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Click here to subscribePAAR FIGÜRLICHE BRONZEBESCHLÄGE Frankreich, Anfang 20.Jh., Bronze gegossen, halbplastische Darstellung zweier Amorettenfiguren auf Barocksockel, HxB: 25/22 cm. Altersspuren.| PAIR OF FIGURATIVE BRONZE FITTINGSFrance, early 20th century, cast bronze, semi-plasticised depiction of two cupid figures on a baroque base, hxw: 25/22 cm. Traces of age.
LÖRCHER, ALFRED (1875-1962, Prof.), "Hockende mit Spiegel", Bronze patiniert, vollplastische, hohl gegossene Figur einer jungen Frau, Entwurf 1946/47, wohl spätere Gussausführung, da unsigniert und nicht datiert, unter ihrem linken Fuß Gießerstempel: STRASSACKER, KUNSTGUSS SÜSSEN, H: ca. 7,5 cm. Altersspuren. LITERATUR: Marlis Grüterich, Alfred Lörcher, Skulptur, Relief, Zeichnungen, mit Werkverzeichnissen, G. Hatje1976, vergleiche WVZ-Nr. P 107 (die abgebildete Bronze als datiert aufgeführt).| LÖRCHER, ALFRED (1875-1962, Prof.), "Squatting woman with mirror", patinated bronze, full-size, hollow-cast figure of a young woman, designed in 1946/47, probably later cast, as unsigned and undated, foundry mark under her left foot: STRASSACKER, KUNSTGUSS SÜSSEN, h: approx. 7.5 cm. Traces of age. LITERATURE: Marlis Grüterich, Alfred Lörcher, Skulptur, Relief, Zeichnungen, mit Werkverzeichnissen, G. Hatje1976, compare WVZ no. P 107 (the illustrated bronze listed as dated).
Bronze fire giltNepal 15th century style Dimensions: Height 21 cm Width 21 cm Depth 14 cmWeight: 4000 grams The bodhisattva is finely cast seated in vajraparyankasana, his right hand holding up a sword, the khadja, behind his head, his left hand in the vitarka mudra, with a lotus stem supporting a book of the ‘Perfection of Wisdom’, Prajnaparamita Sutra, on his left shoulder. He wears elaborate bejewelled necklaces, armlets and rosette earrings inlaid with semi-precious stones. His dhoti is finely chased with floral motifs, his upper torso left bare. The face has a serene expression with downcast eyes and urna inlaid with turquoise, the head wearing a high crown secured with a five-leaf diadem, the hair piled in a chignon with locks falling over his shoulders.Manjusri, otherwise known as Wenshushili Pusa, is the Bodhisattva of Wisdom. He is often seen in a group of three comprising Sakyamuni and Samantabhadra; the latter commonly portrayed seated on an elephant. Like the current figure, Manjusri is often depicted holding the sword of knowledge and a lotus stem supporting the book of wisdom. A gilt-bronze figure of Manjusri of similar posture and slightly larger size (28 cm.), attributing to Tibet, 14th century, is illustrated in On the Path to Enlightenment: The Berti Aschmann Foundation of Tibetan Art at the Museum Rietberg Zurich, Zurich, 1995, no. 64. Compare also to a Nepalese gilt-bronze figure of Manjusri dating to 15th century, in a seated position similarly clad in bejewelled ornaments, but with both hands in the dharmacakra mudra, illustrated in Meinrad Maria Grewenig and Eberhard Rist ed., Buddha: 2000 Years of Buddhist Art. 232 Masterpieces, Völklingen, 2016, no. 140.
Bronze giltTibet , 19th century Dimensions: Height 24 cm Width 28 cm Depth 13 cmWeight: 1500 grams Statue of the Tibetan Buddhist monk, philosopher and tantric yogi seated on a double reverse lotus throne with beaded rim with his legs crossed, dressed in robes and shawls. He is holding a small vessel containing the nectar of immortality in his left hand resting in his lap, the other hand is raised in front of his chest with thumb and index finger touching. His broad face is smiling with downcast eyes. He is wearing the traditional headdress of Buddhist monks. He is holding the stems of two lotus flowers which are towering next to his head, one holding the sword of wisdom, the other the scripture of perfection of wisdom. The statue is still sealed. On the back of the throne is an inscription.
