A CLOISONNE ENAMEL MALLET VASE, QIANLONG FIVE-CHARACTER MARK AND OF THE PERIOD China, 1736-1795. The cylindrical body rising from a spreading foot to a tall neck with gilt rim, decorated around the exterior with lotus blooms borne on meandering leafy scrolls between ruyi bands, the foot encircled with C-scrolls and circles, all reserved on a distinct turquoise ground. The base incised with a five-character mark Qianlong nianzhi zuo and of the period.Provenance: British trade. Condition: Good condition with expected old wear, minor crackling and small fills typical for these wares. Minuscule nicks, some dents with associated small losses, the vase slightly leaning.Weight: 226 g Dimensions: Height 14.4 cmBased on its size and mallet shape, this vase was made to hold incense instruments. These types of small cloisonne vases, censers, and instruments (luping sanshi) which were made for the burning of incense had an additional character below the reign mark and were made for the Qianlong court. Some scholars have suggested that the fifth character under the Qianlong mark could have been a way to number the large group of objects in the correct order, see H. Brinker and A. Lutz, Chinese Cloisonne: The Pierre Uldry Collection, New York, 1989, pp. 74-79.Literature comparison:Compare a similar cloisonne enamel vase with Qianlong five-character mark and of the period, from the Robert H. Clague Collection, Phoenix Art Museum, illustrated in Beatrice Quette, Cloisonne: Chinese Enamels from the Yuan, Ming and Qing Dynasties, New York, 2011, p. 291, pl. 130.Auction result comparison:Type: Near identicalAuction: Christie's New York, 18 September 2014, lot 613Price: USD 37,500 or approx. EUR 44,500 converted and adjusted for inflation at the time of writingDescription: A small cloisonne enamel bottle vase, Qianlong four-character mark inscribed in a line and of the periodExpert remark: Compare the near identical bottle or mallet form, motif, five-character mark, and size (14.5 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 11 May 2017, lot 180Price: GBP 22,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel bottle vase, Qianlong five-character mark and of the periodExpert remark: Compare the closely related mallet or bottle form, motif, and five-character mark. Note the slightly larger size (17 cm).Auction result comparison:Type: Closely relatedAuction: Bonhams London, 17 May 2012, lot 139Price: GBP 20,000 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: A cloisonne enamel and gilt-bronze long-necked cylindrical vase, incised Qianlong five-character mark and of the periodExpert remark: Compare the closely related form, motif, and five-character mark.乾隆五字款及年代銅胎掐絲琺瑯纏枝蓮紋賞瓶中國，1736-1795年。長頸，直腹，底足微束，足微外撇。外壁掐絲琺瑯描繪纏枝蓮紋，瓶口下裝飾一圈如意紋。底足内刻“乾隆年製”與“左”字款。 來源：英國古玩交易。 品相：品相良好，有磨損、輕微裂紋和小填充物。微小的刻痕，一些凹痕、缺損，賞瓶略微傾斜。 重量：226 克 尺寸：高 14.4 厘米 根據它的大小和形狀，這個瓶子應是用來盛放香薰器具的。這些供燒香用的小景泰藍瓶、香爐和器具在年號下方加了一個字，是為乾隆宮廷製作的。 一些學者認為，乾隆標記下的第五個字符可能是一種以正確順序對大群物品進行編號的方式，見 H. Brinker和A. Lutz，《Chinese Cloisonne: The Pierre Uldry Collection》，紐約，1989年，頁74-79。 文獻比較： 比較一件相似的銅胎掐絲琺瑯乾隆五字款和年代賞瓶，來自Robert H. Clague 收藏，收藏於Phoenix Art Museum，見Beatrice Quette，《Cloisonne: Chinese Enamels from the Yuan，Ming and Qing Dynasties》，紐約，2011年，頁291，圖130。 