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Lot 20
Michel Basbous (Lebanon 1921-1981)Le Voilier (The Sailboat) bronzesigned, dated and numbered '5/8', number 5 from an edition of 8, executed in 197718.5 x 32.5 x 7.5cm Footnotes:Provenance:Property from the Artist's EstateThis lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 21
Michel Basbous (Lebanon 1921-1981)Tête voilée (Veiled Head) bronze signed, dated and numbered '2/8', number 2 from an edition of 8, executed in 197735.5 x 8.5 x 5.5 cm Footnotes:Provenance:Property from the Artist's EstateBorn in 1921, in Rachana precisely. Michel Basbous, son of a priest of a tiny village in the north of Lebanon was amongst the first students to enroll at the newly founded 'Academie Libanaise des Beaux-Arts'(ALBA) in 1945 and one of its first graduates. Three years on, and after his first public success in the capital, he left to Paris in 1950 were he joined the atelier of Zadkine. His master there, Gaumont, asked him the purpose of his stay in Paris, and Basbous answered, deadpan, 'To learn sculpture'. Gaumont replied: 'Lebanon, the Mediterranean, Phoenicia, Assyria, Babel, Egypt... You have them all. What are you doing here? Go back to your country.' Ultimately, Basbous would obey this sage stricture. But not before having accomplished much in Paris. Upon his return in 1956, and after a short stay in Beirut, he took the surprising decision to move back to his native village Rachana. Back then, Rachana was not even accessible by asphalted roads. ' It was a new experience for me. As I did not have a workshop in the village, I placed my works on the side of the road and started working in the open air.'Michel spared no efforts to nurture a public interested in the arts, so he created the festival of Rachana in 1960, mixing theatre, music, poetry with sculpture and painting, in the hope of motivating people to interact with different kinds of cultural activities. He invited famous figures like César, Jack Lang, Karlheinz Stockhausen, Hasan Fathi and Adonis just to name a few. He fought fiercely to disseminate sculptures in public spaces, government buildings, municipal gardens... He spared no efforts to export his art to the world, multiplying trips to the USA, Japan, France and elsewhere. He experimented in different genres, styles, sizes, media from the classical marble, stone, wood, bronze, alloys to the more experimental fibre glass, resin, cement. He also believed that the world will discover him one day as a gifted painter as he was known as a talented sculptor. He was a charismatic man, larger than life. Michel Basbous, pioneer of modern sculpture, especially monumental in his country and the Arab world. His artworks are found at Oxford Museum in London, British Museum London, UENO Museum in Japan, the Modern Art Museum in France as well as in many other public places in Lebanon and abroad.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 22
Anachar Basbous (Lebanon, born 1969)TOTEM corten steel, uniqueexecuted in 2022250 x 50 x 50cm Footnotes:Provenance:Property from a private collection, ParisAcquired directly from the Artist by the aboveAnachar Basbous was born in Rachana (Lebanon) in 1969. His first name is also the anagram of this city. From birth, he was immersed in art. His mother, Thérèse Aouad Basbous, was a poet and novelist; his father, the sculptor Michel Basbous, is one of the major Lebanese artists of the 20th century. His childhood, in the artists' house founded by his parents, was marked by creation, the aesthetic importance given to forms. Precocious, he made his first sculpture at the age of ten. Two years later, the disappearance of his father left him with a deep wound. Perhaps this is why he chose, after his schooling, to study, not sculpture, but architecture at the Lebanese Academy of Fine Arts. Then he followed, in Paris, the courses of the National School of Arts and Crafts, in another specialty: architectural mosaic. Returning to Lebanon in 1992, he produced many wall decorations. However, he quickly decided to devote himself exclusively to sculpture. Stone, wood, bronze, steel would constitute his universe.If he himself admits to having been influenced in his career by his parents, it is just as much in his father's library that he draws the resources to educate his eyes. If Giacometti and Henry Moore fed him, like Michel Basbous, with figurative forms, no doubt he was also interested in Brancusi, Jean Arp or Max Bill. It is difficult, in the art world, to make a name for yourself; it is even more so, in the case of a dynasty of creators, to make a first name. Anachar Basbous succeeded in doing so, by not seeking to extend or imitate the paternal plastic, but by creating his own aesthetic. His sculptures, sometimes of monumental dimensions, favour refined forms whose complexity appears in the associations he chooses; they sometimes suggest a precarious balance and are imbued with spirituality. Their inscription in space strikes the viewer whose eye must tame before the curves, the edges, a whole geometry offered to the light, whose beauty and harmony are the culmination.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 458