Bronze with mother of pearlNorth -Thailand , Lan-Na period approx. 1600 Dimensions: Height 49 cm Wide 28 cm Depth 20 cmWeight: 11,5 Kilograms A fine Thai, Lanna style bronze figure of Buddha Shakyamuni seated in virasana on a lotus resting on a shaped base, his right hand in bhumisparsha mudra, the left resting on his lap. Wearing samghati, his face with meditative expression, aquiline nose, smiling lips, elongated earlobes, curled hairdress and separate usnisha. The eyes are inlaid with mother of pearl. The base is inscribed with Thai Tham script. The buddha lacquered and colt gilt, while the base with traces of lacquer on the back.
Bronze giltNepal , 17th century Dimensions: Height 13 cm Width 11 cm Depth 7 cmWeight: 923 grams A depiction of a four-armed deity, possibly Bhairaba, kneeling on one leg while the other leg is bent, sitting close to the ground. He is sitting on a floral base with small adorants to his feet. Three arms are spread to the sides, one is raised in the front and all are forming mudras. A consort is hugging him from the front, holding ritual objects and with her legs wrapped around the god's hips. The wrathful emanation is wearing long garlands with severed heads and skulls, a scarf is billowing down besides him. His face with the third eye is gazing upwards, the crown decorated with skulls and a celestial moon and sun in the center. The statue is hollow, the back is kept simply without details.
Bronze Ladakh / Kashmir or Tibet , 12th century Dimensions: Height 25,5 Wide 10,5 Depth 5 cm Weight: 1186 grams Standing buddha on a lotus base on a tall stepped square plinth . The Buddha’s body and head are enclosed by a pointed halo of flames, characteristic of sculpture from Kashmir in this period. The monk’s robe clings tightly to the Buddha’s slender body, clearly revealing his form. His right hand is making the ‘fear not’ gesture (abhaya mudra) while the left holds the knot of his dress.Usually made by Kashmiri artists, brass statues from the ancient Tibetan kingdom of Ladakh often display distinctive Kashmiri features along with details associated with Western Tibet (such as the irregular pattern of the incised flames on this backplate, the unusual jewellery and crown, the long garland that goes over the arms and under the left leg of the buddha). Provenance: Curio Dealers , 17/10/(19)81 Hotel Rama International , Maharashtra , India Please have a look at the pictures we uploaded for you
Bronze with Xuande MarkChina , Qing Dynasty Dimensions: Height 6 cm Width 14 cm Depth 11 cmWeight: 695 grams Censer with two handles attached on the side. The bottom of the censer is decorated with grooved depiction of two dragons playing with the magical ball, encircling the Xuande mark and production year.Please have a look at the daylight Pictures
Bronze gilt on wood base Thailand , Bayon 13th century Dimensions: Height 14 cm Wide 5 cm Depth 3 cm without baseWeight: 645 grams with base In this depiction, Buddha is depicted as welcoming everyone with the hand gesture of encouragement. Another description comes from the literal translation from Sanskrit. There it is referred to as a “gesture of fearlessness” or a “gesture of protection”.Buddha standing with encouragement gesture right armThe illustration shows the right hand raised at shoulder level, but usually at chest level. The palms of the raised hand point forward towards the viewer.The Buddha's hand position - gesture of welcoming arose from the idea that Buddha is the highest priority and of course does not have to show respect to anyone. This means that Buddha is never depicted with the usual welcoming gesture, the “Wai” in Thailand. This gesture of “Wai” is also carried out under a different name in some Asian countries.A legend says that Buddha had supernatural powers of sense. He can see with the super sensory eye (divyacasus) what others cannot see. With super sensory hearing (divyaśrota) he can hear what others cannot hear. This scared many people off that another person could read their minds. This is how the gesture of encouragement came about, in which Buddha shows people not to be afraid.
Bronze Sculpture on repousse baseBhutan , Tibet or Nepal 18th century Dimensions: Height 22 cm Wide 18 cm Depth 14 cmWeight: 1340 grams Guru Rinpoche often referred to as Padmasambhava is a highly revered sage of Vajrayana Buddhism and a fully enlightened Buddha.He was solely born through the power of his wisdom and compassion to serve infinite sentient beings. The deity is depicted seated upon a moon disc lotus behind a aureole (broken)with a semi-wrathful expression while holding a vajra with his right hand and a vase above his left hand while supporting a tantric staff (missing).
