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Click here to subscribeËœA FRENCH 'BOULLE' MANTEL CLOCK, MID 19TH CENTURY two train movement striking the hours and halves on a bell, movement signed CF, the gilt dial inset with enamel Roman numeral panels, the Rococo style shaped case with red stained tortoiseshell and cut brass inlay and mounted with gilt-bronze scrolling rocaille, a putto finial and winged dragon headed feet, with key 44cm high
A BRONZE PLAQUE OF THE SACRIFICE TO BACCHUS, AFTER CLAUDE MICHEL CALLED CLODION (1738-1814), PROBABLY 18TH CENTURY rectangular relief, centred by Bacchus and attendant struggling with a sheep at the altar beneath a Bacchic herm flanked by cavorting figures 20 x 50.5cm Provenance: Collection of Alfred Spero (1886-1973), London, from whom acquired by Bernard Kelly between 1967-1969. Another version of this plaque, signed 'Clodion' in the bronze, was held by the North Carolina Museum of Art in Raleigh (No.G.58.4.5), until deaccessioned in 1993.
JEAN-FRANCOIS-THEODORE GECHTER (1796-1844): LA LEVRETTE AU LIEVRE, 1843 a French bronze group probably cast posthumously by Cresson, Paris, mid 19th century, of a greyhound with head turned back crouched over a slain hare, on a rocky naturalistic base, with a distressed wood and cloth oval stand, inscribed to terrace 'GECHTHER 1843' and 'Cresson éditeur' bronze 44.5cm long
JULES MOIGNIEZ (1835-1894): SETTER WITH HARE a patinated bronze group, French, later 19th century, the setter looking back at the hare (or rabbit) crouched under foliage, inscribed to edge of oval base 'J MOIGNIEZ' 22cm long Provenance: Private Collection, Berkshire, purchased from Arthur Ackermann & Son Ltd., London, January 1985 (as per copy of receipt).
JOHN RATTENBURY SKEAPING (1901-1980): ARAB STALLION, 1977 patinated bronze modelled as a cantering horse on an oblong base, cast by Wally Livingstone, Livingstone Art Moulders, Brenchley, Kent, number seven from an edition of ten, inscribed to terrace 'JOHN SKEAPING 77 / 7/10', underside with seal initialled WL 40.5cm long Provenance: Private Collection, Berkshire, purchased from Arthur Ackermann & Son Ltd., London, November 1985 (as per copy of receipt).
A Thomas Webb & Sons Bronze Ware diminutive glass vase, late 19th century, designed by Christopher Dresser, of baluster shape on a circular foot, the rim applied with a disc and two blobs, height 6.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Thomas Webb & Sons bronze iridescent glass vase, circa 1880, the bottle shaped body flanked by two loop handles, height 24.8cm, together with a smaller similar Thomas Webb & Sons bronze iridescent glass vase, height 15.5cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Wedgwood Fairyland Coral and Bronze lustre Melba centre bowl, circa 1925, decorated to the exterior with the Garden of Paradise pattern, the interior with magpies, masks and a Chequer Rosette centre base, gilt printed Portland vase mark to base, pattern No. Z5348, height 14cm (minor faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 1965 Churchill medal in 22 carat gold retailed by B.A. Seaby Ltd, No233/500, medal depicting Churchill, left, with the date 1945 over V for Victory beside the word Churchill, below the engravers name A.Loewental-Lincoln above OB, 24th Jan 1965, R, showing a hand holding a flaming torch with inscription either side "we will fight on land on sea and in the air until Victory is won" and legend reading "unflinching indomitable his spirit saved Britain and so the world" 50mm 118g, in a red presentation case, together with similar silver medal in red presentation case along with a bronze medal in red card box
A 19th century French gilt-bronze and champleve enamel figural candlestick, the stem modelled as a Classical cherub holding a dove in one hand and the single light in the other, with blue floral enamel details to the sconce and a glass drip pan, raised on a circular base with winged paw feet, 22 cm high
A late 19th century French gilt bronze, champleve enamel and onyx desk tidy, with a hinged lidded inkwell mounted on a tripod of winged griffins, with polychrome enamel frieze, glass liner and pine cone finial, the stand raised on four toupie feet, together with an onyx pen holder, the stand 16 cm high x 24 cm wide
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