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Lot 278
‡ Phoebe Stabler (died 1955) Shy patinated bronze signed in the cast 41cm. high Literature Leslie Hayward and Paul Atterbury Poole Pottery Richard Dennis Publications, page 41 for the stoneware version circa 1914-1918 illustrated. ‡ indicates this lot may be subject to Artist's Resale Right / Droit de Suite
Lot 279
Louisa Edith Maryon (1872-1924) To The Witches Revels, 1909 patinated bronze, signed and dated in the cast 37cm. high Catalogue notes Edith Maryon studied at the Royal College of Art from 1896 and exhibited at the Royal Academy. She met Rudolf Steiner in Switzerland in 1912-1913 and some time after 1914 she moved to Dornach where she worked on the construction of the first Goetheanum. Here she worked with Steiner on the Representative of Humanity sculpture.
Lot 290
λ Liseuse a tall patinated bronze and ivory figure cast from a model by Albert Carrier-Belleuse, on cast bronze base with applied title signed A Carrier-Belleuse in the cast, the applied label titled and inscribed Grand Prix du Salon 60cm. high Literature Bryan Catley Art Deco & Other Figures, ACC books, page 53 this model illustrated λ Lots marked with a lambda may be subject to CITES regulations when exported.
Lot 314
A rare W.A.S Benson cast copper bronze metal carriage clock, rectangular section, cast in relief with foliate design, circular white enamel dial with Arabic numerals, 21cm. high Literature Ian Hamerton W.A.S Benson Arts and Crafts Luminary, Antique Collector's Club, plate 83 page 103 for a comparable example. This clock was available in two finishes copper bronze (£4/10/0) or antique silver (£4/15/0).
Lot 1660
Pair of Franz Bergmann (Austrian 20th Century) cold-painted Bronze Pheasants, Vienna, Austria. A male and female, each polychrome painted in yellow, red, blue and white. Both with Bergman B vase mark to underside of tails, the female also stamped 'Nam Greb'. Male: length 40 cm, height 26 cm. Female: length: 36 cm, height 20 cm.
Lot 923
Pair of Chinese gilt bronze fan shaped banner plaques supported on tall turned wooden poles, each banner has a cast gilt bronze dragons head at the top beneath which phoenix, dragons and bats surround a fan shaped cartouche, a second dragons head holds the base of the banner in it's mouth, it's long neck fitting onto the carrying pole, with fortune, emolument and longevity symbols there are Chinese characters and they translate as follows: 'WUYONG piously worship to SHUI YUE GONG( Water Moon Palace), Autumn, 27th year of Guang Xu (1901)'Shui Yue Gong( Water Moon Palace) is a Buddhism Guanyin Temple, located in Hong Kong. Built circa 1866 and was destroyed in 1943 by the Japanese. 170cm high,
Lot 909
James Clark (British, 1858-1943) The runaway team oil on canvas, in its original gilt frame 60 x 74cm (23 x 29in) The present painting is of impressive size and detail of a lively hunting scene in a hilly landscape with two runaway heavy horses in the foreground, which a dapperly dressed horseman is trying vainly to control. Appears to be unlined canvas. Large canvas patch on reverse at lower left corner (seen from reverse). Patch is covering hole in painting which has been filled and retouched. To the right of this damage is another small puncture in the canvas. Deformations to canvas at lower edge, left of centre. Drying cracks evident in some paint passages. Frame has been extensively repainted with bronze paint.
Lot 160
A French champleve enamelled brass oval four glass mantel clock A French champleve enamelled brass oval four glass mantel clock, the movement by Samuel Marti et Cie, Paris, circa 1900, the eight-day gong striking movement stamped with S. Marti et Cie MEDAILLE DE BRONZE roundel and numbers 137 4 8 to backplate, the circular cream enamel Roman numeral dial with repeating floral garland decorated centre and pierced gilt hands within polychrome scroll decorated bezel over twin mercury capsule pendulum with conforming enamel bands to frame, the bevel-glazed case with enamel frieze to the moulded top above conforming band to the generous ogee moulded base incorporating shaped feet, 26cm high.
