/13th C.Description:H.: 48 cm (incl. stand) H.: 43,5 cm (the bronze) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in December 2004 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.
Full title: A bronze figure of Harihara, India, probably Gupta period, 8th C.Description:H.: 36 cm (incl. stand) H.: 32 cm (the figure) Provenance:- The collection of Mr. and Mrs. S., Gent, Belgium.- Acquired in October 2004 from Het Magazijn, Gent, Belgium, with their certificate of authenticity.
Titled: Christmas Decoration. Hand carved cedar on rope. Ursala Von Rydingsvard is a German-American sculptor best known for creating monumental works influenced by nature using cedar, bronze and other forms of timber. Artist: Ursala Von RydingsvardDimensions: 7.5"W x 23"HCountry of Origin: United StatesProvenance: The Bass Museum of Art Condition: Good condition.
Festus. O. Idehen is a renowned figurative sculptor in wood and bronze. He carved the standing man in a solid piece of wood with tools that left thick marks of carvings to define areas of the young man's torso, outstretched arms, and hands on his traditional garment, his traditional headwear and his sullen face bent to the side. Artist: Festus. O. IdehenIssued: c. 1950Dimensions: 5.50"L x 17.5"H x 5.50"WCountry of Origin: NigeriaProvenance: The Bass Museum of Art Condition: Age related wear.
Manolo Valdés (Spanish, born 1942)Diálogo de damas The complete set of three bronze sculptures, 2006, on wooden bases, each incised with initials and numbered 22/150, published by Art Witness, Boza Editor, Madrid; together with the catalogue Dialogue de Damas written by Mario Vargas Llosa Overall 220 x 120 x 70mm (8 5/8 x 4 3/4 x 2 3/4in) (and smaller) (3)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Militaria- A replica Victoria Cross for reenactment purposes, marked COPY to verso; a bronze Victorian 'Watch And Be Sober' sobriety medal c.1900; Sheffield Edward VII and Queen Alexandra Coronation day medallion, another for George V; early 20th century coin purse with sovereign and half sovereign sections; lapel badges etc
A Vanguards LR3002 Land Rover Series I 60th Anniversary 2 piece Set First & Last Production Vehicles including original Reproduction Series I Operators Manual,945/1758 mint, boxed; Oxford 'Roadshow' including LAN1109003 Land Rover Series I 109" Frame in Midland red, Hereford; LAN188001 Series I Land Rover 88inch, Civil Defence Corps Northamptonshire Division, green; LAN110901 Series I 10 inch open back, grey; LAN180002 Land Rover 80" Open Back-Bronze, Green; LAN180001E Series I Land Rover 80 inch; LAN1109002 Land Rover 109" Open Back-Blue all boxed; Oxford Diecast 43SET29 Land Rover 88 Hard Top - First Overland twin Set; Oxford Commercials 1:76 scale model of Land Rovers etc.
AFTER THE ANTIQUE, A BRONZE FIGURE OF MARCUS AURELIUS ON HORSEBACK LATE 18TH/EARLY 19TH CENTURY, ITALIAN On a Portoro marble base The bronze 16cm high, 20cm high overall, the base 14cm x 8cm Casts of this model have been recorded by the Roman bronze foundry of Giacomo and Giovanni Zoffoli. Usually signed, and mounted on the inscribed white marble base after Michelangelo's design- they were avidly collected by wealthy collectors on the Grand Tour. One, from a garniture de cheminée is held at Saltram House, Devon and is illustrated in "Souvenirs of the Grand Tour", Wildenstein, London, 1982, no.54.The original statue of Marcus Aurelius (161-180 AD) is now held in the Musei Capitolini, Rome. It was erected circa 175 AD and is the only complete bronze statue of a pre-Christian Roman Emperor to have survived. Such statues were usually melted down for their bronze or destroyed by early Christians. This one survived because it was erroneously believed to depict Constantine, the first Christian Emperor. Condition Report: The marble base possibly a later replacement but displays the bronze well. The bronze with accretion of wear to patina as per age and fairly heavy use/handling.Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
