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Lot 1231

A RARE BRONZE FIGURE OF BUDDHA, 16TH CENTURYBurma / Myanmar, Arakan State. Cast seated in vajraparyanka, his hands in bhumisparsha mudra, the head slightly lowered, with downcast eyes, flanked by elongated earlobes, surmounted by a ushnisha with flame finial. Provenance: Private collection, Belgium, acquired from an Italian private collection.Condition: Good condition with wear, remnants of gilt, nicks, dents, and minor material loss.Weight: 2,160 gDimensions: Height 23.8 cmAuction result comparison:Compare a related Arakan bronze figure of Buddha, dated to the 15th-16th century, at Bonhams San Francisco in Fine Asian Works of Art on 9 December 2008, lot 5212, sold for USD 3,600.

Lot 93

A LACQUER GILT BRONZE FIGURE OF A GUARDIAN KING, MINGChina, Ming dynasty (1368-1644), 17th century. Cast standing on a rectangular base, clad in armor and wearing a crown, heavenly garlands flowing around his body, his hands held together in front of his chest, the face with a furious expression with bulging eyes and thick eyebrows.Condition: Good condition with wear, casting flaws, small nicks and minor losses here and there, extensive wear to the lacquer gilding. Provenance: Austrian private collection. Weight: 1.6 kg Dimensions: Height 25 cm

Lot 671

A SUIT OF ARMOR WITH LARGE EBOSHI KABUTO AND TOKUGAWA MON MAEDATEJapan, Edo period (1615-1868)The matching components of brown-lacquered iron and laced in blue with green and red as well as cream, dark-blue, brown, and white, comprising a tall eboshi kabuto with five-lame shikoro, the fukigaeshi applied with bronze tokugawa mon, the circular black and gold-lacquered wood maedate in the form of a tokugawa mon as well; a menpo lacquered red to the interior and with a four-lame yodare-kake; a partly gilt yokohagi okegawa do with two metal chrysanthemum appliques suspending loose rings, fitted with five sections of five-lame kusazuri; kote and tekko on blue textile with kusari (chainmail); and further with sode (shoulder guards) and haidate (thigh guards).HEIGHT approx. 155 cmCondition: Good condition with wear, some loose threads and minor losses to lacing, flaking and small losses to lacquer, some with associated minor touchups, minor tears, wear, and losses to textile.Provenance: Czech private collection.With a wood storage box.

Lot 43

AN OCTAFOIL SILVERED BRONZE 'BIRDS AND FLOWERS' MIRROR, TANG DYNASTYChina, 618-907. Finely cast in relief with four birds in flight separated by sprigs of flowers encircling a pierced knob modeled as a crouching beast. The raised border cast with floral sprays and butterflies within its octafoil edge.Provenance: From an English private collection. Condition: Overall good condition, commensurate with age. Old wear and casting irregularities, signs of weathering and erosion, few small nicks and light scratches. Fine, naturally grown patina with areas of malachite, azurite and cuprite encrustation. Weight: 355.4 gDimensions: Diameter 11.5 cm Literature comparison: A closely related mirror is illustrated in the exhibition catalog by Uragami Sokyu-do, Bronze Mirrors from Sui to Tang Dynasty, Tokyo, 10 November 2010, cat. no. 62, and was later offered at Sotheby's New York, 18 March 2014, lot 198, at an estimate of USD 8,000-12,000.Auction result comparison: Compare a closely related mirror, also dated to the Tang dynasty and of similar form and design, but of slightly larger size (13.3 cm wide) and cast with phoenixes and mythical beasts, at Sotheby's New York in Fine Chinese Ceramics & Works of Art on 18 March 2014, lot 195, sold for USD 18,750.唐代鎏銀花鳥紋銅鏡中國,618-907年。精美浮雕,八瓣銅鏡,鏡鈕如俯臥的瑞獸,四周四隻飛鳥與纏枝花紋以及蝴蝶。 來源:英國私人收藏。 品相:整體狀況好,與年齡相稱。有磨損和鑄造不規則、風化和侵蝕的跡象,少量小刻痕和輕微劃痕。包漿自然細膩,有藍綠色和赤色結殼。 重量:355.4 克 尺寸:直徑11.5 厘米 拍賣結果比較:比較一件相近唐代銅鏡,尺寸稍大 (寬13.3 厘米),鳳凰瑞獸紋,見紐約蘇富比Fine Chinese Ceramics & Works of Art 2014年3月18日 lot 195, 售價USD 18,750。

