Ca. 500-800 AD A bronze jug with a ribbed drum-shaped body, sloped shoulder, and cylindrical neck, tapering to a round opening capped with a stopper chained to a rear handle. Around the neck are roundels with depictions of Holy Rider, a powerful symbol to ward off evil and protect its owner. For a similar see The Metropolitan Museum of Art, Accession Number: 67.200.2. Size: L:230mm / W:190mm ; 800g Provenance: Property of a London private collector, acquired on London Art market pre-2000.
We found 350105 price guide item(s) matching your search
There are 350105 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
350105 item(s)/page
Ca. 100 AD A bronze figurine of a winged Cupid, standing naked atop a spool-shaped base. He is striding forward with his right leg advanced, his left arm stretched as to accept something. In his right hand, he holds a cornucopia - the horn of plenty. His eyes articulated, his lips parted, and a cascade of wavy hair frames his chubby face. For a similar see The Metropolitan Museum of Art, Accession Number: X.377. Size: L:110mm / W:65mm ; 400g Provenance: Property of a London private collector, acquired on London Art market pre-2000.
European, Ca. 600–800 AD A bronze ring with a circular band and an applied bezel decorated with a circle in relief at the center surrounded by smaller circles that evoke the sun. Size: D: 19.62mm / US: 9 3/4 / UK: T 1/4; 7.8g Provenance: Private UK collection; From an old London collection formed in the 1990s
Ca. 900-1100 AD A bronze ring formed of a flat-section hoop, tapering to the rear. The upper face is decorated with a raised midsection rib and pronounced borders. Size: D: 17.35mm / US: 7 / UK: O; 10.85g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 900-1100 AD A bronze twisted bracelet comprising several strands of bronze woven together with looped terminals meant evoke the form of a snake. In Norse mythology, Jormungand, also called the "Midgard Serpent” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Size: L:74.2mm / W:53.2mm ; 20g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 900-1100 AD A bronze twisted bracelet comprising several strands of bronze woven together with looped terminals meant evoke the form of a snake. In Norse mythology, Jormungand, also called the "Midgard Serpent” is a snake or dragon who lives in the ocean that surrounds Midgard, the visible world. He was so enormous that his body forms a circle around the entirety of Midgard. He is one of the three children of Loki and the giantess Angrboda, along with Hel and Fenrir. Size: L:73.5mm / W:49mm ; 29.1g Provenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
Ca. 800 BC A bronze pendant made from a coiled wire forming two large circular disks. This type is sometimes referred to as a "spectacle pendant” due to the distinctive shape of the coils, which recalls the shape of modern eyeglasses. Size: L:65mm / W:32mm ; 20.92g Provenance: Private UK collection; From an old London collection formed in the 1990s
Ca. 500-600 AD A bronze bow-brooch comprising a D-shaped head plate with seven radiating rounded finials, low, carinated bow, and a triangular-shaped footplate with scroll ornaments and a half-round terminal stylised as a human face with detailed eyes, nose, smiling lips, and nicely arranged hair. Small lug to the reverse. Size: L:120mm / W:67mm ; 44.45g Provenance: Private UK collection; From an old London collection formed in the 1990s
Ca. 900-1100 AD A bronze amulet comprising a longboat with stylised dragon's-head prow and stern with carefully cast features and textured scales; eight elongated tassel pendants hang from the underside, perhaps representing oars or the wings of the dragons. Dragons were important figures in Norse mythology and were known for their powerful, destructive nature. This item would have been an appropriate amulet for a ship's captain. Good condition, with a beautiful patina. Size: L:125mm / W:70mm ; 94.07g Provenance: Private UK collection; From an old London collection formed in the 1990s
Western Asiatic / Aegean, Ca. 1200-700 BC A long bronze spear with an elongated leaf-shaped blade with raised midrib, sharpened edges that taper gradually to a pointed tip. Finished with a tang for insertion into a haft. Size: L:425mm / W:55mm ; 440g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Elamite, Ca. 1100-540 BC A finely cast bronze dagger, comprising a triangular-shaped, double-edged blade with a flanged, hollowed hilt. For a similar see the British Museum, London - Registration Number 1974,0512.1.a-b. Size: L:365mm / W:60mm ; 285g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 800 BC A bronze spear with a triangular blade, rounded shoulders, raised midrib, sharp edges that taper gradually to a pointed tip, long socket, and a curved tang for insertion into a haft ending in a small pommel. Size: L:370mm / W:40mm ; 220g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Elamite, Ca. 1100-540 BC A bronze flat axe with a narrow back, expanding to the curved blade. To the rear a round socket with an elongated flange from which a decorative cast recumbent ram protrudes. Size: L:240mm / W:90mm ; 245g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Western Asiatic / Aegean, Ca. 1200-700 BC A bronze spear with an elongated leaf-shaped blade with a raised midrib, sharpened edges that taper gradually to a pointed tip, short socket, and a tang for insertion into a haft. See similar spearheads in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.289-292. Size: Set of 3 L:140-160mm / W:25-30mm ; 90g Provenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Western Asiatic / Aegean, Ca. 1200-700 BC A bronze spear with a leaf-shaped blade with barbs, raised midrib, bevelled edges that taper to a pointed tip, short socket, and a short tang for insertion into a haft. See similar spearheads in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.289-292. Size: Set of 3 L:110-135mm / W:25-25mm ; 85g Provenance: Private Oxfordshire collection; Formerly acquired on the European art market from pre-2000 collections.
