AFTER OSCAR NEMON - BRONZE RESIN MAQUETTE OF WINSTON CHURCHILL a large bronze resin maquette of Winston Churchill, cast in a limited edition of 500 and with a certificate of authenticity, 24cms high. Also with a smaller bronze resin bust of Churchill, also with a certificate of authenticity, 13.5cms high. (2)
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LUCIE RIE (1902-1995) - PORCELAIN BOWL a porcelain footed bowl with a bronze and black drip effect glaze to the exterior and interior, the centre of the interior with a radiating design. Damaged and repaired, please ask for condition reports. Monogram mark to base. 19cms diameter.++There is a section 11cms by 9cms which has been broken and repaired, this runs from the rim to near the centre, there is also a smaller triangular section broken from the rim. There is some restoration/filler around the rim to these areas. The back of the bowl has a small crack running off from one of these repaired areas, and there is a small chip to the outside of the rim. The lines of repair are visible on the inside and outside. See additional images.
ART NOUVEAU PEWTER BIRD INKWELL an unusual pewter inkwell in the form of a Bird, the head hinges back to reveal a blue pottery inkwell inside, possibly German. Also with a small bronze figure of a stylised bird, mounted on an onyx base (probably French, 11cms high). Inkwell unmarked, 11cms high. (2)
AFTER ANTOINE-LOUIS BARYE - BRONZE CAT a small bronze model of a seated Cat, bears signature Barye (9cms high), also with a small bronze figure of an Alchemist marked Lapis Sapientiae and signed with monogram mark (6cms high), a small metal paperweight with Frog seated on top (5cms high), and a small metal group of 2 Cat's playing on a rug (marked underneath, possibly Russian). (4)
A 1930s Art Deco Josef Lorenzl patinated bronze figure of a lady stood on her tip toes with one arm outstretched and the other toward her face, the domed base signed LORENZL, all to an alabaster and onyx base, height 27cm. NB: See Bryan Catley Art Deco and other Figures, page 208 for an illustrated example.
Demetre Chiparus - The Oriental Dancer - A patinated, gilt and silvered bronze figure with ivory modelled as a dancing female in exotic costume with pantaloon trousers and top with frill waist and decorative detail, standing on one foot with the other leg raised, leaning forward with arms out to the side, raised to an onyx base with three applied bronze panels relief decorated with further dancing figures, signed Chiparus to the top face of the base, height 40cm.Subject to CITES regulations and due to part of the content of this item, this lot will require a re-export permit if shipped outside the mainland UK.
Los 3 Orden WKII 1 Fliegererinnerungsabzeichen, Herst. C.E. Juncker Berlin SW, 1 Panzerkampfabzeichen Bronze mit Einsatzzahl 25, ohne Herst., Halbhohl geprägt, 1 Panzerkampfabzeichen Bronze mit Einsatzzahl 50, 1x Herstellermarkierung unleserlich, Herst. 3 auf Nadel, vermutlich neuzeitliche Fertigung, Z 2
FRANKLIN MINT Backgammon “Der Schatz des Tutanchamun“ Brettspiel, Spielbrett 73,6 x 43,2 x 8,9 cm, Würfelbecher, zwei Würfelpaare, gr. Verdoppelungswürfel, 15 Spielmünzen aus massiver Bronze (leuchten im Glanze 24 karätigen Goldes), 15 Spielsteine aus Bronze (sind mit Sterling-Silber verziert), seitlich je ein Schubfach zur Aufbewahrung der Spielsteine, neuwertig, Z 1+, Neupreis 1050 EUR
Pair of Napoleon III ormolu candelabra, in Louis XVI style, circa 1860, having four leaf scroll branches centred with an uppermost central sconce, supported over cherubs holding a cornucopia whilst seated on a rock and bronze plinth, flanked with rams head paper scroll brackets over a shaped base adorned with floral garlands, height 24cm, width at the top 28cm
George III mahogany bureau bookcase, circa 1770, having a dentil cornice with fluted apron over two moulded doors opening to three adjustable shelves, the slope front opening to a fitted interior centred with a verre eglomise cupboard door flanked with carved pilasters pulling out to reveal secret drawers behind, flanked on either side with concave fronted small drawers and pigeonholes, the front fitted with two short and three long graduating drawers, cockbeaded and with cast gilt bronze handles, raised on later ogee bracket feet, width 103cm, height 222cm, depth 59cm
John Pinches, Trustees Presentation Set of The Churchill Centenary Medals circa 1973, a set of 24 proof specimens of 24ct gold on sterling silver medals, John Pinches, London, 1973, 633.6g gross, housed in a presentation album, set no 3370; another Chaucer and the Canterbury Tales First Edition Proof Set 36 bronze medallions each illustrating a tale (2)
CHINESE BLUE AND WHITE PORCELAIN ‘BAJIXIANG’ EWER AND COVER, 20th CENTURY The pouring vessel modelled on the archaic bronze ‘He’, a ritual wine vessel. The globular body and diagonally set spout supported by four legs with a squat neck leading into a curved handle and cover. Decorated with ‘Bajixiang’, the eight Buddhist emblems. The interior base of the spout has seven separate holes. Qianlong seal mark to base but later. Together with a hardwood stand with carved Yin-Yang emblem. 23.5cm length 22.5cm tall without stand. Heath had an attraction to this form. During his time in Hong Kong, he attended a Christie’s sale of ‘Fine Chinese Ceramics, Jade and Works of Art’ at the Mandarin Hotel on 13th January 1987. Lot 524 a similar ewer without cover he marked down in his catalogue (Catalogue part of lot 71). Provenance: Private English collection of Sir Mark Heath KCVO CMG (1927-2005), and thence by descent.
