Bedeutende Barock-TischuhrJohann Conrad Reichel, Bautzen, um 1720H. 26 cmFeuervergoldetes und versilbertes Messinggehäuse und Stand auf Tatzenfüßen. Dreiseitig verglastes Gehäuse auf Volutenfüßen, Sichtfenster mit sichtbarer Unruhe, versilbertes Zifferblatt mit römischen Ziffern, Weckscheibe und gebläuten Eisenzeigern. Zentrales Emaille-Medaillon mit Figurenstaffage und vollplastische antikisierende Frauenfigur aus Bronze als Bekrönung. Auf Platine bez. "Johann Conrad Reichel Budessin". Spindelwerk mit Repetition, Viertelstundenschlag auf zwei Glocken, Gehwerk mit Kette und Schnecke. L. rest., erg., Gehfähigkeit nicht geprüft.Süddeutsche Privatsammlung.Johann Conrad Reichel, Budisin (Bautzen, Lit. Abeler S. 506)
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Seltenes klassizistische KommodenpaarSüdbayern/München, um 178082,5 x 127 x 64,5 cmZweischübiger Korpus auf vier sich verjüngenden, kannelierten Füßen. Mehrfach geschweifte Front mit Mittelrisalit. Aufwendige Marketerie mit Blumengebinde, Sternmotiven, gekreuzten Blattzweigen und seitlichen, antikisierenden Vasenmotiven. Nussbaum, Palisander, Rosenholz u.a., Reste von Kolorierung. Ziselierte und vergoldete Bronze- und Messingbeschläge, Eisenschlösser. Altersspuren, l. rest.Aus einer bedeutenden Bayerischen Sammlung, zwischen 1950 und 1990 gesammelt.
Feine Louis-XVI-Pendule mit Amor und PsycheFrankreich, um 1780H. 31 cmWeißes, gestuftes Marmorgehäuse mit feuervergoldeten, vollplastisch dargestellten Figuren und applizierten Bronze-Friesen und Rosetten. Weißes Emaillezifferblatt mit arabischen Ziffern und Minuterie, bez. Grebert à Paris, verzierte Zeiger. Großes Pariser Werk mit 8-Tagen-Laufdauer, Halbstundenschlag auf Glocke und Fadenaufhängung des Pendels. Gehfähigkeit nicht geprüft, l. rest., min. besch.
Feine Louis-XVI-PenduleFrankreich, um 1770/80 - Tranchepain à ParisH. 40 cmRechteckiger, weißer Marmorsockel mit vergoldeten Bronze-Applikationen und Füßen. Feuervergoldetes Bronzegehäuse mit Ährenbündel-Verzierungen. Bombiertes, weißes Emaillezifferblatt mit römischen Ziffern, arabischer Minuterie, Datum und Monatsanzeige, bez. Tranchepain à Paris. Großes Pariser Werk mit 8-Tagen Laufdauer, Halbstundenschlag auf Glocke, Fadenaufhängung des Pendels. L. rest., erg. Gehfähigkeit nicht geprüft.
C18th/19th Chinese rectangular bronze censer, the heavily cast body rests on four integral corner supports and iflanked by a pair of angular handles with pendent ends. Condition: Please inspect all additional photos for condition. General wear, no other obvious sign of damage or repair 850 gramms, 11.7 cm wide including handles, 5.5 cm high, 7 cm depth
2 Stratton compacts, Swatch Watch 1994, Sekonda watch tapestry handbag and mirror, brass shoe horn with horse head, opera glasses, Armstrong-Siddeley car bonnet mascot late C20th, J Lucas wind up inspection lamp, a ladle, bell, late Victorian Art Nouveau brass piano sconces, decorative door pull, bronze bust of Diana, pen knives etc
An attractively mounted framed display of Royal Engineers badges: 14 cap badges include Vic and EdVII, Geo V non voided and officer’s bronze, Geo VI officer’s bronze, plastic and bimetal, ERII bi-metal and anodised, and ERII Monmouthshire Engineers Militia; also 7 grenade collar badges and 2 pairs of brass titles. GC (includes 2 copies). (25) £100-120
An attractive framed display of Tank Corps, Royal Tank Corps/ Regiment, Royal Armoured Corps, and Reconnaissance Corps badges and titles, including 2 pre 1924 Tank Corps officer’s bronze collar badges, pair of post 1924 Royal Tank Corps/Regt officer’s bronze collar badges, “TANKS” brass title, brass tank arm badge, large bullion embroidered Ryl Tank Corps/Regt badge, etc. VGC (contains a number of copies). £100-120
An attractively mounted and framed display of ASC, RASC and Ryl Logistics Corps badges: 23 cap badges include Vic OR’s, Vic officer’s white metal, pre 1919 officer’s bronze and WWI non voided, post 1919 GRV OR’s, GRVI plastic, officer’s bronze and last pattern officer’s silvered, gilt and enamel, ERII officer’s and anodised, and Ryl Logistics Corps silvered, gilt, and anodised; 11 collar badges include pair of Vic, pair of early KC, pair of GRV, and pair of GRVI officer’s bronze; also a brass pouch badge (?), 2 pairs of brass titles, and RASC cloth title. GC £100-120
A Victorian WM helmet plate of the Natal Mounted Rifles; a similar but smaller chrome plated WWII period helmet badge; a Victorian brass pouch badge with undecipherable monogram (“MAR” (?), Owen lists it as Natal Mtd Rifles, the bolts cut off and a brooch pin fitted); a large post 1921 bronze cap badge of the 8th Transvaal Scottish Infantry, and a similar modern gilt metal example with screw post fittings. GC (5) £50-60.