Ca. 800-1000 AD A simplistic thurible featuring a cast bronze cup-shaped censer with three attachment loops on the rim, suspended from three bronze chains decorated with a cross in mid-length. This bronze vessel was used for burning incense and would have been suspended or carried and swung by its chain.Size: L:470mm / W:100mm ; 2.05kgProvenance: Property of a London Ancient Art gallery, acquired on the US art market, previously in NYC collection, Ex. NYC gallery.
Ca. 800-1000 AD A cast-bronze reliquary cross pendant composed of two cruciform plaques that fit together, a hinged mechanism to the top and bottom, and a loop for suspension. One face displays crucified Christ between St John and Virgin Mary, and below the sun and the moon, the other face displays Virgin Mary with Saints in roundels to each arm. This type of cross can be opened to hold a small relic or a prayer document. Relics, as the physical remains of saints or objects associated with Christ, held tremendous power in medieval Christianity. For a comprision see The British Museum, Museum number 1985,0305.1. Size: L:100mm / W:55mm ; 113.96g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Ca. 800-1000 AD A cast-bronze reliquary cross pendant composed of two cruciform plaques that fit together, a hinged mechanism to the top and bottom, and a loop for suspension. One face displays crucified Christ between St John and Virgin Mary, and below the sun and the moon, the other face displays Virgin Mary with Saints in roundels to each arm. This type of cross can be opened to hold a small relic or a prayer document. Relics, as the physical remains of saints or objects associated with Christ, held tremendous power in medieval Christianity. For a comprision see The British Museum, Museum number 1985,0305.1. Size: L:110mm / W:55mm ; 141.08g Provenance: Property of a London Ancient Art Gallery; formerly in the famous Alison Barker collection, a retired London barrister; acquired between early 1960s to 1990s.
Ca. 1-100 AD A large bronze statuette of goddess Venus standing with her weight on her right leg, the left leg bent at the knee and slightly advanced, leaning into her right hip, her slender torso nude; her both arms bent as to adjust a necklace; her head turned to her right, her gaze slightly downturned; the pupils recessed, her hair arranged in an intricate coiffure. Venus was the god of love, beauty, desire, sex, fertility, prosperity and victory. She was an especially important god for the Romans as she was also the mother of Aeneas, their mythical ancestor. For a similar see The Getty Museum, Villa Collection, Object Number: 57.AB.13. Item comes with a professional historical report from Ancient Report Specialists. Size: L:200mm / W:70mm ; 350g Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
Western Asiatic / Aegean, Ca. 1200-700 BC A bronze spearhead with a triangular blade, raised midrib, and a pronounced shaft that extends into a long tang for insertion. See similar spearheads in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.289-292.Size: Lot of 5 L:58-80mm / W:20-25mm ; 55gProvenance: Private UK collection; Formerly acquired on the European art market from pre-2000 collections.
Western Asiatic, Ca. 900-600 BC A collared bronze mace head comprising a tubular socket featuring protruding pyramidal spikes around its exterior. Excellent condition. Cavalry shaft-mounted weapons like battle hammers, maces, and axes were often very small and mounted on long handles. The speed and momentum in swinging such a weapon were made effective by the long shaft length and whipping action of the weapon rather than by the brute weight of the weapon itself as those used by ground infantry. Size: L:95mm / W:95mm ; 605g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1-200 AD An iron dagger comprising a single-edged blade with a long tapering hilt that ends in a bronze pommel in the shape of an eagle's head with a curved beak and plumage detailing on its neck. Size: L:580mm / W:40mm ; 450g Provenance: Private London collection; formerly acquired in Europe from 1990s collection.
Ca. 100-300 AD An iron single-edged scalpel with a bronze handle that ends in a twisted and looped finial. For a comparison see Sir Henry Wellcome's Museum Collection, Object Number: A129089. Size: L:180mm / W:20mm ; 40.83g Provenance: Private UK collection; from an old Oxford collection formed in the 1990s.
