REPRODUCTION OF ""CREST OF THE WAVE"" AFTER FRISHMUTH NO RESERVE - NO MINIMUMREPRODUCTION OF ""CREST OF THE WAVE"" AFTER FRISHMUTH, after Harriet Whitney Frishmuth (1880-1980) `Crest of the Wave` bronze with greenish-brown patina. Length 49 inchesWidth 14 inches One foot missing and broken off. THIS SALE IS BEING CONDUCTED AS AN ""ABSOLUTE NO RESERVE - NO MINIMUM SALE"". AS A COURTESY, WE ARE PROVIDING YOU WITH A GENERAL CONDITION REPORT FOR THE ITEM(s) YOU INQUIRED ABOUT. PLEASE NOTE ALL SALES ARE FINAL REGARDLESS OF CONDITION. Thank you for the consideration and your expressed interest. A.B. Levy_s NOTWITHSTANDING THIS REPORT AND/OR ANY DISCUSSION CONCERNING LOTS: ALL LOTS ARE OFFERED AND SOLD AS IS"" IN ACCORDANCE WITH THE CONDITIONS OF SALE AS POSTED HERE AND AS PRINTED IN THE SALE CATALOGUE. WE (A.B. LEVY) ARE NOT RESPONSIBLE FOR ERRORS OR ANY MISREPRESENTATIONS CONCERNING THE CONDITION OF ANY OR ALL ITEMS MENTIONED IN THIS REPORT OR ELSEWHERE. Prospective buyers should inspect each lot to satisfy concerns as to condition. Understand that any statement made by us, (A.B Levy) is merely a qualified subjective opinion. We are not professional conservators or professional restorers. Prospective buyers should refer to Important Notices regarding this sale and/or any lot that might be printed in the Sale Catalogue and/or posted On-line.
We found 350105 price guide item(s) matching your search
There are 350105 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
350105 item(s)/page
EMPIRE STYLE BRONZE MOUNTED MAHOGANY ARMCHAIR NO RESERVE - NO MINIMUM EMPIRE STYLE BRONZE MOUNTED MAHOGANY ARMCHAIR, the rectangular back with straight arms on supports headed by Egyptian terms, the bowed seat on straight tapered legs, ending in brass paw feet. Height 39 _ in. Width 25 in. THIS SALE IS BEING CONDUCTED AS AN ""ABSOLUTE NO RESERVE - NO MINIMUM SALE"". AS A COURTESY, WE ARE PROVIDING YOU WITH A GENERAL CONDITION REPORT FOR THE ITEM(s) YOU INQUIRED ABOUT. PLEASE NOTE ALL SALES ARE FINAL REGARDLESS OF CONDITION. Thank you for the consideration and your expressed interest. A.B. Levy_s NOTWITHSTANDING THIS REPORT AND/OR ANY DISCUSSION CONCERNING LOTS: ALL LOTS ARE OFFERED AND SOLD AS IS"" IN ACCORDANCE WITH THE CONDITIONS OF SALE AS POSTED HERE AND AS PRINTED IN THE SALE CATALOGUE. WE (A.B. LEVY) ARE NOT RESPONSIBLE FOR ERRORS OR ANY MISREPRESENTATIONS CONCERNING THE CONDITION OF ANY OR ALL ITEMS MENTIONED IN THIS REPORT OR ELSEWHERE. Prospective buyers should inspect each lot to satisfy concerns as to condition. Understand that any statement made by us, (A.B Levy) is merely a qualified subjective opinion. We are not professional conservators or professional restorers. Prospective buyers should refer to Important Notices regarding this sale and/or any lot that might be printed in the Sale Catalogue and/or posted On-line.
Louis CANE « LE COUPLE ALLONGE », 1990 Bronze à patine verte signé et numéroté 6/8. Fondeur Océane 150 x 78 x 31 cm Provenance : - Galerie Beaubourg, Paris - Collection M.D. , New York Bibliographie : « Louis Cane – Sculptures », Volume II, Isabelle Sobelman, éditions de la Différence, Paris, 1991, autre exemplaire reproduit sous le n°126 pages 141 et 143 « Si on est pour la vie, à mon avis, on va essayer de magnifier cette histoire-là. Si au contraire on a peur de jouir ou si on est contre la vie, eh bien on va mettre tout ça dans un gabarit formel, et en faire des aménagements mécaniques au fil des ans. C’est aussi pour cela que le Giacometti à côté du Michel Ange, le Picasso à côté du Titien, ont une grande chance de tenir le coup. Parce que ce qu’ils disent comme vie, comme autorisation de dépenser de la vie ou de la pensée, n’est pas du tout négligeable en regard des autres. Est-ce que ça suffit pour compenser le manque de patine… C’est pas impossible. En tout cas, c’est le pari de l’art moderne ; il est formidable. » Louis Cane
A Chinese steelyard or opium balance scale, with rosewood two piece paddle shaped case, the swivel top with three pique Chinese characters opening to reveal a fitted interior with calibrated ivory balance arm and bronze suspended dish and weight, 33cm long and four Chinese carved ivory/bone cheroot holders, one with embossed white metal mount, average size 9.5cm long (5)
A Chinese blanc de chine figure of a Deity in seated pose, now as a table lamp base, together with a patinated bronze figure of a seated Buddha in lotus position raised upon an upturned lotus leaf on a hexagonal base to hardwood stand, bears signature to base CONDITION REPORTS Max height of Buddha figure approx 35cm. Both items with wear and scuffs. Buddha figure bears character marks to base (see photos)
Jean Lambert-Rucki (1888-1967) Tête à la tresse (Grand modèle), 1937 Épreuve en bronze polychrome Numérotée 6/8 Porte le cachet de fondeur "La Fonderie La Plaine" Haut. 138 cm Le plâtre original se trouve au Musée Despiau-Wlérick à Mont de Marsan, France Bibliographie : - Jacques De Vos, Marc-André Ruan et Jean-Pierre Tortil, Jean Lambert-Rucki, Galerie De Vos Editeur, le plâtre original est reproduit sous le numéro 50, le modèle en bronze est reproduit page 68 - Arlette Barré-Despond, U.A.M, Éditions du Regard, 1986, le modèle est référencé page 89 Expositions : 1937, L’accueil des artistes modernes à l’Exposition Internationale des Arts et des Techniques dans la Vie Moderne, Pavillon de l’U.A.M., Paris Novembre-Décembre 1988, Centenaire Jean Lambert Rucki, Galerie Jacques De Vos, Paris Novembre-Décembre 2006, Rétrospective Jean Lambert-Rucki, De Vos & Giraud Gallery, New York
Loading...-
350105 item(s)/page