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Lot 119
Sir William Hamo Thornycroft (1850-1925) 'John Bright' John Bright (1811-1889) was a Quaker and Liberal Statesman. Together with Richard Cobden formed the Anti-Corn Law League. he was regarded as one of the greatest orators of his generation and is famous for coining the phrase 'England is the Mother of Parliaments'. He was the member of Parliament for Durham Bronze, signed and dated 1891, 34.5cm high
Lot 531
RenŽ St Marceaux - Bronze figure of a jester standing in a traditional costume embroidered with diamond sections, a mask covering his eyes, a baton in one hand, signed S Marceaux , dated 1879 No 568 and stamped with the 'Reduction Mechanique A Collas Brevete' Seal, 68.5cm (Provenance - purchased from Sothebys 1987)
Lot 433
A collection of commemorative medallions including: Victoria diamond jubilee 1897 obv. bust, crowned, veiled and draped, rev. young head of the queen, 1837 below, cased; Victoria visit to the City of London 1837, cased; Coronation of Caroline 1727 obv. bust 1, draped, rev. the queen stands facing between Religion and Britannia, cased; George V silver jubilee 1935, obv busts George V and Mary, conjoined, crowned and draped, rev. view of Windsor Castle, cased; two George V silver jubilee medals, and two George VI Coronation medals all cased, a bronze medallion commemorating Handel Centenary Festival 1859, cased, and a pewter medallion of Napoleon.
Lot 2926
Maggi Hambling, 1945- , Abstract bronze sculpture with thunder bolts, signed in ink MH '93, 12.5" high PROVENANCE: Thetis Blacker. Saleroom notice; Artist's Resale Rights Regulations 2006 may apply to this lot. Please note that by bidding in this sale you agree that if you are the successful bidder for a lot covered by these regulations you will pay an amount equal to the resale royalty, and this amount will be added to your invoice (in addition to Buyers Premium) at a maximum rate of 4% of the hammer price for lots sold for a price in excess of the equivalent of 1,000 Euros. We undertake to the buyer to pay such amount to the artist's collection agent.
Lot 259
Pair World War I Medals No. 46619 Pte.G.H.T.Marsh. Essex R. medallions & badges inc. Queen Victoria Large Bronze Medallion etc. 2 boxed Queen Elizabeth II Souvenir Coronation Medallions, 1 D-Day June 1944, 1994 Commemorative Chrysanthemum Affiliated Society Medal, Common Wealth Technical Training Week 1961, The Small Holer Championship Medallion, The Exhibition for Art Manufacture & Science, Coronation Commemorative University of Sheffield June 26th 1902 & July 1905, Town Hall Sheffield, Queen Victorian Opening Town Hall May 21st 1897, Medallions from Netherlands, Alaska, Kennedy Space Centre & Affiliated Royal Horticultural Society, cap badge Essex Regiment & pin
Lot 354
Arman, bronze with gold patina, sculptured dissected Violin in perspex box Signed edition 134/ 150 ( Edition number partly obscured by mount) foundry mark A .Valsuani perdue, Armand Pierre Fernandez, (born in France1928 died 2005), is one of the most important international object artists and a co-founder and member of the Nouveau Réalisme. He studied at the Ecole Nationale des Arts Décoratifs in Nice from 1946 to 1949 and then continued his studies for two years at the Ecole du Louvre in Paris. An acquaintance with Yves Klein led to the idea of organising joint happenings and events, which the two artists realised in 1953. Armand's neo-dadaist 'Cachets' (stamp prints) of 1955, and later the 'Allures' (prints made with objects dipped into paint) and the 'Coupés' (cut-up objects) followed by the 'Colères' (objects which were smashed and then mounted) were still influenced by Kurt Schwitters. When the last letter of his name was accidentally forgotten on a catalogue cover in 1958, he decided to adopt this spelling of his name. In 1957, Arman became interested in common objects as works of art. First he did what came to be called his "allures d"objet" (object impressions) where he w uld dip an object into paint and press it on canvas; thereby leaving the object's shadow or impression. Then he figured the object itself was worth paying attention to and he started to "treat" them in his own way. Arman's way of treating objects is very special: his intention is to remove the material function of an object so that as a work of art its only possible function is to "feed the mind" and not serve a material purpose anymore. What better way could he find to achieve that result than by breaking, slicing or even burning objects such as a violin, telephone, typewriter or even a whole car. He also makes objects useless by accumulating them (2,000 wrist watches in a plexiglass box are fun to watch but not very functional unless you like to "pick your time") The artist discovered his famous 'Poubelles', Plexiglas cases with rubbish cast in resin, at the beginning of the 1960s. From the 'Poubelles' Arman developed the so-called 'Accumulations', a number of the same objects assembled in show cases. These arrangements consist mainly of objects of every-day life, with which the artist ironically questions the one-sided waste character of mass products. He taught at the University of California until 1968. From 1975 onwards Arman spent seven years working on a monumental sculpture made of 60 cars which he called 'Long Term Parking'. From the mid-1960s Arman made numerous visits to New York, and he soon came to regard the USA as his second home, taking American citizenship in 1972. The stocks of new objects that he discovered there directed him towards new and more abstract accumulations. These culminated in 1967–8 in the Renault Accumulations (e.g. Renault Accumulation No. 106, 1967; see 1986 exh. cat., p. 221), highly sculptural works made from separate pieces suppl ed by the Renault car factory, and in large-scale commissioned monuments such as Long Term Parking (h. 18 m, 1982–3; Jouy-en-Josas, Fond. Cartier Mus.), a gigantic tower consisting of 60 cars embedded in concrete. In his later work he also recast some of his earlier Rages and Combustions in bronze, and in another series, Armed Objects, he used concrete as a base in which to fix the object, somewhat in the way he had previously used transparent plastic. He broadened his imagery to include tools while remaining faithful above all to objects symbolizing the excesses of the consumer society. Arman was also an avid collector of objects, artefacts and works of art, including watches, radios, cars, European pistols, African carved sculpture (especially Kota guardian figures) and Japanese armour Awards: Officier de la Légion d'Honneur, Grand Prix Marzotto, Commandeur des Arts et Lettres, Officier de l'Ordre National du Merite, Member of the Academia Brera. Provenance; Purchased from Windsor and Eton Fine Arts Co. Ltd. 12/12/1979 and now consigned by the purchaser h: 28.50 x w: 17.50 x d: 6 in.
Lot 1091
Bronze Royal Exhibition medal, 1851, the edge inscribed 'Prize medal of the Exhibition' and 'W. Milligan & Son. Class XII', bearing the heads of Queen Victoria and Prince Albert, 3" diameter, and another bronze Royal Exhibition medal, the edge inscribed 'W. Milligan' bearing the head of Prince Albert, 1.75" diameter, both in original cases, (2),
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