Emmanuel Villanis (French, 1858-1914),‘Lucrèce’, a patinated bronze bust, c.1890, titled and signed ‘E.Villanis’ and with applied ‘Société des Bronzes de Paris’ foundry stamp,71cm highCondition report: In good order, with only minor wear to the finish commensurate with age. Additional image of foundry mark uploaded.
An Art Deco bronze and frosted glass plafonnier,of octagonal from, with scrolled mounts, centred with a circular panel, with three chains for suspension, 45cm diameter14cm highdrop 30cm approximately,together with the ceiling boss (2)Condition report: Some of the panels are chipped to the edges - this is not visible once suspended. Some wear to the metalware.
*Giles Penny (b.1962),‘Flying Man’, a bronze sculpture, with a mottled-brown/grey patination, signed with initials ‘SP' and dated '02, and numbered 20/50, 32.5cm highProvenance: With Shirley Crowther Contemporary Art, 2006.*Artist's Resale Right may apply to this lot.Condition report: Together with reciept of purchase from Shirley Crowther Contemorary Art.Some scratches to the base.
An Egyptian Revival marble and slate mantel clock garniture,profusely engraved with hieroglyphs and surmounted with a patinated bronze sphinx, flanked with winged lions, the dial with Arabic numerals, 50.5cm wide42cm high, anda pair of garnitures, modelled as obelisks, 56.5cm high (3)Condition report: Some chips and glue residue to the obelisks and around the clock.
*Luigi Galligani (Italian, b.1957),a silvered bronze figure, 13.5cm high,15.5cm high overall, on a plucite standtogether with a book by Nicola Micieli, 'Galligani - Sculture e Disegni', 1994 (2)*Artist's Resale Right may apply to this lot. Condition report: Some rubbing to the top of the figure - some scratches to the lucite plinth/stand.
*Alexander Millar (b.1960), 'The Angel', 2011, bronze, in the form of a man holding ladder, signed 'Alexander Millar' to the right foot and numbered 24/95, on a granite plinth, with signed certificate of authenticity from Washington Green Fine Art,47.5cm high*Artist's Resale Right may apply to this lot.Condition report: Minor rubbing to the base. Overall great condition. No box.
By John Walker, an Arts and Crafts silver two-handled quaich, Birmingham 1925, circular form, spot-hammered decoration, the side handles pierced with scroll decoration and two stone cabochons, on a circular foot, length handle to handle 15.5cm, approx. weight 4.2oz. Provenance: A Private Collection. John Walker (1877-1948) was a highly acclaimed designer, sculptor and craftsman in gold, silver and bronze. Educated at the Edinburgh School of Art, Walker was later master at the Sheffield Arts & Crafts Guild from 1927-28 and was appointed designer and supervisor of the Arts Department at Elkington & Co.
A Burmese 'shan' style gilt bronze figure of a standing, crowned and jeweled Buddha, 19th century: the figure dressed in uttarasanga, the hands cast in Abhaya Mudra, with arched eyebrows, narrowed eyes and elongated ears, the head surmounted by large Ushnisha, raised upon a stepped plinth, 66cm. high.
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