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Natural History Bronze: David Cemmick (Contemporary), African Male Lion, a superb example in bronze of an African male Lion head mount, modelled looking straight ahead, upon a square metal patinated plinth, overall height 47cm, depth 49cm, max width 28cm, previous sets were exclusively retailed by Holland & Holland, London, this example part of a numbered set 2/6, no further examples will ever be produced, all moulds now destroyed, artists foundry stamp and signature to verso, including certificate of authenticity, (pedestal stand not included)Pedestal not included within the lot.
Natural History Bronze: David Cemmick (Contemporary), African Cape Buffalo, a superb example in bronze of an African Cape Buffalo head mount, modelled looking straight ahead, upon a square metal patinated plinth, overall height 41cm, depth 40cm, max width 58.5cm, previous sets were exclusively retailed by Holland & Holland, London, this example part of a numbered set 2/6, no further examples will ever be produced, all moulds now destroyed, artists foundry stamp and signature to verso, including certificate of authenticity, (pedestal stand not included)Pedestal not included within the lot.
Eight British heavy metal 12" vinyl LPs, to include: - Motorhead: Beer Drinkers and Hellraisers, 1980, big Beat, SWT 61 - Motorhead: No Sleep 'til Hammersmith, 1981, Bronze, BRON 535 - Iron Maiden: Self Titled, 1980, EMI, EMC 3330 - Rainbow: Long Live Rock 'n' Roll, 1978, Polydor, POLD 5002 - Deep Purple: The Best Of, 1987, Telstar, STAR 2312 - The Cult: Rain, 1985, Beggars Banquet, BEG 147T - The Cult: Love, 1985, Beggars Banquet, BEG A65 - The Cult: Electric, 1987, Beggars Banquet, BEGA 80
Atlas of the Rural Irish Landscape, folio, 1997, signed, almost mint. Lough Crew the Cairns; Woodman, on archaeological visibility, signed; MacAlister, Gold Objects found in Ireland, RIA, 1914; Bateson, Roman Material in Ireland, RIA, 1973; Maryon, Irish Smiths, RIA, hb, 1938. George Eogan, Lockrings of the Bronze Age, RIA, 1969. Smith Earliest Irish Annals, RIA, 1972. Plus 11 related archaeological items. (c19)
After Maurice Bouval (French, 1863-1916) - "Le Secret" - an Art Nouveau glazed ceramic figure of a semi-clad lady in creams and pale green cloak, holding a casket in her hands. After the bronze of the same name by Bouval. Indistinct ceramicist mark to underside and indistinct signature near base. Height 64cm. (L)
Thirteen (13) medals, tokens, jetons and novelty coins, mainly in bronze. Includes (1) 1793 France, King Louis XVI brass 'Sol Regni Abiit' martyr Jeton, 3.64 grams, (2) 1863 Prince of Wales brass marriage medal, holed, BHM 2779, 4.76 grams, (3) 1902 King Edward VII brss coronation medal, BHM 3783, 5.92 grams, (4) 1901 death of Queen Victoria and accession of King Edward VII brass marriage medal, 4.95 grams, (5) 'Our Beloved King and Queen' King George V brass medal, loop removed?, (6) 1911 George V coronation medal in alluminium, holed, 5.63 grams, (7) 1851 Great Exhibition World Exhibition Crystal Palace brass souvenir medal, BHM 2434, 3.36 grams, (8) 1911 George V 'Long May They Reign' brass coronation medal, loop removed, 2.83 grams, (9) NPO Northern Publishing Office 42 Ann St Belfast brass religious token, 3.21 grams, (10) Lords Prayer brass token with ring and portrait of King George V, (11) 1837 King William IV silver Fourpence with ring, (12) 1911 George V brass coronation medal with heart reverse, 2.45 grams, and (13) large 1913 USA Buffalo Nickel 5¢ souvenir coin, 76.8 millimetres. (S)
Wolfers Freres - an important Bacchus jug designed by Philippe Wolfers (1858-1929) and produced in ceramic by Emile Muller circa 1898. Heavily potted in the form of a pear shaped body on a splayed foot, with bearded mask of Bacchus under the spout and grapes beneath the handle. Thickly glazed in greys, greens, blues and golden brown. Inscribed "Wolfers" to the foot and imprinted with marks to the base: "Reproduction Interdit" and a medallion bearing the name "Emile Muller" together with a reference "18C". Philippe Wolfers was a Belgian designer specialising in jewellery, silver, bronze and sculpture. Renowned for his Art Nouveau/Jugendstil designs, and later