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AFTER NAM GREB COLD PAINTED BRONZE SCULPTURE CIRCA 1930`S, H 7", L 9 1/2" CLEOPATRA: Depicting a reclining, semi-nude, Cleopatra holding a hissing serpent that is wrapped around her left arm. Marked on the back of the chaise lounge Nam Greb with a B within an urn design. Atop a marble base H 3/4".
Ensemble de huit MEDAILLES ayant appartenu à un ancien combattant de 14/18 : -Croix de Chevalier de la Légion d`Honneur (en très mauvais état, manque les centres), -Médaille Militaire (en argent), -Croix de Guerre 1914/17 (ruban fatigué), -Croix de Guerre 1914/18, -Médaille des Blessés avec deux étoiles et une barrette de rappel, -Médaille avec barrette "Engagé Volontaire", -Croix du Combattant, -Médaille en bronze "Pax in Justitia", signée MOURGEON.
SABRE d`Officier supérieur d`Infanterie Ml 1855, fusée en corne (manque le filigrane), garde en bronze ciselée à une branche, lame droite à double gorges marquée " Mre Nle de Châtt Mars 1871,O. Supérieur Mle 1855". Fourreau fer à deux anneaux de bélières. TBE. Epoque début IIIème République. Réf. 13277/28.
Hugh Oloff de Wet (1912-1975): ``Robert Graves`` A Bronze Bust, naturalistically modelled, signed in the cast H.O.d.Wet, 38cm, on a teak plinth base Hugh was a self-taught sculptor. Mostly working with writers and poets. He was also an author, writing The Valley of the Shadows, (Blackwood`s) Cardboard Crucifix, (Blackwood`s) and A visit to John Cowper Powys, and was featured on This Is Your life with Eamonn Andrews in 1956. The University of Texas commissioned a number of busts for its Ransom Centre Reading Room.
Hugh Oloff de Wet (1912-1975): ``Dylan Thomas`` A Patinated Plaster and Fibreglass Bust, naturalistically modelled, signed in the cast OLOFF DE WET, 68cm on a teak plinth base Hugh was a friend of Dylan Thomas, and sculpted him two years before his death. The bronze cast bust was on display at the Royal Festival Hall.
Johann Philipp Ferdinand Preiss (German 1882-1943): ``The Necklace``, A Patinated Bronze and Ivory Figure, model number 884, carved as a maiden seated by a pool with bronze roundals in her hair, her robes falling over her legs, on a green veined marble dished base signed Preiss, 15cm Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.120. Crack through top of head. Dirty cracks through torso, hip areas, shoulder and arms. The ivory is loose in its mount. Nicks to base. 110313
Johann Philipp Ferdinand Preiss (German 1882-1943): ``Sonny Boy`` and ``Hoop Girl``, A Pair of Cold Painted Bronze and Tinted Ivory Figures, model numbers 1179 and 1123, modelled as a young girl with a hoop and a boy with book, on green onyx bases, both signed F Preiss, 21cm (2) Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.130. Sonny boy - dirty crack top of head, light cracks through face, light cracks in legs, dirty, wear on shoe, nicks in base, general scratches. Hoop Girl - dirty crack in neck, light cracks in face, nicks on base, dirty, general scratches. 110313
Demetre H Chiparus (Romanian, 1888-1950): A Cold Painted Bronze and Ivory Figure, modelled as a school girl wearing a hat and scarf and carrying a satchel, on a hexagonal green onyx base, stamped in cast CHIPARUS 1672 1, 20cm Ivory face is dirty. Possible chip in ivory on her lefthand side eye. 110313
Franz Xavier Bergmann (Austrian/American 1861-1936): An Art Nouveau Cold Painted Bronze Figure, modelled as an erotic dancer, her skirt opening on a hinge to reveal her nude, on a circular two tier green marble base, stamped in cast Nam Greb and a B in an urn shaped cartouche, 32cm Cracks through base, chips to base. General wear to paint work and rubbing. Small dent on bottom of leg (where hit by the closing skirt). 110313
A Figural Gilt Bronze and Marble Striking Mantel Clock, circa 1870, depicting a gilt bronze lady in robes leaning against a column, 3-1/2 inch marble dial with applied Roman numerals and indistinctly signed, twin barrel movement striking on a bell, movement backplate stamped Charpentier De Bronzes A Paris and numbered 794, 57cm high 30.01.13, Case with the gilding faded throughout, marble with chips to the base in parts, dial with cracks and the signature is indistinct, movement needs cleaning but looks complete.
A French Gilt Bronze Striking Mantel Clock, signed F L Hausburg a Paris, circa 1870, surmounted by a centre piece with fruit and flanked by two cherubs, base with acanthus leaf and scroll borders, 3-1/2 inch enamel dial with Roman numerals, twin barrel movement striking on a bell, 39cm by 43cm 30.01.13, Case with the gilding faded throughout, dial with chips and cracks, dial needs restoring, movement is dirty and needs cleaning, glass is loose.
