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Click here to subscribeMedaglia 1778 per la costruzione di un tempio nella zona soggetta ad alluvioni del Po bronzo, incisore del conio “A. GUILLEMARD” (Anton Guillemard, 1747 – 1812), minimi graffi e colpetti al contorno, molto rara Medaille auf den Bau eines Tempels im Überschwemmungsgebiet des Po 1778 Bronze, Stempelschneider „A. GUILLEMARD“ (Anton Guillemard, 1747 – 1812), minimale Kratzer und Randschl€ge, sehr selten (Montenuovo 2081) (Schau - ) € 100
Insieme di due medaglie 1779 per la costruzione del palazzo di giustizia in Brüssel una in argento e una in bronzo, incisore del conio “T.v.B.” (Theoodor Victor van Berckel, 1739 – 1808), minimi graffi 2 Medaillen auf den Bau des Justizpalastes in Brüssel 1779 Silber bzw. Bronze, Stempelschneider „T.v.B.“ (Theoodor Victor van Berckel, 1739 – 1808), minimale Kratzer (Montenuovo 2088 + 2089) (Schau CCLXXXII) € 100
Insieme di nove medaglie di Maria Teresa medaglia premio minore senza data (posteriore al 1751) dell’Accademia delle arti figurative, stagno, incisore del conio “M. Donner” (Matth€us Donner, 1704 – 1756), rara; medaglia 1750 per l’anno giubilare, stagno, incisore del conio “F.I.W.” (Wurschbauer); medaglia 1751 per la posa della prima pietra della “Invalidenhaus” in Vienna, stagno, incisore del conio Matth€us Donner (s.n.); medaglia 1770 per il matrimonio dell’Arciduchessa Maria Antonia (Maria Antonietta) con l’erede al trono di Francia, il futuro Luigi XVI, bronzo, “HMA 1914”e “HMA 1915”, riconio ufficiale della zecca di Vienna; medaglia 1774 per merito distinto nell’insegnamento, bronzo dorato, conio di Anton Wideman (1724 - 1792), marchio al contorno; moneta da XV Kreuzer 1743, argento, con montatura e anello di sospensione; tre riproduzioni del XIX Secolo, in bronzo e in ottone in parte con graffi piccoli e colpetti al contorno 9 Medaillen Maria Theresia Kleine Preismedaille der Akademie der bildenden Künste o. J. (ab 1751), Zinn, Stempelschneider „M. Donner“ (Matth€us Donner, 1704 – 1756), selten; Medaille auf das Jubeljahr 1750, Zinn, Stempelschneider „F.I.W.“ (Wurschbauer); Medaille auf die Grundsteinlegung des Invalidenhauses in Wien 1751, Zinn, Stempelschneider Matth€us Donner (n.s.); Medaille auf die Verm€hlung der Erzherzogin Maria Antonia (Marie Antoinette) mit dem französischen Thronfolger Ludwig (XVI.) 1770, Bronze, „HMA 1914“ bzw. „HMA 1915“, offizielle Nachpr€gung des Hauptmünzamtes; Medaille für Auszeichnung im Unterrichtswesen 1774, Bronze vergoldet, Stempel von Anton Wideman (1724 - 1792), Amts-Randmarke; XV Kreuzer 1743, Silber, gefasst und gehenkelt; 3 Nachpr€gungen aus dem 19. Jhdt, Bronze bzw. Messing teilweise mit kleinen Kratzern und Randschl€gen (Montenuovo 1814 + 1818 + 1824 + 2006var + 2062) (Schau XCV + CIII + CCLXIII) € 200
Insieme di quattro medaglie 1782 per la visita di Papa Pio VI a Vienna medaglia di Vinazer, argento diametro mm. 55; medaglia di Donner, argento diametro mm. 38; medaglia di Rosa, bronzo diametro mm. 24, tutte con graffi minimi; medaglia in stagno bronzato, diametro mm. 43, graffi 4 Medaillen auf den Besuch des Papstes Pius VI. in Wien 1782 Medaille von Vinazer, Silber 55 mm; Medaille von Donner, Silber 38 mm; Medaille von Rosa, Bronze 24 mm alle mit minimalen Kratzern; Medaille Zinn bronziert, 43 mm, Kratzer (Montenuovo 2155 + 2156 + 2157 + 2159) € 100