Emile Fuchs (1866-1929), The Arab and odalisque, patinated bronze, raised on a red marble plinth, height 71cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 463
Pair of Japanese bronze vases, late Meiji (1868 - 1912), each cast with scrolling dragons chasing a flaming pearl amidst clouds, 18cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 464
Pair of French bronze Bacchanalian figure groups, each cast as the infant Bacchus and a cherub playing with goats, richly patinated, height 22cm x 15cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 473
Sino-Tibetan bronze boddhisatva, seated in dhayanasana, the left hand holding a gourd, mid brown patination with traces of gilt, height 31cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 482
Japanese bronze vase, Meiji (1968 - 1912), baluster form with a flared neck, cast with panels depicting a warrior resting beneath a pine tree and sparrows flying amidst branches, pseudo Chinese cast mark, height 42cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 487
French bronze sculpture of a reclining Grecian beauty, circa 1890, height 26cm, length 31cm (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 152
Netherlands: Holland silver rider, 1734, weight approx. 32.5g (VF); also East India Company William IV one rupee, 1835 (VF); and a Japanese bronze 100 mon tempo (1835-70) (VF) (3) (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 229
Edwardian 9ct gold love hearts bangle, set with seed pearls (badly damaged), weight approx. 5.5g; also a 9ct gold plated bronze hinged bangle (2) (NB: Condition is NOT noted in catalogue descriptions. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 150
Chen Wenling (Chinese b. 1969), China Today 2006, signed Chen Wenling, 4/7. Bronze. H. 185 cm. W. 99 cm. D. 86 cm. Compare with a version included in the group exhibition curated by Danish sculptor Bjørn Nørgaard (b. 1947): "Mine kinesiske venner" (My Chinese Friends), Galleri Susanne Ottesen, Copenhagen, 2007-2008. Condition Report: dent to base otherwise generally good but also with some scratches to base Condition Report Disclaimer
Lot 162
Genryusai Seiya: A Japanese Cast Bronze Model of a Siberian Tiger standing four-square with its head turned to its left, the stripes well rendered, the belly cast with the foundry seal mark, length 24.5cms, Meiji Period; And a Japanese Cloisonne Enamel Tray of shallow, rounded rectangular form raised on four feet, decorated on the blue ground with floral roundels, width 24.5cms, Meiji-Taisho Era (2) Provenance: From the private collection of author and publisher Colin Smythe Condition Report: Cloisonné Tray with wear and scratches, slight dent to rim. Condition Report Disclaimer
Lot 18
A CHINESE GUANGDONG STONEWARE FIGURE OF A SEATED IMMORTAL, QING DYNASTY, 19TH CENTURYProbably representing Laozhi, the dark stoneware simulating bronze, the immortal modelled seated cross legged on a rocky base, long flowing robes, impressed seal mark to the reverse ‘Chen Wei Yan Zhi’ carved hardwood stand (2)Height: the figure 14cmOverall: 18cmProvenance: Keith Stevens CollectionCondition ReportUV light inspected. The figure in good condition. Small chip to wooden stand.
Lot 180
A CHINESE GILT-BRONZE AND ENAMEL HEXAGONAL STAND, QING DYNASTY, QIANLONG PERIOD, 1736 - 1795Probably Imperial, either Guangzhou or Beijing enamel work shop, the upper section of hexagonal form, decorated with a posy design, with a gilt bronze jewelled foliate stem, all reserved on a domed enamelled lotus petal baseHeight: 16.5cmFor a similarly decorated teapot with a posy design see Metal Bodied Enamelled Ware, The Complete Collection of Treasures of the Palace Museum, Beijing, 1995, cat. 199, pg. 208Condition ReportUV light inspected. Two scale chips to the lower lobed section of the flower head designs where they meet the gilt-metal mount. The gem stones probably replaced. Gilding rubbed. Otherwise in good condition.
