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Lot 569
A COLLECTION OF COLOURFUL INKS, in an unusual dot painted colourful box; together with a stoneware hand painted black swan form dish, signed; a small enamel tea pot; a silver plated lamp; a cane or parasol handle; a pepper castor; an old iron corkscrew; an old bronze Gaisce medal in case, and a brass child's shoe horn. (a lot)
Lot 388A
A PAIR OF UNUSUAL POLYCHROME DECORATED BRONZE AFRICAN FIGURES, each modelled as a female warrior holding a heart-shaped shield and a spear, semi-nude in ceremonial attire with earring, headdress, and multi-bead necklace, standing on one leg, on a circular cast base, 4ft (122cm) excluding spear, 5ft3 (160cm) including spear. (1)
Lot 406
A FINE FRENCH BRONZE AND ROUGE MARBLE MANTLE CLOCK, modelled with two classical women, supporting a rouge marble sphere aloft surmounted with a cherub holding an oval gilt brass portrait in his right hand, a drape in his left hand, the dial with Roman numerals, the two bronze women standing on a shaped rouge marble base, on four ormolu lion paw feet, 26" (66cm) high. (1)
Lot 177
Samuel Lipszyc, an Art Deco silvered and patinated bronze and carved ivory sculpture, circa 1925, the female dancer modelled wearing high-collared stylised dress and skirt, posed holding a squirrel sat on her left arm, the ivory heightened with staining, raised on a shaped marble plinth, signed 'S. Lipszyc', 43cm high.
Lot 268
modelled by J. Evans from his own researches, each complete with intricately detailed fittings and depicted in a brisk green sea set within a glazed wooden case with plaque, overall measurements – 4½ x 12¾ x 4¾in. (11.5 x 32.5 x 12cm.)In 1801 the Khedive of Egypt, Mehmet Ali, offered Great Britain, France and America each one of the three stone obelisks lying at Alexandria popularly (but incorrectly) known as "Cleopatra's Needles". Weighing about 240 tons, the French and the Americans moved theirs with comparative ease, however the British - whose Navy had refused to be involved - developed a complicated, somewhat eccentric, method. John Dixon (an engineer) designed a cylindrical hull comprising a straight stem, bilge keels, balancing sails, rudder and six man deck house to be taken out to Egypt in sections and assembled around the needle and which would then be towed back to England. All proceeded to plan and the curious craft now called Cleopatra departed on 21st September 1877 under tow from the 1300 ton passenger/cargo ship Olga. On October 14th they encountered a force 12 storm and six of Olga's crew were lost trying to rescue the crew of Cleopatra which they were finally forced to cast off. Cleopatra drifted in the Bay of Biscay for four days until salvaged by the S.S. Fitzmaurice whose master extracted a salvage of £2000 for his troubles. Finally recovered and repaired, the William Watkins Ltd paddle tug Anglia was chartered to bring the Cleopatra home which was happily accomplished without further incident. Arriving at Gravesend on 21st January, 1878, the needle has stood on Victoria embankment ever since, together with a bronze plaque commemorating the lives of those lost in her extraordinary passage.
Lot 376
An archaic style bronze Wine Vessel (You) and Cover, in the manner of the early Western Zhou dynasty, of pear form cast with raised stylized dragon flanges dividing the body, a swing handle terminating in Qilin masks, twisted formed finial on the lid, with inscription inside the vessel and the lid, Qing period, 18th/19th century, 37 cm high with handle, 27 cm high without handle, in good condition.
Lot 506
A Chinese jade leaf-shape saucer, with petal rim, 11.5cm long, a white Peking glass wine cup, 6.7cm diameter, a brown hardstone wine cup, 6.8cm diameter, two bronze Buddhist lions, 7.5cm high, two blanc de Chine seated Guanyins, 19 and 13.3cm high, and a Canton enamel small rectangular tray, with painted lady in a garden, six-character Qianlong mark, 9.4cm long (7)
Lot 139
A Chinese bronze hufu,Qing dynasty (1644-1911), the two-piece 'tally' in the shape of a crouching tiger, seal characters to back and sides, 7cm (2)Hufu was used by an emperor to command and dispatch the army by him retaining the right-hand piece and issuing the left-hand piece to the local officials or commanders. Both pieces of the tally had to match each other in order to dispatch the troops by showing the right-hand piece as authorisation. 清 铜铸虎符
Lot 60
A Chinese famille rose 'jue' cup,18th century, made in imitation of an early archaic bronze form, the body raised on three tall spread legs with masks, the body decorated with butterflies and scrolling flowers beneath a yellow border, a pair of posts rising from the shaped rim, the interior turquoise, 13.5cm highProvenance: The Collection of Erik Nordström (1884-1971). Erik Nordström took up the role of Postmaster General of the Royal Chinese General Post Office, Shanghai, in 1910. It was here that his love of collecting Chinese ceramics began and, during a career in China of over thirty-five years, Nordström went on to gather a vast collection, with particular emphasis on objects acquired for the purpose of everyday use.清十八世纪 洋彩胭脂紫地缠枝莲纹爵杯
Lot 141
A Chinese bronze bodhisattva of Ksitigarbha,late Ming dynasty, his eyes looking down and with a calm facial expression, wearing an elaborate beaded headdress with a seated Buddha and lotus, in a kasaya tied to his left shoulder over an ankle-length robe, a pearl to represent wisdom in his left hand, standing on a double lotus platform with a dog by his feet,80.5cmKsitigarbha, the Essence of the Earth, is one of the eight principal Mahayana students, or 'heart sons', of the Buddha Shakyamuni. Ksitigarbha is known for his vow to take responsibility for the instruction of all beings in the six worlds between the death of Gautama Buddha and the rise of Maitreya, as well as his vow not to achieve Buddhahood until all hells are emptied. He is therefore often regarded as the bodhisattva who brings help and comfort to those in the underworld realm of hell beings. 明晚期 铜铸地藏王菩萨立像
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