Paar 3-flammige Kerzenleuchter im Louis-Seize-Stil. Um 1900. Bronze. H 27,5 cm (ohne Fassungen). Im Barock-Stil gestaltete Leuchter mit Volutenarmen am köcherartigen Schaft. Elektrifizierung mit Schraubfassungen und Holz-Kerzenhülsen 1x entfernt, Verkabelung erneuert. Pair of 3-flame candlesticks in Louis Seize style. Around 1900. Bronze. H 27.5 cm (without mounts). Baroque-style candelabra with volute arms on the quiver-like shaft. Electrification with screw sockets and wooden candle sleeves 1x removed, wiring renewed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Bronze-Carteluhr im Rokoko-Stil. AUGUSTE HILAIRE RODANET. Frankreich, Ende 19. Jh. Werknr. 1889. Ungemarktes Werk mit Halbstundenschlag auf Glocke, revisionsbedürftig. "A.H. Rodanet, Constructeur de Chronomètres, Paris, Rue Vivienne 36" bezeichnetes, weißes Emailzifferblatt mit blauen römischen Zahlen und schwarzen arabischen Minuten, Minutenkranz und Louis XV-Zeigern. Bronze vergoldet. Ca. 50 x 34 x 14 cm. Rocaillierte Wanduhr mit Blattwerk und Blüten, teils durchbrochen gefertigt. Leichte Alters- und Gebrauchsspuren. Originales Pendel, Schlüssel. Rococo style bronze cartel clock. AUGUSTE HILAIRE RODANET. France, late 19th c. Movement no. 1889. Unmarket movement with half-hour strike on bell, in need of revision. "A.H. Rodanet, Constructeur de Chronomètres, Paris, Rue Vivienne 36" inscribed white enamel dial with blue Roman numerals and black Arabic minutes, minute ring and Louis XV hands. Bronze gilt. Approx. 50 x 34 x 14 cm. Rocaillated wall clock with foliage and flowers, partly openwork made. Slight signs of age and use. Original pendulum, key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Teekanne mit Blumenmalerei. Marke, 2. H. 19. Jh. Polychrom bemalt, goldstaffiert; Metallmontierung. H 18 cm. Bauchige, kannelierte Kanne mit bronzemontiertem Bügelhenkel und Knaufdeckel. Umlaufend gemalte Blütengirlanden. Partieller Goldabrieb. Teapot with floral painting. Mark, 2nd half 19th c. Polychrome painted, gold decorated; metal mounting. H 18 cm. Bellied, fluted jug with bronze-mounted bow handle and knob lid. Circumferential painted floral garlands. Partial gold rubbing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Praxe. Anfang 19. Jh. Eisen, Bronze, Bein, Holz gebeizt und gedrechselt. L 25 cm. Breites Blatt mit Öse beidseitig graviert: Rankenzweig mit Vogel bzw. mit Monogramm "FC"; Schnittschutz mit Ornamentrelief, gedrechselter Griff. Alters-/Gebrauchsspuren, Drechselgriff ergänzt. Praxe. Early 19th century Iron, bronze, bone, wood stained and turned. L 25 cm. Wide leaf with eyelet engraved on both sides: Tendril branch with bird and with monogram "FC" respectively; cut guard with ornamental relief, turned handle. Traces of age/use, turned handle supplemented. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Paare Kerzenleuchter im Empire-Stil. Um 1860. Bronze/Messing, teils patiniert. H 31 bzw. 28 cm. Fein reliefierte Leuchter mit à-jour gearbeiteter Weinranke unter der Tülle sowie 3-beiniger Leuchter mit Tatzenfüßen. 1x Bohrlöcher von entfernter Elektrifizierung. 2 pairs of candlesticks in Empire style. Around 1860. Bronze/brass, partly patinated. H 31 and 28 cm respectively. Fine relief candlesticks with à-jour worked vine tendril under the spout and 3-legged candlestick with paw feet. 1x drilled holes from removed electrification. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