Bronze giltTibet , 20th century Dimension: Height 13 cm Width 10 cm Depth 7 cmWeight: 435 grams Depictions of spiritual masters in Tibetan Buddhism show mostly deceased lamas who acquire divine features only after their death. They were made for commemorative purposes for the disciples. Representations were usually individualized and stereotypical, however they can bear small details which makes them distinguishable apart from a dedicatory inscriptions. This lama is seated cross-legged on rectangular cushions with decorative patterns on the side. His hands are gently lying on his knees, he is wearing flowy robes and a pleated cloak, a high headdress covers his presumably bald head. He has a broad, distinctive face and is smiling lightly. The statue is hollow.
Bronze with Silver eyesTibet , 17th century Dimensions: Height 15 cm Wide 9 cm Depth 15 cm without baseWeight: 2404 grams with base A standing elephant supported by a pillar attached to a flat surface in the center on a plinth. The elephant is adorned with anklets, an ornamental saddle is attached by quasseled belts which are incised on the animal's body. A small noose is attached to the center of the back. Its' trunk is lowered calmly, eyes are inlaid with silver.
BronzeKashmir , 14th century Dimensions: Height 7 cm Wide 4 cm Depth 3 cmWeight: 55 grams Small bronze of Buddha seated on a rectangular cushion with quassels on the corners on a throne with circular holes. The Buddha's left leg is pendant from the edge, touching the floor with the toes. He is dressed in a striped dhoti with belt. One arm is resting on the thigh holding the stem of a flower. The other hand is placed at the shoulder as if in the middle of resting the cheek in it. The torso is bare except for some jewellery. The head is calm with fleshy lips and a large nose, drop-shaped pendants hang from the ears and a tiara presses the wavy long hair to the head. A small noose is attached to the back, the statue is hollow.
Bi-Metal Bronze with inscriptionTibet , 15th century Dimensions: Height 22 cm Width 13 cm Depth 10 cmWeight: 1785 grams Bronze figure of Buddha seated in dhyanasana posture on a double reverse lotus flower on square expansive base with mandorla at the back. One hand is lifted showing the abhaya mudra with prayer beads, gesture of fearlessness and protection, the other hand is resting gently on the knee holding prayer beads and forming a mudra. The face is smiling benevolently. A flower is growing on the side. The back of the base shows an inscription. The statue is sealed. Please have a look a the pictures we uploaded for you here
BronzeChina , 19th century Dimension: Height 23 cm Width 18 cm Depth 8 cmWeight: 2619 grams Chicken shaped bronze standing on wood base, the beak tip is sharp and hooked, the tail and feet are rolled inside its bottom, and its back carries a vase. This bronze in the shape of a bird is generally called the "Heavenly Chicken Vase". The “Heavenly Chicken Vase” means treasure, exorcise evil spirits, and it is also a symbol of heroism sometimes.
BronzeChina , Ming Dynasty or earlier Dimensions: Height 16 cm Width 27 cm Depth 6 cmWeight: 1200 grams Bronze statue of a mystical dragon on its feet, one front leg stretched out to the front, the long neck rising up in a s-shape with mouth open and bulging eyes.Please have a look at the daylight pictures
BronzeKashmir , 10th century Dimensions: Height 10 cm Wide 6 cm Depth 4 cmWeight: 235 grams Kashmir bronze showing Buddha seated in dhyanasana on a double reverse lotus flower with larger petals on the bottom and smaller ones above. His right hand in varada mudra, his left upraised holding the hem of his pleated robe. The whole body is covered in a flowy robe, the oval face looking serene. A minimalist depiction of Buddha without any jewellery or other decoration.
BronzeChina , Qing Dynasty Dimensions: Height 17 cm Wide 14 cm Depth 11 cmWeight: 842 grams Bronze censer with handles in the shape of makara heads, the foot decorated with band of repetitive pattern. The top of the censer is decorated with a band with ornamental background highlighted with abstract shapes of birds. The bottom shows a mark.