拍賣結果比較： 形制：幾乎相同 拍賣：紐約佳士得，2014年9月18日，lot 613 價格：USD 37,500（相當於今日EUR 44,500） 描述：清乾隆掐絲琺瑯如意蓮紋小瓶《乾隆年製》及《扶》千字文楷書刻款 專家評論：比較幾乎相同的瓶形、主題、五字款和尺寸(14.5 厘米)。 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2017年5月11日，lot 180 價格：GBP 22,500（相當於今日EUR 32,500） 描述：清乾隆銅胎掐絲琺瑯番蓮紋棒槌小瓶，「乾隆年製」、「勉」楷書刻款 專家評論：比較非常相近的瓶形、主題、五字款。請注意尺寸(17 厘米)稍大。 拍賣結果比較： 形制：非常相近 拍賣：倫敦邦瀚斯，2012年5月17日，lot 139 價格：GBP 20,000（相當於今日EUR 32,500） 描述：清乾隆掐絲琺瑯纏枝蓮紋直頸瓶 「乾隆年製濟」 楷書刻款 專家評論：比較非常相近的外形、主題、五字款。 #byimperialcommand #worksofart
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A SILVER-INLAID BIDRI HOOKAH BASE, 18TH CENTURY Bidar, central India, 18th century. Of typical bell form tapering to a thin neck with flanged collar and flaring mouth, the body decorated with silver inlays, depicting bands of scrolling flowers above the shoulder and foot, the internal ring with bands of teardrops, the main body and neck with a diaper pattern.Provenance: French trade. Condition: Very good condition with some old wear and traces of usage, few surface scratches, little losses to the inlays, the base drilled with a minuscule hole. Some casting flaws, such as pitting to base.Weight: 1,698 g Dimensions: Height 17.4 cmLiterature comparison: Compare with a bell-shaped hookah with large stylized floral motif on a plain ground, illustrated by Zebrowski, Gold, Silver & Bronze from Mughal India, 1997, p. 236. For an example with an allover 'star form' pattern, see Simon Ray, Indian & Islamic Works of Art, November 2010, no. 28, p. 64.Auction result comparison:Type: Near identicalAuction: Christie's London, 6 October 2011, lot 426Price: GBP 4,750 or approx. EUR 7,300 converted and adjusted for inflation at the time of writingDescription: A bidri hookah base, bidar, central India, 18th centuryExpert remark: Compare the near identical form as well as the closely related silver inlays and size (17.2 cm)
A VERY LARGE AND MASSIVELY CAST BRONZE TEMPLE URLI, KERALA, 19TH CENTURYSouthwestern India. Set with a shallow rounded base, short bulbous sides, and thick everted rim, a single scroll handle to each side, decorated with crescent moons and ornamental designs, the neck with ribs, incised to one side with a short inscription.Provenance: From a private collection, London, United Kingdom. Inscription '67 KG' and label 'KG 67', as well as an illegible inscription to the interior of the bowl. Condition: Very good condition commensurate with age showing old wear and weathering, casting flaws, small losses, minor cracks inherent to manufacturing, nicks, scratches, and dents, all as expected from a large temple urli of ca. 150 years of age.Weight: 67.1 kg Dimensions: Diameter 74.1 cm, Height 28.5 cmThe Musari community of traditional metal casters of the Kammalan caste in Kerala have perfected the complex technique of casting large utensils in one single piece using lost-wax process. The chakkaru and urli are two important vessels made by the Musaris. So arduous is the process of preparing the clay mold, the wax replica, and the final casting, that elaborate ritual prescriptions are observed by the Musaris for faultless casting.Literature comparison:Compare a related example in the collection of the National Handicrafts and Handlooms Museum, New Delhi, illustrated in Jyotindra Jain and Aarti Aggarwala, National Handicrafts and Handlooms Museum, Ahmedabad 1989, page 42.Auction result comparison:Type: RelatedAuction: Christie's London, 20 June 2013, lot 353Price: GBP 7,500 or approx. EUR 10,500 converted and adjusted for inflation at the time of writingDescription: An Indian or South-East Asian bronze Urli, 19th century