RODIN, Auguste (nach)(1840 Paris - 1917 Meudon) Der DenkerBronze schwarz patiniert, Diabas-Plinthe. Bezeichnet, auf der Plinthenfront bezeichnet, Gießermarke Ara-Kunst mit Zählung "267". H 36 / 39 cm. Nachguss der berühmten Figur, die Rodin als zentrale Figur über dem "Höllentor" konzipiert hatte und später als monumentale Version 1904 auf der Weltausstellung von St. Louis zeigte. Schüler der späteren Ecole d'art décor unter Lecoq de Boisbaudran, dann im Atelier von Barye und Carrier-Belleuse. Gehilfe des Bildhauers Rasbourg in Brüssel, arbeitete auch für die Porzellanmanufaktur Sèvres. "R. ist neben Medardo Rosso der Hauptvertreter des Impressionismus in der Skulptur.". Literatur : Thieme/Becker. RODIN, Auguste (after)(1840 Paris - 1917 Meudon) The ThinkerBronze black patinated, diabase plinth. Inscribed, inscribed on the plinth front, foundry mark Ara art with count "267". H 36 / 39 cm. Cast after the famous figure Rodin conceived as the central figure above the "Gates of Hell" and later showed as a monumental version in 1904 at the World's Fair of St. Louis. Pupil of the later Ecole d'art décor under Lecoq de Boisbaudran, then in the studio of Barye and Carrier-Belleuse. Assistant to the sculptor Rasbourg in Brussels, also worked for the porcelain manufactory Sèvres. "R. is, along with Medardo Rosso, the main representative of Impressionism in sculpture.". Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Französische Pendule mit Artillerist unter Glasdom. Um 1900. Werknr. 4485 844. Ungemarktes Werk mit Halbstundenschlag auf Glocke, Pendel mit Fadenaufhängung, läuft, 2014 und 2020 überholt. Weißes Emailzifferblatt mit blauen römischen Zahlen, Minutenkranz und Dreipasszeigern. Bronze vergoldet, Metallguss dunkel bronziert. Uhr 38,5 x 23,5 x 10,5 cm, Glasdom H 50,5 cm. Im Louis XV-Stil gestaltete kleine Prunkpendule, bekrönt von einem Soldaten mit Pike und Kanone. Mit Glassturz und ovalem, ebonisiertem Holzsockel. Leichte Alters- und Gebrauchsspuren, partiell Defekte, Pike-Stab fehlt, Lötspuren. Originales Pendel und Schlüssel. French pendulum with artillerist under glass dome. Around 1900. movement no. 4485 844. Unmarket movement with half-hour strike on bell, pendulum with thread suspension, running, overhauled in 2014 and 2020. White enamel dial with blue Roman numerals, minute ring and three-pass hands. Bronze gilt, cast metal dark bronze finish. Clock 38,5 x 23,5 x 10,5 cm, glass dome H 50,5 cm. Louis XV style small ostentation pendulum, crowned by a soldier with pike and cannon. With glass lintel and oval ebonized wooden base. Slight signs of age and use, partial defects, pike rod missing, traces of soldering. Original pendulum and key. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Wiener Bronze: Erotische VerwandlungsfigurBronze patiniert und goldfarben. Vasenmarke Bergmann. 5,5 x 14 x 5 cm. Unter der aufklappbaren Decke enthüllt sich der liegende Frauenakt. Viennese bronze: Erotic transformation figureBronze patinated and gold-colored. Vase mark Bergmann. 5,5 x 14 x 5 cm. Under the hinged cover reveals the reclining female nude. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patiniert, Ivorine(?), teils lackiert, Marmorsockel. Bezeichnet. H 19 / 26 cm. Ein Getränk auf dem Tablett bringender Knabe mit Turban. Verfärbung an der Bronze-Plinthe. Der gelernte Elfenbeinschnitzer gründete 1906 mit Arthur Kassler die Firma Preiss & Kassler, die für ihre Chryselephantine- Figuren international bekannt wurde.. PREISS, Ferdinand(1882 Erbach - 1943 Berlin) "Mohrenknabe"Bronze patinated, ivorine(?), partly lacquered, marble base. Inscribed. H 19 / 26 cm. A drink on the tray bringing boy with turban. Discoloration on the bronze plinth. The trained ivory carver founded in 1906 with Arthur Kassler the company Preiss & Kassler, which became internationally known for its Chryselephantine figures... *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronzevase im Empire-Stil. Gravur auf der Schulter "B. Barbedienne". 2. Hälfte 19. Jh. Bronze. H 27 cm. Gestufte Quadratplinthe mit Tatzenfüßen. Vase mit Tatzenfüßen und Aigikranion an der ausgeprägten Schulter. Teils geschlossene Bohrlöcher von entfernter Elektrifizierung, 2 Vasenbeine mit Rissen, Sockel ergänzt(?). Bronze vase in Empire style. Engraved on the shoulder "B. Barbedienne". 2nd half 19th c. Bronze. H 27 cm. Stepped square plinth with paw feet. Vase with paw feet and aigicranion at the pronounced shoulder. Partially closed drilled holes from removed electrification, 2 vase legs with cracks, base supplemented(?). *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
