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Empire-Portaluhr mit MonatstagesanzeigeFrankreich, Anfang 19. Jh., Emaillezifferblatt mit römischen Stundenziffern und arabischen Ziffern für die Monatstage, bez. "Duval ànbsp; Paris", Breguetzeiger, Platine nicht gemarkt, Schlag auf Glocke, Pendel mit aufliegender Halterung, der Stand aus feuervergoldeter Bronze als gesockeltes Rundbogenportal mit fein ziselierten Friesen, H: 47,5 cm. Nicht auf Funktion geprüft. Uhrenglas fehlt, Zifferblatt mit Chip und Haarriss.
WakizashiJapan, wohl 19. Jh., kurzes Samurai-Schwert, gebogene Klinge einschneidig, L: ca. 54,5 cm, Nakago sign., in floralen Formen durchbrochen gearbeitetes und sign. Tsuba aus Bronze, Tsuka/Griffstück mit weißem Same und grünem Tsuka Ito aus Seide, Menuki in Drachenform, Fuchi und Kachira aus Bronze verziert Lotosblume und Kaulquappen, Saya/Scheide aus Holz schwarz ummantelt, Kogatana/Beimesser L: 21,5 cm mit Kozaka aus Tombak schön verziert mit halbplastischen Muscheln und Schnecke, Gesamtlänge: 61 cm + Scheide. Dazu ein Wetzstein. Schneide mit winziger Kerbe, Klingenrücken mit kl. Kerben, Tsuba erg.?, 1 Seppa fehlt, Ummantelung der Scheide mit kl. Retuschen und Fehlstellen.
Detkos, AleksanderGorlice 1939 geb., ist ein polnischer Bildhauer, Studium an der Kunstschule Anthony Kenars in Zakopane, anschließend an der Akademie der Bildenden Künste in Danzig. "Büste", Bronze patiniert, tlw. poliert, abstrakte Ausführung, seitlich sign. und dat. 19(95), auf Granitsockel, H: 50 cm.
After the Antique: The Dying Gaul, patinated bronze, raised on a marble base, 31 x 17 x 17cms high.Notes: The Dying Gaul, also called The Dying Galatian or The Dying Gladiator, is an ancient Roman marble semi-recumbent statue now in the Capitoline Museums in Rome. It is a copy of a now lost sculpture from the Hellenistic period (323-31 BC) thought to have been made in bronze. The original may have been commissioned at some time between 230 and 220 BC by Attalus I of Pergamon to celebrate his victory over the Galatians, the Celtic or Gaulish people of parts of Anatolia. The original sculptor is believed to have been Epigonus, a court sculptor of the Attalid dynasty of Pergamon.Until the 20th Century the marble statue was usually known as The Dying Gladiator, on the assumption that it depicted a wounded gladiator in a Roman amphitheatre. However, in the mid-19th Century it was re-identified as a Gaul or Galatian and the present name "Dying Gaul" gradually achieved popular acceptance. The identification as a "barbarian" was evidenced for the figure's torc, thick hair and mustache, weapons and shield carved on the floor, and a type of Gallic carnyx between his legs
A collection of various objets de vertus including a 19th Century travelling barometer thermometer with Singer's Patent compass verso, by C W Dixey & Son Optician to The Queen, 3 New Bond Street London, No'd. 1619, 5 cm diameter, a Chinese heavily carved tortoiseshell snuff box with figural decoration, 7 cm x 4.5 cm, a tortoiseshell and yellow metal inlaid cross pendant on a moonstone bead chain, a Persian lacquered rectangular box, the top decorated with figures revelling in an interior, a Chinese cinnabar lacquered snuff bottle with all-over figural decoration and green stone stopper, 6.5 cm wide x 7.3 cm high, a plain tortoiseshell paperknife, 25.8 cm long, an Austrian cold painted bronze miniature figure of a "Squirrel upon a log", 4.5 cm long, an embossed brass vesta case decorated with Mr. Punch and Bonzo, 5.8 cm long, a lapis lazuli faceted pendant, set of postal scales, Burmese spherical open salt with figural decoration, miniature oval tray with shell marquetry inlaid medallion, a 19th Century marquetry inlaid single section tea caddy, jewellery box and contents of various costume jewellery, child's silver backed embossed dressing table brush, etc. CONDITION REPORTS Regarding the pocket barometer specifically : Whilst the case is basically sound, there is wear and tear to the gilding, particularly to the suspension loop. The silvered dial appears intact as does the mercury thermometer. The dial has some signs of dirt to the surface particularly to the inner section. There is some scratching to the surface of the paintwork on the mother of pearl Singer's compass dial - see images for further detail. The hand appears to be bent on the barometer dial - see images for further detail