A PAIR OF CLOISONNE ENAMEL FIGURES OF DUCKS, QING DYNASTY China, 1780-1840. Modeled standing with upright head, the wings and tail decorated with colorful enamels, the body with a turquoise ground. The exposed bronze areas finished in fine gilt.Provenance: Stefanos Lagonico, Alexandria, and thence by descent over several generations in the same family. Stefanos Lagonico was a member of the wealthy Greek community of Alexandria whose family settled in Egypt in the late 19th century. His collection of important Iznik ceramics was formed after the First World War, comprising mostly plates and jugs from the classic period (post 1570). At least six pieces from this collection were included in the important 1925 Exposition d'Art Musulman in Alexandria. Lagonico eventually left Egypt for Switzerland, just before the rise of nationalism and the abolition of the Capitulations in May 1937. His son Jean, an importer of dried fruits and nuts from the Levant, inherited most of the collection, and kept it in obscurity at his house in southern France until its dispersal at auction beginning in 1991.Condition: Good condition with minor wear and manufacturing irregularities such as expected pitting, few minor dents and losses to enamels.Weight: 187.1 g and 192.5 g Dimensions: Height 13.2 cm and 12.7 cm Auction result comparison:Type: Closely relatedAuction: Christie's New York, 3 April 2013, lot 186Price: USD 3,750 or approx. EUR 4,600 converted and adjusted for inflation at the time of writingDescription: A pair of small Chinese cloisonne enamel standing figures of ducksExpert remark: Compare the closely related pose, beaks, gilt details, and size (13.3 cm)清代一對銅胎掐絲琺瑯鴨子中國，1780-1840年。鴨子直立，翅膀和尾部飾有彩色琺瑯，身體以綠松石色琺瑯為地，精美鎏金。 來源：亞歷山大港Stefanos Lagonico，在同一家族保存了幾代。Stefanos Lagonico是亞歷山大港富有的希臘社區的成員，他的家人於十九世紀末在埃及定居。他的重要伊茲尼克陶瓷收藏是在第一次世界大戰後形成的，主要包括古典時期（1570 年後）的盤子和水壺。1925 年在亞歷山大港舉行的重要穆斯林藝術博覽會中，至少有六件來自該收藏。1937 年 5 月民族主義興起，廢除投降協議之前，Lagonico最終離開埃及前往瑞士。他的兒子Jean從黎凡特進口乾果和堅果，他繼承了大部分藏品，並將其保存在法國南部的房子，直到 1991 年開始在拍賣會上分散。 品相：狀況良好，有輕微磨損和製造不規則，例如預期的點蝕、少量輕微凹痕和琺瑯缺損。 重量：分別為187.1 克與192.5 克 尺寸：高 13.2 厘米與12.7厘米 拍賣結果比較： 形制：非常相近 拍賣：紐約佳士得，2013年4月3日，lot 186 價格：USD 3,750（相當於今日EUR 4,600） 描述：一對銅胎掐絲琺瑯鴨子 專家評論：比較非常相近的姿勢、鳥喙、琺瑯細節和尺寸 (13.3 厘米)。 #worksofart
