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Lot 47
Lerolle Frres, Paris, An antique three-piece mantle garniture, porcelain plaques, gilt bronze.Gilt bronze in Louis XVI style. Dial and movement signed Lerolle Frres, Paris. Paris, France. The second half of the 19th century.An identical model, in cleaned condition, was sold at a Sotheby during the 'Freddy Mercury Auction', with a result of £17.780,00. https://www.sothebys.com/en/buy/auction/2023/freddie-mercury-a-world-of-his-own-at-home/a-louis-xvi-style-gilt-bronze-and-sevres-styleHeight of the candelabra: 72 cm.Circa 1880.Condition report: - The clock and candelabra are probably a marriage. - The clock's right side porcelain plaques is cracked. - One of the candelabra small porcelain plaque with a chip. Dimensions: (L:15 x W:65 x H:44 cm)
Lot 21
Charles DESPIAU (1874-1946) 'Bust of Mademoiselle Andrée Wernert, Nenette', silver-plated bronze. 7/8,Claude Valsuany foundry mark, and signed Cire Perdue.Dimensions excluding the base. Total height: 47 cm.Provenance:- Private Dutch Collection- Galerie Malaquais, Paris, France- Private American CollectionWith a letter of authentication by Elisabeth Lebon.Dimensions: (L:20 x W:17 x H:31,5 cm)
Lot 133
Svres, a cobalt blue vase mounted with bronze in Louis XVI style, 19th century.Hand-painted decors signed Cotti and ormolu gilt bronze. Inside of the lid is signed 'Chateau Des Tuilleries'.We added a Limoges vase, 20th century.Transfer printed decor and mounted with gilt bronze.Dimensions: (L:14 x W:16 x H:53 cm)
Lot 133
Karl Lagerfeld for Chanel: a Black Lambskin and Tortoiseshell CC Shoulder Bag1997-99Central CC detail, tassel with Bakelite tortoiseshell to one side, bronze hardwareCondition Grade B23cm wide, 20cm high, 37.5cm shoulder drop, includes serial stickerFor further information on this lot please visit Bonhams.com
Lot 165
KIM BROOKS (BRITISH B. 1936) BLACK RHINO Bronze Signed and numbered 5/9 28 x 58.5cm (11 x 23 in.)Kim Brooks is one of the true pioneers of wildlife art and helped pave the way for wildlife artists, alongside David Shephard, Simon Coombes and Bob Kuhn, establishing a strong market for wildlife painting and sculpture in the fine art sector. Kim Brooks first met David Shepard at a shared exhibition in San Antonio in Texas and they remained friends from this moment forward. Kim's passion for wildlife is evident throughout her body of work. She is also a tireless campaigner in supporting threatened species, actively involved in Save The Rhino Fund, David Shephard Wildlife Foundation and the Rainforest Foundation amongst other wildlife charities. In 1979 she was awarded gold at the Wildlife Artist International Exhibition in Phoenix, Arizona and has exhibited across the world in London, New York, Los Angeles and Johannesburg. Kim Brooks was born in St. Albans, Hertfordshire in 1936. She enrolled at the St Albans Art College and went on to work as an illustrator for a London publisher. It was a commission in 1970 to paint a pair of cheetahs in Nairobi, Kenya which sparked the fascination and passion for African wildlife and more extensive travel to capture rare and exotic animals. Kim's professional career has taken her on adventures from Africa to the Amazon, the title of her most recent publication. Throughout her distinguished career she has always maintained the importance of immersing oneself within the nature to create authentic and sensitive illustrations of these majestic animals in their natural habitats. Kim's work has led wildlife auctions at both Christie's and Sotheby's achieving outstanding prices in both London and New York. In February this year, Kim's striking canvas titled 'Dawn Patrol' depicting Scarlett Macaws in flight reached £44,000. Exotic birds native to tropical rainforests in Peru and Costa Rica have become synonymous with Kim Brooks who has risen to the challenge of capturing these marvellous birds in flight and the unbelievable colours, as seen in Lot 162 & 163. Lot 164 depicts Leopard Alert. Kim has always described leopards as shy and secretive animals. Their ability to remain unseen as they prowl silently through the Serengeti plains has allowed them to live in close proximity to humans. Kim's respect and admiration for these powerful animals radiates through her work. Kim also enjoys working with 3-dimensional objects as this pushes the boundaries of opportunity. By creating a bronze in the round, she is able to look at the subject matter from a different perspective. Kim's understanding of the anatomy is clear as we see each muscle flex in Lot 161 and the texture of the Rhino's thick protective skin in lot 165.
