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Lot 1178
Paul Silvestre Marabu, Susse Fréres, Edition, Paris, 1930er Jahre Bronze, gegossen, patiniert; am Sockel signiert: "Silvestre", bezeichnet und mit Gießerstempel, H. 26 cm Paul Silvestre Marabou, Susse Fréres, edition, Paris, 1930s bronze, patinated; signed: "Silvestre", caster's stamp, h. 26 cm
Lot 1177
Max Le Verrier Tischlampe "Pluie" Modellnr. 958, Paris, um 1927 Bronze, patiniert; mattiertes, farbloses Glas; seitlich am Sockel bezeichnet: "Le Verrier"; Holzsockel ergänzt, H. 43 cm (inkl. Sockel) Max Le Verrier Table lamp "Pluie" model no. 958, Paris, c. 1927 bronze patinated; colourless glass; inscribed: "Le Verrier"; wooden base added, h. 43 cm (incl. base)
Lot 1184
George Minne Der Kniende am Brunnen, Entwurf: 1898, von den Erben des Künstlers autorisierte Ausführung n. 1945 Bronze, gegossen, dunkel patiniert; auf der Rückseite der Plinthe signiert: "G. Minne", H. 78 cm Latems Museum voor Moderne Kunst in Sint-Martens-Latem; seither Privatbesitz, Niederlande vgl. Collection les contemporains. George Minne par Leo van Puyvelde, Bruxelles 1930, Katalognummer 26, S. 24; vgl. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg, Weimar 2012, Abb. P 21, S. 376 George Minne Kneeling youth at the fountain, execution authorized by the artist's heirs after 1945 bronze, black patina; signed on the reverse of the plinth: "G. Minne", h. 78 cmLatems Museum voor Moderne Kunst in Sint-Martens-Latem; since then private property, Netherlands cf. Collection les contemporains. George Minne par Leo van Puyvelde, Bruxelles 1930, catalogue number 26, p. 24; cf. Inga Rossi-Schrimpf, George Minne. Das Frühwerk und seine Rezeption in Deutschland und Österreich bis zum Ersten Weltkrieg, Weimar 2012, ill. P 21, p. 376
Lot 820
Kommodenuhr in Adlerform, Österreich, um 1820 Lindenholz, geschnitzt, vergoldet; Gehäuse in Form eines Adlers; bronzeguillochiertes Zifferblatt, emaillierter Ziffernring für Stunde und Minute, kleiner emaillierter Ring zur Datumsangabe; Messingwerk, Wiener Viertelstundenschlag auf Tonfedern, Schlagabstellung; Werk komplett, verschmutzt, reparaturbedürftig, H. 44,5 cm Clock , Austria, c. 1820 lime wood, carved, gilded; dials with bronze guilloché and enamel; date indicator; brass movement with Viennese quarter hour strike; movement complete, in need of repairs and cleaning, h. 44.5 cm
Lot 839
Kommode, Frankreich, 18./19. Jh. Weichholzkorpus, Nussholz, furniert, marketiert; geschwungene Front, leicht bombiert, 2 Laden, geschweifte Beine; Bronzebeschläge; Marmorplatte, 87,5 x 81 x 44,5 cm Dresser, France, 18th/19th century nutwood, veneered, marqueted; bronze fittings; marble top, 87.5 x 81 x 44.5 cm
Lot 821
Kommodenuhr "Europa", Frankreich, 2. Hälfte 19. Jh. Bronze, vergoldet, Marmor; schwarzer Marmorsockel mit Perlstabbordüre; Gehäuse in Form eines Stieres, über dem Uhrwerk Amor mit Pfeil und Bogen; Messingwerk mit Federantrieb, Halbstundenschlag auf Glocke, außenliegende Schlossscheibe; Sprung in der Glasscheibe vor dem Zifferblatt; gehfähig, ohne Gewähr, H. 63 cm Clock "Europa", France, 2nd half 19th century bronze, gilded, marble; brass movement with spring drive and half hour strike; glass with small crack; movement working, without warranty, h. 63 cm
Lot 286
Collection of Medals and patches, to include a bronze death plaque for Edgar Douglas G. Brignell, WWI British War Medal 1914-1918 and Victory Medal for 266252 Cpl. G.J. Schofield Liverpool Regiment, also a 1939-1945 medal, Africa Star with North Africa 1942-43 bar, and 1939-1945 Star, one other 1939-1945 medal, two patches, NM badge, and a George VI five shilling coin.
Lot 530
DOUG HYDE (b.1972) COLLECTOR?S BOX SET ?The Box of Love?, (465/495), with certificate Comprising: ?THE LOOK OF LOVE? bronze sculpture, on speckled black marble base, 5 ¼? (13.3cm) high overall ?THE COLOURS OF LOVE?, set of four framed and glazed, colour prints, 12? x 12? (30.5cm x 30.5cm) overall ?THE MANY FACES OF LOVE?, hardback book All housed in a presentation blue painted wood crate with artist?s signature to the top, 10? (25.4cm) high, 20 ¾? x 14 ¼? (52.7cm x 36.2cm), supplied with original packaging C.R. good
Lot 128
9ct GOLD PASTE SET MARQUISE RING, 1.1 gms; a silver, turquoise and paste set CLUSTER RING; Victorian silver small oblogn LOCKET PENDANT with applied gold foliate spray, Chester 1898; a small bronze Spitfire AEROPLANE BROOCH, 1 1/8in (3cm) long; TWO HARDSTONE BROOCHES and an elephant carved white hardstone PENDANT AND CHAIN (7)
Lot 615
Bradshaw, Captain Henry Edwards, an early 19th century oval cut silhouette embellished with bronze and gum arabic, inscribed Capt Edwards to his dear sister Eloise verso, 7.5 x 5.7cm in metal bezel within black wood rectangular frame with gilt acorn hanger, 13.2 x 10.4cm, [No.298, British Silhouette Artists and Their Work 1760 - 1860 by Sue McKechnie]
Lot 624
Frith, Royal Victoria Gallery (after 1837-c1854), Archibald Edmonstone Craig, a mid-19th century painted full length silhouette portrait of a young boy standing, holding a book, three-quarter facing with head turned to show profile in black and shades of bronze, the back and fore ground in sepia, signed Frith and dated 1840, labelled verso, Archibald Edmonstone Craig, b.1840, 23 x 15cm within gilt slip and maple frame, 30 x 22cm overall.
Lot 630
H & J Walter (fl. c1848-1853) James Combs (born 1779) and a companion, a pair of cut full length silhouettes with bronze embellishment, the former inscribed James Combs Born 1779 on board verso, the other bearing H & J Walter Profilists, London stamp verso, both rectangular, 24 x 17cm, in plain wood frames, 32 x 25 cm overall, (2). [no. 149 (James Combs only) British Silhouette Artists and Their Work 1760-1860, Sue McKechnie].
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