Bronze Tibet , 16th century Dimensions: Height 10,5 cm Wide 8,5 cm Depth 6,5 cm Weight: 601 grams Marpa Chokyi Lodro (1012-1096) , dressed in monastic robes sitting on a cushion in the ardhaparyanka position both hands in bhumisparsamudra.He was one of the most important teachers and translators of the Indian Sanskrit Tantras during the second diffusion of Buddhism into Tibet. He laid the foundations for what developed into the Kagyu school.According to legend, his principle teacher was the Indian Mahasiddha Naropa and his principle student was the poet saint Milarepa.The present example is one of the finest known pieces of late Tibetan bronzes.It features exceptionally fine casting and well executed floral motifs throughout the clothing and cushion base.He travelled to India several times to study and became the disciple of Naropa, one of the eighty-four mahasiddhas celebrated in Tibet.
Bronze with Silver eyesSwat Valley , 10th century Dimensions: Height 9,5 cm Wide 7 cm Depth 3 cmWeight: 239 grams Swat valley Buddhist sculpture's characteristics are large, unadorned lotus bases and primarily Buddha figures like Maitreya and Bodhisattva Lokeshvara are depicted. Here we see the Buddha on a large double lotus base with bulbous petals, seated with legs crossed in a flowy robe covering the body. He is gesturing the vajra mudra, standing for knowledge and enlightenment. His face is highlighted with silver eyes, the head backed by an aureole with decorative brim.
BronzeTibet 13th century Dimensions: Height 5,5 cm Wide 3,5 cm Depth 2,5 cmWeight: 66,7 grams Jambhala seated on a double-reverse lotus base with beaded rim, one leg pendant on a smaller, extending flower, the other leg drawn to his body.He is holding a fruit in his right hand resting on his knee, the other hand is holding the mongoose Nehulay. The body is adorned with jewellery, the expression welcoming and attentive. He wears large hoops as earrings and a winged tiara. The bronze was in extensively use and therefore slightly rubbed. Resealed
BronzeIndia , 1950 Dimensions: Height 9 cm Width 7 cm Depth 5 cmWeight: 491 grams Bronze statue of Ganesha sitting on a round, hollow lotus base with beaded rim on a square surface. Sitting in ease position with one leg pendant supporting itself on a small lotus flower, his consort is sitting on his other knee. His consort is dressed in a striped long dhoti, adorned with jewellery and conical headdress, she is holding a conch shell in her hand. Ganesha is also dressed in a short dhoti, adorned with jewellery and wearing a conical headdress. He has four arms and is embracing his consort with one hand. With his trunk he is reaching for the ball of sweet ladhu balls which is placed in his right hand, the upper right hand is holding his broken tusk. Looking at his back we see the pattern of his dhoti and belt as well as his hair decoration.
Bronze with silver eyesTibet , 16th century Dimensions: Height 19 cm Wide 10 cm Depth 5 cmWeight: 660 grams Standing Bodhisattva on a small double-reverse lotus flower with beaded rim backed by an open-work mandorla with ornamental flames.Padmapani is standing slightly bent at the waist dressed in a long dhoti with decorative pattern and fastened around waist by a belt with floral pattern.His right hand is lowered showing the varada mudra, the other hand raised in front of the chest with ring finger touching the thumb.The belly and chest look soft, the broad face has some features, expression calm and loving with downcast eyes and a raised urna.A winged tiara decorates the hair done up in a high bun. Large flowers are growing on each side of the Bodhisattva.
Bronze gilt with stonesNepal , 17th century Dimensions: Height 31 cm Wide 12 cm Depth 10 cmWeight: 2584 grams Large statue of Vishnu, God of Preservation, standing on top of his mount Garuda, the King of Birds and Kites. Vishnu is standing with four arms, dressed in transparent robes and adorne with lots of jewellery with blue stone inlay. A beaded aureole surrounds him with an additional halo around his head. In his four hands he is holding a flower, a conch shell, the discus and sword. Garuda is depicted as a bird with the torso and head of a man with four arms. Two arms are joined in prayer position while two other arms are spread along his wings. He has bulging eyes, a serious expression and a red stone inlay urna, large circular pendants adorn his ears and his hair is done up in a bun.