Lot 161
KIM BROOKS (BRITISH B. 1936) STROLLING CHEETAH Bronze Signed and numbered 8/9 25.5 x 61cm (10 x 24 in.)Kim Brooks is one of the true pioneers of wildlife art and helped pave the way for wildlife artists, alongside David Shephard, Simon Coombes and Bob Kuhn, establishing a strong market for wildlife painting and sculpture in the fine art sector. Kim Brooks first met David Shepard at a shared exhibition in San Antonio in Texas and they remained friends from this moment forward. Kim's passion for wildlife is evident throughout her body of work. She is also a tireless campaigner in supporting threatened species, actively involved in Save The Rhino Fund, David Shephard Wildlife Foundation and the Rainforest Foundation amongst other wildlife charities. In 1979 she was awarded gold at the Wildlife Artist International Exhibition in Phoenix, Arizona and has exhibited across the world in London, New York, Los Angeles and Johannesburg. Kim Brooks was born in St. Albans, Hertfordshire in 1936. She enrolled at the St Albans Art College and went on to work as an illustrator for a London publisher. It was a commission in 1970 to paint a pair of cheetahs in Nairobi, Kenya which sparked the fascination and passion for African wildlife and more extensive travel to capture rare and exotic animals. Kim's professional career has taken her on adventures from Africa to the Amazon, the title of her most recent publication. Throughout her distinguished career she has always maintained the importance of immersing oneself within the nature to create authentic and sensitive illustrations of these majestic animals in their natural habitats. Kim's work has led wildlife auctions at both Christie's and Sotheby's achieving outstanding prices in both London and New York. In February this year, Kim's striking canvas titled 'Dawn Patrol' depicting Scarlett Macaws in flight reached £44,000. Exotic birds native to tropical rainforests in Peru and Costa Rica have become synonymous with Kim Brooks who has risen to the challenge of capturing these marvellous birds in flight and the unbelievable colours, as seen in Lot 162 & 163. Lot 164 depicts Leopard Alert. Kim has always described leopards as shy and secretive animals. Their ability to remain unseen as they prowl silently through the Serengeti plains has allowed them to live in close proximity to humans. Kim's respect and admiration for these powerful animals radiates through her work. Kim also enjoys working with 3-dimensional objects as this pushes the boundaries of opportunity. By creating a bronze in the round, she is able to look at the subject matter from a different perspective. Kim's understanding of the anatomy is clear as we see each muscle flex in Lot 161 and the texture of the Rhino's thick protective skin in lot 165. Condition Report: Appears to be in good original condition. Condition Report Disclaimer
Lot 182
λ BETH CARTER (BRITISH B. 1968) MINOTAUR READING Bronze Signed with initials and inscribed A/C Height: 42cm (16½ in.)Provenance: The Quenington Sculpture Trust, Cirencester Acquired from the above by the present owners in 2003 The minotaur is one of Carter's favourite motifs and the subject of a great many of her drawings and sculptures. Her practice of morphing human and animal figures combined with an interest in classical mythology makes the minotaur a fitting subject. Both the present works, Minotaur Kneeling and Minotaur Reading, present the unexpected juxtaposition of the accepted stereotype of the minotaur as fearsome beast contrasted with Carter's quietly reflective, even vulnerable portrayal. Lot 182 is the first Minotaur Reading series produced by the artist and paved the way for many further such depictions.Carter's minotaurs speak of the human condition - a symbol of power and masculinity is often shown slumped and defeated, robbed of his aggression - a portrayal not just of a fictional beast, but a reflection of our modern world. Condition Report: Light surface dirt throughout. A few small patches of oxidisation scattered across the surface, most notable to the back of the minotaur's left calf. In otherwise good original condition. Condition Report Disclaimer
