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Lot 1
A good quality 19th century bronze gilded library clock with two girls seated before a bookcase with a 19cm enamel dial, signed lemoine à Paris silk suspension movement, striking on a bell - Height 37cm Condition report: Small chips to dial very minor rubbing to gilt generally good but movement needs attention
Lot 1125
A Charpentier of Paris bronze bracket clock, circa 1870, surmounted with a pair of bronze cherubs, 10cm enamel dial with Roman numerals signed 'Charpentier, Bronzier, A Paris, 8 Rue Charlot', breakfront white marble plinth, the signed movement striking on a bell, height 29cm, width 38cm, (key and pendulum)
Lot 152
An Antique Sino-Tibetan Gilt Bronze Figure of Buddha, seated on a lotus dias, with hand raised in blessing, approx 15 cms. Provenance: From a private collection belonging to the Late Dermott Levins, avid Oriental collector, Levins bought from notable London galleries and auction houses in the mid-1940s including Glendining & Co New Bond Street, Yamanaka & Co New Bond Street and later Sothebys.
Lot 142
A Chinese Antique Bronze Horse, with a mounted figure dressed in long robes, seated side saddle, the saddle cloth having chasing dragons and pearls of wisdom surround, loops to the rump and nose of the horse for suspension, approx 14 cms. Provenance: From a private collection belonging to the Late Dermott Levins, avid Oriental collector, Levins bought from notable London galleries and auction houses in the mid-1940's including Glendining & Co New Bond Street, Yamanaka & Co New Bond Street and later Sothebys.
Lot 8
A fine pair of 19th Century Louis XVI style French gilt bronze candelabra The five branch candelabra rising from a pierced rocaille and foliate base, with scrolling acanthus supports, each extending to a stem formed from a putti with symbolic attribute, emblematic of painting and music, rising to a floriform branch and terminating in a campana form candle holder and foliate drip tray, 50cm high, (one with broken branch). (2) (illustrated)
Lot 331
Follower of Sir Edwin Henry Landseer (British, 1802-1873) Study of a standing lion oil on canvas 100 x 106cm (39 x 41in) Provenance: East Suffolk private collection from which acquired by the present owner circa 1980. Other Notes: The present composition derives from two studies of standing male lions that Landseer worked on circa 1862 in preparation for his commission to produce four bronze lions for the base of Nelson's column in Trafalgar Square. Both studies were bequeathed to the National Gallery in 1892 and transferred to the Tate in 1919. The original from which the present painting derives was destroyed by the flood of 1928 when the Thames flooded the Tate. We are grateful to Richard Ormond for his assistance with the catalogue entry. Richard Ormond writes: "The present painting is a copy of the full-face lion study destroyed in the Tate flood of 1928 (inv. no. 1349); the profile study survived". Lined canvas. One small paint loss above the lion's head, but paint layer is stable. Varnish is even and well saturating. Scuffs and scratches in the varnish. Several areas of retouching, for example in the lion's mane. Frame is in good condition. Original frame bears the maker and gilder's name of W Palmer, The Thoroughfare, Woodbridge, Suffolk. CM 24 - possibly an old Christie's stencil.
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