Bronze firegilt with long inscription Tibet , 15th century Dimensions: Height 19 cm Wide 16 cm Depth 13 cmWeight: 1922 grams Statue of Lama Marpa Lotsawa who is credited with the transmission of many Vajrayana teachings from India. The teacher is depicted seated with legs crossed on a lotus base and cushion wearing finely decorated garments with intricate ornaments and a cape over his shoulder. Both hands are resting peacefully on the knees, his left hand holding prayer beads. The broad face is smiling welcomingly with attentive eyes. Inscription Translation:1.) Phonetic: Om Khä drub gön po Seng ge-i shab la gü pä dü do dschin gyi lab du söl 2.) Translation: Om! With deepest respect I bow before the honorable protector equal to a lion, the benefactor and scholar. Bless us! Provenance: Peter Sloane , 5/7/92
Bronze with silver eyesSwat Valley , 10th century or later Dimensions: Height 17 cm Wide 10 cm Depth 7 cmWeight: 1020 grams Avalokiteshvara in a ‘pensive mood’, his right elbow supported by the raised knee, the forefinger pointing to his temple, his left hand placed on his thigh and holding the stem of a large lotus flower. The lower body is dressed in a striped dhoti, the sacred thread runs along the naked upper body also adorned with armlets, bracelets and a beaded necklace. The oval face has a calm expression, the eyes downcast and framed by elongated earlobes with earrings. The hair is done up in a bun enclosed by a crown with an effigy of Buddha Amitabha in the center. The matted hair running down in strands can be seen from the back, an eyelet attached to the back.A distinctive style or school of sculpture associated with Swat Valley and its surrounding hills flourished from about the sixth to the end of the tenth centuries CE. Among the features most often associated with Swat Valley sculpture is a narrow-waisted lotus base with wide, rounded, unembellished lotus petals as can be seen here. - Age confirmed by the oldest private laboratory specialized in TL-Analysis ( Laboratory Kotalla )DATING CONFIRMED BY TL TEST FROM GERMAN LABORATORY , TEST RESULT ATTACHED TO THE PHOTOGRAPHS
Breuer, Peter, 1856 Köln; 1930 Berlin- Bildhauer und Medailleur: Grosses Liebespaar "Adam und Eva" 1891Bronze mit Dunkelbrauner Naturpatina - im Sockel signiert und datiert, 50x45x35cm. Frühwerk des erfolgreichen Bildhauers vor den vielen öffentlichen Aufträgen. Zum Beispiel Büste Wilhelm II. oder Denkmal für Otto Lilienthal.
Schmidt-Kestner, Erich, Berlin 1877 - Kassel 1941 - Künstler. Deutscher Bildhauer, Studium an den Kunstakademien in Berlin und Düsseldorf: Fuchs reisst einen HahnBronze mit dunkelbrauner natürlicher Patina, Länge 50cm, Höhe 25cm (auf schwerem weiß geädertem Marmorsockel), Breite 17cm, auf d. Plinthe sign. Ohne Besch. Z1 Selten.
Portaluhr von Gaspard P. Sennings No 252 ca 1780Gehäuse aus weißem Marmor, mit reichem Dekor aus feuervergoldeter Bronze, Schleife aus Bronze vergoldet und Vasenbekrönung, französisches Messingplatinenwerk mit großer Schlossscheibe und Fadenaufhängung des Sonnenpendels, weißes, gewölbtes Emaillezifferblatt mit arab. Minuterie und lat. Ziffern, vergoldeten Kettenzeigern, 8 Tage Gangreserve, Werk läuft an, Schlag löst aus, im Werk graviert: "Gaspard P. Senning rs", Höhe 53cm, Breite 23,5cm,Tiefe 10cm
Portaluhr belg./franz. 19. Jh.Mahagoni mit Marketerie und Vergoldungen; Applikationen und Pendel Bronze vergoldet, Zifferblatt Bronze mit römischen Ziffern, 8Tagewerk, auf dem Werk bez. 2/2 T N, Halbstundenschlag auf Glocke, Pendelaufhängung gebrochen, läuft an, Pendel und Schlüssel vorhanden, 15x26x40cm, um 1840, Z2
Königl. Meissen, Unterglasurblaue Marke 1740-1780 sowie 1774-1824: Runde Deckeldose „Vogel auf Blütenzweig", Blaumalerei, reich vergoldetPorzellan Unterglasur blau, Aufglasur korallenrot bemalt und reich gold staffiert, unterglasurblaue Marke ca. 1760 -1780 (vergl. Röntgen 1719), Dm 7cm, min. berieben, 1. Wahl, rund mit Scharnierdeckel, Montage Bronze vergoldet, Z1-2
Schoulao mit Hirsch: wohl Zhongli Quan -Daoistischer GottZhongli quan ist einer der 8 unsterblichen chinesischen Genien. 30x33x24 cm Bronze mit dunkelbrauner bis schwarzer natürlicher Patina, min. Bereibungen der Patina, einsteckbare Hörner - Sitzender Weiser mit Fächer und liegendem Hirsch - Japanische Bronze des Zhongli oder des Pindola Bharadvaja. Vollständig, Z2.Schoulao with deer: probably Zhongli Quan -Daoist GodZhongli quan is one of the 8 immortal Chinese genii. 30x33x24 cm Bronze with dark brown to black natural patina, min. rubbing of the patina, insertable horns - Sitting sage with fan and lying deer - Japanese bronze of Zhongli or Pindola Bharadvaja. Complete, Z2.
