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Lot 522
λClaire Jeanne Roberte Colinet (1880-1950)Towards the Unknown (Valkyrie) patinated and gilded bronze and ivory on textured stone base signed in the stone base Cl J R Colinet, 68.5cm high 70cm. wide Provenance From the collection of Richard Hollins Murray, Dinmore Estate, thence by descent. Literature Bryan Catley Art Deco & Other Figures, ACC Books, page 111 for this and the smaller size illustrated. Ivory declaration reference CXSQQX5K
Lot 251
* Turner (Benjamin Brecknell, 1815-1894). A large album of fine watercolours and drawings compiled by Benjamin Brecknell Turner, circa 1825-1870, containing: a pencil frame of foliage and branches for inscription (recently filled in); 64 watercolours (a few sepia or grisaille); 11 pencil, pen & ink, or chalk drawings; and 11 photographic prints, carefully mounted within line borders on rectos only of 78 leaves, including portraits, British and Continental views, and animal studies, many captioned and signed or attributed, a number dated, including 5 works by Benjamin Brecknell Turner (bust of a Roman soldier; 'The Old Royal Humane Society's House, Hyde Park'; view of a beached sailing boat captioned 'Hastings'; a grisaille watercolour of prancing Arab stallions; and an interior scene with figure); a rural riverside scene by Henry Robert Robertson; studies of narcissi, an auricula, and dogs by Lucy Jane Turner; several works by Agnes Chamberlain (a view of Caernarvon Castle, and one of Bredicot Court, Worcestershire, showing trackbed before rails and bridge of proposed new railway), study of a purple daisy flower by Elizabeth Brecknell Turner, 'Cromer from the East (Augt. 1870)’ by Agnes Lucy Turner, a number of skilful portraits of young ladies by E. Preston, and 3 photographs, 1 of Mundapam with façade of stone horses, Tiruchchirappalli, by Samuel Bourne (1834-1912), circa 1860s, vintage albumen prints, signed and numbered '2064' & '2066' in the negatives, and 1 by Vernon Heath captioned 'The Porch', circa 1860s, plus a hand-coloured engraving inscribed 'The Walhalla. Bought at Ratsibon. 1845', leaf size 37.5 x 26.5 cm, all edges gilt, pink moiré endpapers, bookplate of Benjamin Brecknell Turner on front pastedown, original green morocco, spine and sides gilt panelled, extremities rubbed, upper cover near-detached, folioQTY: (1)NOTE:Provenance: Formerly the property of John Patrick Lory Allen (1929-2017) of Laddenvean, 77 Wembdon Hill, Bridgwater.A unique and important album compiled by pioneering photographer Benjamin Brecknell Turner.Several of the works in the album offered here are by Benjamin Brecknell Turner himself (initialled 'B.B.T.' or labelled 'B.B. Turner'). A number of the other drawings are by family members, notably: Turner's mother Lucy Jane Turner, née Fownes (1786-1870); his wife Agnes Chamberlain (1828-1887), who grew up at Bredicot Court, Worcestershire; his sister Elizabeth Brecknell Turner; his daughter Agnes Lucy (1851-1901); and her husband Henry Robert Robertson (1839-1921). Of the remaining works, many appear to be by expert hands or at least accomplished amateurs, and include paintings by E. Preston, F.G. Jones, Elizabeth Lucas, Charles May, Mark Bond, W.H. Urwick, T.M. Joy, J. Churchill, and George Fisher.One of the earliest amateur photographers, Benjamin Brecknell Turner - a chandler by trade - began experimenting with the medium barely ten years after its invention, making an important contribution to its rapid development. He took out a licence in 1849 to practise Fox Talbot's patented photographic process, and soon began exhibiting widely. In 1852 he showed six photographs of the interior of Crystal Palace at the first exhibition devoted solely to photography, held by the Royal Society of Arts in London, and in 1855 he won a bronze medal whilst exhibiting at the Universal Exhibition in Paris. The following year the Photographic Society of London was formed, Turner one of the founding members. He is best-known for his evocative scenes of rural life, typically photographing picturesque, quintessentially English scenes, such as ruined abbeys and castles, thatched barns and farm implements, half-timbered houses, crumbling cottages, ancient oak trees and woodland paths. The V&A holds an album of his works, entitled Photographic Views from Nature, containing some of the earliest photographs of rural England as well as images of the Crystal Palace. The album - in a binding not dissimilar to ours - was assembled by Turner in the mid 1850s, and purchased by the V&A from his descendents in 1982.
Lot 95
* Censer. A Chinese bronze censer impressed with the Pseudo mark of Xuande, of rectangular form with bamboo effect rim and handles, 18 cm wide, presented on a faux bamboo wooden stand with bamboo leaf pierced cover and jade final pierced with exotic birds, the height including stand 15 cm QTY: (1)
Lot 363
Two bronze mortars, 18th century, one with plain body and flat base, 9.2cm high, 12cm diameter; the other with flared rim and ringed body, 7cm high, 11cm diameter; together with a bronze pestle, 20.5cm long (3)The larger mortar historical bruises and knocks the the rim, body and foot consistent with age and use. The smaller mortar with two indentations to the rim and further small knocks.The pestle in good order with wear and tear to be expected with age and use.All items are in polished, clean condition.
Lot 384
A gilt-bronze chamberstick, 19th century, the engine turned bobeche and acanthus sconce supported by a hippocampus, on octagonal dish with scrolling handle and anthemion thumbpiece, approx. 9.2cm high, 11cm wide, 11cm deep Interior of sconce and bobeche with scratches and Verdigris. Minor scratches and tarnishing to rest of chamberstick, heavier scratches to underside.
