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A bronze bust of a young boyPossibly by Oliver MesselUnsigned22cm highCondition report: Overall in good condition. Some minor rubbing to the patina as to be expected with age. There are two mounting apertures to the underside for the head to be secured to a plinth base. There are two incised lines to the back of the head, a horizontal I and L, as part of the cast. See additional photographs.
A French black marble and gilt-metal ink standLate 19th CenturyThe rectangular canted base fitted with two cut glass bottles, the covers formed as coiled serpents, centred by a cast model of a Greek philosopher37cm wide; 25cm. highCondition report:- Two large chips to the back right corner and numerous smaller chips throughout the black marble base- The bronze staff next to the figure has broken off and is missing- The glass bottles have a few small chips- The metal plaque to the front is later added
A French green Boulle mantel clock19th centuryWith gilt-metal mounts, the 4-inch circular dial with Roman numerals, the movement stamped 'Medaille de Bronze S.Marti & Ci', with a cherub masked pendulum and winding key32cm highCondition report- Extremely dirty and would benefit from professional cleaning and a service- Brass inlay lifting in places
A pair of bronze figures of French Revolutionary soldiersAfter Etienne-Henri Dumaige, 20th centuryEach inscribed 'E.H Dumaige Paris 1888', mounted on black marble plinths 69cm highCondition report: - Patina rubbed in areas- Some casting flaws and holes to the bronze- Would benefit from professional cleaning
A Napoleon III gilt-bronze mantel clockBy Le Roy et Fils, ParisModelled with a Bacchic goat and two cherubs, the enamel dial with Roman numerals, the movement stamped '3363', striking on a bell, mounted on a shaped giltwood and velvet plinth with a rosewood stand, with a pendulum stamped 'Le Roy & Fils, Paris', and two winding key 31cm wide; 42cm highCondition report:- General dirt and dust overall, and would benefit from a thorough clean. - The movement currently functioning when wound, but would recommend professional servicing.- Rosewood stand probably associated and lacking glass dome.
A pair of French gilt-bronze Sevres style six light candelabraCirca 188059cm highCondition report:- Evidence of restoration and loss to gilding at the top baluster section of the ceramic central column of one candelabra. - Signs of solder repair to the base of one branch.- Would benefit from a thorough clean, overall dirt and dust commensurate with age.
A French gilt-bronze and Sevres style mounted mantel clockBy Japy Frères, late 19th CenturySurmounted with a bird and foliage above a white enamel dial with Roman numerals, the movement stamped with Japy Frères cachet, striking on a bell, with pendulum and winding key42cm high; 44cm wideCondition report:- Lacking an element from the foliate mount at the top of the clock, possibly a bird. - Dial cover probably replaced. - Chips to the enamel dial, particularly around the winding hole and centre. - Two feet later added. - Case probably re-gilded. - Movement runs when wound, but we would recommend professional servicing.
‡ Dame Lucie Rie (1902-1995) a flaring porcelain footed bowl, covered to the foot in a golden bronze glaze, with blue well incised with radiating sgraffito lines, inside the foot glazed blue impressed seal mark, museum restored 19.5cm. diam, 8.5cm. high Provenance Purchased by the present vendor at Phillips, New Bond Street in the 1990s (about 1992), by repute.
‡ Dame Lucie Rie (1902-1995) a porcelain footed bowl, flaring form with waisted collar rim, covered to the foot in a pale sky blue, the rim finely pierced with four bands of dots filled with blue glaze, and manganese bronze rim, impressed seal mark, professional restoration, 12.5cm. high, 21cm. diam. Provenance Private collection.
An Art Nouveau patinated bronze table lamp with Daum glass shade, in the manner of Edouard Colonna, the bowl cast in low relief with radiating leaf design on bun feet, with knopped foliate stem, flaring shade support applied with butterfly motif, with mottled pink glass shade shade signed Daum Nancy, 52cm. high
‡ Melanie Le Brocquy HRHA (born 1919) Head of a Cat, 1938 patinated bronze, signed and dated in the cast MleB 1938, numbered 1/6, stamped DAF 86 to side 16.5 x 14cm. Literature Melanie Le Brocquy Retrospective Exhibition, The Taylor Galleries, Dublin, 1999, catalogue number 1 for an example (numbered 1/6) illustrated.
‡ Wilhelm Krieger (1877-1945) Reisfinkenparchen, (rice finches) cat. no. 091 (122) painted bronze on black marble base, etched Krieger to base, 10cm. high Literature Hajo Krieger and Martin H Schmidt Wilhelm Krieger - Tierbildhauer Katalog der Bekannten Werke, page 68 this model illustrated, dated 1920.