Lot 103

A BRONZE FIGURE OF BUDDHA SHAKYAMUNI, QINGTibeto-Chinese, Qing dynasty (1644-1912). Seated in dhyanasana on a double-lotus base with his hands in bhumisparsha mudra, dressed in loose robes with the folds draped over the shoulder, the face flanked by elongated earlobes, the hair in tight curls over the ushnisha and topped with a bud shaped finial.Provenance: Austrian private collection.Condition: Extensive wear and nicks, the right arm segmented, alms bowl lost, and casting irregularities.Weight: 391.6 gDimensions: Height 10.2 cm

Lot 82

AN ARCHAISTIC HANDPAINTED BRONZE VASE, 20TH CENTURYChina. Of baluster shape, painted in black and dark green in imitation of malachite, with a broad band of archaistic birds on leiwen ground, flanked by two zoomorphic masks, a dedication note incised to the side.Provenance: German private collection.Condition: Very good condition, with light surface scratches, and minor manufacturing flaws.Weight: 1,610 gDimensions: Height 24.4 cm

Lot 1210

A BRONZE HAND OF BUDDHAThailand, 17th - 18th century. Cast with thin and elongated fingers in the vitarka mudra gesture, which represents "the gesture of debate" - explaining the buddha's teachings, with a blossom to the center of the palm. Mounted on a later wood stand.Condition: Good condition with wear, casting irregularities and small nicks, dark patina with areas of malachite encrustation. Provenance: Formerly in the private Collection of Nils Nessim (1916-1974). Nils Nessim (1916-1974), was a Swedish businessman and carpet dealer, son of the Director and Carpet specialist Jean B Nessim (1887-1946). In 1942 he founded AB Nils Nessim in 1942, he expanded and in the 1960's he founded Nils Nessim International and Nils Nessims Antiques. Nils was early schooled in the carpet business by his father and went on many business trips to acquire carpets and goods for the stores. He travelled the world and built up an impressive collection of Antiques and Asian Works of Art alongside the carpet business. In 1959 he became the first westerner to be allowed to export antiques from China. Weight: 416 g Dimensions: Height 15.5 cm

Lot 1172

A PAIR OF BRONZE 'GARUDA' PALANQUIN HOOKS, ANGKOR PERIODKhmer Empire, 12th-13th century. The ring with a raised inner rim and sides notched vertically and horizontally, supported by a tiered lozenge-form mid-section shaped as lotus petals, the hook modeled as a Garuda with outstretched wings and curved tail.Provenance: Collection of Leonardo Vigorelli, Bergamo, acquired in Hong Kong during the 1990s. Leonardo Vigorelli is a retired Italian art dealer and noted collector, specializing in African and ancient Hindu-Buddhist art. After studying anthropology and decades of travel as well as extensive field research in India, the Himalayan region, Southeast Asia, and Africa, he founded the Dalton Somare art gallery in Milan, Italy, which today is being run by his two sons.Condition: Excellent condition, commensurate with age. Wear, small losses, cracks, minor dents, encrustations. Remnants of gilt. Fine, naturally grown patina with malachite and azurite encrustation.Weight: 1,581 g and 1,350 g (excl. stands)Dimensions: Height 21.5 cm (each, excl. stands)Each with an associated metal stand. (4)Auction result comparison: Compare a related pair of bronze palanquin hooks, also with lotus and Garuda, at Christie's New York, 20 March 2012, lot 181, sold for USD 6,250 (USD 7,600 in today's currency after inflation).