Lot 266
An Italian, probably Venetian bronze ink stand, early 17th century An Italian, probably Venetian bronze ink stand, early 17th century, cast in the form of a bulbous jar with egg-and-dart rim, suspended on the backs of three adorsed monopodial cherubs with spread wings, rising from scrolled acanthus leaves above paw feet, 9.5cm high, 12.5cm wide
Lot 274
A pair of French parcel gilt and patinated bronze models of ewers in the... A pair of French parcel gilt and patinated bronze models of ewers in the Grecian taste, circa 1870, of slender form, each with a handle rising from the spout, the bodies with figural decoration cast in reverse relief, the circular bases on marmo rouge griotte socles, 37.5cm high
Lot 275
A pair of Continental patinated bronze and marmo Siena mounted twin handled... A pair of Continental patinated bronze and marmo Siena mounted twin handled urns, circa 1880, the foliate cast handles rising past slender necks from ovoid bodies cast overall with birds amongst foliage in high relief, on square section plinths with ogee moulded bases, 36.5cm high overall
Lot 414
After the Meister des Gansemannchens, a patinated bronze model of a gooseherd After the Meister des Gansemannchens, a patinated bronze model of a gooseherd, almost certainly German, first half 19th century, being a reduction of one of the figures adorning the fountain in the Obstmarkt in Nuremberg, portrayed standing and holding a goose under each arm, on an octagonal section plinth, 25.5cm high
Lot 980
Two 18th Century Italian bronze portrait busts after the Antique, the male and female heads darkly patinated, on later Sienna marble socle bases, both 21.5cm (8.5in) high (excluding bases) (2) Male has hole in head and rather than darkly patinated it has been painted in black. The female head is darkly patinated and both have medium scratching. Please see images
Lot 982
After the Antique, a 19th century Classical bronze urn, the ovoid form with volute handles in the manner of a pottery krater, the body decorated in relief with scenes of chariot racing, mounted on a green marble base with bronze feet 45cm (18in) Provenance: From the collection of the late Christopher Hogwood CBE
Lot 990
A pair of 19th century bronze figures of Chinese men with moustaches and their hair on a long plait, they stand on later stepped bases holding a cylinder in their right and left hand respectively, 16.5cm (6.5 in) high (2) The figure holding the cylinder in his right had is currently detached from his base, the top two steps of which would have been gilded
Lot 995
After Francois Jouffroy (1806-1882), a Barbedienne bronze group of putto around a cross, raised on a circular foot and dished black marble support, foundry signature in the bronze 30cm (12in) This bronze is a study for the full-size marble sculpture of the same subject that stands outside the Church of Saint-Germain-l'Auxerrois in Paris
Lot 1067
A Bronze Age Palstave Axe Head circa 1200-800 BC, copper alloy with flared convex cutting edge Common in the middle Bronze Age, this axe would have been cast in a two part stone mould. It would have been fixed to a forked bone or wooden handle by means of a loop on axe (now lost). Slightly pitted and some oxidisation
Lot 1085
A bronze plaque depicting an Edwardian golfer, thought to be 'Freddie' Tait 21 x 15cm (8 x 6in) Literature: Freddie Tait (1870 -1900) Frederick Guthrie Tait was a Scottish soldier and amateur golfer, killed in action during the second Boer War. He was one of the most successful amateur golfers of his time, winning 27 amateur tournaments and gaining two amateur wins at the British Open championship as leading amateur, and twice winning the British Amateur Championship.
Lot 1096
An imposing French bronze and ormolu mantel clock, 19th century, the scroll mounted shaped base with 10.5cm enamel dial inscribed 'W.R.Cave', with moon hands and typical drum movement, all surmounted by Cupid with bow and quiver of arrows 63 x 52cm (25 x 20in) movement in need of attention; Cupid currently loose; surface dusty and worn in places
Lot 1110
A 19th century French white marble and ormolu mantle clock, surmounted by a bronze dog and sleeping child above 8cm enamel dial, with moon hands, Roman numerals and bell striking movement marked for Ch.Pickard and Ad.Punant, Paris 771, upon a breakfront base on four gilt feet 33cm (13in) some age marks to marble, untested
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