A MONUMENTAL SICHUAN POTTERY FIGURE OF A HORSE, HAN DYNASTYChina, 206 BC to 220 AD. Powerfully modeled standing foursquare in a pose of alert attention, its strong neck and head poised with open mouth and flaring nostrils, the legs supporting a muscular body, the upturned tail ending in a knob, the head and back incised with lines representing the halter, bridle, and saddle.Provenance: From a private collection in London, United Kingdom.Condition: Very good condition overall, commensurate with age. Some repairs and touchups as generally expected from Han dynasty excavations of this important size. Extensive wear, losses, encrustations, structural cracks. Drilled holes from sample-taking.Scientific Analysis Report: A thermoluminescence analysis report issued by Oxford Authentication on 25 June 1997, based on sample number C97b48, sets the firing date of two samples taken between 1300 and 2000 years ago. A copy of the report, issued by Oxford Authentication, accompanies this lot. A copy of a Polaroid photograph of the present horse, inscribed 'Submitted as C97b48' (the sample number for the Oxford Authentication thermoluminescence analysis report), accompanies this lot. Dimensions: Height 116 cm, Length 100 cmExpert's note: Large horses of this type have been found in a number of tombs within the Han empire. Among the most famous are those from the graves of the well-known Han dynasty minister Zhou Bo and his son excavated at Yangjiawan, Xianyang, Shaanxi province, see Los Angeles County Museum of Art, The Quest for Eternity, Thames and Hudson, 1987, Catalogue, nos. 11-15. The well-sculpted head, flaring nostrils and upwardly-curling top lip are characteristic of these Han horses, typified by the large bronze horse excavated at Hejiashan, Jinyang, Sichuan province and recorded in Wenwu, 1991, no. 3, page 9, pl. iii.Auction result comparison: Type: Closely related Auction: Christie's Amsterdam, 16 December 2008, lot 6 Price: EUR 23,750 or approx. EUR 30,500 adjusted for inflation at the time of writingDescription: A massive Chinese Sichuan painted grey pottery figure of a horse, Han dynasty Expert remark: Compare the closely related pose and decoration. Note the slightly smaller size (110 cm).漢代四川立馬陶俑中國，公元前206年至公元220年。通體素面，造型敦實。馬作直立狀，右腿向前邁出，昂首挺胸，腰肥體壯，雙耳豎立，小耳大眼，目光前視，鼻翼翕張，尾巴上翹，身軀健碩。 來源：英國倫敦私人收藏。 品相：整體品相極好，與年齡相應。漢代如此重要規模的考古工作通常會進行一些修復和修飾。大面積磨損、缺損、結殼、結構裂縫。取樣鑽孔。科學檢測報告：1997年6月25日牛津熱釋光報告，樣本編號 C97b48，根據兩個樣本結論為1300 至2000年前。隨附報告複印件。隨附檢測時的照片複印件。 尺寸：高116 厘米，長100 厘米 專家注釋：類似這樣的陶馬佣在漢墓考古發現中出現了一大批。其中最著名的是，出土於陝西咸陽楊家灣的漢朝大臣周勃周亞夫父子墓，見洛杉磯美術館，《The Quest for Eternity，Thames and Hudson》，1987年，畫冊，圖11-15。漢馬造型精巧，鼻孔張開，上唇上翹，以四川晉陽何家山出土的大型青銅馬為代表，見《文物》，1991年，圖3，頁9，圖 iii。 拍賣結果比較： 形制：非常相近 拍賣：阿姆斯特丹佳士得，2008年12月16日，lot 6 價格：EUR 23,750（相當於今日EUR 30,500） 描述：漢代四川灰陶立馬陶俑 專家評論：比較非常相近的姿勢和裝飾。請注意尺寸稍小 (110 厘米)。
A VERY LARGE 'ROBIN'S EGG' ENAMELED AND GILT PORCELAIN FIGURE OF AMITAYUS, QIANLONG TO JIAQING PERIODChina, 1736-1820. Heavily potted, seated in dhyanasana on a cloth draped over a rectangular plinth with a shaped recessed gilt panel above a dragon emerging from crashing waves. His hands are lowered in dhyana mudra and holding an alms bowl. He is wearing long flowing robes opening at the chest adorned with a beaded jeweled necklace. His serene face with heavy-lidded eyes, gently arched brows, a circular urna, and bow-shaped lips. His hair elegantly falling in tresses over the shoulders and piled up into a topknot surmounted by a jewel behind the foliate tiara. The cloth, base, robe, hair, and jewels enameled in robin's egg with details picked out in turquoise and blue. The face, torso, hands, feet, tiara, and dragon gilt. Provenance: From an old German private collection, acquired in the 1970s and 80s. Thence by descent. Condition: As expected, the tips of the tiara, topknot, fingers, earrings and dragon's horns are restored to perfection. Further with glaze recesses, flaking and abrasions. Microscopic remnants of pigment which indicate that the figure was painted at some stage. Gilt porcelain figures of such a large size are usually restored to a much wider extent, due to their fragility, and it is therefore exceedingly rare to find one in such a well-preserved state overall.Weight: 5,156 g Dimensions: Height 43.5 cmExpert's note: Gilt porcelain figures of bodhisattva were produced from the Qianlong period onwards. The inspiration for such figures may have come from Ming dynasty bronze prototypes, such as the Xuande period gilt-bronze figure currently in the Berti Aschmann Foundation, Museum Rietberg, illustrated in On the Path to Enlightenment, Zurich, 1995, no. 72. An unmarked example, dated to the Xuande period, is in the V&A collection, no. 275&A-1898.Literature comparison: For a related example from the Malcolm MacDonald collection, no. DUROM.1969.358, and now in the Oriental Museum, University of Durham, United Kingdom, see Ireneus Legeza, A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics, London, 1972, p. 122, no. 72. Another enameled porcelain figure of a bodhisattva is illustrated by Lou Pin-heng, Precious Treasures of My Humble House, Taipei, 1988, pg. 54, no. 12Auction result comparison: Type: Related Auction: Sotheby's New York, 17 September 2013, lot 52 Price: USD 68,750 or approx. EUR 80,000 converted and adjusted for inflation at the time of writing Description: An unusual enameled and gilt-decorated figure of a bodhisattva, Qing dynasty, 18th / 19th centuryExpert remark: Compare the closely related robin's egg enamels, gilt decoration, and face. Note the related size (40 cm). Note the different pose and base. Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 29 May 2008, lot 578 Price: HKD 960,000 or approx. EUR 169,000 converted and adjusted for inflation at the time of writing Description: A rare enameled figure of a kneeling bodhisattva, QianlongExpert remark: Compare the closely related robin's egg enamels, gilt decoration, and face. Note the much smaller size (29 cm) as well as the different pose and base.乾隆至嘉慶時期爐鈞釉描金無量壽佛坐蓮像中國，1736-1820年。此尊無量壽佛結跏趺坐穩坐於波濤之上，一條金龍從水中探出；雙手施禪定印，托缽；高螺發，面龐圓潤，耳大垂肩，額際寬廣，慈眉善目，表情溫和慈祥；頭戴五葉佛冠，項配瓔珞，更顯法相尊嚴。其面部及身體露膚處均施金釉，佛冠、瓔珞及綬帶等則以金釉和爐鈞釉搭配裝飾，瓔珞處採用爐鈞釉以仿松石、青金石的效果，絢爛多姿，富麗堂皇。 來源：德國私人舊藏，購於上世紀七十至八十年代，保存至今。 品相：頭飾、高髻、手指、耳環和龍角的尖端都已恢復。有釉面凹陷、剝落和擦傷。輕微的顏料殘留表明該造像曾經經過彩繪。如此巨型的鎏金瓷像，由於其易碎性，修復範圍通常要大得多，因此，整體保存如此好的造像極為罕見。 重量：5,156 克 尺寸：高43.5 厘米 專家注釋：清乾隆時期，在宮廷的要求下燒製了許多瓷質佛像，供奉於內府寺朝及佛事場所。爐鈞釉瓷塑佛像即始創於清乾隆時期，流行於清代中晚期。這些造像的靈感可能來自於明代青銅原型，例如現存的宣德時期的銅鎏金人物。可對比 Berti Aschmann Foundation，Museum Rietberg，見目錄On the Path to Enlightenment，蘇黎世，1995年，圖 72；一件無款造像，宣德時期，見 V&A collection，編號275&A-1898。 文獻比較： 一件相近的例子，曾藏於Malcolm MacDonald collection，編號DUROM.1969.358，現藏於Oriental Museum，University of Durham，英國，見Ireneus Legeza，《A Descriptive and Illustrated Catalogue of the Malcolm MacDonald Collection of Chinese Ceramics》，倫敦，1972年，頁122，編號72。另一件琺瑯菩薩慈像， 見《Precious Treasures of My Humble House》，臺北，1988年，圖54，編號12。 拍賣結果比較： 形制：相近 拍賣：紐約蘇富比，2013年9月17日，lot 52 價格：USD 68,750（相當於今日EUR 80,000） 描述：清十八 / 十九世紀瓷胎金彩彩繪供養菩薩像 專家評論：比較非常相近的知更鳥蛋藍、鎏金裝飾和面部。請注意相近尺寸 (40 厘米)、不同姿勢和底座。 拍賣結果比較： 形制：相近 拍賣：香港邦瀚斯，2008年5月29日，lot 578 價格：HKD 960,000（相當於今日EUR 169,000） 描述：清乾隆彩釉描金供佛菩薩瓷像 專家評論：比較非常相近的知更鳥蛋藍、鎏金裝飾和面部。請注意尺寸 (29 厘米) 小很多，以及不同姿勢和底座。
