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MICHAEL AYRTON [1921-75]. Self Portrait and Minotaur [Personal Janus], 1970. bronze, edition of 9 [artist's cast - marked 0/0]. 35 cm high. Provenance: Elisabeth Ayrton [the artist's wife], c.1986; private collection, UK. This is Ayrton's best self portrait sculpture in our opinion - illustrated on the back cover of the Michael Ayrton biography by Dr Justine Hopkins [Andre Deutsch]. The Tate Gallery collection includes 26 of Ayrton's artworks, but no sculpture as good as this. [very good condition]. Buyers premium of 20% + VAT is payable.
MICHAEL AYRTON [1921-75]. Dioskouri, 1970. bronze, edition of 9, 5/9 [with neutral density perspex screen]. 50 cm high. Provenance: Christies auction, London, 22 October 1997, lot 28; private collection, UK. One of the best of Ayrton's 'Reflector' series [his most original series of sculptures]. Literature: 'Michael Ayrton', P. Cannon Brookes, 1987, Birmingham Museum Press, p.118, pl.211. The Tate Gallery collection includes 26 of his artworks. [very good condition - some dust in crevices, etc.]. Buyers premium of 20% + VAT is payable.
LEONARD BASKIN [1922-2000]. Apollo, 1969. bronze [artist's cast], signed and titled. 18 cm high [there is a eye bracket on the reverse, so it can be hung on a wall]. Provenance: the artist; private collection, USA. Baskin is a major international artist included in most of the best museum collections - Tate Gallery and MOMA [New York]. [very good condition]. Buyers premium of 20% + Vat is payable.
LEONARD BASKIN [1922-2000]. Minotaur, 1969. bronze, artist's cast. Signed and titled. 18 cm high. There is an eye bracket on the reverse, so it can be hung on a wall. Provenance: the artist; private collection, USA. Baskin is a major international artist included in the Tate Gallery and MOMA [New York] collections. [very good condition - slight scratch on the reverse]. Buyers premium of 20% + Vat is payable.
LEONARD BASKIN [1922-2000] Cerberus, 1969. bronze, 37/250. Signed and titled. 17 cm high. There is an eye bracket on the reverse, so it can be hung on a wall. Baskin is a major international artist included in the Tate Gallery and MOMA [New York] collections. [very good condition]. Buyers premium of 20% + Vat is payable.
LEONARD BASKIN [1922-2000]. Andromache, 1969. bronze, 37/250, signed and titled. 18 cm high. There is an eye bracket on the reverse so it can be hung on a wall. Baskin is a major international artist included in the Tate Gallery and MOMA [New York] collections. [very good condition]. Buyers premium of 20% + Vat is payable.
.LYNN CHADWICK R.A. [1914-2003]. Diamond, 1983. bronze, double-sided relief. 8 cm high [excluding stand].Private collection, UK [acquired directly from the artist via BAMS] Chadwick's sculpture prices seem to be rocketting now, so this is a chance to buy one of his sculptures at a very reasonable price. [very good condition]. Buyers premium of 20% + Vat is payable.
TREVOR BATES [1921-2008]. Bird, c.1961 [possibly late 1950s]. bronze [it appears to be mainly bronze, but there could be some lead too?], unique [patinated and part painted], signed. 40 cm high. Provenance: Waddington Galleries, London, c.1961; private collection. [the sculpture seems to be numbered 81 [?] - we are not sure what this relates to, it can't be the date as he was no longer working in that style in 1981 and Waddingtons stopped selling his work in 1967 when he moved to Canada] . Trevor Bates was one of the UK's best sculptors in the 1950s and early 1960s, but then made the big mistake of moving to Canada. He had several successful one-man exhibitions at Waddington Galleries in the 1950s and early 1960s. [good condition - a bit dirty, could do a clean/waxing]. Buyers premium of 20% + Vat is payable.