influenced by Art Deco, he was less prolific, and therefore less familiar, than his French peer Rene Lalique. Wolfers' "exemplaire unique" series of jewellery is among the finest during the period. This jug is a ceramic production of Wolfer's original bronze, lidded jug "Le Vin" which was retained in the Philippe Wolfer's private collection for many years. The form and style evoke the late mediaeval Rhennish Bartmann stoneware jugs, and so it is understandable that Wolfers, when seeking to reproduce the piece in ceramic, sought a collaboration with Emile Muller, whose Grande Tuilerie d'Ivry produced the stoneware balustrades for the Eiffel Tower and as well as works for a range of other artists and sculptors such as Grasset, Toulouse-Lautrec, Chalon, Charpentier and Falguière. Height 26cm. Width 22cm. Depth 13cm. (M)
AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE DANCING FAUNAFTER THE ANTIQUE, IN THE MANNER OF THE CHIURAZZI FOUNDRY, NAPOLI, LATE 19TH / EARLY 20TH CENTURYwith an antique weathered verdigris patination, later mounted on a circular stone plinth81.2cm highProvenanceParker & Morris: The Art of Decorating.Catalogue NoteThe original bronze was discovered in October 1830 in Pompeii. The house was named the House of the Faun after the sculpture.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE. an
A RARE PAIR OF ITALIAN WHITE MARBLE RELIEF PORTRAITS OF AN OTTOMAN SULTAN AND HIS WIFEATTRIBUTED TO ORAZIO MARINALI (VENETIAN 1643-1720), LATE 17TH / EARLY 18TH CENTURYa facing pair of oval portrait medallions of an Ottoman Sultan or famous commander, depicted smoking a hookah pipe and wearing a turban and an ermine lined jacket together with its companion his wife or Sultana with her right hand tucked inside her clothes, each in a carved pine frame with traces of gilding (2)13.5 x 9.8cmProvenanceParker & Morris: The Art of Decorating.Catalogue NoteOn stylistic and typological grounds, this unpublished pair of portrait reliefs is the work of a famous and prolific Vicentine (i.e. Venetian) sculptor, Orazio Marinali, who is famed for this particular sideline. It is derived from the Renaissance tradition of producing series of images of famous men - or ‘Worthies’ as they were dubbed in English - often in the form of bronze medallions.For centuries Venice, by means of its fleet, was occupied in trying to withstand the forces of the Ottoman Empire and its powerful navy, which culminated in the 16th and 17th centuries in two critical victories, almost a century apart: by sea the Battle of Lepanto 1571 and by land the Siege of Vienna (1683). It is therefore likely that these images depict leaders of the defeated hostile forces, either rulers or commanders of the hostile forces who had been crucial. They are probably taken from paintings or engravings of the respective periods.For the Battle of Lepanto these would be either the Sultan, Selim II, or Ali Pasha, Admiral of the Ottoman Fleet; or for the Siege of Vienna, the Grand Vizier, Kara Mustafa Pasha. The latter suffered an ignominious end, being beheaded in Belgrade on 25 December – Christmas Day! - on the orders of the Sultan, to whom his head was brought on a silver salver. This second resounding defeat by the forces of the Holy Roman Emperor, Leopold I, and John III Sobieski, King of Poland, marked the beginning of the end of Ottoman domination in eastern Europe.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A RARE PAIR OF WILLIAM IV AMERICAN BRONZE TWIN-LIGHT ARGAND LAMPSBY HENRY N. HOOPER, BOSTON, C.1835each lamp with a central urn finial on a turned support issuing angled arms, above a square pedestal and stepped foot, each with an applied label inscribed 'Manufactured by H. N. Hooper, Boston' later fitted for electricity (2)41.5cm highProvenanceParker & Morris: The Art of Decorating.Catalogue NoteHenry N. Hooper and Company, were a leading purveyor of lighting fixtures in mid-nineteenth century Boston. A related pair of lamps can be found in the Metropolitan Museum, New York, accession no. 2002.391.2a-e.