GAUDEZ, Adrien Étienne(1845 Lyon - 1902 Neuilly-sur-Seine) Schmied bei der ArbeitBronze patiniert, Marmorsockel. Bezeichnet, Gießermarke "O.G. Bronze Garant au Titre", auf Sockelschild bezeichnet mit Zusatz "Hors Concours", "Travall" betitelt. H 39 / 51 cm. Nur mit einer Schürze bekleideter Schmied beim Bearbeiten des Werkstückes auf dem Amboss. Neben dem Amboss Werkzeuge und der Plan zum Werkstück. Minimale Alters-/Gebrauchsspuren. Französischer Bildhauer, studierte an der École des Beaux-Arts in Paris bei François Jouffroy und stellte 1864-1899 regelmäßig mythologische und allegorische Figuren im Salon aus. GAUDEZ, Adrien Étienne(1845 Lyon - 1902 Neuilly-sur-Seine) Smith at workBronze patinated, marble base. Inscribed, foundry mark "O.G. Bronze Garant au Titre", inscribed on base plate with addition "Hors Concours", titled "Travall". H 39 / 51 cm. Only apron-clad blacksmith working the workpiece on the anvil. Next to the anvil tools and the plan to the workpiece. Minimal signs of age / use. French sculptor, studied at the École des Beaux-Arts in Paris with François Jouffroy and regularly exhibited mythological and allegorical figures in the Salon 1864-1899. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Bronze-KruzifixBronze dunkelbraun und teils grün patiniert. H gesamt 49 cm, Ø 19 cm. Auf 3-fach gestuftem Bronzesockel stehendes -kreuz mit expressiv zusammengesunkenem Christus. Bronze crucifixBronze dark brown and partly green patina. H total 49 cm, Ø 19 cm. On 3-tiered bronze base standing -cross with expressive collapsed Christ. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Wiener Bronze: FroschBronze polychrom bemalt. Undeutlich gemarkt mit Zusatz "Geschützt". H 17,5 cm. Am Rohrkolben zur Libelle hochkletternder Frosch. Viennese bronze: frogBronze polychrome painted. Indistinctly marked with the addition "Protected". H 17,5 cm. On the cattail to the dragonfly climbing frog. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kniendes Bronzepaar. Japan. H 28 und 27 cm. Zusammen 9 kg. Zwei Figuren einer knienden Frau und eines knienden Mannes, beide im Kimono, er mit zwei Schwertern im Obi. Fein reliefierte Oberfläche. Kneeling bronze pair. Japan. H 28 and 27 cm. Together 9 kg. Two figures of a kneeling woman and a kneeling man, both in kimono, he with two swords in obi. Fine relief surface. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MONGINI, Constanzo(1918 Mailand - 1981 ebd.) Expressiver FrauenaktBronze patiniert. Bezeichnet, undeutliche Gießermarke der Ara-Kunst, Zählung "66/399". H 42 cm. Ekstatisch tanzende junge Frau mit wildem Haar; Originaltitel "Nudo/Danzatrice". MONGINI, Constanzo(1918 Milan - 1981 ibid.) Expressive female nudeBronze patinated. Inscribed, indistinct foundry mark of Ara art, counting "66/399". H 42 cm. Ecstatically dancing young woman with wild hair; original title "Nudo/Danzatrice". .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Kapitolinischer DornauszieherBronze schwarz patiniert, teils grünstichig. H 30,5 / 33 cm. Knabenakt nach der berühmten antiken Bronze im Konservatorenpalast von Rom. Minimale Alters-/Gebrauchsspuren. Capitoline thorn extractorBronze black patinated, partly greenish. H 30,5 / 33 cm. Boy nude after the famous ancient bronze in the Conservatorial Palace of Rome. Minimal signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Glockenleuchter. Ende 17. Jh(?). Bronze. H 33 cm. Massiver Kerzenleuchter mit gedrücktem Glockenfuß und Schulterscheibe als Tropfteller. Schlanker Balusterschaft mit Bronzedorn in der weiten Tülle. Gewinde im Fuß und Dorngewinde verlötet, Alters-/Gebrauchsspuren. Bell chandelier. Late 17th century(?). Bronze. H 33 cm. Massive candlestick with depressed bell base and shoulder disc as a drip plate. Slender baluster stem with bronze mandrel in the wide spout. Thread in the foot and mandrel thread soldered, signs of age/use. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