PETER THURSBY [1930-2011]. Sea Creature, 1963. bronze, unique, cast by Morris Singer Foundry. 30 cm high. Exhibited: Marjorie Parr Gallery, London, one-man exhibition, 1964; Royal West of England Academy of Art, one-man exhibition, 1966. Provenance: private collection, UK. This series of unique bronzes [others include 'Rook', 'Beast', 'Creature Form', etc.] are what first attracted Marjorie Parr to Thursby's sculpture and are probably his most important sculptures. [very good condition - a few green deposits etc. - easily cleaned]. Buyers premium of 20% + Vat is payable.
LESLIE THORNTON [1925-2016]. Head, c. 1950. bronze resin, unique. 29 cm high, 34 cm high including base. Provenance: the artist; private collection, UK [friend of the artist]; by descent to his sister; Karen Dalmeny [on TV's Dickinson's Real Deal c.2009 - watched by Leslie and Connie Thornton, but Leslie could not remember exactly when he sculpted it]; private collection, London. Leslie Thornton is one of the UK's greatest sculptors, included in some of the greatest museum collections - Guggenheim, MOMA [New York] etc. Gimpel Fils Gallery held several one-man exhibitions of his sculpture, most of which are unique, so very rare. [very good condition]. Buyers premium 20% + Vat payable.
LEON UNDERWOOD [1890-1975]. Skylark, 1930/34. bronze, edition of 7. signed. 16.5 cm high. Provenance: Private collection, UK [acquired directly from the artist]. Literature: 'Leon Underwood', Ben Whitworth, 2000, Lund Humphries, p. 125, no.40. An early sculpture by the great Leon Underwood, who was probably at his best in the 1930s. [very good condition - some dust and oxidation in the crevices]. Buyers premium 20% + Vat payable.
Sculpture: ▲ Audrey Blackman (1907-1990), The Dove Bronze Signed and dated on base, 1934 84cm high by 22cm by 31cm, Blackman was an established female sculptor with affinities to both Aristide Maillol and Charles Despiau. Her sculpture appears classical at first glance but is intensely modern in its rejection of anatomical academicism in favour of the expression of emotion. The classical pose is here re-interpreted through a sensitive portrayal of the intimate focus of the figure dwelling on the dove that sits in her hand. The texture of the surface makes no pretension to naturalism, and the treatment of the figure’s hair is further stylized in a manner that relates to the Art Deco aesthetic prevalent in Europe at that time., Born in London, née Seligman, Blackman studied at Goldsmith’s College of Art, 1926-1930, and Reading University Art School 1931-1935. She exhibited regularly at Royal Academy; National Society of Painters, Sculptors, and Engravers; Society of Women Artists; as well as participating in various national and international exhibitions. She also became renowned for her work in pottery and ceramic and developed a fine type of porcelain known today as Audrey Blackman Porcelain., The artist’s work is now represented in several public collections., Literature: Dictionary of Western Sculptors in Bronze, James Mackay, 1977; Dictionary of British Artists Working 1900-1950, Grant Waters, 1975; Dictionary of British Artists 1880-1940, J. Johnson and A. Greutzner, 1976.
Mineral/Meteorite: A NWA Meteorite Bechar L5 discovered Algeria 1998, on bronze stand 15cm high overall, It is thought the origin of the L chondrite meteorites are former debris of 433 Eros the near-Earth asteroid which has undergone an intense study by the spacecraft NEAR-Shoemaker recently. The reflectance spectra of this body and the L chondrites on earth appear to be consistent. However, most L chondrites exhibit severe shock metamorphism suggesting a violent history of its parent body., The Chondrite meteorites contain chondrules. These are microscopic spheres which are reputedly the building blocks of our planetary systems. Chondrites, by repute, originate from asteroids orbiting our solar system. Science can identify Chondrite meteorites which contain up to approximately 20% of iron and nickel, these minute iron and nickel sized spherical mineralised chondrules are often found in iron chondrites., These Chondrules are formed from molten particles of the solar nebula, by accumulation or coalescence, particles merge together to form asteroid belts which in turn fall to earth as meteorites. These Chondrites differ from iron meteorites due to their low iron content. Most importantly chondrites offer a greater understanding, allowing scientists to further analyse and give great insight into the age of our solar system.