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A CONTINENTAL EBONISED OCCASIONAL TABLEEARLY 19TH CENTURYthe rectangular top inset with red marble above a frieze drawer, the underside with a branded crowned coat of arms, above an undertier and on bronze sabot69.2cm hiigh, 43cm wide, 29.4cm deepProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF ITALIAN MARBLE GRAND TOUR OBELISKS FLORENCE, 20TH CENTURYeach with bronze turtle supports (2)39.5cm highProvenanceParker & Morris: The Art of Decorating.Catalogue NoteThese obelisks are based on the 16th century obelisks of the Corsa dei Cocchi or Aguglie di Piazza Santa Maria Novella in Florence. They replaced two pyramidal wooden structures which were used to mark the track for the festival race of the Palio dei Cocchi.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A FRENCH PATINATED METAL GRAND TOUR SPHINXMID-19TH CENTURYmodelled recumbent, together with a gilt bronze candlestick modelled as a cherub supporting a foliate nozzle (2)13.5cm high, 20.5cm long, 7.3cm wide (max)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PATINATED METAL STANDARD LAMPIN REGENCY STYLE, 19TH CENTURYconverted from a candlestick with a gilt and bronze effect finish, with a pleated shade, fitted for electricity147.5cm high (overall)ProvenanceParker & Morris: The Art of Decorating.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A LARGE FRENCH BRONZE MODEL OF A RECUMBENT GREYHOUND OR WHIPPETLATE 19TH / EARLY 20TH CENTURYwearing a gilt collar, stamped to the underside 'A V'27cm high, 52.5cm longProvenanceParker & Morris: The Art of Decorating.For a similar bronze see Christie's, Annabel's, 20th November 2018, lot 122 which fetched £23,750 (including premium).PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
Φ λ A BRONZE PORTRAIT BUST TITLED "O AFRICA"BY CLAUDINE TOP (AUSTRALIAN , 20TH CENTURY)of a Kenyan boy, modelled looking forward, with metal and coral earings, on a black and white veined marble plinth, signed 'C. Top'31cm highProvenanceParker & Morris: The Art of Decorating.Catalogue NoteWith a Certificate of Authenticity signed by the artist and dated 16th April 1996.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A PAIR OF FRENCH EMPIRE POLISHED BRONZE CHENETSATTRIBUTED TO THOMIRE, EARLY 19TH CENTURYmodelled as a young classical couple, each seated on a fluted plinth, on a shaped oval base with mask decoration, the front with a band of stiff leaves and on turned feet (2)32.2cm high, 21.5cm wide, 12cm deepProvenanceParker & Morris: The Art of Decorating.The Marquess of Tweeddale, Yester House, Gifford, East Lothian.PLEASE NOTE THAT THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A small cold painted bronze model of a Frog, with impressed marks including model number 4374, Geschutzt, and 'B' mark within an urn. Approx 8.5cms long, 4cms high. *CR Some paint loss underneath to the neck and wear to the base, one toe on each foot looks slightly bent out of shape (minor).
An interesting pair of 19thc bronze incense burners, each cast with handles in the form of Dragons and with pierced lids, with globular tapering bodies and various decoration including clouds in low relief, and supported on three feet. One handle can be moved backwards to allow access to the lid. Unsigned, 27cms high and 25cms high. *CR Larger one, some wear around the rim and small incisions into the rim (possibly from manufacture?), touch of wear to the tail of the Dragon, otherwise seems fine generally. Smaller one, grill of the lid is detached from it's rim and needs re attaching, some wear to the rim, a few small white marks in places (minor).
A contemporary bronze sculpture of a Terrier called 'Tigger', the standing figure on a rectangular shaped base. Signed to the base 'Mary Beattie Scott' and initials, and marked to the base 'Tigger'. 18.5cms high, 22cms long *Artists Resale Rights applies to this lot. *CR There is a small crack on the front of the base from manufacture and a couple of marks around the base, otherwise seems fine.
Probably 17th or 18thc, a pair of similar cast bronze recumbent Dogs of Fo with foliate decoration. With intricate carved rockwork wooden stands. Bronzes 14.5cms and 14cms long, stands 6cms and 5.5cms high. *CR Bronzes, some wear around the bases otherwise seem fine. Stands, generally good with some small nibbles in places.
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350105 item(s)/page