Lot 102
HEDVA SER (ISRAELI B. 1948) ARABESQUE Bronze Signed, numbered 1/8 and stamped with foundry mark (to base) Inc. bronze base 80 x 118 x 90cm (31¼ x 46¼ x 35¼ in.) Condition Report: Surface dirt throughout. Light white paint splashes in patches across the surface, hardly noticeable. Condition Report Disclaimer
Lot 157
HAMISH MACKIE (BRITISH B. 1973) BULL HEAD Bronze Signed, dated 2011 and numbered 5/12 102 x 97 x 82cm (40 x 38 x 32¼ in.) Condition Report: In overall good original condition. There is some staining to the base commensurate with having been displayed outdoors, visible in images listed online. Condition Report Disclaimer
Lot 101
λ ATTRIBUTED TO EMILE GILIOLI (FRENCH 1911-1977) UNTITLED (PETITE SPHERE) Polished marble Height including small base: 41cm (16 in.)Executed circa late 1960s.Provenance: A gift from the artist to Giuseppe Formai, former CEO of Henraux marble works, Querceta in the late 1960s Thence by descent to the present owner Gilioli was one of the foremost sculptors working in Paris in the post-war years. His abstract sculptures produced in a range of mediums from metal and bronze to marble, all exhibit an understanding of line and form and reflect a passion for modernism that epitomised the era. Gilioli exhibited alongside fellow avant-garde artists such as Serge Poliakoff, Alberto Giacometti and Victor Vasarely as well as drawing immense influence from the likes of Constantin Brancusi, whose studio he visited on numerous occasions, and Henri Laurens. His work has been exhibited widely both during his lifetime and since, including a 1979 retrospective at the Centre Georges Pompidou in Paris, and his work is held in various international collections including the Tate in London, MoMA in New York and the Museu de Arte Moderna in São Paulo. Condition Report: No obvious condition issues. Condition Report Disclaimer
Lot 66
WW1 1915 Royal Field Artillery Casualty Group of Medals. Awarded to "78294 DVR D. BUXTON RA". 1914/15 Star "DVR RFA", British War Medal, Victory Medal, "DVR RA", Bronze Memorial Plaque "DAVID BUXTON". Medals loose. Driver Davis Buxton was born in Norwich and landed in Egypt on the 5th April 1915 and served as a driver with 460th Howitzer Battery RFA. On the 6th November 1915 he was wounded with a gunshot wound to the chest and died on the 11th December 1915.
Lot 361
German Third Reich Stormtrooper SA Sports Badges, 2nd and 3rd Classes. Good scarce silvered 2nd Class award. circa 1939-44 by W. Redo, Saur-Lautren. Upright Gladius style sword superimposed on swastika within oak wreath wreath. Hinged pin and securing hook to reverse with bears in relief Eigentum d. OBERSTEN sa. -FUHRUNG ... similar numbered 22496 with little finish by Lauer of Berlin ... 2 x bronze issues, both maker marked, numbered 81996 and 288115. Complete with needle pin and securing hook. GC (4 items)
Lot 324
German Third Reich WW2 Luftwaffe Operational Flying Clasp with pendent for Day Fighters. A good scarce post 1942 die-cast 1st class unmarked example with bronze pendent (awarded for 500 operational flights). Within golden oak leaf sprays, an oak wreath with swastika to base; applied silver upward winged arrow to centre of voided wreath. Hinged horizontal tapered pin complete with hook. VGC Instituted 26th June 1942.
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