Prehistoric tools: A fine Long shafted Neolithic hand axe , North Africa on bronze stand 28cm high overall, A prized possession of an ancestor, this hand or shafted axe probably captivated an ancient as much as we are today by the fine grade of the stone, honed thousands of years ago, preserved kindly by the subsequent centuries. With a smooth surface patina to the touch, derived from continuous handling conditions with partial wear to the edges, exhibiting an exquisite fineness of mastered form and possibly once surmounted onto a wooden shaft and attached by animal sinew or reed straps.
Sculpture: ▲ Tom Merrifield, Julius Bronze on pedestal stamped Tom Merrifield 180cm high , Acquired from the artist’s studio around 30 years ago., Tom Merrifield trained as a classical dancer and at the age of sixteen joined the Borovansky Ballet as a leading soloist. Three years later, he moved to Britain where he was principal dancer in a number of West End musicals including, On The Town, West Side Story, Man of La Mancha, No Strings and Showboat as well as appearing in numerous television productions. Following a distinguished and rewarding career as a dancer, Tom left the stage and took up drawing and sculpting as a full-time occupation. He has sculpted many of the world’s most famous dancers, including Agnes Oaks, Thomas Edur, Dame Alicia Markova, Dame Beryl Grey, Natalia Makarova, Dame Antoinette Sibley, Marguerite Porter, Eva Evdokimova, Galina Samsova, Marion Tait, Anton Dolin, John Gilpin, Sir Anthony Dowell, Ivan Nagy, Peter Schaufuss, Wayne Sleep, Ken Wells, the Olympic Skater John Curry and many more. Tom has exhibited and sold his work in London, Paris, New York, Edinburgh, Aberdeen, Brussels, and Monte Carlo. Possibly the most challenging and poignant is the bust of Diana, Princess of Wales, commissioned after her death by the British Red Cross, as a tribute to a remarkable woman and her dedicated efforts to come to the aid of those in need. This work is displayed at the Red Cross headquarters in London. His work has also been recognized by the Royal Society of British Sculptors who elected him ARBS for Distinction in the Art of Sculpture.
Sculpture: ▲ Raymond Leon Rivoire, (1884-1966), Echo of the sea Limestone Unique Signed, created c.1930 62cm high by 39cm by 41cm, Provenance: The Estate of the Artist, Rivoire was a celebrated French sculptor who was born in Cussel in 1884 and died in Paris in 1966. The present work “Echo of the Sea” is a wonderful meditation on the classical theme of mythological femininity, creating a beautifully proportioned 19th century siren in an Art Deco aesthetic., A pupil of Injalbert, Rivoire participated in the Salon des Artistes Francais from 1905 onwards and received an honourable commendation in 1906 and the Silver medal in 1921 followed by the Gold in 1929. Further success lead to international exhibitions including in London, Rome and Buenos Aires., The artist is represented in several public collections including a marble statue of a bather in the Luxembourg City Art Museum; his statue of Joan of Arc in Moulins Cathedral; the Brooklyn Museum New York; and “Femme au Lévrier” in the Louvre Museum., Literature: Western Sculptors in Bronze, James Mackay, 1977; Dictionnaire des Peintres et Sculpteurs, E. Benezit.
ANTONIN MARIE MOINE (1796-1849) French Le Sonneur D'Oliphant (The Horn Player) Susse Freres edition bronze Signed, inscribed Quesnel Fondeur and further inscribed Editeurs Susse Freres Place de la Bourge 44.5 cm high CONDITION REPORTS: Generally in good condition, expected wear, minor rubbing.
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350105 item(s)/page