Lot 355

AN ARTICULATED BRONZE OKIMONO OF A SCORPIONJapan, Meiji period (1868-1912)Depicting a naturalistically crafted scorpion, the tail and pincers are movable.Maximum LENGTH 11 cmCondition: Good condition with associated surface wear. Some parts possibly reattached, as is usual for a piece like this.Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1970 and has remained in the family ever since.13% VAT will be added to the hammer price additional to the buyer’s premium - only for buyers within the EU.

Lot 49

AN ARCHAISTIC BRONZE BEAKER VASE, GUChina, late Ming Dynasty (1368-1644) to early Qing Dynasty (1644-1912). Of square section, cast with taotie masks against a leiwen ground, the upper section with blades, all interspersed with flanges around the corners. Mounted to a recent wood stand. Condition: Very good condition with minor wear and casting flaws, some nicks, and light scratches. Provenance: French private collection. Weight: 1884 g Dimensions: Height 29.5 cm incl. the standAuction result comparison: Compare a related gu vase, but dated to the 17th century, at Bonhams London in Roger Keverne Ltd. Moving On on 11 May 2021, lot 251, sold for GBP 4,845.

Lot 1331

A BASTAR BRONZE OF A GODDESS WITH DAGGER AND KHAPPARIndia, 19th-20th century. A very unique goddess standing on a rectangular shaped base where spikes are at the edge of the base. From the base rises a vessel. The goddess is armed with a dagger in its left hand and vessel in its right hand. The garment of the goddess is beautifully decorated with linear patterns from legs to its shoulders. Also diamond patterns can be seen around the chest area. Condition: The base has two small holes by the left leg of the goddess and between the two legs. Provenance: Collection of an Indian gentleman.Dimensions: Height 14.5 cm

Lot 150

A SMALL BRONZE FIGURE OF BUDDHA SHAKYAMUNI, 1900sNepal, first half of the 20th century. Finely cast seated in vajraparyankasana on a double lotus base, the right hand held in bhumisparsha mudra and the left in dhyana mudra, dressed in a robe draped loosely over the left shoulder, partially revealing the chest. The base decorated with elephants and dragons.Provenance: German private collection.Condition: Very good condition with casting irregularities, and nicks, with a fine patina.Weight: 272 gDimensions: Height 11 cm

Lot 359

AN IKEBANA BRONZE VASE, MEIJI PERIODJapan, 1868-1912. Of simplistic form, rising from a spreading foot to a long neck, with a fine patination to the bronze. Provenance: Holzapfel collection, Geneva, Switzerland. This lot was acquired by second generation members of the Holzapfel family after 1990 and has remained in the family ever since.Condition: Very good condition with minor wear.Weight: 263.3 gDimensions: Height 28.2 cm

Lot 1209

AN EARTHY BRONZE FIGURE OF BUDDHA, LATE AYUTTHAYAThailand, 17th century. Seated in dhyanasana on a lotus base, the hands folded in his lap in dhyana mudra, dressed in a diaphanous sanghati with the folds draped over the shoulder, the face with downcast eyes and arched brows, the hair in tight curls topped by a bud shaped ushnisha.Provenance: Austrian private collection. The interior with an old collector's label.Condition: Commensurate with age, wear, material loss to base, and casting irregularities.Weight: 267.2 gDimensions: Height 10 cm

Lot 128

A TIBETAN BRONZE OF A DHARMAPALA IN YABYUM WITH PRAJNA, 18TH-19TH CENTURYTibet, 18th to 19th century. A four-armed protective deity in krodha (fury, rage) form. The vaguely executed attributes do not allow for a more precise identification. The dharmapala is in yabyum with his prajna - of very small stature in this work - who is wearing a large bun. Condition: One foot and the base are missing, otherwise in good condition.Provenance: Austrian private collection; previously in a German private collection and acquired between 1970 and 1980. Dimensions: HEIGHT 4.2 cm

