Dancer of Olynthus a bronze sculpture by Demetre Chiparus on veined onyx base with light fitting, modelled as a dancer in exotic dress standing on one foot, with arms and leg raised in balance, etched Chiparus to the base, cast number to her foot, 24.5cm. high (figure), 33cm. high (overall height) Provenance Purchased from Waring & Gillows by the mother in law of Nat Temple (1913-2008) the English big band leader and musician. Thence by descent Literature Alberto Shayo Chiparus Master of Art Deco ACC Books, page 177 for a comparable bronze mounted on a variation of the lamp base. Brian Catley Art Deco & Other Figures, ACC Books, page 81 for this sculpture mounted on a simple stepped base.
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Dance of the Harlequinade a large patinated bronze and ivory figure cast from a model by A Gilbert, modelled as a harlequin standing on one foot in red and silver catsuit, on tapering, triangular base unsigned, 56cm. high Literature Les Annees Folles Christie's London, 26th October 1998, lot 78 lot 102. Bryan Catley Art Deco and Other Figures, ACC Books, page 154 for a comparable figure.
A patinated bronze and ivory model of a young woman by Josef Lorenzl, modelled with one leg raised, her arms raised and lifting her painted floral dress, on green veined onyx cylindrical base, signed Lorenzl in the cast, 30.5cm. high Literature Victor Arwas Art Deco Academy Edition, page 151 for a comparable Lorenzl figure illustrated.
A PAIR OF LATE 19TH CENTURY/EARLY 20TH CENTURY BRONZED SECTIONAL CANDLESTICKS, cast with foliate motifs, on three cabriole legs with hairy paw feet, height approximately 26cm, together with After Ferrand a small modern bronze of a seated cherub, height approximately 5.5cm and a small bronzed embossed Bacchanalian scene (4)
FIVE BOXES AND LOOSE SUNDRY ITEMS, to include an Oriental ceramic dog of foe, an Oriental bronze posy vase with character marks the base, plated wares, brass wares, a metal cased Guinness 18oz snooker cue, a debut snooker cue with Stephen Maguire facsimilie signature, tapestry firescreen, mirror etc
LATE NINETEENTH/ EARLY TWENTIETH CENTURY FRENCH PATINATED AND GILT BRONZE MOUNTED WHITE MARBLE MANTLE CLOCK SIGNED LEROY, A PARIS, the 4 ½" enamelled Roman dial (a/f), powered by a drum shaped movement striking on a bell, stamped LEROY and numbered 1020, housed in a case surmounted by two reclining female figures, set above a pair of oval porcelain panels flanking the dial and painted with cherubs, outlined in ribbon tied laurel swags and raised on an oblong base with D shaped ends and ornate two handled urn pattern feet, 14 ½" (36.8cm) high
AN IRISH GEORGE III MAHOGANY BREAKFRONT BOOKCASE, part of the original furnishings of Ely House, Dublin, the dentil moulded cornice above a four door bookcase, decorated with Gothic lancet glazing bars above fielded cupboard door base. 282cm high, 346cm wide Provenance: Collection of Fine Art Property of Dr. Thornley Stoker, Ely House, 8 Ely Place, Dublin, 8th November, 1910, lot 863 This handsome Chippendale pattern mahogany bookcase was lot 863 in one of the most spectacular house contents auctions Dublin has ever seen. Taking place in November 1910, it was that of Dr. Thornley Stoker whose fierce reputation has faded, but that of his brother Bram has only gone stratospheric thanks to his creation, “Dracula”. The sale of over 1600 lots represented a life-time of collecting. George Moore leaves a description of Sir Thornley hopping about the antique dealers in Grafton Street ‘Like an old magpie’ prying out spoons and forks. Moore, unsuccessfully, tries to persuade the grumpy old doctor to back Hugh Lanes project for a Modern Art Gallery in Dublin. Moore, a neighbour frequently visits Dr Stoker and well knows his fine collection housed in his palazzo, Ely House, but can’t resist retelling Dublin cynicism as to its genesis. “Up and down Liffey Street, lately, on the trail of a Sheraton sideboard and Naylor has been asked to keep it till an appendices should turn up; the Chinese Chippendale mirror over the drawing-room chimney piece originated in an unsuccessful operation for cancer; the Aubusson carpet in the back-drawing room represents a hernia; the Renaissance bronze on the landing a set of gall-stones; the Ming Cloisonné a floating kidney; the Buhl cabinet his opinion on an enlarged liver; and Lady Stokers jewels a series of small operations performed over a number of years”. Moore declares the collection will never be sold in his lifetime but on his death, there will be a great auction. This bookcase, filled with part of Dr. Stoker’s china collection is given a full-page illustration and is described as ‘Chippendale’. A bookcase of similar design, with the addition of a broken triangular pediment, c.1766, is illustrated in Gilbert, ‘The Life and Works of Thomas Chippendale’ (1978), p.41
AFTER GIAMBOLOGNAPacing HorseGilded Bronze, 23.5cm high, 26cm wideOn ebonised plinth base (40cm high incl. base)A reduction of the equine element in the bronze statue of Cosimo I in the Piazza della Signoria, Florence (1587 - 1593). Popularised by bronze casters such as Susini a prime example at 23.5cm high is in the Victoria & Albert Museum, London.
