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Lot 7343
Paar Manschettenknöpfe, Stab- und Krawattennadel. Silber, verschiedene Feingehalte, vergoldet. Manschettenknöpfe mit Perlmutteinlage und verschiedenen Waldtieren als Applikationen, Krawattennadel als Keiler, Stabnadel mit 2 farbig emailierten Osterhasen. Anf. 20. Jh. Verschiedene Größen. Beigegeben: Paar Ebenholzknöpfe mit Hundekopf aus Bronze.
Lot 7717
Prunkpendule, Charles X. Geschwärzte und vergoldete Bronze, Onyx (best.). Architektonisches Gehäuse mit plastischer, auf Muschel sitzender Venus (Attribut erg.). Weißes Emailzifferblatt (Risse, best.) mit blauen, römischen Ziffern, sign. "CHEDEL A PARIS". Pendelwerk mit Schlag auf Glocke (läuft nicht, stark verschmutzt). Frankreich, um 1840. 51x 22x 15 cm.
Lot 51
A late Victorian aesthetic movement ormolu wall bracket, modelled with Cupid and laurel leaves, mounted on an oak wallplate, height 34cm. depth 25cm ***CONDITION REPORT***Traces of the original gilt finish still present but mostly worn down to the bronze, top of cupids bow is broken away and missing and no arrow present.
Lot 10
Ca. 200-300 AD.A bronze-cast phalera mount in the form of Cupid (Greek Eros) with fleshy features and curly hair. His cheeks chubby portray the features of youth, his stylised wings between his shoulders. An important object possibly a military phalera, with the upper body of Cupid in high relief. This was likely to have been worn on the breastplate of a soldier or formed part of a chariot fitting. Objects formed of bronze were ubiquitous in the Roman world, being used by the Roman military, for instance, for both practical and decorative purposes. The phalera is the sculptured disk (typically formed of bronze) on the breastplate, which was worn by Roman soldiers as a reward for the outstanding service, or as representation of military rank. In Roman mythology, Cupid (known as Eros to the Greeks) was the god of love. He is generally represented as an aesthetically chubby boy with wings, who carries a bow and a quiver of arrows. He is normally shown as a follower or acolyte of the goddess Aphrodite.Size: L:148mm (with stand) / W:110mm ; 735g.Provenance: Property of a North London professional; previously acquired on the UK art market in early 1990s.
Lot 122
Ca. 100-300 AD.A double-sided bronze fitting in the shape of a griffin with an open mouth and right foreleg raised, portrayed as a creature with the body, tail, and back legs of a lion, the head and wings of an eagle standing upon four slender legs.Size: L:130mm / W:75mm ; 279gProvenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Lot 124
Ca. 1-200 AD.A cast bronze figurine of an eagle perching on an integral stand. Expertly cleaned and conserved with a smooth patina. An aquila (eagle) was a prominent symbol used in ancient Rome, especially as the standard of Roman legions. Size: L:40mm / W:25mm ; 21gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Lot 127
Ca. 100-300 AD.A bronze openwork gammadion or tetra-gammadion brooch with a catchplate on the reverse, composed of four capitalised ? (gamma). Brooches were an important element of Roman dress, used to fasten clothing but they also served as dress accessories in their own right. Thousands of different types and subtypes of Roman brooches are attested, and they seem to have played an important role in Roman people's self-expression. This item may have belonged to a devotee of Jupiter, probably a soldier, as he was a particularly important deity among Roman military communities. For comparable brooches, see The British Museum, Museum number 1874,1228.4; The Mougins Museum of Classical Art (MACM), Inv. n°: MMoCA615; Richard Hattatt (2000), A Visual Catalogue of Richard Hattatt's Ancient Brooches. Oxbow Books, p. 357, item 1145.Size: L:25mm / W:25mm ; 9gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Lot 144
Ca. 1-300 AD.A beautiful bronze patera comprising a deep body, with a rounded rim, and a protruding, flaring handle terminating with perforation for hanging. A patera is a broad dish usually made of bronze, and typically used as a sacred libation vessel during religious events. Though the patera could also be used in the domestic sphere for the preparation or serving of food items.Size: L:105mm / W:110mm; 331.2g.Provenance: Property of a private London collection; formerly in an Estate of Eldert Bontekoe, Pegasi Numismatics, Ann Arbor, Michigan, USA acquired before 2000.
Lot 146
Ca. 900-800 BC.A single-handled blackware cup, that stands on a slightly rounded, wide base. The bulged shoulder is embellished with diagonally cut linear patterns. Villanova or Villanovan culture (900-700 BC) is the term used by archaeologists to designate an Iron Age culture which represents the oldest phase of Etruscan civilization, derived from the Proto-villanovan culture of the late Bronze Age. It was named after a major archaeological site discovered in 1853 - Villanova di Castenaso, located in the Bologna region.Size: L:48mm / W:100mm ; 135gProvenance: From the private collection of a Central London gentleman; previously in a collection formed on the UK/European art market before 2000.
Lot 209
Ca. 3100-2900 BC.An early Bronze Age red burnished terracotta jar with a globular-shaped body with four prominent ledge handles situated at the shoulder. Standing on a flat base. For similar see: Ruth Amarian, Pottery of the Holy Lands. Size: L:140mm / W:240mm ; 1.17KgProvenance: Property of a London gallery; formerly in High Wycombe Estate collection; formerly acquired on the UK Art market.
Lot 258
Ca. 100 AD.An attractive hollow-cast bronze naturalistically modelled protome of a forepart of a bull with upward-curving horns, erect ears, and finely detailed facial features including nostrils, mouth, and heavy-lidded eyes. The forelegs are bent and hung down. This item may have been used as a chariot or furniture ornament decoration.Size: L:70mm / W:60mm ; 92gProvenance: Private London collector, acquired on the Austrian Art market; formerly in an old USA collection, formed since the 1970s.
Lot 258A
Ca. 100-300 AD.A round-section bronze stylus with a balustered shank, one pointed end, and a rectangular scraper on the other side. A rare example in this condition.Size: L:35mm / W:10mm ; 15gProvenance: From the private collection of a Cambridgeshire gentleman; previously in an old British collection, formed in the 1990s on the UK /European art markets.
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349674 item(s)/page