A FAMILLE ROSE PORCELAIN 'LINGZHI' RUYI SCEPTER, MID-QING DYNASTYChina, 1770-1850. The biscuit handle finely modeled as a gnarled branch with a twisting vine bearing leaves, blossoms, and peaches, the ruyi head in the form of a large lingzhi fungus, the head and lower end of the handle each with a gilt-decorated bat.Provenance: From the collection of a gentleman in London, United Kingdom, who has been collecting Asian works of art for the last 50 years, and thence by descent. Condition: Good condition with expected old wear and some firing irregularities, few tiny losses, little rubbing to gilt and enamels.Weight: 452 g Dimensions: Length 32 cmWith a fine silk tassel dating from the same period. (2)The ruyi scepter, meaning 'as you wish', expresses the desire that someone's wishes come true. As such, it was considered a most suitable gift for an honored friend or high ranking official, particularly on the occasion of a birthday.Ruyi scepters were made in the widest range of materials, from jade and hardwoods to gilt bronze, semi-precious stones and organic materials such as lacquer, ivory, and bamboo. It is particularly rare, however, to find a ruyi scepter made of porcelain, perhaps due to its natural fragility making it a less suitable material for such a long, slender shape.Auction result comparison: Type: Related Auction: Christie's New York, 24 March 2011, lot 1610 Price: USD 18,750 or approx. EUR 23,500 converted and adjusted for inflation at the time of writing Description: An unusual famille rose ruyi scepter, 19th centuryExpert remark: Compare the related form, modeling, famille rose enamels, and size (30 cm).清代中期粉彩靈芝福壽如意杖中國，1770-1850年。陶瓷堆塑成多節桃枝，藤蔓纏繞，鮮艷玲瓏的壽桃和桃花，如意頭是一株大靈芝，描金蝙蝠飛舞期間。 來源：英國倫敦紳士收藏，其亞洲收藏至少超過五十年歷史，保存至今。 品相：狀況良好，有磨損和一些燒製不規則，輕微小缺損，描金和琺瑯有輕微摩擦。 重量：452 克 尺寸：長 32 厘米 來自同期的細絲流蘇。 (2) 拍賣結果比較： 形制：相近 拍賣：紐約佳士得，2011年3月24日，lot 1610 價格：USD 18,750（相當於今日EUR 23,500） 描述：十九世紀粉彩如意杖 專家評論：比較相近的外形、堆塑、粉彩和尺寸(30 厘米)。
THOMAS EARNSHAW - a rose gold plated stainless steel Flinders automatic wristwatch, ref. 8080, bronze dial with baton hour markers, subsidiary seconds dial, power reserve and exhibition caseback, case width 42mm, working order, boxedMovement – currently working Dial - cleanGlass - cleanHands - goodCase - cleanCrown – hands adjust smoothlyBracelet - associated black leather strap, near new Notes – boxed with papers
Wieland Förster (Dresden 1930 – lebt in Berlin und Wensickendorf). „Großer trauernder Mann“. 1979-1983Bronze mit anthrazitschwarzer Patina. 170 × 50 × 85 cm (66 ⅞ × 19 ⅝ × 33 ½ in.). An der Schmalseite hinten unten signiert und datiert: Förster 83.Mlekusch 210.–Einer von 2 Güssen. Der andere Guss steht auf dem Georg-Treu-Platz in Dresden unterhalb der Brühlschen Terrasse. [3369] Provenienz: Privatsammlung, BayernWir berechnen auf den Hammerpreis 32% Aufgeld.
