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Lot 1260
Vinyl - Three Colosseum LPs to include Daughter of Time on Vertigo 636017, small swirl label, no Vertigo inner, Live on Bronze (1CD1/2) and Valentyne Suite on Bronze HELP4, sleeves and vinyl vg+, Daughter of Time sleeve gd with buffering to seams, corners and spine, sticker removal loss to print top rear of sleeve
Lot 1097
Vinyl - Fifteen Manfred Mann vinyl LP's to include Chapter Three (Vertigo Records VO3), Watch (Bronze Records BRON 507), Angel Station (Bronze Records BRON 516), The Roaring Silence (Bronze Records ILPS 9357), Chance (Bronze Records BRON 529), Somewhere In Afrika (Bronze Records BRON 543), What A Mann (Fontana Records SFL 13003), Mann Made Hits (HMV Records CLP 3559), Asis (Fontana Records STL5377), Solar Fire (Bronze Records ILPS 9265), For Sale (EMI Records EMTV 19), Mannerisms (Philips Records (SON 016), Chance (Bronze Records BRON 529), Watch (Bronze Records (BRON 507), The Roaring Silence (Bronze Records BRON 357), overall all vinyl and sleeve condition VG.
Lot 1000
Alec WILES (1924)UntitledOil on boardSigned and dated '9361x80cmAlec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.
Lot 1010
Alec WILES (1924)Nude drawingsA collection of twentyMostly signedMostly 60x42Alec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.
Lot 1047
Alec WILES (1924)Female Torso Cold cast bronze sculpture Signed Height 34cmAlec Ernest Wiles was born in Southampton in 1924, after leaving school he trained briefly as a draughtsman before WWII broke out, he then enrolled in the RAF and spent the war in North Africa.After the war he followed his passion as an artist and sculptor. He worked in most media specialising in portraiture and the female form. During the 1950s Alec and his brother Arnoldalso drew cartoons for the satirical magazine Punch.He lived and worked across Southern England until 1961 when he moved to Cornwall with his wife and three daughters, settling at Twelveheads near St Day.Alec’s life was recording the world, whatever he saw he would sketch or paint. He drew tourists on Newquay pier and painted directors of public companies in board rooms, town councillors, fishing boats and flowers. He was most widely known for his sculptures, mainly working direct from life in bronze, resin-bronze, ciment-fondu and plaster. Epstein and Rodin were his main influences and he said that he only strove for 'quality' in his work.His bronze portrait head of “Miriam” was exhibited at The Royal Academy Summer Exhibition, 1977 (No.1052)He was an Associate of The Penwith Society of Arts and a Member of the Newquay Society of Artists.Condition report: We can see no condition issues but we have not seen beneath the working platform
Lot 1312
Guy TAPLIN (1939)Bronze EgretInitialled and numbered 9/25Height 14cmCondition report: There are no condition issues other than slight wear to the patination commensurate with its age.Height excl. base 13.5cm, width 9cm. Bird secure to stand, no damage or obvious condition issues. Please see photos for patination.
Lot 203
Philip Jackson (British, born 1944)Wedding of the Sea signed, stamped with foundry mark and numbered 'Jackson 8/8' (to rear of work)bronze and polished bronze26cm (10 1/4in) highFootnotes:Please note that this lot is offered with a photocopy of a certificate of authenticity from the Artist, dated 1 September 2012.ProvenanceThe Artist, from whom acquired by Private Collection, 15 June 2006Royal Society of SculptorsThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 148
Leon Underwood (British, 1890-1975)Book of Thel: The Clod of Clay signed and dated 'Leon U. 33' (to back of sculpture)bronze with a brown patina44cm (17 5/16in) high, excluding baseCast in 1933UniqueFootnotes:ProvenanceRoy DavidsHis Sale; Bonhams, Knightsbridge, The Old Forge, The Roy Davids Collection of Decorative Arts and Bronzes, 4 March 2015, lot 189 (as Figure), where acquired by the previous ownerAcquired from the above by the present ownerExhibitedLondon, Leicester Galleries, 1934, no. 8 (details untraced)Colchester, Minories, Leon Underwood: A Retrospective Exhibition, 9 August-10 September 1969, no. 10Cardiff, National Museum of Wales, Mexico and After: Sculpture, Paintings, Drawings and Prints 1928-36, 6 August-16 September 1979, no. 12LiteratureC. Neve, Leon Underwood, Thames and Hudson, London, 1974, fig. 98, illustrated on p. 143, (as Clod)B. Whitworth, The Sculpture of Leon Underwood, Hampshire, 2000, pp. 55,57 and 127, no. 62, fig. 42, illustrated on p. 57Underwood originally carved this sculpture in Hornton stone, which split down the middle before being completed. Turning this break to his advantage, Underwood then cast the figure in bronze and inserted a hand into the figure's grip.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 193