‡ Wilhelm Krieger (1877-1945) Ara (cat no.018 (128) a patinated bronze model of a Macaw parrot, cast by Karl Ritter, Munich, on pink veined marble base signed in the cast and foundry marks 45.5cm. high Literature Hajo Krieger and Martin H Schmidt Wilhelm Krieger - Tierbildhauer Katalog der Bekannten Werke, page 80 this model illustrated, dated 1908.
‡ Edouard-Marcel Sandoz (1881-1971) Lapin en Boule, FM no.665 a large patinated bronze model of a rabbit, cast by Susse Fres, Paris, signed in the cast and foundry marks 12cm. wide Literature Feliz Marcilhac Sandoz Sculpteur Figuriste et Animalier 1881-1971 Catalogue Raisonne, this model illustrated and listed number 665, cast in 1920. Provenance Private collection of Sandoz bronzes.
7th century AD. A bronze belt mount set comprising: a D-shaped buckle with hinged tongue, foliate ornamentation and openwork lobe; one rectangular plate with rounded end, two scrolls and foliate openwork body; three smaller rectangular plates with rounded end and openwork interlace design; five M-shaped plates, each with openwork arches above and two lugs below; four n-shaped plates with geometric designs to the body; a rectangular plate with hinge to one end and openwork body; a rectangular plate with a stud to four corners and folded shorter sides.See Arslan, E.A., L'oro D'egli Avari, Popolo Delle Steppe In Europa, Milan, 2000, for illustration of use and for comparable pieces, particularly pp.88-119.140 grams total, 25-62mmm (1 - 2 1/2"). Property of an East Sussex, UK, teacher; previously in the private collection of Mr J.B.; formerly in another private collection since the 1990s. [16, No Reserve] Very fine condition.
10th-11th century AD. A two-sided glass medallion comprising; Side A: bust of St George with dark hair and turquoise nimbus, holding a cross to his chest, text in the field 'O ?????[..]C'; Side B: bust of a bearded saint holding a book, text in the field 'O NH[.]??[.]'; mounted on a custom-made display stand.Cf. Splendori di Bisanzio, Milano, 1990, fig.58.27.2 grams total, 70mm including stand (2 3/4"). Property of a private New York collection; formerly in the T.S. collection; acquired by inheritance in 1963; inventory number STA\SAT\P5; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no. 10642-174364.This tondo is an imago clipeata that, together with four other images, usually decorated the front and back of a big pectoral cross. Pectoral crosses in gold, gilded bronze and enamel, were worn around the neck as phylacteria (protective elements"). They were usually decorated with five imagines clipeatae representing Saints around Christ or the Virgin and Child. A video of this lot is available to view at TimeLine Auctions website. Fine condition.
26th Dynasty, 664-525 BC. A bronze figure of seated Nehemet-aui modelled in the round, crowned with circlet of sacred serpent uraei, and an unclear form on top, possibly Bastet; circular recess in the forehead, possibly to accept an additional sacred uraeus, which was a symbol of royalty in a headdress or wig; forearms resting on lap, with fists clenched, in which would have been held a tall Was sceptre; detailing to the face, wig, hands, feet and anklets, with feet resting on a rectangular base; old handwritten label on base which reads '2036 / Egypte / Epoque / Saïte' in four lines; mounted on a custom-made display stand.See The Metropolitan Museum, accession number 26.7.845, for a Late Period statuette of Nehemet-aui with similarities to the 26th Dynasty statuette offered here, which is the only other known example of Nehemet-aui with a crown of sacred uraeus.1.3 kg total, 23.6cm including stand (9 1/4"). Property of a Kensington lady; formerly with Roseberys Auctions, 22 October 2019, lot 49; previously with Beaussant Lefevre, Paris, 24 October 2012, lot 5 (€19,000); old French collection label to the underside; accompanied by copies of the Beaussant Lefevre listing; this lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.10591-173403.Nehemet-aui was a minor Egyptian goddess, representations of whom, be it in relief or in statuary, are very rare. She is believed to have been the wife of the snake god Nehebu-Kau, or of Thoth, the god of learning. On the occasion her representation has been discovered, she has, like Isis, been depicted nursing a child on her lap, and has also been represented with a sistrum on her head. A video of this lot is available to view at TimeLine Auctions website. Fine condition. Very rare.
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350105 item(s)/page