A French gilt brass four-glass mantel clockThe movement by Samuel Marti et Cie, Paris, late 19th centuryThe circular eight-day gong striking movement with visible Brocot escapement set within the centre of the dial regulated by twin mercury capsule pendulum with Brocot adjustment to suspension, the backplate stamped with Samuel Marti et Cie, MEDAILLE DE BRONZE roundel, oval cartouche A.1 and numbers 208, 6 9, the circular white enamel Roman numeral dial with visible escapement to the recessed centre, gilt collets to the winding holes and blued steel hands, the case with cavetto moulded cornice above bevel-glazed front door, side panels and rear door set between caddy moulded corner uprights, on cavetto moulded skirt base incorporating bracket feet, 33cm (13ins) high.Condition Report: Movement is in clean working condition with no visible evidence of alteration or significant replacements. The dial appears free from visible damage. The front and rear glasses each have some chipping to the lower right corner which is reasonably noticeable otherwise glasses appear free from noticeable damage, (none of the chips tom the front and rear glasses could be described as 'disfiguring'). The case is in fine clean condition with next to no wear or discolouration to the finish.Clock has original pendulum (undamaged) and a winding key. Condition Report Disclaimer
A Regency ormolu and patinated bronze figural mantel timepiece Bearing a signature for Webster, London but probably by Baetens, circa 1825 The circular four columnar pillar eight-day single chain fusee movement with anchor escapement regulated by a lenticular bob pendulum, the 3.5 inch circular white enamel Roman numeral dial now inscribed WEBSTER LONDON to centre and with steel moon hands within a gilt lappet leaf milled bezel, the case with gilt surmount cast as the bust of a Classical warrior over drum housing the movement cradled on honeysuckle decorated scroll supports, on plinth base applied to a relief floral garland to front over shallow cavetto skirt and gilt ball feet, 29cm (11.5ins) high. Several models of this timepiece sharing the same castings, form and specification are known signed either by Joseph van Baetens, F. Baetens or just Beatens who were a family firm of bronziers who also produced timepieces. Indeed a near identical example, complete with the same Classical bust surmount, was sold at Halls Fine Art, Shrewsbury in the their Country House & Asian Art sale held on 15th May 2019 (lot 431) realising £1350 hammer. Baetens worked in a similar vain to the Vulliamy family they were based at 23 Gerard Street, Soho, and according to Baillie, G.H. (in Watchmakers & Clockmakers of the World) were active around 1832. Condition Report: Movement is in clean working condition with no visible signs of alteration or significant replacements. The enamel dial has been restored to a good standard but the signature is most likely added. The bust surmount to the case and the festoon mount to the front have been regilded; the latter also has one securing nut missing at the rear so is a little loose otherwise case is in good original condition retaining original patination and gilding to bezel, scrolls and feet.Timepiece has pendulum and winding key. Condition Report Disclaimer
Y A Victorian brass inlaid rosewood two-day marine chronometerHennessy, Swansea, circa 1875The four pillar full-plate single chain fusee movement with spotted plates, Harrison's maintaining power and Earnshaw type spring detent escapement regulated by split bimetallic balance with circular timing weights and helical balance spring, the frontplate stamped with serial number 1375, the 4 inch circular silvered Roman numeral dial with gold spade steel hands, subsidiary seconds engraved with an anchor, power reserve dial, and inscribed HENNESSY, Maker to the Admiralty, SWANSEA, No. 1375 to centre, set in a lacquered brass bowl with screw-down bezel mounted within pivoted gimbals with locking screw, the rosewood three-tier case with brass shield nameplate engraved J.O.D. Maggie within double-line borders to top, over conforming front with push-button clasp for the top tier above circular inset ivory panel inscribed HENNESSY, 5 Wind St., SWANSEA to the middle tier and with inset brass key escutcheon over further disc engraved 1375 to the bottom tier, the sides with recessed brass carrying handles and conforming brass bound edges, 18cm (7ins) wide. Bernard Hennessey is recorded in Peate, Iowerth C. CLOCK AND WATCH MAKERS IN WALES as working from 5 Wind Street, Swansea 1841-75. He was a noted Nautical Instrument-maker, specialising in chronometers and marine barometers, including sympiesometers. Condition Report: Movement is in relatively clean working condition with no visible alteration or obvious replacements. There are a few spots of discolouration to the brass hence a gentle clean and service may be advisable. The dial has overall light patchy discolouration/tarnishing to the silvering otherwise appears to be in fine condition. The brass bowl and gimbal assembly appears all-original and has old dark bronze coloured lacquer finish which is now fairly heavily worn. The silvered canted insert to the glazed bezel also has some discolouration/degradation where it meets the glass. The case appears to be in sound original condition. The leading edge of the top has been repaired by inserting a new quarter-round profile along the full width; the adjacent (ie. outer) brass strings are consequently missing from the leading edge of the top and front. There is also a small loss of stringing to the left corner front of the top tier otherwise all brass inlay appears to be intact and with minimal lifting. Faults to the case are otherwise generally very much limited to minor shrinkage, bumps, scuffs and wear commensurate with age and use with the finish having and overall slightly faded appearance.Instrument retains its original tipsy winder but has no case key. Condition Report Disclaimer
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