5 Biedermeier-Kerzenleuchter. Bronze/Messing. H 9 - 24 cm. Paar französische Bronzeleuchter mit fein ornamentiertem Schaft. 2 Schiebeleuchter, 1 Leuchter mit ovalem Fuß. 1 Schieber fehlt, ovaler Fuß wohl ergänzt, wenige Alters-/Gebrauchsspuren am Paar. 5 Biedermeier candlesticks. Bronze/brass. H 9 - 24 cm. Pair of French bronze chandeliers with finely ornamented shafts. 2 slider candlesticks, 1 candlestick with oval foot. 1 slider missing, oval foot probably supplemented, few signs of age/use on the pair. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
PARIS, F. Junger SkifahrerBronze patiniert, Marmorsockel. Bezeichnet, Gießermarke "BB Bronze Garanti". H 18,5 / 28,5 cm. Fröhlicher Knabe auf Skiern mit Händen in den Taschen. PARIS, F. Young skierBronze patinated, marble base. Inscribed, foundry mark "BB Bronze Garanti". H 18,5 / 28,5 cm. Happy boy on skis with hands in pockets. .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
CAUSSÉ, Julien (nach)(1869 Bourges - 1914) Jugendstil-Mädchenfigur mit LibelleMetallguss bronzefarben gefasst, Metallsockel rötlich marmoriert. Bezeichnet, auf dem Sockelschild bezeichnet/betitelt: "Libellule". H 35,5 / 41,5 cm. Schlankes Mädchen im Etuikleid mit Libelle auf der Hand. Fassung berieben. CAUSSÉ, Julien (after)(1869 Bourges - 1914) Art Nouveau girl figure with dragonflyCast metal bronze colored, metal base reddish marbled. Inscribed, inscribed/titled on the base plate: "Libellule". H 35,5 / 41,5 cm. Slim girl in sheath dress with dragonfly on hand. Setting rubbed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
MOSHAGE, Heinrich(1896 Osnabrück – 1968 Düsseldorf) Bronzerelief: LiebespaarBronze patiniert, Wandaufhängung. Mit Monogramm bezeichnet, verso Gießermarke Buderus mit Ziffer "2017". 28 x 27 cm. Teils als negatives Relief gearbeitetes Paar in der Umarmung. Patina minimal fleckig. Studium der Bildhauerei u. a. bei Waderé an der Kunstgewerbeschule München, danach Schüler bei Joseph Wackerle an der Akademie ebd. Literatur : Thieme/Becker. MOSHAGE, Heinrich(1896 Osnabrück - 1968 Düsseldorf) Bronze relief: LoversBronze patinated, wall hanging. Inscribed with monogram, verso foundry mark Buderus with number "2017". 28 x 27 cm. Partly worked as negative relief couple in the embrace. Patina minimally spotted. Studied sculpture among others with Waderé at the Kunstgewerbeschule Munich, then student with Joseph Wackerle at the Academy ibid. Literature : Thieme/Becker. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tischlampe Art déco. Bronzeguss, Messingblech, mattiertes Klarglas mit Sternschliff. H 46 cm. Massive Lampe mit 3 Streben am säulenartigen Mittelschaft, teilmattierter Rundschirm mit Profilierung, 1-flammige Schraubfassung. Funktioniert, Elektrifizierung eventuell erneuert. Table lamp art deco. Bronze casting, sheet brass, frosted clear glass with star cut. H 46 cm. Massive lamp with 3 struts on the columnar central shaft, partially frosted round shade with profiling, 1-flame screw socket. Functioning, electrification possibly renewed. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Wiener Bronze: 3 musizierende KatzenMessing polychrom bemalt. H 4 cm. Stehende Katzen mit Tuba, Saxophon und Querflöte. Viennese bronze: 3 cats playing musicBrass polychrome painted. H 4 cm. Standing cats with tuba, saxophone and flute. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