Sammlung Deutsches Reich silber und Notgeld2 Reichsmark Luther 1933, Jäger 352Mint, 6x5 Mark Hindenburg Varianten, 4x 2 Mark 165g Silber, 23 Stück, dabei Provinz Westfalen Inflationsgeld Alu Bronze vergoldet etc. 7 Stck Sammlung Pfennige und 50 Pfennigstck 1922-1949 (4X Prägung d,f,j) 24 Stck
Sammlung TischuhrenHolzgehäuse, Mahagoni mit vergoldeten Bronzeappliken, Porzellanzifferblatt mit arab. Ziffern, Werk Lenzkirch 854309/1000000, Halbstundenschlag auf Glocke, 8 Tagewerk, ca. 34cm hoch; kleine Jugendstil Porzellantischuhr, Delfter Porzellan, Zifferblatt mit arab. Ziffern, ca. 24cm hoch; bizarre kleine franz. Tischuhr aus geschmiedetem Eisen, verziert mit Rosen und Blättern, Porzellanzifferblatt mit arab. Ziffern, ca. 23cm hoch; kleiner Tischwecker aus Bronze, römische Ziffern, ca. 21cm hoch. Insg. 4 St., Funktion nicht überprüft, Z3
Butzke, Bernhard, 1867 Berlin - 1952 ebenda: Reh mit KitzBronze, dunkel patiniert, Plinthe sign. "B. Butzke, Berlin", wohl Bildgiesserei Kraas/Berlin, auf Marmorsockel, H. 43 cm (48,5 cm mit Sockel), min. berieben an Rücken u. Ohren. - Berliner Bildhauer, 1893-1900 bei KPM tätig, 1922-23 für die Schwarzburger Werkstätten sowie freiberuflich in Berlin, Z 2.
Büschelberger, Anton, 1869 in Eger; † 1934 in Dresden: 4 spielende Jungbären auf einem BaumMassive Bronze gegossen dunkelbraune bis oxydgrüne Patina -im Sockel signiert. 70,5x45x19cm Grosse Ausführung - Z1.Kunstbildhauer, Studium an der Kunstakademie München. Schwerpunkt in naturalistischen Tierskulpturen, Inspiration gewann er dafür im Dresdner Zoo. Quelle: Wikipedia
Loriot, Vicco von Bülow 12. November 1923 - Münsing, 22. August 2011: "Herren im Bad" - BronzeBronze dunkelbraun bis grün patiniert, limitiert auf 159 von 980 Stck. Z2. 18,5x17x8cm, unleserliche Giesserstempel-ars mundi-Edition."Ich bin davon überzeugt, dass sich die meisten Konflikte in einer rücksichtsvollen und von gegenseitigem Respekt geprägten Atmosphäre beilegen lassen." sagte Loriot in einem seiner seltenen Interviews.
Pärchen japanische Bronzeleuchter als Reiher ca. 1880auf Schildkröten stehend, Bronze m. Resten v. Vergoldung, dunkelbraune Naturpatina, Schraubgewinde, Höhe je 28cm, Japan oder Frankreich, Japonismus ca. 1880. Z2A pair of Japanese bronze candlesticks as herons ca. 1880standing on turtles, bronze with remains of gilding, dark brown natural patina, screw thread, height 28cm each, Japan or France, Japonism ca. 1880. Z2
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