Lot 1271

A BRONZE FIGURE OF LAKSHMI NARASIMHAIndia, 16th - 17th century. Cast as a four-handed Lakshmi Narasimha  seated on a stepped square base beneath the seven-headed canopy of snake heads, holding various attributes in his hands. Condition: With expected wear and casting irregularities as well as small nicks and dents here and there, few losses. The goddess Lakshmi seated on the left lap lost. Provenance: Formerly in the Collection of the Krook Family. Sten Krook (1920-2009) and his mother Xenia Krook (1892-1988) shared a common interest in travelling and collecting Asian bronze figures. They conducted several journeys together to China, India, Nepal, Hong Kong and Thailand, during the 1930 till the 1980's. They had a broad collection ranging from medieval sculptures up until late 19th century from countries such as China, Tibet, Nepal, India and Japan. Many of them were sold at auction in Stockholm in 2014. Weight: 192 g Dimensions: Height 8.2 cm

Lot 93

Dish; Gujarat, India, 16th century.Mother-of-pearl and bronze.Measurements: 3 x 23 cm.Dish made of mother-of-pearl with bronze finials that can be seen in the lower part of the piece. From the trade routes of the Indies they arrived in Europe, with this one having the peculiarity of being made entirely of mother-of-pearl, as the majority of examples come from China and are made of porcelain. In India, this type of mother-of-pearl work was traditionally associated with rituals, being especially used for holy water.Through the trade routes that linked Europe, America and the Indies, various oriental products, most of which were considered luxury items, reached the Iberian Peninsula. Royal families, nobility and people of high social standing all desired exotic objects for their collections, and ivory carvings were among the most prized, both for the value and exoticism of the material itself and for the quality of the workmanship. These carvings also had a dual function. Firstly, they were precious and decorative objects, but they also had a didactic and evangelistic purpose, as carvings were made with Christian themes and iconography, using decorative motifs, elements and techniques typical of the Far East. Generally speaking, the missionaries commissioned local artists to make them, showing them European models to imitate. These types of pieces, intended for Portuguese clients, were made especially in Goa (India).

Lot 18

Pair of candlesticks. France, late 19th century.In enamelled porcelain, bronze and brass.Slight faults.Measurements: 45 x 24 x 24 cm.Pair of French candelabra of five lights, with the structure and the lampshades in porcelain enamelled, the arms and the saucers gallonados in bronze, and the vegetable decoration based on brass posies.

Lot 30

Jewellery box. France, second half of the 19th century.Gilt bronze and vellum plate painted in gouache with portrait of Marie Antoinette.Without key.Measurements: 7,5х19х18,5 cm Nineteenth-century jewellery box made of bronze, chiselled on its flanks with interlaced designs and fretwork of gadroons. On the lid, a circular vellum plaque bears a portrait painted in gouache of a lady representing Queen Marie Antoinette. The vellum is framed by a lobed moulding. The jewellery box rests on lentil feet.

Lot 47

Empire style pedestal; France, ca. 1900Mahogany, bronze and gilt metal.It shows signs of use.Measurements: 121 x 36,5 x 35 cm.French late Empire period pedestal, dated around 1810-30. It is made of mahogany wood, with applied elements and columns in bronze and gilt metal. It follows a typical Empire architectural structure of rounded volumes and sharp edges, with a four-legged base, four stylised columns raised on pedestals, with fragments of friezes that match them at the top, an entablature as a waist, and finally a tabletop with a stepped profile.

Lot 431

TETRAPTYCHONRussische Reiseikone, 19.Jh. Bronze mit emaillierten 15x9cm, aufgeklappt 15x35,5cm

Lot 436

BUREAU PLAT IM STIL LOUIS XVRosenholz furniert gemaltem Dekor und prächtigen Applikationen aus vergoldeter Bronze. 5 Schübe, Schreibplatte mit Lederbezug. 84x163x87cm. Mehrere Risse im Holz.

