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An early 19th century French bronze and marble mounted dressing table mirror, with a circular plate, within a frame decorated with palmettes, above an urn and quiver stem, on a pierced dished base, 33.5cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
Two Victorian opaline glass table lamps, with bronze mounts of scrolls, leaves and flowers, together with a brass and fluted glass column table lamp with an Ionic capital, 45.5cm high (excluding fittings) (max). (3) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A large collection of parliament of owls and related items, in bronze, brass, pottery, porcelain, papier-mâché, spelter and other media, including: inkwells, a candlestick, boxes and covers, a clock, vesta holders, a pen-wipe, letter rack, a table bell and other items by various makers, including: Doulton, Crown Derby, Eichwald and B & G Denmark, 19th century and later, 27.9cm high (max). (79) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A late 19th century French bronze and ebonised clock inkstand, with a drum movement by Henry Marc, with an outside countwheel striking on a bell, stamped on the backplate, the white enamel dial with Roman numerals and signed 'HRY MARC A PARIS', flanked by two cherubs one with a book the other with a lyre, with a pair of glass inkwells flanking a pen tray and two lidded compartments, 29.8cm high, 47.3cm wide. Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
Isidor-Jules Bonheur (French 1827-1901). A bronze model of a standing bull, on a naturalistic oblong base, signed 'I BONHEUR' and stamped 'PEYROL EDITEUR', 38.5cm high, 54.5cm long. Provenance: Sotheby's, 19th & 20th Century European Sculpture, 16th November 2006, lot 66. The collection of Roy Merley. Bonheur was a regular Paris Salon exhibitor and the bull was one of his most popular subjects. The above bronzes were both cast by his brother-in-law, Hippolyte Peyrol, and they display the fine quality finish one would expect from a top fondeur.Click here to view the online page turning catalogue.
AMENDED Isidor-Jules Bonheur (French 1827-1901). A bronze model of a running cow, on a naturalistic oblong base, signed 'I.BONHEUR' and stamped 'PEYROL', 37.4cm high, 67.5cm long. Provenance: The collection of Roy Merley. Bonheur was a regular Paris Salon exhibitor and the bull was one of his most popular subjects. The above bronzes were both cast by his brother-in-law Hippolyte Peyrol and they display the fine quality finish one would expect from a top fondeur. Click here to view the online page turning catalogue.
Alphonse-Alexandre Arson (French 1822-1880). A large 19th century bronze group of a cockerel looking down at a sparrow, on a naturalistic base, signed 'ARSON', 68.5cm high. Provenance: Sotheby's, 19th and 20th century Sculpture, 12th May 1995, lot 39. The collection of Roy Merley.Click here to view the online page turning catalogue.
Jules Moigniez (French 1835-1894). A bronze model of a young game bird chasing a butterfly, with a naturalistic base with rocks and leaves, signed 'J. MOIGNIEZ', 30.3cm high. Provenance: Christie's, 15th May 1997, lot 364. The collection of Roy Merley.Click here to view the online page turning catalogue.
Jules Moigniez (French 1835-1894). A bronze model of a heron on a river bank, the naturalistic base modelled with shells, rocks, reeds and waves, signed 'J Moigniez', 55cm high. Provenance: Sotheby's, European Sculpture & Works of Art, 16th April 2002, lot 230. The collection of Roy Merley.Click here to view the online page turning catalogue.
Jules Moigniez (French 1835-1894). A bronze model of a pheasant, standing on rocks with leaves, signed 'J. MOGNIEZ', 50.4cm high, 51cm wide. Provenance: Christie's, The 19th Century, 27th February 1997, lot 239. The collection of Roy Merley.Click here to view the online page turning catalogue.
A pair of French polished brass or bronze urns in Louis XVI style, the fluted lids with pineapple finials, with ram's mask handles above bodies relief decorated with Bacchanalian scenes with cherubs, the bases with laurel wreaths, 19th century, 41.5cm high. (2) Provenance: The collection of Roy Merley.Click here to view the online page turning catalogue.
Isidor-Jules Bonheur (French 1827-1901). A pair of bronze urns, the bodies relief decorated, one with cattle working and in repose the other with scenes with horses racing and pulling a chariot, signed 'I. BONHEUR', with scrolling leaf handles, stamped 'PEYROL' foundry mark and on polished black marble plinths, with removable liners, 36.1cm high. (2) Provenance: Sotheby's, European Sculpture & Works of Art 900-1900, 9th April 2003, lot 162. The collection of Roy Merley.Click here to view the online page turning catalogue.
After Giambologna (Flemish 1529-1608). A 19th century bronze group of the Rape of the Sabine Women, dramatically modelled with three figures, the base signed 'J de Bologne', 114cm high. Provenance: Sotheby's, 19th & 20th Century Sculpture, 4th June 1998, lot 49. The collection of Roy Merley. The original marble by Giambologna created between 1581 and 1583 can be found in the Loggia dei Lanzi in the Piazza della Signoria, Florence. The Rape of the Sabine women was a popular subject in art, particularly in the Renaissance period, because it gave artists the opportunity to depict complex scenes with numerous figures in action. It recalls the story, recounted by Livy and Plutarch, of the early days of Rome when, to ensure the survival of the community, Romulus organised a festival to which he invited inhabitants of neighbouring settlements including the Sabines. At a pre-arranged signal the Roman soldiers carried off the unmarried Sabine women.Click here to view the online page turning catalogue.
Emile Louis Picault (1883-1915). A bronze figure of a fisherman, carrying rope, tools and a lantern, standing on a naturalistic base, signed 'E. PICAULT', on a titled bronze plinth inscribed 'PECHEUR Par Picault (Sculpt)', 72.8cm high (excluding plinth). Provenance: Christie's, 3rd November 1994, lot 233. The collection of Roy Merley.Click here to view the online page turning catalogue.
Adrien Etienne Gaudez (French 1845-1902). A bronze figure of a young chef playing the violin, with one foot on a saucepan, the base with a cabbage, titled 'LULLI ENFANT' and signed 'A. GAUDEZ', numbered with fondeur's pastille, 50.3cm high.Click here to view the online page turning catalogue.
Carlo Marochetti (Italian, 1805-1867). A bronze bust of the Duke of Wellington, signed with publication date 'NOVBER 4 1852', 11cm high, together with a 19th century Jerusalem mother of pearl frame, decorated with leaves and panels of saints, a George IV magnetic sundial by Porter, the interior with a trade label, inscribed 'PORTER'S MAGNETIC SUN DIAL, on the FLOATING Compass Card, Enter'd at Stationer's Hall', the dial date 'March 17, 1825', a mid-18th century gilt brass travelling inkwell and sander and other items, 20.8cm high (max). (7)Click here to view the online page turning catalogue.
A pair of Regency gilt and patinated bronze storm lanterns, each with a glass shade decorated with cut glass bands, above a palmette decorated collar, with a turned stem and an hexagonal base applied with anthemion motifs, 43cm high, 15.4cm wide. (2)Click here to view the online page turning catalogue.
AMENDED A pair of Regency gilt and cold painted bronze candelabras by Cheney, each with a detachable fluted sconce above cut glass drop and lustres supported by serpent scroll arms and a basket of fruit, with griffin monopodia and lions paw feet, 29.2cm high, 25cm wide. (2)Click here to view the online page turning catalogue.
A Victorian brass serpentine fender, with pierced lattice decoration, a brass and wirework triptych fireguard, a bronze and glass Gothic style folding firescreen and a brass warming pan, repoussé decorated with a pair of lions flanking a coat of arms, 126cm (max). (4) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
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361340 item(s)/page