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Lot 1452
After Albert Hinrich Hussmann (1874-1946) A modern German Pferdekopf Horse Head, with bronzed patina, signed and stamped 1697/1 (?) 28.5cm high. Lot 1452 - It is heavy, but not really enough to be solid bronze, it is modern. After Albert Hinrich Hussmann (1874-1946) A modern German Pferdekopf Horse Head, with bronzed patina, signed and stamped 1697/1 (?) 28.5cm high.
Lot 339
dating: Mid 19th Century provenance: Italy, Triangular, double-edged blade with fuller at the centre, partially engraved, the pierced part with engraved, brass inlays, carved, engraved and pierced with a double eagle at the base. Bronze ring nut engraved with a trophy. Leather scabbard with engraved, bronze mounts on the border. length 32 cm.
Lot 223
dating: Second half of the 19th Century provenance: India, Elegant, curved, double-edged blade made of fine dark damask, the edges in the first part reinforced, a thin rib in the middle. The base carved with tiger and antelope. Bronze grip of unusual shape, richly pierced with floral motifs and Arabic inscriptions. Restoration at the base. Original leather-covered wooden scabbard (missing parts) with decoration in bas-relief. length 33 cm.
Lot 40
dating: about 1810 provenance: Lancusi, Smoothbore, two-stage, 18 mm cal barrel with ring and acanthus leaves at the girdle, swallow-tailed front sight, keeping most of the original browning; tang engraved with floral motifs; flintlock signed 'CARMI. PAPA', slightly engraved and carved. Wooden full stock (a very small restoration) carved at the fore-end cap, checkered hand rest and grooved butt. Filigree inlays with floral motifs up to the center of the butt, checkering with stylized lilies. Beautiful bronze mounts partly pierced or in bas relief with floral motifs, the pierced parts with granulated background. Browned butt-plate. Iron ramrod with carved tip. For Carmine Papa see Barbiroli 'Repertorio Storico Degli Archibugieri Italiani dal XIV al XX Secolo'; Clueb, Bologna, 2012, page 407. length 118.5 cm.
Lot 38
dating: about 1810 provenance: Naples, Long, smoothbore, two-stage, 16 mm cal barrel with ring at the girdle, the base with Neapolitan mark (not completely legible) under two lilies, refreshed browning, road rear sight and white, metal, swallow-tailed front sight; engraved tang; slightly carved and engraved miquelet lock. Half wooden stock carved with floral motifs and grooved butt. Fine, bronze hilts with floral motifs and masks. Interesting ramrod with iron base, the external part made of wood, missing tip. length 155.5 cm.
Lot 155
dating: machi Period (1392-1573) provenance: Japan, Hira Zukuri Iorimune blade, school of Soshu tradition. Nagasa (length: 27.5 cm); Hada: Mokume Itame; Hamon: Midare Choji Hitatsura Ko Nie Deki; Some defects. Copper, double habaki. Nakago Ubu Funagata Iriyamata Gata; Yasurime: Katte Sagari; a mekugi-ana. Interesting Koshirae with smooth bronze mounts en suite. Tsuka-ito of black silk. Saya of rough black-lacquered wood with mounts en suite with the Tsuka. The Koiguchi and the Tsuba form an enlarged Tsuba, a removable wallet for gold or silver coins inside the saya. Complete with Kozuka. The Sue Koto medium Muramachi blade. Koshirae of late Edo period. length 43.2 cm.
Lot 215
dating: 19th Century provenance: India, Single-and short-false-edged blade, the part of the edge divided into hollow cuts with drops at the ends, with smooth tip hollowed on the other side, the back carved with waves. Solid iron mounts with langets, curved loop-guard with the edge shaped as a dragon's head, large disc-shaped pommel, the button with pierced and movable bronze ring. length 61.5 cm.