Lot 361

TRIPTYCHON MIT WEIHWASSERKESSELFrankreich, 19.Jh. Bronze, teils vergoldet und teils schwarz patiniert. In Form eines Flügelaltars mit Auferstehung Christi im Relief. Bez.: Deposé. Signiert: I.Bloch. 28x9/18,5cm

Lot 430

ZWEI REISEIKONEN19.Jh. Bronze, emailliert. 10,5x9cm und 14x12cm

Lot 1485

Florian Josephu-DrouotFrauenfigurBronze, patiniert; Holzsockel, schwarz gebeizt; auf der Plinthe signiert "F. Josephu Drouot"; kleine Beschädigung auf der Rückseite des SockelsH. 35 cm (inkl. Sockel)

Lot 1500

Bruno ZachBuben- und MädchenaktBronze, teilweise kaltbemalt; Onyxsockel; auf der Oberseite der Plinthe signiert "Bruno Zach" (Mädchen) und "Zach" (Bub)H. 30 cm (inkl. Sockel)

Lot 1643

Franz HagenauerWandmaskeBronze, patiniert; MessingringH. 14 cmHagenauer-Archiv, Wien: Kalkulationsbuch 1, Modellnr. 4319

Lot 1645

Werkstätten Hagenauer und Franz HagenauerPaar Afrikaner mit Speer und SchildBronze, dunkel patiniert; Messingspeere und -schilder; auf der Unterseite gemarkt "HAGENAUER/WIEN", "WHW" im Kreis; "MADE IN/AUSTRIA" und "Handmade" (jeweils)/ "FRANZ" (Knieender)H. 27 cm (Stehender)/ H. 29,4 cm, L. 26,8 cm (Knieender)Hagenauer-Archiv, Wien: Kalkulationsbuch 1, Modellnr. 4046 u. 4048

Lot 1072

MörserBronze, dunkel patiniert; Wandung umlaufend mit sakralen und profanen Bildfeldern, seitlich 1 gezopfte HandhabeH. 11,3 cm

Lot 1073

MörserBronze; Wandung umlaufend mit floralem Dekor, seitlich 2 Handhaben; umlaufend bezeichnet: "MATTHEIS STEINHAUS ANNO 1631"H. 14 cm

Lot 1075

MörserBronze; Wandung vorderseitig mit Wappen, seitlich 2 knaufartige Handhaben; auf der Vorderseite bezeichnet "VII"H. 16 cm

Lot 1102

Kammerherrenschlüssel von Maria Theresiavergoldete Bronze; herzblattförmige Reide mit bekröntem Wappen; vorderseitig monogrammiert "MT" für Maria Theresia, rückseitig monogrammiert "FI" für Kaiser Franz I.; Bart durchbrochen gearbeitetL. 19 cmKatalog ausgewählter und hervorragender Kunstsachen und Antiquitäten, J. M. Heberle (H. Lempertz‘ Söhne), Mai 1890, Nr. 290Die Kammerherrenschlüssel der Habsburger hatten ihre Sperrfunktion verloren und dienten nunmehr als reines Amtssymbol. Gut sichtbar wurden sie – an mit Kordeln oder Quasten verzierten Schleifen - an der Kleidung angebracht. Die Form und Gestaltung dieser Zierschlüssel verrät, welcher Kaiser zu jener Zeit im Amt war, denn die Form der Reide änderte sich je nach Monarchen. Zudem erleichtern ab Kaiser Karl VI. die angebrachten Herrschermonogramme die Zuordnung zu dem jeweiligen Monarch: So zeigen die Monogramme "M.T." und "F.I." an unserem Schlüssel, dass dieser einem Kammerherrn des Hofes zur Zeit Maria Theresias und Kaiser Franz I. zugeordnet werden kann. Trotz der gestalterischen Vielseitigkeit der Schlüssel unterschiedlicher Herrscher ähneln sich diese in Material und Größe: Meistens bestehen sie aus vergoldetem Eisen und sind um die 19 cm lang. (vgl. Lang, Ein Kammerherrenschlüssel aus der Zeit von Kaiser Maximilian von Mexiko, Schell Collection 2019.)