Insieme di due gettoni dei paesi Bassi gettone 1786 per il conferimento della cittadinanza delle città del Brabante a Alberto Casimiro di Sassonia –Teschen e all’Arciduchessa Maria Cristina, bronzo; gettone 1790 per la riconquista dei Paesi Bassi austriaci e il reinsediamento di Maria Cristina e Alberto Casimiro di Sassonia–Teschen come governatori, bronzo per entrambi incisore del conio Theoodor Victor van Berckel (1739 – 1808, s.n.), minimi graffi 2 niederl€ndische Jetons Jeton auf das an Albert Kasimir von Sachsen-Teschen und Erzherzogin Maria Christine verliehene Bürgerrecht der brabantischen St€dte 1786, Bronze; Jeton auf die Rückgewinnung der österreichischen Niederlande und die Wiedereinsetzung von Maria Christina u. Albert Kasimir von Sachsen-Teschen als Statthalter 1790, Bronze beide Stempelschneider Theoodor Victor van Berckel (1739 – 1808, n.s.), minimale Kratzer (Montenuovo 2175 + 2204) (Wurzbach 63) € 100
Insieme di due medaglie 1743 per l’incoronazione in Boemia una in bronzo e una in stagno, incisore del conio “A. WIDEMAN” (Anton Wideman, 1724 - 1792), minimi graffi 2 Medaillen auf die Böhmische Krönung 1743 Bronze bzw. Zinn, Stempelschneider „A. WIDEMAN“ (Anton Wideman, 1724 - 1792), minimale Kratzer (Montenuovo 1718 + 1719 (40 mm)) (Schau XXX) € 100
Insieme di due medaglie medaglia 1791 per la deputazione della Dieta di Lombardia, bronzo del diametro di mm. 62, incisore del conio “A. G.“ (Anton Guillemard, 1747 – 1812), piccolo graffi e colpetti al contorno, molto rara (Montenuovo - ) (Wurzbach 5071 (Sn)) (Horsky 3270); medaglia 1791 per la cerimonia di omaggio di Mantova, bronzo, incisore del conio „I. VINAZER“, piccoli graffi, foro sul contorno, rara (Montenuovo 2250) (Wurzbach 5069) (Horsky 3269) 2 Medaillen Medaille auf die Deputation der lombardischen St€nde 1791, Bronze 62 mm, Stempelschneider „A. G.“ (Anton Guillemard, 1747 – 1812), kleine Kratzer und Randschl€ge, sehr selten (Montenuovo - ) (Wurzbach 5071 (Sn)) (Horsky 3270); Medaille auf die Huldigung von Mantua 1791, Bronze, Stempelschneider „I. VINAZER“, kleine Kratzer, Randlochung, selten (Montenuovo 2250) (Wurzbach 5069) (Horsky 3269) € 100
Water feature: A rare Georgian lead cisterndated 1728back and sides replaced in the 19th century and now with side bronze tap90cm.; 36ins high by 180cm.; 71ins long by 76cm.; 30ins deepLead cisterns became popular in the 17th and 18th centuries as a means of storing rainwater from roofs. Often situated in courtyards, they are one of the very few examples of garden ornament to often bear a date, often supplemented as in this example, with the initials of the owner.The front and sides were cast in one long rectangular panel in a sand pit with the decoration made through carved wooden strapwork mouldings, letters and numbers together with any other decorative features pressed into the sand before the lead was poured in. This would often include armorial devices relating to the family, or in this instance, a nautical theme with stylised dolphins and scallop shells.It would seem likely that the back and sides of this cistern have been adapted, probably over 100 years ago, since the bronze tap which usually is in the bottom centre of the front panel, is now located at the side.