Mark Beard (American, born 1956)Attacher un nœud / Tying the Knot signé avec pseudonyme 'BRUCE SARGENT' (en haut à gauche)huile sur toile, montée sur masonite121.9 x 92.1cm (48 x 36 1/4in).Peint en 2010.signed (upper left)oil on canvas, mounted on masoniteFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Mark Beard (American, born 1956)Fumeurs sur les roches signé avec pseudonyme 'BRUCE SARGENT' (en haut à droite)huile sur toile137.2 x 198.1cm (54 x 78in).Peint en 2010.signed (upper right)oil on canvasFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Mark Beard (American, born 1956)Deux hommes sous la douche signé avec pseudonyme 'BRUCE SARGENT' (en haut à gauche)huile sur toile, montée sur masonite213.4 x 108cm (84 x 42 1/2in).Peint en 2010.signed (upper left)oil on canvas, mounted on masoniteFootnotes:The present work was painted in 2010 for Abercrombie & Fitch's flagship store in Paris. The fast fashion brand commissioned Mark Beard to paint a series of monumental murals, as well as larger than life bronze sculptures for their flagship stores in New York, Paris, Tokyo, and Milan.This lot is subject to the following lot symbols: * W* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
![Fabrice Hyber (French, born 1961)p.o.f. n° 125 Homme de Bessines, 1989signé ' Hyber', daté '2012' et numéroté '6/[infini]' (s](https://cdn.globalauctionplatform.com/84722a44-c8d8-4f2b-a989-b00301079c83/774c05f2-49ca-45ed-ae35-b00301085e60/468x382.jpg)
Fabrice Hyber (French, born 1961)p.o.f. n° 125 Homme de Bessines, 1989signé ' Hyber', daté '2012' et numéroté '6/[infini]' (sur le pied droit) ; d'une édition illimitée, cachet de la Fonderie Coubertinbronze peint85 x 30 x 30cm (33 7/16 x 11 13/16 x 11 13/16in).signed, dated and numbered painted bronze entitled 'p.o.f. n° 125 Homme de Bessines' by Fabrice Hyber created in 1989; from an unlimited edition, stamp of the Fonderie CoubertinFootnotes:ProvenanceOeuvre acquise directement auprès de l'artisteThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Stephan Balkenhol (German, born 1957)Nu masculin signé des initiales et numéroté '7/7'bronze en couleurs et base de tabouret150 x 55 x 24cm (59 1/16 x 21 5/8 x 9 7/16in). et108.5 x 99.5 x 74cm (42 11/16 x 39 3/16 x 29 1/8in). (base noir)Executé en 2008.signed, initialed and numberedbronze in colours with stool baseFootnotes:ProvenancePrivate collection, Belgium.This lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Alfredo Pina (Italian, 1883-1966)Modèle en bronze représentant un Torse d'homme, vers 1940signé 'A.Pina'portant le cachet du fondeur 'A. VALSUANI / CIRE PERDUE'patine brun chocolat à rehaut brun clair; reposant sur un socle en marbre portor52.5 x 12 x 17cm (20 11/16 x 4 3/4 x 6 11/16in).signed, bearing the stamp of the foundrychocolate brown patina with light brown highlights; resting on a portor marble plinthFor further information on this lot please visit Bonhams.com
László Taubert (Hungarian, born 1966)Figure en bronze représentant 'Idole, Le Petit'reposant sur une base rectangulaire entièrement moulée; signé et daté 'Taubert/ 1999', avec le cachet de l'artiste 'TL'; numéroté '3/5'; patine vert clair à rehaut vert foncé138 x 20 x 25cm ( 54 5/16 x 7 7/8 x 9 13/16in).resting on a rectangular base; signed and dated; with the artist's stamp and numbered; light green patina with dark green highlightsFootnotes:Sculpteur de l'art moderne, Taubert a étudié à l'Académie des Beaux-Arts de Budapest sous la direction du maître Jozsef Somoguyi de 1985 à 1990. Il a également enseigné dans cette même école de 1993 à 1995. Il a reçu plusieurs prix à partir de 1991, comme celui de la Collection Ludwig, le prix Herrmann-Lipot en 1995 ou encore le prix du Salon d'Automne en 1996.Maître accompli avec les matières du bronze et du marbre, les sculptures puissantes et emblématiques de Taubert ont une forme épique obsédante. Il s'inspire de la statuaire grecque archaïque, en particulier des figures Kouros et Kore (du grec ancien κοῦρος, kouros « jeune homme » et « jeune fille ») du sanctuaire d'Apollon à Délos. Les deux figures en bronze intitulées le Petit et le Grand présentées ici font partie de la série Idole qu'il a crée dans les années 1993 et tiré en bronze à seulement 5 exemplaires en 1999. Elles reflètent à merveille