Sean Henry (British, born 1965)Standing Man 2 signed with initials, dated and numbered 'SH 97 AP' (on reverse of boots)bronze and oil paint78cm (30 11/16in) high excluding base; 190cm (74 13/16in) including basean Artist's Proof aside from the edition of 6Footnotes:ProvenanceThe Artist, from whom acquired directly by the present ownerPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 131
David Wynne O.B.E. (British, 1926-2014)Large Tiger signed, dated and numbered 'DAVID WYNNE/1959 4/4' (to back leg)bronze with a dark green patina81.5cm (32 1/16in)Footnotes:ProvenanceThe Artist, from whom acquired directly byE. H. H. Archibald, circa 1968, and thence by descent to the present ownerPrivate Collection, U.K.LiteratureD. Wynne, The Sculpture of David Wynne 1949-1967, Michael Joseph, London, 1968, illustrated on pp. 40-41 (another cast)Edward Hunter Holmes Archibald (1927-1998) was the curator of oil paintings at the National Maritime Museum, 1952-84.Please note that this lot is offered with a copy of The Sculpture of David Wynne 1949-1967, signed and dedicated by the Artist.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 204
Philip Jackson (British, born 1944)The Sword Master signed, stamped with foundry mark and inscribed 'JACKSON Ø' (to rear of sculpture)bronze and polished bronze22cm (8 11/16in) highThe present lot is an Artist's castFootnotes:Please note that this lot is offered with a photocopy of a certificate of authenticity from the Artist, dated 1 September 2012.ProvenanceRoyal Society of SculptorsThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 205
Philip Jackson (British, born 1944)Contemplating Canaletto signed, numbered and inscribed with foundry mark 'L JACKSON 3/8' (to base of sculpture)bronze with polished bronze21.5cm (8 7/16in) highFootnotes:Please note that this lot is offered with a photocopy of a certificate of authenticity from the Artist, dated 24 September 2004.ProvenanceThe Artist, from whom acquired by Private Collection, 15 June 2004Royal Society of SculptorsThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 347
A BRONZE OKIMONO OF A FISHERMANBy Ryusai for the Maruki Company, Meiji era (1868-1912)Standing barefoot and fixed to a gnarled wood stand, carrying a large wicker basket over his shoulder, turned to the right with his left hand reaching across his chest to grab the crab clinging on to his sleeve with its pincers, another crab crawling up the rim of the basket; signed beneath the basket within two square cartouches Ryusai and Maruki sei. 37.5cm (14¾in) high.
Lot 28
A PAIR OF BRONZE AND ORMOLU PEDESTALS19TH CENTURY Each with a shell mounted on a truncated fluted column with swags, on shaped bases21cm high (2)Condition Report: Both pedestals bear the expected minor marks, knocks, scratches and abrasions commensurate with age and use. The upper section of one pedestal rotates in position and sits at a slight angle. The upper section to the other pedestal with some slight movement between it and the fluted base. Condition Report Disclaimer
Lot 312
A BRONZE BUST OF A YOUNG CROWNED PRINCE19TH CENTURYOn tapering square section column and base27cm highCondition Report: Marks, knocks, scratches and abrasions consistent with age and use.The bust with good patina overall. Some minor areas of verdiegris but otherwise appears in fair order. It is securely mounted to the plinth. There is a layer of adhesive present. The plinth with some knocks and chips to the corners and with later baize to the underside which is peeling. Please refer to additional images for visual reference to condition. The bust element is 10cm high overall, the shaft 17cm high the two elements are securely fixedCondition Report Disclaimer
Lot 313
A BRONZE FIGURE OF AMADIS DE GAULAStanding holding a copy of the book29cm Catalogue Note: Amadis de Gaula is a Chivalric romance by Garci Rodriguez de Montalvo, written in the early 16th centuryCondition Report: Marks, knocks, scratches and abrasions consistent with age and use.The surface patina overall with patches of significant wear. His book is cast as a separate element and this is loose in it's socket with a later plug to secure but remains loose. His left foot with crack through. His left leg with a hole to the belt loop. This was presumably to hold an element which is now missing.Solid and secure on his base. Please refer to additional images for visual reference.Condition Report Disclaimer
Lot 33