17th century Italian school.Christ.Chiselled bronze.Old restorations on both arms. Measurements: 24 cm.Round sculpture representing Christ, still alive, crucified and raising his gaze towards heaven. Formally, the anatomy of Christ stands out, the verism of his anatomical features captured with verism and expressiveness, as well as his position forced by the fastening of three nails. The cloth of purity, with a knot on the right side, is notable for its marked folds and even movement. Throughout the depiction of Christ crucified, the figure of Christ on the Cross was humanised, showing the suffering and pathos with a great sense of naturalism, while at the same time proclaiming redemption and salvation.
Italian Christ, mid-16th century. After models by GUGLIELMO DELLA PORTA (Italy, ca. 1550-1577).Sculpture in gilded bronze and silver cross.Size: 12 x 10 cm (Christ); 45 x 23 cm (cross).The Christ presented here follows the model of the crucifix by Sebastiano Torrigiani, in turn derived from a model by his master Guglielmo della Porta, which is in the church of San Giacomo Maggiore in Bologna. The figure of Christ crucified with only three nails accentuates the drama of the scene. This theatricality is enhanced by the elongation of the upper limbs, which support the full weight of the figure's body.Guglielmo della Porta was a renowned Italian sculptor, architect and restorer of Mannerism. The son of Cristoforo della Porta and his wife Caterina, he received his artistic education from his uncle Giovanni Battista della Porta in Genoa. He worked for the cathedral of Genoa during his early years of artistic training as early as 1531 together with his brother Giacomo and under the direction of his uncle on the statues in the chapel of Saint John the Baptist. In 1537 he moved to Rome and became a pupil of Michelangelo, thus gaining a greater number of commissions. An example of this is the bust he executed for Pope Paul III in 1547, after his death, and the tomb of Saint Peter, which was his principal work, which occupied him from 1555 to 1575, although it was later revised by Bernini. His career as a sculptor to the Farnese court was due to his contact with Mario Maccarone, the overseer of papal building projects. In 1540, as Della Porta he designed the tomb of Vincenzo degli Ubaldi in the church of Santi XII Apostoli. Della Porta was a lay brother of the Cistercians and was called from 1547 to the papal coinage. Among other things, his studio was commissioned to complement the legs of Farnese's torso, which was found in 1546. The result was so convincing to his contemporaries that on Michelangelo's own advice he was approved to link the ancient limbs of the statue, which had been excavated. Today his works are to be found in various places of great historical and artistic significance, such as his sculpture of Moses in San Lorenzo de Fiori, or for example his works in the Giuliano chapel of the cathedral of Genoa, in Santa Maria del Popolo, and his bust of Paul III which is in the Museum of Capodimonte.
§ Simon Gudgeon (British, b. 1958). Bronze sculpture of a bird taking flight, with artists stamped artists initials, and numbered IV/XII, dated 2005 (MMV) to base. 53cm high. Purchased direct from the artist by the present owner. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information
§ Simon Gudgeon (British, b. 1958), bronze sculpture of two doves in flight, with artists initials, numbered XII/XII. Dated 2003 (MMIII). 46.5cm high. Purchased direct from the artist by the present owner. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more information Condition Report: § General wear and tear consistent with age. Minor surface scratches. Potential discolouration towards the top of the sculpture. Good condition overall separately from these issues.