Lot 230
Various copper Great Britain coins in Whitman folders, all incomplete to include farthings 1860-1901, 1902-1936, 1937-1956, halfpennies 1902-1936 (empty), 1937, pennies 1860-1880, 1881-1901,1902 -1929, 1930-1966, 1930-1966 plus one with Australian coppers and a monograph on the Victorian bronze penny 1860-1901 by Michael J Freeman.Approx 12 pieces
Lot 235
In the style of François Gérard (1770-1837), a miniature portrait of Jeanne Françoise Julie Adélaïde Récamier (1777-1849) on chaise longue in white silk dress & wrapped in red satin sheet, set in decorative gilt bronze mount with mirror to rear, lacking stand. Image size 131mm x 91mm. Ivory Exemption Submission Reference: QHD1UDSZ. Provenance: Sold by Puttick & Simpson Ltd. Auctioneers, London, Wednesday, October 7th 1953
Lot 600
A MAHOGANY, BRASS MARQUETRY AND BRONZE MOUNTED SERVING TABLE OR SIDE TABLEENSUITE TO THE FOLLOWING LOT IN REGENCY STYLE, SECOND HALF 19TH CENTURYOf inverted breakfront form, the concealed central drawer stamped 'EDWARDS & ROBERTS' 92cm high, 165cm wide, 51cm deepProvenance:The Private Collection of a GentlemanFormed at two properties in Twickenham and Hampton Court, over a period of sixty yearsThe firm of Edwards & Roberts, 1845-1899, specialised in reproductions of earlier styles. The Victoria & Albert museum collection has a chair with similar brass anthemion and greek key inlay designed by Thomas Hope (circa 1807) and made by Edwards & Roberts circa 1892.Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning.Some wear to marble and edge and small old loss. Frame seems structurally sound- loss to smaller elements on frieze but more considerable loss to plinth base Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 624
AN ITALIAN 'GRAND TOUR' BRONZE CAPITOLINE SHE-WOLF EARLY 19TH CENTURY On Levanto marble base 19cm high, 17cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The bronze good- minor wear to one ear- the base with nibbles and small chips and what looks to be an old repair to one upper cornerPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 576
λ AFTER LEONID POSEN (UKRAINIAN 1849-1921), CAST BY WOERFFEL, A RARE LARGE BRONZE FIGURAL GROUP 'OXEN' OR 'HEADING TO THE DUCK MARKET' CIRCA 1890 Signed to the cast "L Posene sclp", with Cyrillic foundry mark and date 1881 and ST PETERSBOURG approximately 78cm wide, 37cm deep, 29cm highProvenance: Private collection, Blaisdon Hall, GloucestershirePosen was a self-taught artist who combined a career in jurisprudence with a life as a sculptor. The son of a retired Guard captain, he was born in Poltava in central Ukraine. He studied law and went on to work as a lawyer in St. Petersburg before moving to Poltava, where he held the position of assistant prosecuting attorney of the District Court. He had no official training as a sculptor but from childhood worked in bread and wax modelling scenes from everyday life. In 1880 on the recommendation of G G Myasoedova he exhibited his original wax version of this work at the Society for Travelling Art Exhibitions (TPHV). Werfel saw the work and bought the rights to cast it in bronze. Posen was duly elected to the TPHV- a group better known today as the "Peredvizhniky" (The Wanderers).Alongside his work as a lawyer- Posen went on to sculpt works that celebrated the life he saw around him- peasants, farmhands working and thriving in the Ukrainian countryside. For similar examples of this work please see:Doyle, New York, October 30, 2019, lot 187 sold $81,250Sotheby's London, June 6 2017, lot 441 sold £137,500 Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There is some colour variance visible to the top- presumably from cleaning/handling- this can be seen in the water/pool flatter areas. There is also some loss of patina to exposed edges to the sides and to tops of oxen heads and some raised details. The seated female figure a little loose but does not come off. Otherwise generally in seemingly good condition with little in the way of knocks of movement to exposed areas/detailsPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 467
AN ORNATE LARGE PAIR OF BRONZED DOOR KNOCKERS PROBABLY 19TH CENTURY ITALIAN In the Venetian Renaissance manner, dolphin backplate above figures on a drapery background, monkey below 53cm high, 27 cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. These are bronzed- probably brass- and lack the weight of bronze knockers- hollow backs, some casting flaws and 1 tear/crease from manufacture- wear to patina from usePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 660
AFTER FRANÇOIS RUDE (FRENCH, 1784- 1855), A BRONZE GROUP 'THE EDUCATION OF ACHILLES BY THE CENTAUR CHIRON' 19TH CENTURY approximately 43cm high, base 45cm wideProvenance:The Simon Neal Collection. Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Lacking some small elements- lyre to bottom left corner, main bow, lower section of arrow/sword to centaur's left hand. Overall fairly greenish areas of surface interspersed with darker patination. Small areas such as Achilles face with possible later repatination. The surface slightly rough in areas and drapery section which had lyre on it loose/partially fixed to base. Please see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 547
ALFRED JACQUEMART (FRENCH, 1824-1896) BRONZE FIGURE OF 'THE HOUND AND TORTOISE' LATE 19TH/EARLY 20TH CENTURY signed to cast 'A. Jacquemart' 15cm high, base 18cm wide Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The whole has the patina of being loved- and stroked- with paler patination to the back. The overall surface is quite dirty and it will benefit strongly from a sympathetic light clean and wax. The base edge with some distortionPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
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389642 item(s)/page