CLÉMENT LÉOPOLD STEINER (FRENCH, 1853-1899) A BRONZE FIGURE OF A FENCER 'ESCRIMEUR' FRENCH, LATE 19TH OR EARLY 20TH CENTURY Depicted flexing a foil, his mask at his feet, varied patination, signed to the cast 'Steiner', and bearing title plaque "ESCRIMEUR PAR STEINER MEDAILLE D'OR", foundry inscription for "Pinedo Bronzier Paris", with a Paris bronze guarantee stamp 64.5cm high, the base 24cm wide
AFTER BENVENUTO CELLINI (FLORENCE, 1500-1571) A BRONZE FIGURE OF PERSEUS AND MEDUSA ON PLINTH SECOND HALF 19TH CENTURY, ITALIAN The hero portrayed standing contrapposto, heroically nude except for winged sandals and a sash to his chest inscribed BENVENUTUS CELLINI FECIT, standing triumphantly above the slain figure of Medusa, and raising her decapitated head with his left hand, on rectangular figural plinth 98cm high overall, the base 14cm x 14.5cm Provenance: The collection of Sir William Whitfield CBE, 10 March 2020, Lot 38 Commissioned by Duke Cosimo I de' Medici and unveiled in 1554, Cellini's vivid contribution to the Loggia dei Lanzi on Florence's Piazza della Signoria is a tour de force of mid-16th century mannerism. The bronze showcases the many new ways in which mannerist sculptors were pushing the boundaries of the body. The decapitated figure of Medusa for instance is folded up in an unlikely pose, and is an example of what critics would come to refer to as a 'figura sforzata' or 'forced figure'. This iconic sculpture was much admired by Grand Tourists, and many 19th century souvenir casts of the work survive. Prince Albert for example acquired a full-size copy of the bronze by Clemente Capi at the Great Exhibition in 1855, which is now in the Royal Collection. The incorporation of Cellini's figural plinth in slightly smaller models, such as this one, is quite rareCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Some paler patination from this to raised and exposed extremities such as knees- shoulders, plinth edges- reverse of wing to ankle etc The whole in generally good condition but with some loose component elements. Base and top are separate pieces. He lacks sword bladePlease see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AFTER A MODEL BY GIOVANNI BOLOGNA (GIAMBOLOGNA, 1529-1608) A BRONZE FIGURE OF A PEASANT RESTING ON HIS STAFF PROBABLY LATE 17TH OR EARLY 18TH CENTURY ITALIAN The figure wearing a short tunic, boots with floppy tops and a broad rimmed hat, with a small water barrel, set on an alabaster mounted, brass strung and mounted walnut base figure 13cm high including peg to base, the whole 23cm high, base 7.5cm square Provenance: Ex Kenneth Clark Collection The earliest reference to this figure- one of a set of four- came in 1601 when a silver version was loaned to Giambologna's former assistant Antonio Susini for casting in bronze. The document described it as follows: "a little figure in silver of a peasant with his hat and a staff, leaning upon his staff" (Una figuretta d'arg(en)to di un villano co(n) Capello co(n) bastoncino che sappoggia il su il bastone) Cf Giambologna 1529-1608: Sculptor to the Medici., Avery, Charles & Radcliffe, Anthony, published by UK: The Art Council, 1978. The earliest casts tend to be distinguished by having an oval base the figure stands on- together with clearer definition and space in the execution of staff and cloak. This later cast is closer to examples such as the one found at Anglesey Abbey, Cambridgeshire (NT 515066) but lacks the careful stippling and detailing.Condition Report: The whole presenting quite dirty- has been in a cupboard for some time. The patina showing paler/more golden areas from wear from handling and display. It has been suggested that some gilding may have been applied- then patination over it The stand dirty- associated- traces of former mounted object to top- one panel with crackWear, marks, knocks and scratches as per age, handling, use, and cleaning.Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AUGUSTO ROHRICH (ITALIAN, 19TH CENTURY) A BRONZE FIGURE 'THE DYING GAUL' AFTER THE ANTIQUE ITALIAN, 19TH CENTURYThe figure on oval plateau base, further mounted on separate black marble stand with scrolling bronze feet, signed to cast A ROHRICH ROMA 38cm high, 66cm wide overall Condition Report: Check base and signatureCondition Report Disclaimer
Loading...
