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Lot 355
HMS Sovereign Of The Seas - a museum quality scratch built large scale model of HMS Sovereign Of The Seas. The hull made of individually crafted sections of wood, the deck featuring numerous miniature details, lifeboats, canon to the hull, barriers, gilding work to the rear, a hand-made figure head, and a large amount of rigging. Mounted on a detachable stand. This model was the result of several years painstaking work by our client, who spared no expense in making it. Generally in excellent undamaged condition. Measures approx: 100cm long. Magazines included. Sovereign of the Seas was a 17th-century warship of the English Navy. She was ordered as a 90-gun first-rate ship of the line of the English Royal Navy,[1][4] but at launch was armed with 102 bronze guns at the insistence of the king. She was later renamed Sovereign under the republican Commonwealth, and then HMS Royal Sovereign at the Restoration of Charles II. The elaborately gilded stern ordered by Charles I of England meant enemy ships knew her as the "Golden Devil". She was launched on 13 October 1637, and served from 1638 until 1697, when a fire burnt the ship to the waterline at Chatham.
Lot 254
Royal Sussex Regiment - a collection of medals belonging to one 6393623 Colour Sergeant A Holcombe of the Royal Sussex Regiment. Medals comprising x10 pre WWII Second World War silver and bronze sporting medallions, Buff Regiment shooting match medallion his General Service Medal with Palestine clasp. Supplied with research paperwork.
Lot 205
David Shrigley (British, b. 1968) Untitled (SOME OF MY BEST FRIENDS ARE PIGS) - One of the Four Animal series , 2019 Lithograph prints on paper 2020 Printed by Narayana Press, Published by ShrigShop, Copenhagen Unsigned and unframed 80 x 60cm (31 1/2 x 23 5/8") David Shrigley was born in 1968 in Macclesfield, UK. He lives and works in Brighton and Devon, UK. In January 2020 the artist was awarded the decoration of Officer of the Most Excellent Order of the British Empire or OBE. His digital animations such as ‘Headless Drummer’ and ‘The Artist’ demonstrate what Shrigley calls ‘the economy of telling stories’, delivering a deftly crafted mix of dark and light through the simplest of forms. In his sculptural works, rendered in materials such as bronze and ceramic, the artist makes physical some of his more curious and eccentric propositions by transforming found objects or by playing with their scale. Taking Lewis Carroll's perspective of Wonderland, Shrigley enlarges objects and imbues them with curious proportions. Shrigley was a Turner Prize nominee in 2013, following his major mid-career retrospective ‘Brain Activity' at the Hayward Gallery, London. In September 2016, his monumental sculpture ‘Really Good' was unveiled in Trafalgar Square, London for the Fourth Plinth Commission. Other solo museum exhibitions include those at Copenhagen Contemporary, Denmark (2020); Newstead Abbey Historic House & Gardens, Nottinghamshire, England (2019); Museo de arte Carrillo Gil, Mexico City, Mexico (2019); Art Omi, Ghent, New York, USA (2019); Spritmuseum, Stockholm, Sweden (2018); Deste Foundation Project Space, Greece (2018); Fabrica, Brighton, England (2018); Rose Art Museum, Brandeis University, Massachusetts, USA (2016); National Gallery of Victoria, Melbourne, Australia (2014); Pinakothek der Moderne, Munich, Germany (2014); Hayward Gallery, London, England touring to Yerba Beuna Centre for the Arts, San Francisco, USA (2013); Cornerhouse, Manchester, UK (2012); Mumbai Art Rooms, Mumbai, India (2012); Turku Art Museum, Turku, Finland (2011) and Bergen Kunsthall, Bergen, Norway (2009). Shrigley’s works are included in prominent collections internationally, including Museum of Modern Art, New York, USA; Art Institute of Chicago, Illinois, USA; Museum Ludwig, Cologne, Germany; Pinakothek der Moderne, Munich, Germany; Centre Pompidou, Paris, France; Statens Museum for Kunst, Copenhagen, Denmark; Thyssen-Bornemisza Contemporary Art Foundation, Vienna, Austria; Scottish National Gallery of Modern Art, Edinburgh, Scotland; Tate, London, England; British Council, London, England; and National Gallery of Victoria, Melbourne, Australia. This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 152
Dague rituelle " Phurba-Kartika " composée d'une dague Phur-Bu, en perpendiculaire d'une hachette à écorcher Kartika , l'un comme l'autre à pommeaux de demi Vajras, armes de jets de Indra , avec au sommet de trois faces de Dharmapalas, protecteurs de la loi Bouddhique, surmonté d'une tête de cheval Hayagriva, avatar de Vishnu, la lame triangulaire maintenue par une gueule de Makara , divinité de l'eau Cette dague est utilisée dans les cérémonies pour exorciser les démons, le Phurba aussi utilisé comme clou spirituel pour neutraliser les distractions dues aux envies, désir et gourmandise Bronze et fer Tibet Début 20ème siècle 13,5cm x 31cm
Lot 195
Buddha debout sur un tertre lotiforme circulaire étagé, vêtu de la robe monastique « Uttarasanga » plissée, lui découvrant une épaule, la main droite en Abhaya mudra , geste de l’absence de crainte , une importante flamme « rasmi » au sommet de sa tête Bronze Sri Lanka Période de Kandy 19ème siècle 60cm
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