A collection of various antiquities and metal detector type finds including various buckles, brooches, coinage, buttons and other artifacts including pottery parts and later coinage including 1st Century AD Romano bronze fantail brooch (with some enamel), Constantine the First the Great, 1st Century Romano British,Roman third Century bronze, Claudius the Second, William the Third half pence, Carl Duke of Brunswick six fennig, George III half penny etc
A 20th Century bronze figure of the Buddha Amitayus (Amitabha) seated in lotus position holding the vase of nectar (amrta) in his lap on a lotus flower decorated base 26 cm high, together with a bronzed figure of the Buddha seated in the Bhumisparsa Mudra (or earth witnessing) posture, 34 cm high (2)
An iron clockwork roasting jack, copper coal scuttle, copper bed warmer, two iron trivets, two anodised single candle wall sconces, a flat iron, a gophering iron stand, two baskets and a pair of leather and iron shackles and a gilt bronze and alabaster table lamp as a putto holding aloft an urn of foliage
A circa 1900 French gilt bronze and alabaster cased mantel clock, the eight day movement by Samuel Marti of Paris, the circular enamelled dial with Arabic numerals inscribed "Le Roy à Paris", the case as a cherub beating a drum upon an oval base with cherubic panel and floral and foliate decoration, 23 cm wide x 15 cm deep x 31 cm high CONDITION REPORTS Whilst the case is basically sound, there are signs of wear and tear conducive with age and use to the gilding, the drum beater is bent/cracked - see image. The circular dial has a chip by the keyhole at eight o'clock. The lettering to the dial has wear, particularly on the L of Le Roy. The wings have light cracking at the join with the back - see images for further detail
A Native American purse with purple ground and silver wire and white beaded tassel decoration 19 cm x 12 cm, together with an African carved hardwood head rest or pillow with figural decoration of kneeling figure with bottle and another with food bowl, on a carved rectangular base, 16.5 cm wide x 9 cm deep x 18 cm high, a Benin bronze flask with snake decoration, 14.5 cm wide x 19.5 cm high and a Zulu turquoise bead and shell and seed decorated waistband or belt, 82 cm long (4)
After Edmé Bouchardon (French, 1698-1762), a patinated bronze figural group modelled as blindfolded cupid with a young child, probably late 19th or early 20th century, 57cm high (at fault) CONDITION REPORT:The figure shows evidence of possible repair to Cupid's hand holding the torch. Some areas of the casting appear to be somewhat crudely finished. The patinated finish shows the odd small spot of white residue, small stains and areas of dirt.
An Art Deco style bronze patinated spelter figure modelled as a kneeling dancer in the manner of Chiparus, set to an octagonal base, 31.5cm high, with four further Art Deco style female figures, comprising: a celadon painted plaster example 30.5cm high, a cast iron example on a stepped marble plinth, 38cm high, and two resin examples (5)
An Ancient Egyptian Votive bronze figure of Osiris, Late Dynastic Period, 8.5cm high, set to a Perspex base, with a turquoise glazed Shabti figure, and a turquoise faience bird, with a Chinese Nanhai pottery spoon (4) Condition report; Faience bird- Due to the glazing, design, and shape of the figure, we believe it to be of Egyptian origin. It also bears remanence of gilt decoration. However, its exact origin and period cannot be determined.
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350105 item(s)/page