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Lot 47
§ JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)EASTRE (HYMN TO THE SUN)Bronze40cm (15.75in) highNote: Fergusson carved the original in plaster in 1921, but kept it under his bed for three years before he found someone who could pay for it to be cast in 1924. It is believed only one lifetime cast was made, which is held in the collection of Aberdeen Art Gallery.A posthumous edition of 6 was cast in 1971 and a second posthumous edition of 10 in 1991, celebrating the Fergusson Gallery project, which opened in 1992. This bust is from the 1991 casting.
Lot 49
§ JOHN DUNCAN FERGUSSON R.B.A. (SCOTTISH 1874-1961)TORSE DE FEMMEUnique piece, bronze14.5cm (5.75in) high without baseProvenance:Provenance:This unique bronze cast was produced by Bill Hepworth of the Alyth Art Foundry in 1994 from Fergusson`s original plaster in the Fergusson Gallery collection. It was cast so that he could produce from it the scaled up finished version situated in front of the Fergusson Gallery in Perth.
Lot 503
NUCCI VALSECCHI Suite de trois tabourets, piètement métallique laqué noir formant X d’où s’élèvent quatre arcatures en bronze soutenant le repose-pieds circulaire en laiton et le fût central surmonté d’une galette circulaire tendue de cuir gold. Haut. 78 cm - Diam. max 42 cm - Assise Diam. 26 cm
Lot 303
ÉMILE-AUGUSTE REIBER (1826-1893) & MAISON CHRISTOFLE Paire de vases balustres formant pieds de lampe à pétrole, exécution d’après un dessin d’Émile Reiber. Corps en dinanderie de cuivre rouge et étain à décor de hérons dans un paysage lacustre extrême-oriental, frises géométriques et de lambrequins, prises supérieures latérales en bronze doré représentant des dragons muni d’anneaux mobiles. Signatures incisées "Christofle & Cie". (Quelques enfoncements et oxydations). Haut. 28,5 cm
Lot 347
Émile GALLÉ (1846-1904) Suspension, vasque en verre multicouche violet sur fond bleu et satiné à décor gravé à l’acide de clématites, fixations en bronze présentant feuillages stylisés à l’instar du cache-bélière, chaînes en bronze doré. Signature gravée a l’acide. (Quelques égrenures en pourtour, un éclat circulaire central restauré). Diam. 49,5 cm
Lot 400
Années 25 Élégante table d’appoint, piétement végétal en chêne, anciennement doré, représentant des feuilles délicatement stylisées et repliées sur un fond de motifs perlés juxtaposés, base lestée cerclée d’une bordure en bronze, patine verte, plateau déployant formé de trois éléments circulaires en cuivre à patine verte, fond en opaline noire. Haut. 65,2 cm - Diam. fermé 28 cm - Long. max. ouvert 59 cm Provenance?: Collection particulière, Paris.
Lot 131
A LARGE BRONZE DRAGON VASE of baluster form, the long neck with a dragon coiled around it in high relief, the body decorated with four ogee narrative panels with inscriptions, one relating to the Immortal Magu, on a ground of scrolls and precious objects, the base with a Xuande mark within a double-dragon roundel, Qing, 18th/19th century, 23"" high
Lot 490
A rare JP White bronze satyr circa 1930 mounted on a Westmoorland stone outcrop 64cm.; 25ins high overall Although the firm of JP White based at the Pyghtle works Bedford were primarily known for leadwork and decoration they also produced a limited range of small bronze figures such as this one is illustrated in their 1935 catalogue p.14.
Lot 496
? David Goode Snail Maker Bronze, variegated green patination, signed David Goode, 1995 86cm.; 34ins high Aged 18, David trained at The Sir Henry Doulton School of Sculpture, specialising in portrait and figurative sculpture. In 1988 David became a portrait sculptor at the London Studios of Madame Tussauds, the youngest sculptor ever offered such a position, and for six years travelled the world for sittings with many famous figures - some of his most notable works for Tussauds include Freddie Mercury, Joan Collins, Madonna, Michael Jackson, Ronald Reagan and Yasser Arafat.
Lot 498
? David Norris Landing Mallards Bronze, Cast 1987 Signed 240cm.; 94½ins high by 240cm.; 94½ins wide by 150cm.; 59ins deep David Norris studied sculpture at The Royal Academy Schools, winning the silver medal for portraiture, two bronze medals and the coveted Landseer prize. Works range from large to small, in the round and relief, in bronze and precious metals. His subject matter concentrates on the human form and wildlife. Many works have gone out to the Middle East. The tallest is a 3 meters high |Mallard Landing| fountain for the Royal Palace Ruwi, whilst the smallest is designing coinage for the Oman. David Norris is a Fellow of the Royal Society of British Sculptors
Lot 517
Ann Vrielinck, Born Belgium, 1966 Listen Bronze Signed and numbered 7 of 49 147cm.; 58ins high by 40cm.; 16ins wide by 30cm.; 12ins deep Ann Vrielinck was born in Varsenare, Belgium in 1966. She was educated at the Academy of Fine Arts in Bruges, then obtained a higher degree in Painting from the Sint-Lucas Institute in Ghent after four years of studying with the Dan Van Severen Studio. Vrielinck subsequently completed further courses in restoration of paintings and ceramics, then obtained a teaching degree which has led her back to lecturing at the Academy of Fine Arts. Much of her work is based around ballet, dance and movement.
Lot 615
†After the Antique: A lead model of the Warwick urn 2nd half 19th century on later composition stone base urn 86cm.; 34ins wide; 130cm.; 51ins high overall The marble original of this urn was discovered in 1771. It was purchased by Sir William Hamilton and sold after restoration to the Earl of Warwick, who for a long time forbade casts to be made of it. Eventually bronze and cast iron replica’s were made and it was copied on a reduced scale in silver, bronze and terracotta by artists using the prints by Piranese. It is perhaps the most famous antique vase after the Medici and Borghese urns. By repute, it headed a list of art treasures compiled by Napoleon Bonaparte, to be appropriated after the conquest of Great Britain.
Lot 1308
Fine French Empire bronze and ormolu windmill two train mantel clock, the 3.25" white dial signed Frisard a Paris within a cast ormolu bezel over steps to a shaped ormolu plate with two farmhands and sacks of wheat, upon a square white marble base inset with a classical relief plaque supported upon quadruple ormolu ball feet and surmounted by a gabled roof, 19" high overall
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