John van Nost: A rare lead sundial in the form of a kneeling figure of North Americaearly 18th centurywith associated 18th century bronze dial signed George Adams, London with Portland stone surround and on and on Portland stone base155cm.; 61ins highThe van Nosts were a family of sculptors of Flemish descent. The eldest, John van Nost, is first recorded working at Windsor Castle circa 1678. He had his own yard by about 1687 and there manufactured ‘Marble and Leaden figures, Busto’s and noble Vases, Marble chimneypieces and curious Marble tables’. He is best remembered as a supplier of lead garden statues. Records from Melbourne Hall, Derbyshire show that each of the supplied statues cost between £20-30. After his death (circa 1712) his yard at Hyde Park Corner was taken over by his nephew Gerard and then by John van Nost the younger in 1729 who continued until the mid-18th Century. A Blackamoor and similar North American Indian were originally made for Hampton Court by John Van Nost the Elder in 1701. They were perhaps originally intended as part of a larger set representing the Continents but for the death of William III two months after the erection of the first two.For a similar figure see Lawrence Weaver, English Leadwork 1909, reissued 1972, page 160, figure 251.
Water Feature: ▲William McMillan: A lead and granite fountainearly 20th century signed McMillan and dated ‘27155cm.; 61ins high overall This lot is subject to Artist's Resale Rights William McMillan RA, 1887 -1977 was born in Aberdeen, Scotland, the son of William McMillan, master engraver, and Jane Knight. He studied at Gray’s Art School and then at the Royal College of Art, London from 1908 to 1912, under Édouard Lantéri. McMillan joined The Artists Rifles in WWI and was commissioned into the Oxfordshire and Buckinghamshire Light Infantry on 5 December 1915. He was elected an associate of the Royal Academy in 1925, a full member in 1933 and a Senior RA in 1962. From 1929 to 1941 he was Master of the Royal Academy Sculpture School. From 1940 to 1966 he became involved in a number of important and prestigious public commissions, and became more widely recognised at international level. Perhaps his most well-known work in collaboration with Sir Charles wheeler, is the bronze Mermaids and Dolphin fountain in Trafalgar Square, London. Another bronze fountain of a Triton and Dryads stands in Regents Park, London. He was made a Commander of the Royal Victorian Order (CVO) in 1956. His home city of Aberdeen made him a Freeman of the City and Aberdeen University conferred an honorary doctorate upon him. McMillan exhibited at the Royal Academy from 1917 until 1971.
Garden Seats: A Coalbrookdale Fern and Blackberry pattern cast iron seatlast quarter 19th centurythe front rail stamped Coalbrookdale and fully stamped on back with registration number and pattern number147cm.; 58ins wideUnusually this seat has an integral seat frame stamped Coalbrookdale together with distinctive Coalbrookdale bronze headed nuts normally not used on this pattern.This design, number 113617, was registered and patented at the Public Records Office on the 30th of April 1858 by the Coalbrookdale Iron Foundry, and is seat number 29A in their 1875 Castings Catalogue.
A Sino-Shan bronze drum,probably Laos, of typical cylindrical form, the top decorated with four pairs of mating frogs with bands of foliate 'tramline' decoration radiating from a central star motif, the sides waisted with loop handles and bands of 'tramline' decoration,61.5cm diameter51cm highMost of these drums originate from the Kha people in the hills and mountains of northern Laos and are thus commonly nown as Kha drums. They are related to fertility rituals.
*Enzo Plazzotta (Italian/British 1921-1981),'Working on the Sands', horse with jockey up, bronze, No.3/12 1977, foundry mark on polished black slate plinth, 46cmEnzo Plazzotta was born in Mestre, near Venice in 1921. He spent most of his working life in London, settling there after arriving to present a special commission, commemorating the collaboration between the Italian Committee of Liberation and the British Special Forces during World War II. He is best known for his works studying natural form and movement in bronze. He is probably most admired for his sculpture of female studies, particularly dancers, many of which can be found around the streets of London. *Artist's Resale Right may apply to this lot.
A Victorian three-piece clock garniture,the black marble clock of architectural form, the dial with bronze numerals flanked by a pair of classical bronze figures and plaques, the sides with bold lion's mask ring handles, the vases of classical form on bronze-mounted black marble plinths, the rear door to the clock engraved 'Thomas Hubbard Esq., ...August 1882',clock 27cm high, 53.5cm longurns 27cm high (3)
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