A CARVED ALABASTER GROUP OF VENUS IN A SHELLITALIAN, 19TH CENTURYSupported by dolphins and bearing a bronze metal plaque VENERE GALLERIA TESTOLINI VENEZIA63cm high, 43cm wideCondition Report: There are marks, knocks, scratches and abrasions consistent with age and use, some scuffs and knocks to the extremities and edges.Various cracks, some hairline looking as though the two parts have not parted, others that look as though they have broken off, some been chipped along the edges of the break and then re-fixed. There are some traces of glue, other traces of filler the colour of marble, some losses - see photographs.There is surface dirt and discolouration to the marble overall. There are some natural colour variations to the marble.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 80
A FRENCH GILT AND PATINATED BRONZE BUST OF NAPOLEON BONAPARTE LATE 19TH CENTURYOn a square mahogany pedestal with Napoleon's emblem to the front and sides, on conforming feet40cm high, 14cm wideCondition Report: Marks, scratches, knocks and abrasions commensurate with age and use.The dark grey patination of the the bust rubbed in particular to the hair, nose and chin revealing the underlying bronze colour.The socle is slightly loose on the pedestal and can be slid to reveal the hole in the top of the pedestal.The sides of the pedestal are lacquered hardwood with some discolouration to the varnish in places.Some of the feet have slight movement where they meet the base.All that said these comments on condition are only apparent on close up inspection.Please refer to additional images for visual reference to condition.The height of the bust is 16.5cm. Condition Report Disclaimer
Lot 82
A PAIR OF PATINATED AND GILT BRONZE VASE LAMPSCIRCA 1880The bodies with neo-classical loosely robed female figures flanked by raised pierced handles cast with lion masks and star motifs53cm high, 21cm wide Condition Report: Both with marks, knocks, scratches, abrasions consistent with age and useThese have been fitted and wired for electricity, Dreweatts do not suggest these are working and would need to be rewired and tested by a professional electrician prior to use in a domestic setting. They are sold as works of art only.There are loose elements to both, one is loose on the base, one is missing the beading to the plinth Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 88
A PAIR OF PATINATED AND GILT BRONZE CANDLESTICKSMID 19TH CENTURY, IN THE MANNER OF THOMAS ABBOTTEach hung with cut-glass drops above stork supports with crowns encircling their necks, on rockwork bases39cm highCondition Report: Each with marks, knocks, scratches, consistent with age and useThe removable drip pans are of a similar but slightly varying pattern, they are probably replacements The drops are all of the same form but are varying lengths and most have chips and losses to the tips, Dreweatts do not guarantee that the drops are originalThese have been baize lined, this is all but all worn away to the undersidesOverall these are solid and stable, the screws holding tightly at time of reportPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 89
A BRONZE AND ORMOLU INKSTANDFRENCH, 19TH CENTURY The lid mounted with a winged putto and trophies of War on a base with a wreath and a laurel border enclosing fittings19cm wide, 18cm highCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe gilt metal with areas of discolouration and unevenness The interior without the glass inkwells - the pounce-pot is present, there is pitting here to the gilt metal The lid has apparently been taped-shut previously - this has taken some surface patina with it when it has been removed - there are bands of this to one side and the rearThe underside was previously baize lined, only very small fragments remainPlease refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 91
A BRONZE AND GILT BRONZE PLATEAUThe oval gadrooned frame set with a mirror and on four gilt metal leaf and paw feet34cm x 24cmCondition Report: Marks, knocks, scratches, abrasions consistent with age and useThe bronze with some unevenness to the patinaThe mirror panel appears in fair condition The paw feet are gilded and this is not overly worn It stands stable on the feet, each of these has a screw to the rear for disassembly Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 94
AN ITALIAN BRONZE FIGURE OF THE BORGHESE GLADIATOR19TH CENTURY After the antique, on a marble plinth65cm high, 52cm wideCondition Report: Patina - variegated blackened to recessed areas, brown to raised areas, some lighter marks.The finish slightly rough to touch.Minor scuffing, scratches and wear overall consistent with age.Casting join seam visible to the thigh areas and arms.Plinth with some chips.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 95