Lot 403
A French gilt-bronze twin-light candelabrum, late 19th century, converted to electricity, with tri-form base, 46cm high excluding fitment; together with a white metal oil lamp, late 19th century, converted to electricity, mark TW & S, modelled as a swan, with painted glass reservoir, 39cm high; a Chinese bronze table lamp, 23cm high; a small brass hanging lantern, 36cm high; and a gilt-bronze three-light wall applique, 20th century, the backplate 39cm high (5)It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Please refer to department for condition report
Lot 456
An African bronze toy of an elephant, 20th century, modelled standing on two axles supporting a set of four ovoid wheels, the elephant with a rider holding a knife, 13.5cm high x 13.5cm x 10cm Provenance: the Estate of the late designer Anthony Powell (1935 – 2021)Please refer to department for condition report
Lot 493
A French bronze and marble mantel clock, late 19th century, the case with mother and child seated reading a book, on stepped white marble plinth base on four gilt brass toupee feet, the white enamel dial with Roman numerals, eight day movement striking a bell, backplate stamped Farret a Paris and with lozenge for Medaille D'argent Vincenti & Cie, 27cm high, 41cm wide (VAT charged on hammer price)Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece. Please refer to department for condition report
Lot 501
A French gilt-bronze and champleve enamel mantel clock, early 20th century, the white enamel dial with arabic numerals, the waisted case with c-scroll motifs, 22cm high; together with a Swiss music box, late 19th century, the box applied with a print of a girl seated at a piano with two dogs, 22cm wide, with a box of discs made by Wosth, Paris (3) (VAT charged on hammer price) Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece or the workings of mechanical music boxes. Please refer to department for condition report
Lot 203
A quantity of Chinese hardwood stands of varying design and size, together with a giltwood clock stand; a pair of circular mahogany vase stands; three further stands; a black lacquer tray; a resin model of a seated Buddha, 30cm high; and a gilt-bronze South East Asian Buddhavista, 28cm high (lot)(VAT charged on hammer price) Please refer to department for condition report
Lot 222
A Japanese bronze elephant, Meiji period, modelled with trunk raised and stepping on a panther with its left leg, with another panther climbing on its back, character seal mark to the underside, with naturalistically carved tree trunk base, 32cm high excluding baseThe ivory tusks have been removed. Overall in good condition with light tarnishing and verdigris in some areas.
Lot 223
AMENDMENT: Please note, this lot is 20th century in age and in the style of the Nara period, not 8th century. A Japanese iron tsuba, 20th century, in the style of the Nara period, cast as five mushroom heads with with two lines of inscriptions to the centre, 9cm long, together with a large bronze bangle (2) Provenance: Previously in the Werner Forman (1921-2010) Collection Please refer to department for condition report
Lot 234
A group of Japanese objects of vertu, 20th century, to include: a small Japanese slip pottery and bronze mounted jug, the bronze naturalistically modelled as tree branches, bearing signature to the underside, 5cm high; a Japanese Imari style paneled porcelain bowl decorated in red and blue with flowers and geometric patterns, 19cm diameter; a Kutani porcelain baluster vase with twin dog form handles, decorated with landscape domestic scenes and geometric patterns, 36.5cm high; and a part porcelain Kutani style tea and coffee set comprising two coffee cups, 6.5cm diameter, three saucers, three side plates, and three small plates (lot)Some damage to the slip pottery, crazing to the baluster vase, wear to gilt highlights throughout.
Lot 238
A group of twenty four small bronze Asian seated Buddhas, 20th century, including Thai and Chinese examples. the largest - 12cm high; together with a Chinese bronze censer, 20th century, 11cm high (25)All the Buddahs in apparently good overall condition with no apparent losses or restorations. Some with small casting faults.The censer with casting faults to the cover.
Lot 239
A group of five South-East Asian bronze chieftain's wares, late 19th/early 20th century, comprising: a crescent shaped vase with zoomorphic handles, 27cm high, 46cm wide; a kettle with swing handle, 23cm high; a vase stand in two parts; and two bowls (5)The large crescent shaped vase is lacking a mount to one side of the body. There is a small hole where this would have been fixed. Both handles are loose. General wear overall consistent with age and use.The other items are tarnished overall with residue from a cleaning product in the recesses of the decoration. The body of the vase stand with 2 or 3 small casting faults.
Lot 242
A pair of Sino-Tibetan bronze figures of Shakyamuni Buddha, 20th century, each cast seated in dhyana sana, the left hand in dhyana mudra and the right hand touching the ground in bhumisparsha mudra, each sat atop a lotus base, 10cm high (2) 西藏二十世紀 銅釋迦牟尼佛坐像一對品相報告 Condition Report: Surface wear commensurate with age, with old nicks and dents to the edges and surfaces. One of the figures is missing fingers - possibly a casting flaw, and has areas with green encrustations to the surface. Both without base plates.
Lot 258
Three Qajar bronze ewers, 19th century, the largest lacking a handle to the body and finial to the cover, with panels and motifs of flowers etched to the body and cover, 22cm high, the second with figurative and geometric panels and foliate borders to the body, the finial intact, 24.5cm high, the third with foliate and geometric patterns to the body, 22.5cm high (3)Provenance: the Estate of the late designer Anthony Powell (1935 – 2021)Overall in poor condition with heavy tarnishing and verdigris and considerable surface dirt, the joins weak with rust, needs serious cleaning
Lot 296
A group of Byzantine bronze buckles and fittings, some with yellow and blue enamel, 7th century and later (7) Provenance: Private Collection of Theo Sarmas (1938-2018). Theo Sarmas was a London businessman who was a passionate collector of Byzantine ceramics and Greek coinage. Princeton University, New Jersey holds the Theo Sarmas collection of medieval Greek coinage. With some enamel missing, loss to gilding
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389650 item(s)/page