Lot 21
A COLLECTION OF SMALL BUDDHAS AND CARVINGS, QING DYNASTY, 18TH/19TH CENTURY AND LATERTo include;A miniature gilt-bronze seated Shakyamuni Buddha, Sino-Tibetan, height: 4.5cmA carved wooden gilt lacquer figure of a seated Guanyin and child, height: 9.5cmA miniature cast bronze seated Buddha, height: 3.5cmAn Indian bronze standing deity, height: 6cmA resin seated shoulaoAnd a pair of Indian mica brooches (7)Provenance: The collection of Lt. Col. George Douglas Gray, OBE, MD RAMC (1872 - 1946), thence by family descentCondition ReportThe Shakyamuni Buddha is in good condition and the base is sealed. The wood figure of Guanyin has minor age cracks to the front edge and small flakes to the gilt-lacquer decoration. The miniature bronze figure is in good condition. The standing deity has a slight lean to the side and back. The head of the resin Buddha has been re-attached. The pair of brooches are in good condition.
Lot 223
A JAPANESE CARVED RED LACQUER FIVE-TIER INRO, MEIJI PERIOD, 19TH CENTURYCarved with stylised fruit and flowers, the silk chord with a bronze inlaid gold beadHeight: 9.5cmProvenance: The collection of H. G. Beasley (1881 – 1939), thence by family descentCondition ReportThe lacquer inro is in good condition with the exception of some chips to one of the flanges on a compartment.
Lot 29
A CHINESE BRONZE ‘LOTUS’ CENSER, 17TH/18TH CENTURYThe rounded petal-shaped body rising from a flat base to an everted petal-shaped rimDiameter: 11.5cmHeight: 4.2cmWeight: 487g.Provenance: MD Flacks Ltd., paper label to baseCondition ReportOverall in good condition. finely cast, with traces of a waxy patina around the body.Weight: 487 grams
Lot 124
A 19th century gilt bronze mounted cararra marble architectural mantel clock, in the Grand Tour taste as a fluted pillar, the 9.5cm circular enamel dial inscribed Voisin a Paris, Roman and subsidiary Arabic numerals, twin winding holes, eight-day movement striking on a bell, the case with ribbon-tied cresting and bas relief frieze, knop feet, 29.5cm high, c.1870
Lot 138
A Buller's Art Pottery ovoid vase, glazed throughout in bronze lustre, 22cm high, printed marks; a Jackfield bottle vase, glazed in graduated turquoise and russet, 16cm high, impressed marks; a Doulton miniature ovoid vase, painted by Eliza Simmance, with cherry blossom on a green/brown ground, 6.5cm high, signed to base; a two handled globular vase, elongated neck, angular ribbed handles, glazed in tones of red and green, 12.5cm high; an ovoid vase, impressed with stylised weeping willow, mustard glaze, 16.5cm high, impressed marks
Lot 544
A WW2 medal group of three (in duplicate), awarded to a Mr. Waddell Esq. of 3 Hughenden Terrace, Glasgow, W2, comprising War Medal with bronze Oak Leaf emblem (one only), 1939-1945 Star, Italy Star, Africa Star, each group contained in its original packet; together with a group of Red Cross nursing medals (three being engraved "M. Buchannan"), cap badges and shoulder titles for Queen Alexandra's Imperial Military Nursing Service, rank pips etc. Condition Report:Available upon request
Lot 225
A collection of French medals relating to Napoleon Bonaparte, comprising; 1798 Victory in Egypt uniface pewter medal, 68mm diameter, 1803 Hanover occupied uniface white metal medal, 40mm diameter, 1803 bronze metal depiciting Napoleon 'Fortuna', 34mm diameter and 1805 bronze medal Battle of Austerlitz, 40mm diameter (4)
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350105 item(s)/page