Ca. 900-1100 AD A D-shaped bronze belt buckle with a pointed zoomorphic finial and a central section decorated with an interwoven wave pattern. Size: L:78.9mm / W:46.1mm ; 30.47g Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.
Ca. 900-1100 AD A bronze cruciform pendant with scalloped arms and an integral circular suspension loop. The obverse embellished with incised motifs and the reverse bears an image of crucified Christ. The Cross, the principal symbol of Christianity, recalling the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. Size: L:32.9mm / W:21.6mm ; 4.43g Provenance: From the private collection of an Essex gentleman; previously in an old British Collection, formed in the 1990s.
Ca. 900 BC A bronze blade with a pronounced central ridge with two deep grooves to either side, tapering to a sharp point at the tip. The hilt perforated with three rivet holes. Size: L:325mm / W:50mm ; 150g Provenance: Property of a London Ancient Art gallery; formerly in a private collection, Germany, 1980s.
Ca. 1200-700 BC A long bronze "Trojan" spear blade with a prominently curved guard, which extends out from the ricasso of the pointed blade and partly frames the hilt, thick midrib extending slightly above the ricasso where it held the hilt. See similar swords in Muscarella, O.W., Bronze and Iron Ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, pp.99-100. Size: L:570mm / W:50mm ; 465g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A two-edged bronze blade of a sword, leaf-shaped with rectangular tang, corrugated midrib extending almost to the tip and flared at the shoulder. Cf. Christie's, The Axel Guttmann Collection of Ancient Arms and Armour, part 2, London, 2004, item 36. Size: L:510mm / W:70mm ; 520g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A bronze sword blade with an elongated leaf-shaped blade, raised midrib bifurcating at the base of the blade, sharp edges that taper gradually to a sharp tip, short tang for insertion. Size: L:490mm / W:70mm ; 385g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A two-edged bronze sword blade, leaf-shaped with rectangular tang, corrugated midrib extending to the tip and flared at the shoulder. Cf. Christie's, The Axel Guttmann Collection of Ancient Arms and Armour, part 2, London, 2004, item 36. Size: L:490mm / W:55mm ; 450g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A two-edged bronze sword blade of leaf-shaped form with a rectangular riveted tang, and raised, thick midrib running to the tip. Size: L:455mm / W:55mm ; 410g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A bronze sword blade with an elongated leaf-shaped blade, raised midrib bifurcating at the base of the blade, sharp edges that taper gradually to a sharp tip, short tang for insertion. Size: L:495mm / W:60mm ; 420g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A two-edged bronze "Trojan" spear of leaf-shaped form with a tapering tang, and raised, thick midrib running to the tip. Size: L:500mm / W:60mm ; 490g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A bronze spherical mace head composed of a striking bulb with a hole through the center. The exterior decorated with overlapping inlaid panels. Size: L:45mm / W:60mm ; 630g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200 BC A collared bronze mace head comprising a tubular socket featuring protruding pyramidal spikes around its exterior. Excellent condition. Cavalry shaft-mounted weapons like battle hammers, maces, and axes were often very small and mounted on long handles. The speed and momentum in swinging such a weapon were made effective by the long shaft length and whipping action of the weapon rather than by the brute weight of the weapon itself as those used by ground infantry. Size: L:40mm / W:65mm ; 195g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A bronze "Trojan" spear with raised midrib, sharpened edges that taper gradually to a tip, and a tang for insertion into a haft. Size: L:435mm / W:60mm ; 585g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A two-edged bronze "Trojan" spear blade of leaf-shaped form with an insertion tang, and raised, thick midrib running to the tip. Size: L:395mm / W:60mm ; 385g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 800 BC A bronze spearhead with a lozenge-shaped blade with raised midrib, sharpened edges that taper gradually to a pointed tip, and a tubular socket. Size: L:260mm / W:40mm ; 175g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1500-1000 BC A cast bronze war axe head featuring an undecorated, cylindrical shaft. The flattened blade, drawn out from the top of the shaft, broadens out towards the cutting edge which is slightly convex. Beautiful green and olive patination covers the surface of the weapon. Size: L:70mm / W:120mm ; 425g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A bronze axe head with a curved blade, triangular cheek and a circular socket with a flange. Bronze weaponry production flourished from the 2nd millennium BC to about 700 BC when it was gradually replaced by iron. Swords, mace heads, spears and arrows were exchanged via trade and war and are discovered in both civic and ritual contexts. An axe head such as this one would have been an important symbol of rank, and have served a purpose in warfare, but also in religious contexts as axe heads were common votive offerings in shrines. For a similar see The Louvre Museum, Inventory number: AO 22932. Size: L:40mm / W:90mm ; 160g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A finely modelled cast bronze double axe head, composed of a tubular socket, a convex axe blade and an adze blade to the rear. Size: L:70mm / W:250mm ; 1.59kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 1200-700 BC A cast bronze double axe head featuring a short cylindrical shaft hole and a vertical blade with a curved cutting edge and an adze blade to the rear. Size: L:55mm / W:160mm ; 385g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s.