Lot 1116

F. X. BergmannBetender AraberBronze, patiniert, kaltbemalt; auf einem Teppich im Gebet kniender Araber, die Schuhe neben dem Teppich; auf der Unterseite gemarkt: Krugmarke, "GESCHUTZT", "9"H. 13 cm

Lot 1117

F. X. BergmannHundegruppeBronze, kaltbemalt; Gruppe diverser Hunderassen; auf der Unterseite gemarkt: Meisterzeichen und "AUSTRIA/GESCHÜTZT/5735"H. 15,7 cm

Lot 1118

F. X. BergmannTischlampe Bronze, patiniert; Winterschlitten mit Hirsch und Jagdelementen; Marmorsockel, teilweise mit weißem Marmor; geprägt gemarkt: "Made in Vienna" und bezeichnet: "Seng"; Elektrifizierung, ohne GewährH. 64 cm; L. 52,7 cm

Lot 1120

Paar Kaminböckevergoldete Bronze; jeweils ein Putto mit Blumengirlande; rückseitig mit EisenstegH. 34 cm bzw. 35 cm

Lot 1141

Oignon Taschenuhrfeuervergoldete Bronze mit Arabesken, rückseitig leicht berieben, im Zentrum ein Liebespaar; Champlevé-Zifferblatt, im Zentrum Drachen, Vögel und Rocaillen; Schlüsselaufzug; Spindelwerk mit Kette und Schnecke, Scheinpendel; auf der Platine bezeichnet: "HIMLY A COLMAR" (siehe: Baillie, Vol I., S. 154); einzeigerig; gehfähig, ohne Gewähr; Sammlungsnr. 66Dm. 5,6 cm

Lot 1210

Wiener Kommodenuhr Bronze, feuervergoldet; Wiener Messingwerk mit Viertelstundenschlag auf Tonfedern; Schlüssel liegt bei; Gehäuse überarbeitet, leicht beschädigt; gehfähig, nicht überprüftH. 41,5 cm; B. 23 cm

Lot 1239

Schnupftabakdoserot gebänderter Achat; ovale Form; Montierung aus vergoldeter BronzeL. 8,3 cm

Lot 122

3 FRANKLIN MINT GOLD PLATED BRONZE COINS - THE ART TREASURE OF MEDICI

Lot 136

ANTIQUE COLD PAINTED BRONZE CAT IN THE STYLE OF BERGMAN

Lot 190

CHINESE BRONZE INCENSE BURNER AND COVER

Lot 196

PAIR OF BRONZE COATED FIGURES

Lot 225

ASSORTMENT OF BRONZE CHINESE FIGURES

Lot 234

HEAVING POLISHED BRONZE ORIENTAL VASE

Lot 34

JAPANESE BRONZE VASE AND CANDELSTICKS

Lot 15

DENMARK. Bronze medal, 1876. GW-932. In secure plastic holder, graded NGC MS 63 DPL, certification number 5957918-006. NGC Census in this grade: 0, equal-finest graded.Weight: 284 g.Composition: Bronze.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 162

EAST ASIA. Various Metals lot of 4 coins, Various Dates. Various conditions. Bronze Han (Xin) dynasty (AD14-40) 'Huo Bu' spade moneyJapan 1854-1865 Silver Ansei 1 Shu Gin (1.87g; Fineness .880)China 1940 Aluminium 5 FenChina 1936-1940 Copper 1 FenComposition: Various Metals.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 167

SOUTH AFRICA. George VI, 1936-52. Gold-Silver-Bronze 11 coin proof set, 1952. Pretoria. Gold Pond and Halfpond, Silver Crown to Threepence, Copper Penny to Farthing, in original Pretoria Mint case of issue. Reference: KM PS24Weight: 50 g.Composition: Gold-Silver-Bronze.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 72

FRANCE. Bronze 1 centime, 1848 A. The bust of Liberty facing left, 'RÉPUBLIQUE FRANÇAISE, Dupré', Designed by: Augustin Dupré. / The denomination above the date and the mint mark at the bottom. 'UN CENTIME 1848 A'. Designed by: Augustin Dupré. Plain edge.In secure plastic holder, graded NGC XF 45 BN, certification number 5880325-002. NGC Census in this grade: 2.NGC Census in higher grade: 50Total NGC Census: 52Reference: KM-754, Gad-84, F-101Diameter: 18 mm.Weight: 2 g.Composition: Bronze.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. No other fees, including live bidding. Delivery cost will be added to your order.