Oris Star ChronOris stainless steel gentleman's wristwatch, circular bronze dial with baton markers, minute markers, orange chapter, rotating orange/silvered inner bezel with five minute divisions, date aperture and orange chronograph centre seconds, black tachymeter bezel, winding crown at the four position and inner bezel crown at the three position, stainless steel bracelet, 38mm-Movement - currently functioning.Dial - good.Glass - some mild crazing.Hands - good, some minor paint loss to the centre seconds.Case - generally good.Crown - adjusting correctly.Bracelet - minor light surface marks, wrist size 7.5'' approx.-Condition reports are provided for general guidance only. Please view images and further information can be obtained upon request. Gardiner Houlgate do not guarantee the working order or time accuracy of any lots. Due to the opening of the wristwatch case backs, it is recommended watches are re-sealed by professional technicians to ensure any stated water resistance is retained
Bronze pocket watch stand in the form of a goose, inscribed 'France', upon a green onyx plinth base, 3.5'' high; together with a bronze winged figure holding a flaming torch, upon a marble base, 8.5'' high (at fault) (2)-The figure has one wing detached and the top of the item in the left hand is missing.
A Full Entitlement Great War Memorial Plaque to the Durham Light Infantry, Bronze Memorial Plaque named to “SELBY FLECK.”TR5/170462, Selby Fleck from Fifth Avenue, Heaton, Newcastle upon Tyne was serving with the 52nd (Graduated) Battalion the Durham Light Infantry when he died in Guisborough, Yorkshire on 6th July 1918 aged 18 years. He has no medal index card indicating that he had no overseas service and therefore this plaque is his full entitlement for his war service.Selby Fleck is buried in the Newcastle upon Tyne (Biker & Heaton) Cemetery.
Full Entitlement, Great War Memorial Plaque Queen’s (Royal West Surrey) Regiment, bronze memorial plaque, “JACK MORDAUNT WALMISLEY”.18 year old Jack Mordaunt Walmisley, from Chipstead, Surrey, was serving with the 53rd (Young Soldier) Battalion, The Queen’s (Royal West Surrey) Regiment when he died of pneumonia on 8th July 1918. He has no medal index card indicating that he had no overseas service and therefore this plaque is his full entitlement for his war service, the Register of Soldiers Effects shows that he had insufficient service to even be eligible for any War Gratuity paymentJack Mordaunt Walmisley now rests in the churchyard at Woodmansterne (St. Peters) Church in Surrey. There are 4 Great War casualties buried here.
Scarce 3rd (Sunderland) Durham Rifle Volunteers 1860-87 Sergeants Pouch Badge, fine blackened bronze example with crowned oval strap with motto “NIL DESPERANDUM SUDPICE DEO” with coat of arms of Sunderland to voided centre. Three screw post fittings to the reverse. Slight fracture to the crown, does not effect its appearance. The battalion became the 3rd Volunteer battalion Durham Light Infantry. Ex John Ingham collection.
6th Territorial Battalion Durham Light Infantry Officers Cap Badge, bronze OSD example with South Africa 1900-02 scroll below. Blade fittings to the reverse. Accompanied by a other ranks blackened cap badge and blackened brass shoulder title T/6/DURHAM with lug fittings. Ex John Ingham collection.
8th Durham Rifle Volunteers Officer’s Pouch Belt Plate 1860-1880, a fine quality example, crown, plinth and laurel pattern in bronze with plated shaped back plate. This fitted with a shield bearing the Arms of Gateshead, a goat’s head erased over a castle. The reverse with four screw post fasteners complete with nuts, very good condition
Bronze Figure of a WW1 British Tommy in the Bruce Bairnsfather “Old Bill” Style, fine heavy bronze figure showing a British tommy as he returns from the front line looking thoroughly miserable. Nice detail of his “Gor Blimey” cap and webbing equipment. The face and style of the figure is very much in the Bruce Bairnsfather Old Bill look. Figure standing on a base which says, “SOME MUD”. Figure and base sits on a polished stone base with screw to the underside. Stands 19 ½ cms.
