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Lot 221A
* BARBARA BALMER RSA RSW RGI (SCOTTISH b 1929),DRAWING FOR ELEANOREpencil on paper, signed and titled54cm x 35cmMounted, framed and under glass.Note: The subject of this drawing was inspired by JD Fergusson's 1924 polished bronze sculpture "Eastre, Hymn to the Sun". This drawing was commissioned by the current vendor (Eleanore) in 1983 at which time Barbara Balmer owned "Eastre". The 15.7 inch high bronze was sold at auction in Edinburgh in May 2014 for £49,250 (premium).
Lot 208
Titanic interest - bronze medallion by Claude Gondard 7cm diameter, post-sinking postcard and memorial card, The Deathless Story of the Titanic, first edition published by Lloyds Weekly News, The Loss of the Titanic by Lawrence Beesley 1912, A Night to Remember by Walter Lord 1956, six other books/booklets and a quantity of facsimile newspapers
Lot 387
AFTER P J MENE "A pair of Foxes", bronze study with chocolate brown patination, signed within the casting CONDITION REPORTS Bronze not resin. Bronze has wear to it and highlights in various places. Patination and dirt, etc throughout. The fox's tail has been off and re-applied as has one of its hind legs.
Lot 1395
PRINCE PAUL TROUBETZKOY (1866-1938) A woman seated, signed and dated "Paul Troubetzkoy, Paris, 1906". Bronze, 46cm high Provenance: A European noble family Exhibited: Prima Esposizione Internazionale D'arte, Della Secessione, Roma 1913, No. 452 Prince Paul Troubetzkoy was born in Lake Maggiore, Italy, the son of an aristocratic Russian diplomat and an American opera singer. This gilded social status, coupled with his artistic talent meant Troubetzkoy was perfectly placed to capture the social elite at the turn of the nineteenth to twentieth centuries and indeed was a celebrity in his in own right. Troubetzkoy's forte was the society portrait, with particular emphasis on the seated figure. The present bronze can be compared to the well-known 'After the Ball', a portrait of Adelaide Auernheimer who along with her wealthy merchant husband Carlo Federico Aurnheimer became one of the main patrons of the Famiglia artistica milanese, an art gallery founded in 1873 for supporting young artists. Instead of modelling in clay, Troubetzkoy used a non-drying compound of clay and wax called plastilene, giving his finished works a great impression of immediacy. The present bronze is no exception. Troubetzkoy's fluid modelling technique can be seen here in the manipulation of the material, leaving clear thumb prints to be seen in the folds of drapery around the base.
Lot 374
Three Indian heavy bronze lota vessels, probably 19th Century, each having allover foliate decoration, overall diameters 26cm and 31cm, together with a similarly decorated brass lota, overall diameter 31cm Condition: Some losses to the infill decoration - **General condition consistent with age
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