Lot 336

BUDDHA - SKULPTUR AVALOKITESHVARA, Bronze besetzt mit Mosaiksteinen, Glascabochons und geschliffenen Glassteinen. Buddhafigur des Bodhisattvas, in Manifestation von Avalokiteshvara, Allsehender mit vier Armen auf Lotusthron, in den Händen u. a. eine Gebetsschnur als Sinnbild des ewig währenden Mitgefühls haltend. H. 14,5 x B. 10,5 x T. 6 cm.

Lot 2745

ANIMALIER / TIERBILDHAUER DES 20. JH., Skulptur: "Eule", Bronze, Vollguss, hellbraun und grün akzentuiert. Auf Terrainplinthe sitzende Schleiereule mit seitlich gewandtem Kopf, in leichter Stilisierung gearbeitet. H. 12,5 cm.

Lot 2749

LE VERRIER, MAX (Louis Octave Maxime Le Verrier, Neuilly-sur-Seine 1891-1973 Paris), Skulptur: "Gazelle", Bronze, braun patiniert und goldfarben akzentuiert, montiert auf marmoriertem Steinguss-Postament, vertieft signiert "M. le Verrier", um 1920. Stilisiert gearbeitete und auf einer schrägen Plinthe stehende Gazelle; charakteristische Arbeit des Bildhauers und Entwerfers des Art déco. H. 47,5 x L. ca. 40,5 x B. 15 cm (Postament partiell berieben und bestoßen).

Lot 2739

SKULPTUR: "Reiter", Bronze - Gelbguss, hellbraun patiniert mit goldfarbenen Akzentuierungen, 2. Hälfte 20. Jh.; gearbeitet im Stil des Königreichs Benin (Westafrika / Nigeria). Stilisiert und reich dekoriert gearbeitete Reiterfigur auf konischem rechteckigem Postament. H. 122 x L. 80 x B. 35 cm. Aus dem Nachlass einer westfälischen Sammlung.

Lot 2756

LOPEZ, MIGUEL FERNANDO (auch Milo, geb. 1955 in Lissabon), Skulptur: "Eule", Bronze, hellbraun patiniert und vertieft signiert "Milo"; zylindrisches, rötliches Marmorpostament. Naturalistisch mit bewegter Oberfläche gearbeitete Eule, auf einem Baumstumpf sitzend. Neuzeitlicher Guss mit Gießerplakette (bezeichnet: "Bronze Garantie Paris / J. B. / Deposee). H. 25,5 cm.

Lot 333

SKULPTUR: BUDDHAKOPF mit vier Gesichtern, Bronze, hellbraun patiniert mit goldfarbenen Akzentuierungen, China, wohl späte Qing-Dynastie, unter dem Stand mit Schriftkartuschen gemarkt. Vollplastisch gearbeiteter Kopf des Buddha mit vier Gemütsbewegungen / Gesichtsausdrücken: Freude, Zufriedenheit, Trauer und Zorn. H. 8 cm; D. ca. 8 cm.

Lot 2704

RODIN, AUGUSTE (Paris 1840-1917 Meudon): Skulptur: "L’Age d’airain" (Originaltitel) / "Das eherne Zeitalter", stehender männlicher Akt, Bronze, grün patiniert, auf Natursteinpostament. Posthume, neuzeitliche Reduktions- / Museums-Kopie nach der ersten lebensgroßen Skulptur des Hauptmeisters der französischen Plastik des 19. Jahrhunderts, die 1875/76 entstand. Auf der Plinthe vertieft signiert. H. 54 x B. 19 x T. 15 cm (Postament bestoßen).

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