l'inspiration antique et sont également stylistiquement imprégnées d'une influence néo-égyptienne. Les proportions sont authentiques, hautement architecturales et révèlent une maîtrise parfaite de l'idiome classique et moderne.Artiste et sculpteur de renommée internationale, ses œuvres ont été largement exposées dans le monde entier. Ses commandes monumentales et ses formes sculpturales très reconnaissables ont été placées dans de nombreuses collections privées et publiques, et un musée dédié à ses œuvres se trouve dans sa Hongrie natale à Budapest (Taubert Museum).Bibliographiehttps://www.laszlotaubert.com/enThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
László Taubert (Hungarian, born 1966)Figure en bronze représentant 'Idole, Le Long'reposant sur une base rectangulaire entièrement moulée; signé et daté 'Taubert / 1999', avec le cachet de l'artiste 'TL'; numéroté '2/5'; patine vert clair à rehaut vert foncé185.5 x 17 x 28cm (73 1/16 x 6 11/16 x 11in).resting on a rectangular base; signed and dated; with the artist's stamp and numbered; light green patina with dark green highlightsThis lot is subject to the following lot symbols: AR WAR Goods subject to Artists Resale Right Additional Premium.W Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Christophe Charbonnel (French, born 1967)Tête de Colossesigné 'charbonnel' et numéroté '5/8'; portant les cachets 'BRONS ATELIER et ART CASING BELGIUM' bronze85 x 38 x 38cm (33 7/16 x 14 15/16 x 14 15/16in).Réalisé en 2000.signed and numberedThis lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Figurenpendule, "Kniende Dame mit Puttenkindern", Frankreich, um 1840, Bronze, vergoldet, rechteckiges Gehäuse auf Sockel mit schauseitigen Applikationen, obere Figur dunkel patiniert, Werk mit Fadenaufhängung, Halbstundenschlag auf Glocke, 49 cm hoch, Gehäuse später nachpoliert, Werk ungeprüft
Krieger, Wilhelm (Norderney 1877 - 1945 Herrsching am Ammersee, Studium an der Kunstgewerbeschule München, autodidaktische Studien der Bildhauerei, Maler und Bildhauer),"Sperber", Bronze, dunkelbraun patiniert, bezeichnet Krieger, auf Steinsockel, 30 cm bzw. 33 cm hoch.WVZ: Krieger/Schmidt Nr. 115 (56); unsere Bronze entstand in den späten 1930er Jahren.Abgebildet in: Hajo Krieger und Martin H. Schmidt (Hg.), Wilhelm Krieger - Tierbildhauer. Katalog der bekannten Werke, Neustadt a. d. Aisch 2014, S. 92.Wir danken Herrn Dr. Martin Schmidt-Magin für die freundliche Auskunft. Kriegers Plastiken zeigen meist heimische Säugetiere, häufig Vögel. Bereits zu Lebzeiten des Künstlers bekamen seine Arbeiten die verdiente Anerkennung. Viele seiner Entwürfe wurden von diversen Porzellanmanufakturen ausgeführt. Bis heute sind Kriegers Bronzen gesuchte Werke und gerne auf dem Kunstmarkt gesehen
Lipensky, Franz Josef (geb. Böhmisch-Leipa/Nordböhmen 1932, Studium an der KA Prag, Ehrenmitglied der Münchener Künstlergenossenschaft (1868), erhielt 2006 den European prize for sculpture in Prag, Bildhauer),"Schildkröte", Bronze, signiert Lipensky, bezeichnet EA (Künstlerexemplar), 40 cm lang, 20 cm hoch.Vom Künstler in eigener Gießerei gegossen. Echtheitszertifikat liegt bei.
Lipensky, Franz Josef (geb. Böhmisch-Leipa/Nordböhmen 1932, Studium an der KA Prag, Ehrenmitglied der Münchener Künstlergenossenschaft (1868), erhielt 2006 den European prize for sculpture in Prag, Bildhauer),"Entenpaar", Bronze, signiert Lipenksy, nummeriert 7/66, H. 42 cmVom Künstler in eigener Gießerei gegossen. Echtheitszertifikat liegt bei.
Two late 17th century bronze mortars, foundry 'X', Suffolk, circa 1670-90Each cast with a seated figure and an acorn, four times, of similar size, rim diameter 12.4cm, height 9.2cm, (2)Literature: See Michael Finlay, 'English Decorated Bronze Mortars and Their Makers' (2010), p. 137, pl.280 and p.281, pl.282 for comparable mortars attributed to this unidentified Suffolk foundry.
A Charles I bronze mortar, unidentified Norfolk foundry, circa 1640Cast with Renaissance-style scrolls and the head of Christ, four times, rim diameter 13.6cm, height 10.5cmSimilar example in the Wellcome Trust Collection, Science Museum, London (A604322). See Michael Finlay, 'English Decorated Bronze Mortars and Their Makers' (2010), p. 89, pl. 163
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