Ca. 500-300 BC A striking Chalcidian helmet made of hammered bronze, with a sharply flaring neck-guard, a short slender nose guard running to broad arching eye openings; the brow shows two slender eyebrows. The articulated crescentic cheek-pieces with contoured edges are attached with hinges; a hole for the attachment of a chin-strap is visible on each cheek piece. Chalcidian helmets are named after similar helmets depicted on pottery vases from the Euboean city of Chalcis. This type of ancient Greek helmet was a lighter and less restrictive form of the Corinthian helmet. The hinged cheek pieces were anatomically formed to fit closely to the face and tended to curve upward towards the eye, where large circular openings provided a wider field of view than the Corinthian helmets. Repaired. For more information on Chalcidian helmets, see Everson, T. (2004). Warfare in Ancient Greece: arms and armor from the heroes of Homer to Alexander the Great. The History Press, 116-124. Item comes with a professional historical report from Ancient Report Specialists. Size: L:330mm / W:225mm ; 950g Private London collection; previously in an old English private collection.
LOUIS VUITTON Henkeltasche "FORSYTH PM", Koll.: 2000. Vernis Leder Serie in Bronze mit goldfarbener Hardware, naturbelassenen Rindsleder-Details, Doppelhenkel und Reißverschluss. Innenraum mit einem Fach. Staubbeutel anbei. Sehr guter Zustand. 24 x 14 x 10 cm.| LOUIS VUITTON bag "FORSYTH PM", coll.: 2000. Vernis leather series in bronze with gold-tone hardware, natural cowhide details, double handle and zip closure. Interior with one compartment. Dust bag enclosed. Very good condition. 24 x 14 x 10 cm.
1968 LAND-ROVER SERIES IIA 88” LIGHT UTILITY Registration Number: KTC 834F Chassis Number: 24132798D Recorded Mileage: 61,750 miles - Desirable Series IIA variant - Recent comprehensive restoration The successor to the successful Series I was the Series II, which saw a production run from 1958 to 1961. It came in 88 in (2,200 mm) and 109 in (2,800 mm) wheelbases. This was the first Land Rover to receive the attention of Rover’s styling department- Chief Stylist David Bache produced the familiar ‘barrel side’ waistline to cover the vehicle’s wider track and the improved design of the truck cab variant, introducing the curved side windows and rounded roof still used on current Land Rovers. The Series II was the first vehicle to use the well-known 2.25-litre petrol engine, although the first 1,500 or so short wheelbase (SWB) models retained the 52 hp (39 kW) 2.0-litre petrol engine from the Series I. This larger petrol engine produced 72 hp (54 kW) and was closely related to the 2.0-litre diesel unit still in use. This engine became the standard Land Rover unit until the mid-1980s when diesel engines became more popular. The Series IIa revised version of the Land Rover made its debut in 1961 and is regarded by many Land Rover aficionados as the version that Rover got right. It is generally thought of as the most durable and easily repairable of the “Series” Land Rovers. This fabulous example of automotive history has benefitted from a very comprehensive restoration in recent years. Acquired by the previous owner in 1997 as a retirement project, due to his passing the project was picked up by a local enthusiast and fastidious classic car restorer. Over the years the Land-Rover has been dismantled and rebuilt from a brand new galvanised chassis. From the structure and coachwork, its mechanical and electrical components, to a myriad of trim and other finishing items, the amount of detail which this restoration has involved is exhaustive. This beautiful Series IIA is presented in the classic combination of Deep Bronze Green with a Hard Topped roof and black vinyl interior. Such is the quality of the restoration that we feel this must rank as one of the nicest we have seen. The Land-Rover is supplied with older registration documents and detailed list of expenditure in current ownership.
Weinfässchen Meissen 1740-45 Walzenförmig modelliert mit zwei erhabenen Spannringen. Oberhalb Öffnung zum Befüllen, Front mit herausstehendem Zapfhahn. Am Fassrand sitzender Bacchus mit aufbossierten Trauben. Beide Deckelseiten bunt bemalt mit Kauffahrteiszenerien am Ufer mit Personenstaffagen. Wandung umlaufend bunt bemalt mit Floraldekor, Ränder gold gehöht. Porzellan, ohne Marke. Malerei von Christian Friedrich Herold. Aufwendiges durchbrochenes Bronzegestell, Zapfhahn und Deckel ebenfalls aus Bronze. H=49,2 cm
![Loading...](/content/bs/images/ajax-loader.gif)
-
350105 item(s)/page