JULIEN HENRI DILLENS (1849 - 1904)Kneeling girl Bronze, on wooden base, 54 x 62 x 50cm highSignedJulien Henri Dillens was born in Antwerp in 1849, the son of the painter Hendrick Joseph Dillens. He studied under Eu- gène Simonis at the Académie Royale des Beaux-Arts and in 1877 received the Prix de Rome for A Gaulish Chief taken Prisoner by the Romans. He was awarded the medal of honour in 1889 at the Paris Universal Exhibition for Figure Kneeling (Brussels Gallery), and the statue of the lawyer Hippolyte Metdepenningen in front of the Palais de Justice at Ghent and in 1900, his Two Statues of the Anspach Monument gained him a similar distinction. For the city of Brussels he executed The Four Continents (Maison du Renard, Grand, Place), The Lansquenets Crown- ing the Lucarnes of the Maison de Roi, and the Monument at Everard ‘t Serclaes under the arcades of the Maison de l’Etoile, and, for the Belgian government, The Laurel at the Botanical Garden of Brussels, and the statue of Bernard van Orley (Petit Sablon Square, Brussels). Additional works produced by Dillens include An Enigma (1876), the bronze busts of Rogier de la Pasture and P. P. Rubens (1879), Etruria (1880), The Painter Leon Frederic (1888), Madame Leon Herbo, Hermes, a scheme of decora- tion for the ogival façade of the hotel de ville at Ghent (1893), The Genius of the Funeral Monument of the Moselli Family, The Silence of Death (for the entrance of the cemetery of St Gilles), and The Three Burgomasters of Brussels. Dillens died in Brussels in November 1904.
JOHN FRANCIS (1780 - 1861)Queen Victoria wearing the Garter Star White Carrera marble raised on a circular socle. 70cm high x 50cm wideSigned John Francis was born in Lincolnshire in 1780, and brought up in a farming family, but showing some talent for the arts, was advised by friends to settle in London, where he became a pupil of Sir Francis Leggatt Chantrey. He first exhibited at the Royal Academy in 1820 a bust of T. W. Coke, esq., and another of Captain Sir W. Bolton, R.N. In 1822 he sent to the same institution a bust of Miss Horatia Nelson. In 1844 he executed by command of her majesty a marble bust of his Royal Highness Prince Albert. A bust of Queen Victoria is now in the hall of the Reform Club while another is in the Royal Collection. The present work depicts the young Queen in a simple gown, and wearing the Garter Star. Among his other works are busts of the Duke and Duchess of Norfolk (1844); bust in bronze of the Duke of Sussex (1847); marble bust of Lord John Russell, now in the National Portrait Gallery (1848); a bronze medal of Eos, a favourite greyhound of Prince Albert (1848); bust of the Duke of Wellington, now in the National Portrait Gallery (1852); and a cabinet bust of the Right Hon. Earl of Aberdeen (1856). Francis died in London on 30 August 1861.
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