A PAIR OF FRENCH BRONZE MOUNTED MARBLE VASESLATE 19TH CENTURYEach with twin pierced scrolling handles, on short fluted stems and square plinths30cm highCondition Report: The marble elements with various natural faults and variation including prominent veins, overall to one vase these appear to be intact with only minor marks, knocks, scratches, abrasions consistent with age and use, the second vase has some filler in these areas. there are plaster plugs to the undersides to hide and secure the screwsThe bronze elements in dark colour overall Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 98
A BRONZE NEO CLASSICAL FIGURE BY EUGÈNE ANTOINE AIZELIN (1821-1902) AND FERDINAND BARBEDIENNE, 19TH CENTURYModelled holding an amphora and signed on the base: 'Ene AIZELIN. 1864' and with the Ferdinand Barbedienne exhibition medallion together with 'F. BARBEDIENNE FONDEUR'60cm highCondition Report: Patina - variegated brownMinor scuffing, scratches and wear overall consistent with age.Some knocks.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
Lot 109
AN AUSTRIAN GILT BRONZE, SILVERED COPPER AND ENAMEL, MOUNTED OAK PRESENTATION BOX BY AUGUST KLEIN WITH PROVENANCE TO THE HOUSE OF BISMARCK, CIRCA 1895Of rectangular form with foliate handles and scrolling feet, the later leather inset top centred by a medallion of Friederich Ludwig Jahn within an enamel band inscribed Uns Deutschen kann nur durch Deutsche geholfen werden - Freiderich Ludwig Jahn with the Prince Otto von Bismarck coat of arms above a dated enamel cartouche 1815-1895, all within oak leaf borders, the lid opening to reveal a red velvet and silk lined interior containing a folio and various dedications21cm high, 55cm wide, 39cm deepProvenance: The present lot is by repute from the collection Otto Eduard Leopold, Prince of Bismarck and was presumably kept at his Berlin residence, the Reichskanzlei or palace. Thence by descent. Otto Eduard Leopold, Prince of Bismarck, Duke of Lauenburg, known as Otto von Bismarck (1815-1898) was a conservative Prussian statesman and was the first Chancellor of the German Empire between 1871 and 1890 after German unification which he is today considered largely responsible. At the time of unification, Bismarck styled himself as Imperial Chancellor of the unified German states as well retaining control of Prussia although Austria was excluded. Bismarck's diplomancy and powerful rule at home gained him the nickname 'The Iron Chancellor'. The House of Bismarck was a noble German family which rose to prominence in the 19th century largely through the achievements of Otto von Bismarck. He was granted the ducal title Duke of Lauenburg for his lifetime, a hereditary comital title in 1865 and the hereditary title of Prince of Bismarck in 1871. Several of his descendants, notably his son Herbert, Prince of Bismarck, were also politicians. The portrait image of Friedrich Ludwig Jahn (1778-1852) applied to the casket is presumably to affirm German nationalistic pride. Jahn was considered the 'father of gymnastics' founding the turnverein (gymnastics club) movement in Germany. He was also a fervent patriot, believing that physical education was the cornerstone of national health and strength which was crucial in strengthening character and German national identity. Jahn penned a vigorous defence of cultural nationalism in his work 'Das Deutsches Volkstum (German Nationality) in 1810 and it was this publication which rose to prominence after the German Unification and hence why his image is portrayed on the casket with an inscription which translates 'Germans can only be helped by Germans'Condition Report: Marks, knocks, scratches, abrasions consistent with age and use,Overall clean, there is some discolouration to the wood near the mounts to one side of the topThe gilt metal overall bright and freshThe enamel appears in good order overallThe lined interior with signs of age and wear, probably from the removal and replacing of the folio over time, the supporting arm securing the lid open at time of report and the catch securing Please refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 122
A LOUIS XV STYLE GILT-BRONZE CANDELABRUM À ÉCRAN LATE 19TH CENTURYWith adjustable shade-panel and two leaf cast sconces, on a steel upright with finial60cm high Provenance: Sotheby's, London, 'The Ballyedmond Collection', 23-24th May 2017, Lot 179 Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThis has been drilled for electricity previously, There are holes to the rear of the baseThere are marks and pitting to the gilt metal areas, the steel shaft has a corrosion mark where the screen has probably sat unmoved - this action is stiff but is working at time of report and holding securely too The velum is intact but misshapen, Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 13