WW1 British Royal Army Medical Corps Officers ‘Gor Blimey’ Pattern Peaked Cap, fine example of a lightweight khaki cloth officers peaked cap in the ‘Gor Blimey’ style with bronze officers regimental cap badge, double thin leather chinstraps and general service buttons. Cap is complete with the thick leather sweatband to the interior. Quilted spun lining to the interior with Andre & Co Ltd Piccadilly tailors details. Some wear to the lining but generally a good example of a desirable WW1 officers cap.
Historically Interesting Grouping of WW2 German Awards Made in the Prisoner of War Special Camp XI on Island Farm Near Bridgend, Wales, Home to Many of the High Ranking German Officers and Generals Before They Stood Trial at Nuremberg War Trials, the grouping includes a really crudely made German Cross in gold cloth version with Luftwaffe blue cloth uniform backing, aluminium painted Iron Cross 1st class, aluminium SA sports badge with remains of bronze paint finish and a aluminium silver DRL sports badge. All remain in good condition. This grouping was all part of a larger archive of items from Camp 11, of which C&T Auctioneers and Valuers sold a selection of these items previously. Island farm was a prisoner of war camp set up in 1944 after the allied invasion of North West Europe. The camp held a large number of German prisoners and was the scene of the largest German prisoner escape. Towards the end of the was, the camp was re-named Special Camp XI (11) and was used to hold the high ranking German Generals and officers before they stood trial at the Nuremberg War Trials including Von Rundstedt and Von Manstein.
WW2 German Army / Waffen-SS Close Combat Clasp in Bronze by Friedrich Linden Ludenscheid, good original example of this popular combat badge of the Third Reich. The award is a bronze grade example but has oxidised to the obverse and reverse. Awards is complete with the original back plate and its original pin with catch fixing. Award is marked to the reverse “FEC.W.E. PEEKHAUS BERLIN” and also the maker mark FLL for Friedrich Linden Ludenscheid. Good example overall.
WW2 German Army / Waffen-SS Infantry Assault Badge in Bronze by Gebruder Schneider AG Wien (Vienna), fine example retaining much of the original bronze finish. Complete with the original pin and catch fixing in the correct format for this maker. Award has the BSW in upside down clover leaf. Generally good example. See page 114 of The Infantry Assault Badge by Sascha Weber for details of this maker for this type of badge
Three Grades of the Third Reich Mothers Cross, consisting of gold grade medal housed in the original blue leatherette case of issue with gilt tooled image of the award to the lid. Interior of the lid has maker details of A Rettenmaler; Silver grade example of the award housed in the original blue paper packet of issue with Petz & Lorenz makers stamp to the reverse; Bronze grade medal complete with its ribbon. All three in generally good condition.
1916 Battle of the Somme Missing Presumed Killed 1914-15 Star Medal Trio and Memorial Plaque to the 17th (1st Football) Battalion Middlesex Regiment, 1914-15 Star medal, “F-1357 PTE. F.J. EASTWOOD MIDDX. R”., British War and Victory medals, “F-1357 PTE. F.J. EASTWOOD MIDD’X.R.”, with bronze Memorial Plaque, “FREDERICK JOHN EASTWOOD”.Born in Westminster in 1889, Frederick John Eastwood returned from Australia on 24th December 1914 and attested for the 17th (1st Football) Battalion Middlesex Regiment on 18th April 1915 at Chelsea Town Hall giving his next of kin as his sister living in South Kensington. He landed in France on 17th November 1915 and was with the Battalion in the trenches at Guillemont when they attacked ZZ trench and Machine Gun House on 8th August 1916. During the attack they suffered 203 casualties including 45 Other Ranks reported missing which included Private Eastwood. Frederick John Eastwood’s body was never recovered, and he is remembered on the Thiepval Memorial, France.
Great War 1916 Battle of the Somme Casualty Medal Pair and Memorial Plaque 13th Battalion Durham Light Infantry, British War and Victory medals, “24555 PTE. J. MORDEW DURH. L.I.”, Bronze Memorial Plaque “JOSEPH MORDEW”, plaque in card folder.Joseph Mordew (also listed as Morden on some records) from Burnhope County Durham landed in France on 3rd October 1915. Killed in Action on 4th August 1916 during the Battalions attack on Torr Trench, his body was not recovered, and he is remembered on the Thiepval Memorial. He is also entitled to a 1914-15 star medal.
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