A Black Slate and Bronze Mounted Striking Mantel Clock Garniture, retailed by James Robertson & Son, Paris, circa 1870, surmounted by a bronze bust of a bearded gentleman, base with applied presentation plaque and raised upon paw feet, 4-3/4 inch dial with Roman numerals, twin barrel movement striking on a gong, 54cm high (pendulum missing), with black slate and bronze mounted garniture, 28cm high 30.01.13, Clock case with chips and a crack to the top front left hand side, some small chips to the base, dial with two cracks and the retailers name is rubbed, case front with presentation plaque saying `Presented to Mr Robert Hunter by The free high church congregation in acknowledgment of his services as session clerk during the vacancy occasioned by the death of Mr Arnot Edinburgh 20th April 1876`, top bust with some rubbing to the bronze surface, garniture bronze figures slightly rubbed, movement needs cleaning, pendulum missing.
A Gilt Bronze Striking Mantel Clock, signed Raingo Fres a Paris, circa 1880, elaborate case depicting two ladies in robes sitting studying holding a globe and book, acanthus leaf borders to the base, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, 41cm by 76cm 31.01.13, Case with gilding faded throughout, some small dents to the base and scratches in parts, dial with hairline cracks and damage and re-touching to the enamel positioned at 3 & 9 o`clock, minute hand broken and missing, movement needs cleaning.
A Chinese Bronze Garment Hook (Daigou), Eastern Zhou Dynasty, Warring States Period, 4th/3rd century BC, of pipa type, with animal head terminal, the face inlaid in silver and malachite with scrollwork, 19cm long For a similar garment hook see Orientations, October 2012, pg.68, fig.2 Typical surface verdigris throughout. Significant loss to malachite inlay and minor loss to silver inlay. 190213
A Thai Bronze Figure of Buddha, probably 17th or 18th century, the standing figure with flowing robe and right forearm outstretched, with remains of original gilding, 38cm high Some traces of original gilding, particularly to head-dress. Typical age related wear to patination and with some surface scratching. Tips of fingers on right hand lacking and toes on both feet lacking. One foot with repairs. Feet with fittings for mounting. 210213
A Pair of Japanese Bronze Reticulated Vases, Meiji period (1868-1912), the trumpet necks with birds amongst foliage on cylindrical liners, the semi-ovoid pierced bodies cast with animals amongst foliage, on stepped circular foliate bases, 46cm high One upper section with sleeve broken away from neck. Some minor impact damage and typical wear to patination at extremities and raised parts throughout. 270213
A Japanese Bronze Figure of a Water Buffulo, late 19th/early 20th century, naturalistically modelled and standing four-square, stamped six character seal mark, 50cm long, wooden plinth Very minor surface scratching and wear to patination. Plinth with scratching and some surface water damage. 210213
A Pair of Austrian Cold Painted Bronze Figures, by Franz Bergman, late 19th century, depicting an Arab huntsman with deer and rifle and an Arab with three hawks, each picked out in cold decoration on circular green marble plinths, with cast B mark, 32cm and 41cm Both with typical wear to cold decoration throughout. Bird on figure`s head is loose in mount. Bird on left hand with bent tail feathers. 270213
A French Bronze Ewer, in Renaissance style, of baluster form with slender neck inlaid with silver and figural handle, the neck inlaid with scrollwork over an ovoid body cast with grostequerie, on a circular socle, 47cm high Typical wear to patination throughout, particularly on extremities and handle. Some very minor impact damage. 210213
A Pair of French Bronze Candelabra, early 19th century, with central sconce flanked by five further foliate sheathed sconces issuing from a circular platform, on a foliate and shell capital, fluted column and acanthus leaf sheathed base, on three paw feet and marble tricorn plinth, 70cm high One drip pan missing. Both with fitting to central socket with element missing. Some minor wear to patination throughout, particularly on extremities. Some losses to chains. Minor chipping to bases. 210213
A Pair of Bronze Figures of Mercury and Fortuna, after Giambologna, 19th century, he holding a bag and the caduceus, she holding a flower sprig and horn, each on a breche marble and bronze circular column cast with putti, 57cm and 55cm high Mercury with damage to caduceus at join with hand. Fortuna with significant surface deterioration to horn and this is possibly matched. Both with minor wear to surface patination and minor chips to marble. 210213
An Austrian Cold Painted Bronze Model of a Hare, Franz Bergman, early 20th century, seated on its haunches upright in alert pricked ear pose, naturalistically detailed fur and colouration, cast vase and B mark, 15cm high Slight rubbing on the extremities. A few areas of bare metal showing through on the creature`s backbone and rear legs. 010213
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350105 item(s)/page