λ JAMES OSBORNE (1940-1992)BOY ON A MAGIC ROCKING HORSEPatinated bronze, signed and dated 'Osborne 89'154cm high, 169cm long, 54cm wide Catalogue Note: An original version of 'Boy on a Magic Rocking Horse' was commissioned for Kensington Gardens, LondonCondition Report: Some marks, knocks, scratches and abrasions commensurate with age and use but the bronze is in generally good condition overall. The surface with some minor deposits and oxidisation. A minor crack in the bronze to the hand resting on the horse at the base of the thumb. Please refer to images for visual reference to condition. Condition Report Disclaimer
Lot 14
A SET OF FOUR 'BROMSGROVE GUILD' LEAD GARDEN PUTTI EARLY 20TH CENTURY, MODELLED BY WALTER GILBERTSpring holding a nest of chicks, Summer with a butterfly on her left hand, Autumn holding a leafy branch above her head, and Winter swathed in a loose robe, each with a naturalistic moulded circular base, on later square timber pedestals, one plinth embossed 'BROMSGROVE GUILD/ WORCESTERSHIRE 1910'The figures 109cm high, 111cm high, 112cm high and 115cm high, the pedestals 90cm highProvenance:H C Moffatt of Hamptworth Lodge, Salisbury (the garden designed by Thomas Hayton Mawson), Thence by descentSold Tennants, 22 July 2018, lot 22The Bromsgrove Guild of Applied Arts (1898-1922) emerged from The Bromsgrove School of Art having been founded by the School's headmaster Walter Gilbert. Initially, The Guild operated from studios in Bromsgrove, Birmingham initially producing decorative ironwork. In later years the firm expanded its production to include bronze and lead work as well as wood and stone carvings and stained glass. The Guild also featured in the 1900 Paris Exposition securing nine medals as well as participating in major municipal Exhibitions including The Arts & Crafts Society Exhibition, London 1903. By 1908 the business had established a retail outlet in Victoria Street, London as a result of their most famous commission, the iron and bronze gates outside Buckingham Palace as well as Queen Victoria's memorial. In 1922 the firm restructured as a Limited company, turning its attention to the production of more commercialised range of goods including gates, railings, signs, pendant light fittings and memorial plaques. Fortunes declined coinciding with the 1930s depression and in the final twenty years the business (1946-1966) the business was managed by George Whewell. Condition Report: All with marks, knocks, scratches, abrasions consistent with age and use, and with discolouration consistent with age and storage outside, the surfaces uneven and with some misshaping overallSummer's butterfly with signs of cracking/lifting in this areaThe bases all with old splits and cracks, they have been written on in chalk to indicate which lead figure goes on which base - these are a little unstable possibly due to the natutre of these and the carpets in our salerooms these will require proper installation at the purchaser's property Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 181
A PAIR OF FRENCH BRONZE MODELS OF THE MARLY HORSESLATE 19TH CENTURY, AFTER GUILLAUME COUSTOU THE ELDER (1677-1746)41cm high, 38cm longCondition Report: There are marks, knocks, scratches and abrasions consistent with age and use, some rubbing to the extremities and edges.The patina is variable browns, with some rubbing to the almost lacquered finish.Lacking the reins to one horse, and an object to the hand of the other figure.Visible construction seam/possible repair to the right leg of one horse.That said these comments on condition are only apparent on close up inspection.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 2
A PAIR OF BRONZE AND GILT THREE LIGHT CANDELABRA19TH CENTURY With dancing girl finials, three vine moulded nozzles on fluted columns and tripod paw bases43cm (2) Condition Report: There are marks, knocks, scratches and abrasions consistent with age and use, some scuffs and knocks to the extremities and edges in particular the triform bases.Two holes to the collars half way up the columns suggesting that something once fitted here; some rubbing to the gilding in this area.Some minor bending to one figure and some branches so that they are not quite straight.One chain broken, lacking another chain swag.Please refer to additional images for visual reference to condition Condition Report Disclaimer
Lot 260
A CHINESE BRONZE FIGURE OF A SEATED DOG OF FO LATE 19TH CENTURYWith a paw raised on a brocade ball29cm high, fixed wood standSALEROOM NOTICE - This is late 19th century. Condition Report: the surface polished bolted to wood base wood base with modern feet and wood cracked Please note this is late 19th century.Condition Report Disclaimer
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