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Click here to subscribeSalvador Dal’, 1904-1989 CABINET ANTHROPOMORPHIQUE inscribed Dal’, stamped Fonderia Mibrosa and numbered 162/330 bronze length: 23cm.; 9in. Executed in 1982. Literature Robert & Nicolas Descharnes, Dal’, Le dur et le mou, Sortilege et magie des formes, 2004 Paris, no. 683, p. 266, illustration in colour of a larger cast
Geoffrey Dudley (1918-1986) Nebula bronze relief, mounted on board, inscribed verso together with two other reliefs each about 58 x 39cm (23 x 15 1/2in) Note: Geoffrey Dudley, designer and sculptor, was born at Wednesfield, Staffordshire, and studied at Wolverhampton School of Art. A travelling scholar and lecturer in sculpture, he was head of Department at Chelsea School of Art from 1974 to 1984
Gilbert Bayes (1872-1953), a patinated plaster garden water feature Sea Urchin, designed in 1934 to be cast in bronze but never cast, 138cm high. #Sold with the right to cast up to six reproductions of this figure in bronze. Provenance: The Gilbert Bayes Charitable Trust. #Literature: The Artist, September 1943, illustrated and Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 161
Gilbert Bayes (1872-1953), an equestrian bronze John Churchill, 1st Duke of Marlborough, 1650-1722, brown patinated and parcel gilt, inscribed GILBERT BAYES 1934, on a bronze titled plinth with battle honours verso, 89cm high overall. Provenance: The Gilbert Bayes Charitable Trust. Exhibited: Royal Academy and Liverpool 1935, Glasgow 1936, Institute 1939 (150gns), Royal Academy Winter 1940, Russia 1942 (150gns)Literature: Modern Sculpture RBS, 1939, p. 2, illustrated; The Studio, Vol. 32, July 1946, p. 83, illustrated and Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 163
Gilbert Bayes (1872-1953), a bronze figure group St. Christopher carrying the Christ Child, green patinated, 42cm high. #This figure was inspired by the Royal Automobile Club Plaque d'Honneur. Provenance: The Gilbert Bayes Charitable Trust. See Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 186
Gilbert Bayes (1872-1953), a bronze figure group 'St. George 'He is for England'', brown patinated with polychrome painted highlights, titled around the base and inscribed GILBERT BAYES 1939, 54cm high, on an ebonised base. Provenance: The Gilbert Bayes Charitable Trust. Exhibited: Royal Academy 1940 (150gns), Glasgow (150gns), Russia 1942, Bournmouth 1943, Southport 1946 and Ealing 1947. See Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 174
Gilbert Bayes (1872-1953), a white marble sculpture of a water baby, carved as a naked boy seated on a rock with a garland of flowers, 55cm high. Provenance: The Gilbert Bayes Charitable Trust. See Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 146 and 148 for similar examples in Doulton stoneware and bronze entitled 'The Water Baby'
Gilbert Bayes (1872-1953), a green patinated bronze group The Wine Wagon, also known as The Italian or Naples Wine Cart, designed in 1913, 24cm long, on a wooden base. Provenance: The Gilbert Bayes Charitable Trust. See Irvine, Louise and Atterbury, Paul. Gilbert Bayes: Sculptor 1872-1953. Shepton Beauchamp 1998, p. 120
A Symbolist bronze figure representing an allegory, rich green patination, unsigned, on an orange and cream marble cylinder and block base, 41.5cm high overall. See Sothebys, London, 19th and 20th century Sculpture, 15th March 1991, lot 309 for a bronze door knocker 'Allegory of Sculpture' attributed to Harry Bates (1850-1899). See also the collection of the Cecil Higgins Art Gallery, Bedford for another example of the door knocker: there fully attributed to Harry Bates ARA as it has been identified from a photograph by the artist's son and was possibly exhibited at the Fine Art Society in 1902. Our present lot displays similar attributes to the above and to New Sculpture in general
Franz Bergman (1898-1963), a cold painted bronze mechanical figure of an erotic female dancer, her hinged skirt opening to reveal her nudity, standing on a rug with one leg outstretched, on a circular marble base, impressed Bergman seal mark and stamped 'Nam Greb' to reverse of dress, circa 1910, 15cm high
Jacques Louis Gautier (b.1831), a Russian cast iron figure of Mephistopheles, standing on a rocky base, signed in the maquette, cyrilic foundry stamps, Soviet period, 73.5cm high. See Neales, Nottingham sale Furniture & Clocks, Pictures & Books, 23 November 2006, lot 64 for a larger bronze example of this figure
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