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Click here to subscribeA pair of early twentieth century gilt bronze twin branch wall sconces. Modelled in the style of Robert Adam. Surmounted with urns supporting swags, having ram masks and double scrolling branches. 54cm. Condition Report. To be used as a guide only. One swag length detached and with a small section missing. Would need to be re wired.
A George III bracket clock by Thomas Wagstaffe of London. With bronze mounted figured mahogany pagoda case with reeded canted corners, twin loop handles over fish scale arch brass fretwork panels and raised on bracket feet. Housing an eight day triple fusee movement with engraved back plate, verge escapement, pull repeater, and quarter striking on nine bells. Having enamel dial with Roman and Arabic markers signed Thos. Wagstaffe, London and with a subsidiary strike/silent dial both reserved on an arch topped gilded brass mask ornamented with scrollwork spandrels. 47cm high, 36cm wide, 22cm deep. Thomas Wagstaff is recorded in Britten's Old Clocks and Watches working at 33 Gracechurch Street 1766-94. Condition Report. To be used as a guide only. The mechanism is fully working. Sold with both keys. Case in good condition. Chip to the enamel near right winding hole. Pull repeater string replaced. Dated receipt from John Noott 23/8/79 details repair to the escapement and instillation of frets to the rear door.
An early nineteenth century French gilt bronze and porcelain mantel clock, probably Sèvres. Of ovoid form and ground in gros bleu. Surmounted with an urn of flowers, flanked by twin ram masks and supported on scrolling corbels and a socle united by a flower garland and raised over a breakfront plinth. With enamel dial signed W. C. Shaw, Paris and with Roman and Arabic markers. Housing an eight day movement with anchor escapement and chiming half hourly on a bell. 56cm high. Base 28cm x 18cm. Condition Report. To be used as a guide only. Very good condition and working. All mounts require tightening. No key.
A nineteenth century French bronze cased mantel clock. Housing an eight day movement striking half hourly on a bell. Decorated with figural mounts and set with Sèvres panels. Movement stamped and signed J. Silvani, Paris. 27cm. Condition Report. To be used as a guide only. Hair cracking to the enamel dial. Case otherwise in very good condition. Mechanism working.
An early twentieth century French white onyx and gilt bronze clock garniture. Of Neo-Classical architectural form surmounted with an urn and raised on three cylindrical column supports with floral swags. Housing an eight day Mougin movement chiming half hourly on a bell. 41cm high. Condition Report. To be used as a guide only. pendulum lacking. No damage to the stone or bronze.
A nineteenth century French gilt bronze figure of a woman in eighteenth century evening attire. 35cm. Condition Report. To be used as a guide only. Some wear to the gilding. Pegs underneath the figure suggest there should be a plinth or that it was mounted upon a clock or piece of furniture.
A Rococo style gilt bronze twin branch candelabra with a Meissen style model of a Jay perched on a tree stump and coloured in naturalistic enamels. Underglaze cross and T mark. 63cm high. Aperture of base approx 15.5cm. Condition Report. To be used as a guide only. Top section of the birds beak missing, some restoration. Bronze stand in good order.
A George III figured mahogany serpentine chest of four graduated drawers. With three compartments to the top drawer, moulded top, raised cock beading, neo Classical style gilt bronze oval handles and raised on bracket feet. 105cm wide, 63cm deep, 84cm high. Condition Report. To be used as a guide only. Front right corner of the top broken off and re attached.
A pair of twentieth century life size bronze figures of Manchu servants. Modelled in the form of knelt palanquin carriers. Each dressed in a loin cloth and with queue hair styles. 92 cm high. Condition Report. To be used as a guide only. No damage to the bronze. Dry patina. Slight oxidation to the foot of one.
An Edwardian figured mahogany musical grandmother clock with 8 day triple fusee movement striking on eight bells and five gongs, with strike / silent mechanism and alternating between Westminster and an 8 bells chime. The pagoda top with bronze mounted Corinthian column supports houses a brass arch topped dial with painted moon roller and silvered chapter ring framing a painted maritime scene. The case is further adorned with reeded quarter columns, blind fret carving and is supported on splay bracket supports. 218cm high, 38cm wide, 23cm deep. Chapter ring 20.5cm diameter. Condition Report. To be used as a guide only. Dial painting re finished. Case in good order. Mechanism working.
A Japanese Meiji period large bronze jardiniere on stand. Decorated in relief with an underwater scene ground with wave scrolls and populated with fish, shellfish and a turtle, the spreading base is adorned with a fierce dragon. 57cm diameter. Condition Report. To be used as a guide only. Some slight loss and holes to the lower rim.
Alfred Vocke (Breslau 1866-1944): An Art Deco Bronze Urn, cast with animals and nude figures, stamped in cast VOCKE BERLIN, on six ball feet, 20cm Vocke received his training at the State Academy of Art and Crafts Wroclaw, and was a Professor at the Staatliche Kunstakademie Kassel and the United State Schools for Free and Applied Arts in Berlin. *PLEASE NOTE: Droit de Suite Royalty Charges (or ARR) apply to this lot
Johann Philipp Ferdinand Preiss (German 1882-1943): ``The Tambourine Dancer``, A Gilt Patinated Bronze and Carved Ivory Figure, modelled as a female with flowing hair and dress, her arms outstretched holding a tambourine in one hand, on a marble base, signed in cast F Preiss, 34cm Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.79. Circular mark on the top of the head join, white paint dot on right hand finger, discoloured line on right back shoulder 1cm long, tiny nick on back on tambourine, both arm bands have moved revealing the joints, faint line coming down the left hand arm, surface scratches/wear on her right hip. 10/07/2014
Johann Philipp Ferdinand Preiss (German 1882-1943): A Cold-Painted Bronze and Ivory Figure, designed by Philippe, of a seated violin player, the young woman wearing a gilt tinted dress, on a green onyx stepped rectangular base, signed in the cast Phillippe and the Preiss Kassler logo, 31cm high (missing bow) Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.49. Crack in top of head, hairlines under her chin, repaired finger, the violin is a different colour, surface scratches, nicks to the corners and edges of the onyx. 09092014
Paul Philippe (French 1870-1930): Le Grand Ecart Respectueux (The Respectful Splits) A Patinated and Cold-Painted Bronze and Ivory Figure, circa 1925, modelled as a woman wearing a futuristic costume, raised on an elongated octagonal base, signed in the cast P.Philippe with foundry mark for Rosenthal & Maeder, 21cm high, 28cm long Head is loose, hairlines in the ivory hands, some wear to the patination and cold-paint, some chips to the base. 12092014
Georges Omerth (French fl.1895-1925): A Patinated Bronze and Ivory Dancer, the female figure with one arm raised and balanced on one leg, on an onyx base, signed in the cast OMERTH and stamped 1 5043, 26.5cm Natural crack under chin. Cracks in neck and breast. Cracks in legs. Wear to the green tinted patination. Chip on edge of onyx base. 121114
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